New Books In Popular Culture

Goddess characters are revered as feminist heroes in the popular media of many cultures. However, these goddess characters often prove to be less promising and more regressive than most people initially perceive. Goddesses in film, television, and fiction project worldviews and messages that reflect mostly patriarchal culture (including essentialized gender assumptions), in contrast to the feminist, empowering levels many fans and critics observe. Building on critiques of other skeptical scholars, The Goddess Myth in Contemporary Literature and Popular Culture: A Feminist Critique (University Press of Mississippi, 2022) deepens how our remythologizing of the ancient past reflects a contemporary worldview and rhetoric. Structures of contemporary goddess myths often fit typical extremes as either vilified, destructive, dark, and chaotic (typical in film or television); or romanticized, positive, even utopian (typical in women’s speculative fiction). This goddess spectrum persistently essentializes gender, stere

Last episode we discussed films about how a nuclear war would start, particularly the insane logic of Mutually Assured Destruction (MAD). In this episode we explore how American, British, and Australian filmmakers imagined the unimaginable - Armageddon and the literal and figurative fallout. We look at On the Beach (1959), The Day After (1983), and Threads (1984). We challenge the conventional wisdom that the West only seriously worried about nuclear after the Cuban Missile Crisis, provide some background on the history of anti-nuclear social movements, and compare how these three unforgettable films chose to depict nuclear destruction. How accurate were they? Did they make a difference? And, how many of us are still traumatized by seeing them? Lia Paradis is a professor of history at Slippery Rock University. Brian Crim is a professor of history at the University of Lynchburg. For more on Lies Agreed Upon, go here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a

What story begins in a bedroom in suburban New Jersey in the early '60s, unfolds on some of the country's largest stages, and then ranges across the globe, demonstrating over and over again how Rock and Roll has the power to change the world for the better? This story. The first true heartbeat of Unrequited Infatuations: A Memoir (Hachette Books, 2022) is the moment when Stevie Van Zandt trades in his devotion to the Baptist religion for an obsession with Rock and Roll. Groups like the Beatles and the Rolling Stones created new ideas of community, creative risk, and principled rebellion. They changed him forever. While still a teenager, he met Bruce Springsteen, a like-minded outcast/true believer who became one of his most important friends and bandmates. As Miami Steve, Van Zandt anchored the E Street Band as they conquered the Rock and Roll world. And then, in the early '80s, Van Zandt stepped away from E Street to embark on his own odyssey. He refashioned himself as Little Steven, a political songwriter a

Across North America, native peoples and colonists alike played a variety of kicking games long before soccer's emergence in the late 1800s. Brian D. Bunk examines the development and social impact of these sports through the rise of professional soccer after World War I. As he shows, the various games called football gave women an outlet as athletes and encouraged men to form social bonds based on educational experience, occupation, ethnic identity, or military service. Football also followed young people to college as higher education expanded in the nineteenth century. University play, along with the arrival of immigrants from the British Isles, helped spark the creation of organized soccer in the United States—and the beautiful game's transformation into a truly international sport. A multilayered look at one game’s place in American life, From Football to Soccer: The Early History of the Beautiful Game in the United States (University of Illinois Press, 2021) refutes the notion of the U.S. as a land outs

Any song as old and as familiar as “My Old Kentucky Home” is bound to have accrued many different meanings and an interesting history. Emily Bingham’s book, My Old Kentucky Home: The Astonishing Life and Reckoning of an Iconic American Song (Knopf, 2022) delivers on the promise of its title. In this book Bingham uses the reception of “My Old Kentucky Home,” composed in 1853 by Stephen Foster, to consider how white Americans have constructed a story about the United States that washes away racism and silences the pain of enslavement and racialized violence. Bingham traces the journey of “My Old Kentucky Home” from a popular minstrel song written by an alcoholic Northerner to Lost Cause anthem to American patriotic hymn to a symbol of a reckoning over United States history that is still unfinished. She explains how Black Americans’ responses to “My Old Kentucky Home” illuminates the challenges and contradictions of living within a racist system while also protesting it. Bingham also reveals the lengths to which

In Nocturnal Admissions: Behind the Scenes at Tunnel, Limelight, Avalon, and Other Legendary Nightclubs (Santa Monica Press, 2022), nightclub director Steve Adelman reflects on his years working in some of the world's most popular nightclubs. In his memoir, Adelman reflects on his work in in New York City in the nightclub heyday of the late 1980s and 1990s, at the Roxy, Limelight, Tunnel, and Palladium, followed by Avalon (Boston, Hollywood, and Singapore locations), and the New Daisy Theatre in Memphis. Nocturnal Admissions is a timely, nonconventional look at one of pop culture's most outwardly glamorous, yet misunderstood industries, bringing the reader backstage into the world of nightlife at its highest level. Wearing the multiple hats of ringmaster, entrepreneur, guidance counselor, multimillion-dollar dealmaker, and music soothsayer, Adelman chronicles an improbable journey from small town to big city, filled with a cast of characters he could never have imagined: People named Hedda Lettuce, Jenetalia,

Buy Black: How Black Women Transformed US Pop Culture (U Illinois Press, 2022) examines the role American Black women play in Black consumption in the US and worldwide, with a focus on their pivotal role in packaging Black feminine identity since the 1960s. Through an exploration of the dolls, princesses, and rags-to-riches stories that represent Black girlhood and womanhood in everything from haircare to Nicki Minaj’s hip-hop, Aria S. Halliday spotlights how the products created by Black women have furthered Black women’s position as the moral compass and arbiter of Black racial progress. Buy Black reveals what attitudes inform a contemporary Black sensibility based in representation and consumerism. It also traces the parameters of Black symbolic power, mapping the sites where intraracial ideals of blackness, womanhood, beauty, play, and sexuality meet and mix in consumer and popular culture. Mickell Carter is a doctoral student in the department of history at Auburn University. She can be reached at mzc015

In Earworm and Event: Music, Daydreams, and Other Imaginary Refrains (Duke UP, 2022) Eldritch Priest questions the nature of the imagination in contemporary culture through the phenomenon of the earworm: those reveries that hijack our attention, the shivers that run down our spines, and the songs that stick in our heads. Through a series of meditations on music, animal mentality, abstraction, and metaphor, Priest uses the earworm and the states of daydreaming, mind-wandering, and delusion it can produce to outline how music is something that is felt as thought rather than listened to. Priest presents Earworm and Event as a tête-bêche—two books bound together with each end meeting in the middle. Where Earworm theorizes the entanglement of thought and feeling, Event performs it. Throughout, Priest conceptualizes the earworm as an event that offers insight into not only the way human brains process musical experiences, but how abstractions and the imagination play key roles in the composition and expression of o

The world lived under the shadow of the acronym MAD for forty years. Mutually Assured Destruction was no laughing matter, but Stanley Kubrick thought dark comedy was the only way to approach a topic as ridiculous as MAD. In this episode we compare and contrast Dr. Strangelove (1964) with Failsafe, a serious film about the same subject that came out the same year. We reveal just how spot on Dr. Strangelove was about MAD versus Failsafe’s unwarranted optimism that limited nuclear war was possible. An army of political scientists and bureaucrats game theoried fighting and winning a nuclear war like it was just another social science problem. Civilians are the warmongers in our MAD films. Dr. Strangelove may be a deranged Nazi freak, but everything he said was seriously considered by real life MAD Men. Lia Paradis is a professor of history at Slippery Rock University. Brian Crim is a professor of history at the University of Lynchburg. For more on Lies Agreed Upon, go here. Learn more about your ad choices. Visit

Remembering Enslavement: Reassembling the Southern Plantation Museum (U Georgia Press, 2022) explores plantation museums as sites for contesting and reforming public interpretations of slavery in the American South. Emerging out of a three-year National Science Foundation grant (2014-17), the book turns a critical eye toward the growing inclusion of the formerly enslaved within these museums, specifically examining advances but also continuing inequalities in how they narrate and memorialize the formerly enslaved. Using assemblage theory as a framework, Remembering Enslavement offers an innovative approach for studying heritage sites, retelling and remapping the ways that slavery and the enslaved are included in southern plantation museums. It examines multiple plantation sites across geographic areas, considering the experiences of a diversity of actors: tourists, museum managers/owners, and tour guides/interpreters. This approach allows for an understanding of regional variations among plantation museums, n

For two decades, Rockstar Games have been making games that interrogate and represent the idea of America, past and present. Commercially successful, fan-beloved, and a frequent source of media attention, Rockstar’s franchises are positioned as not only game-changing, ground-breaking interventions in the games industry, but also as critical, cultural histories on America and its excesses. But what does Rockstar’s version of American history look like, and how is it communicated through critically acclaimed titles like Red Dead Redemption (2010) and L.A. Noire (2011)? By combining analysis of Rockstar’s games and a range of official communications and promotional materials, Rockstar Games and American History: Promotional Materials and the Construction of Authenticity (de Gruyter, 2022) offers critical discussion of Rockstar as a company, their video games, and ultimately, their attempts at creating new narratives about U.S. history and culture. It explores the ways in which Rockstar’s brand identity and their

Why is reality TV important? In True Story: What Reality TV Says About Us (FSG, 2022), Danielle J. Lindemann, an Associate Professor of Sociology at Lehigh University, uses a sociological lens to examine the meaning and role of reality TV in contemporary society. In doing so, the analysis demonstrates how reality TV reinforces often narrow and conservative stereotypes about families, gender, class, race, and sexuality. At the same time, the book shows how reality TV can offer representations for excluded communities and is not consumed uncritically by audiences, even as reality TV is reflective of broader social inequalities. Drawing on classical and contemporary sociological theories and frameworks, the book uses a huge range of examples, from some of the early reality TV classics, through the huge hits, to the niche and less well-known shows that both reflect and shape how life is shown on TV. The book is essential reading across the social sciences and arts and humanities, as well as for anyone interested

It was only two decades ago, but, for the women of country music, 1999 seems like an entirely different universe. With Shania Twain, country's biggest award winner and star, and The Chicks topping every chart, country music was a woman's world: specifically, country radio and Nashville's Music Row. Cut to 2021, when women are only played on country radio 16% of the time, on a good day, and when only men have won Entertainer of the Year at the CMA Awards for a decade. To a world where artists like Kacey Musgraves sell out arenas but barely score a single second of airplay. But also to a world where these women are infinitely bigger live draws than most male counterparts, having massive pop crossover hits like Maren Morris's "The Middle," pushing the industry to confront its deeply embedded racial biases with Mickey Guyton's "Black Like Me," winning heaps of Grammy nominations, banding up in supergroups like The Highwomen and taking complete control of their own careers, on their own terms. When the rules stopp

Can you imagine living in a society that is ostensibly a democracy but secret forces are working behind the scenes to manipulate events? What if our intelligence agencies run amok with no oversight? What if the president is a criminal and would do anything to stay in power? These sound like current events, but they were major preoccupations during the 1970s in the wake of Watergate and congressional hearings about CIA and FBI abuses. Hollywood responded by dramatizing the unfettered power of what some like to call “the deep state” in three films we cover this episode - The Parallax View (1974), The Three Days of the Condor (1975), and All The President’s Men (1976). Each features protagonists unraveling conspiracies at the heart of our national security state, but is exposing the truth enough? Lia Paradis is a professor of history at Slippery Rock University. Brian Crim is a professor of history at the University of Lynchburg. For more on Lies Agreed Upon, go here. Learn more about your ad choices. Visit meg

Davida Breier talks about her debut novel Sinkhole (University of New Orleans Press, 2022). Humidity, lovebugs, and murder. Lies from the past and a dangerous present collide when, after fifteen years in exile, Michelle Miller returns to her tiny hometown of Lorida, Florida. With her mother in the hospital, she's forced to reckon with the broken relationships she left behind: with her family, with friends, and with herself. As a teenager, Michelle felt isolated and invisible until she met Sissy, a dynamic and wealthy classmate. Their sudden, intense friendship was all-consuming. Punk rocker Morrison later joins their clique, and they become an inseparable trio. They were the perfect high school friends, bound by dysfunction, bad TV, and boredom—until one of them ends up dead. Forced to confront the life she turned her back on fifteen years ago, she begins questioning what was truth and what were lies. Now at a distance, Michelle begins to see how dangerous Sissy truly was. An ingenious debut from editor and p

Liz Bucar is the Director of Sacred Writes, Professor of Religion, and Dean’s Leadership Fellow at Northeastern University. Bucar is an expert in comparative religious ethics who has published on topics ranging from gender reassignment surgery to the global politics of modest clothing. Bucar’s current book, Stealing My Religion: Not Just Any Cultural Appropriation (Harvard University Press, 2022), is on the ethics of religious appropriation. She is also the author of award-winning Pious Fashion: How Muslim Women Dress (Harvard University Press, 2017). Bucar’s public scholarship includes bylines in The Atlantic, The Los Angeles Times, Teen Vogue, and Zocalo Public Square as well as several podcasts. She has a PhD in religious ethics from the University of Chicago’s Divinity School. Follow her on Twitter @BucarLiz. You can find an NBN podcast with Bucar talking about Pious Fashion here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooks

In Attack of the Monster Musical: A Cultural History of Little Shop of Horrors (Bloomsbury, 2022), Adam Abraham chronicles the history of this hit musical. Starting with the story of Roger Corman's 1960s movie that was shot in two days with a budget of $30,000, and largely forgotten, Abraham details how two decades later Little Shop of Horrors opened Off-Broadway and became a surprise success. Abraham relates the Faustian tale of Seymour and his man-eating plant transcended its humble origins to become a global phenomenon, launching a popular film adaptation and productions all around the world. This timely and authoritative book looks at the creation of the musical and its place in the contemporary musical theatre canon. Examining its afterlives and wider cultural context, the book asks the question why this unlikely combination of blood, annihilation, and catchy tunes has resonated with audiences from the 1980s to the present. At the core of this in-depth study is the collaboration between the show's creat

The national anthem of the United States is familiar around the world from Olympic medal ceremonies and American patriotic celebrations. Like anything that is over 200 years old, the meaning of The Star-Spangled Banner has changed over time and the song has been the focus of controversy at different times in its history. What many people think they know about the anthem is as much myth and legend as it is fact.  Mark Clague explores many aspects of the song in his book, O Say Can you Hear? : A Cultural Biography of The Star-Spangled Banner (Norton, 2022). Francis Scott Key wrote the lyric to what would become the American national anthem around the time of a battle he witnessed during the War of 1812 between the United States and Britain. As was the custom at the time, he intended for the words to be sung to a pre-existent tune that potential performers would have known. By the time Congress officially named the song the US’s anthem in 1931, it was merely ratifying what had already become a cultural tradition

The tomato gets no respect. Never has. Stored in the dustbin of history for centuries, accused of being vile and poisonous, appropriated as wartime propaganda, subjected to being picked hard-green and gassed, even used as a projectile, the poor tomato is the Rodney Dangerfield of foods. Yet, the tomato is the most popular vegetable in America (and, in fact, the world). It holds a place in America's soul like no other vegetable, and few other foods. Each summer, tomato festivals crop up across the country; John Denver had a hit single titled "homegrown Tomatoes;" and the Heinz tomato ketchup bottle, instantly recognizable, is in the Smithsonian. Author William Alexander is on a mission to get tomatoes the respect they deserve. Supported by meticulous research but told in a lively, accessible voice, Ten Tomatoes that Changed the World (Grand Central Publishing, 2022) seamlessly weaves travel, history, humor, and a little adventure (and misadventure) to follow the tomato's trail through history. A fascinating st

Margaret Cohen joins John to discuss The Underwater Eye, which explores "How the Movie Camera Opened the Depths and Unleashed New Realms of Fantasy." Margaret's earlier prizewinning books include The Novel and the Sea and The Sentimental Education of the Novel, but this project brings her places even her frequent surfing forays hadn't yet reached. She charts the rise of "wet for wet" filming both in the ocean itself and in various surrogates, exploring the implications of entering a domain that humans can explore and come to know, but never master. She and John discuss the rarity of professional divers in early 19th century (Henri Edwards 1843) and Natasha Adamowsky on the abiding fear of the depths. Conversation also pivots towards such SF classics as Stanislas Lem Solaris (1961), featuring a sentient underwater being which controls the planetary tides, though this wrinkle disappears in the 1971 Tarkovsky film. Margaret wittily labels the unintended consequences of human agency the "dialectic of the anthropo