Classic Poetry Aloud

R Herrick read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------- Delight in Disorder by Robert Herrick (1591–1674) A sweet disorder in the dress Kindles in clothes a wantonness:– A lawn about the shoulders thrown Into a fine distractión,– An erring lace, which here and there Enthrals the crimson stomacher,– A cuff neglectful, and thereby Ribbands to flow confusedly,– A winning wave, deserving note, In the tempestuous petticoat,– A careless shoe-string, in whose tie I see a wild civility,– Do more bewitch me, than when art Is too precise in every part. First aired: 15 May 2008 For hundreds more poetry readings, visit the Classic Poetry Aloud index. Reading © Classic Poetry Aloud 2009

A Tennyson read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------- Tears Idle Tears by Alfred, Lord Tennyson (1809 – 1892) Songs from “The Princess.” IV. Tears, Idle Tears Tears, idle tears, I know not what they mean, Tears from the depth of some divine despair Rise in the heart, and gather to the eyes, In looking on the happy Autumn-fields, And thinking of the days that are no more. Fresh as the first beam glittering on a sail, That brings our friends up from the underworld, Sad as the last which reddens over one That sinks with all we love below the verge; So sad, so fresh, the days that are no more. Ah, sad and strange as in dark summer dawns The earliest pipe of half-awaken’d birds To dying ears, when unto dying eyes The casement slowly grows a glimmering square; So sad, so strange, the days that are no more. Dear as remember’d kisses after death, And sweet as those by hopeless fancy feign’d On lips tha

E Dickinson read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------- The Grass so little has to do by Emily Dickinson (1830 – 1886) The Grass so little has to do – A Sphere of simple Green – With only Butterflies to brood And Bees to entertain – And stir all day to pretty Tunes The Breezes fetch along – And hold the Sunshine in its lap And bow to everything – And thread the Dews, all night, like Pearls – And make itself so fine A Duchess were too common For such a noticing – And even when it dies – to pass In Odors so divine – Like Lowly spices, lain to sleep – Or Spikenards, perishing – And then, in Sovereign Barns to dwell – And dream the Days away, The Grass so little has to do I wish I were a Hay – First aired: 7 May 2008 For hundreds more poetry readings, visit the Classic Poetry Aloud index. Reading © Classic Poetry Aloud 2009

W Whitman read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------- The Dalliance Of The Eagles by Walt Whitman (1819 – 1992) Skirting the river road, (my forenoon walk, my rest,) Skyward in the air a sudden muffled sound, the dalliance of the eagles, The rushing amorous contact high in space together, The clinching interlocking claws, a living, fierce, gyrating wheel, Four beating wings, two beaks, a swirling mass tight grappling, In tumbling turning clustering loops, straight downward falling, Till o'er the river pois'd, the twain yet one, a moment's lull, A motionless still balance in the air, then parting, talons loosing, Upward again on slow-firm pinions slanting, their separate diverse flight, She hers, he his, pursuing. First aired: 3 May 2008 For hundreds more poetry readings, visit the Classic Poetry Aloud index. Reading © Classic Poetry Aloud 2009

W Wordsworth read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------- The World is too Much With by William Wordsworth (1770 – 1850) The world is too much with us; late and soon, Getting and spending, we lay waste our powers: Little we see in Nature that is ours; We have given our hearts away, a sordid boon! The Sea that bares her bosom to the moon; The winds that will be howling at all hours, And are up-gathered now like sleeping flowers; For this, for everything, we are out of tune; It moves us not.--Great God! I'd rather be A Pagan suckled in a creed outworn; So might I, standing on this pleasant lea, Have glimpses that would make me less forlorn; Have sight of Proteus rising from the sea; Or hear old Triton blow his wreathed horn. First aired: 4 May 2008 For hundreds more poetry readings, visit the Classic Poetry Aloud index. Reading © Classic Poetry Aloud 2009

G Herbert read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------- Mattins by George Herbert (1593 – 1633) I cannot ope mine eyes, But thou art ready there to catch My morning-soul and sacrifice: Then we must needs for that day make a match. My God, what is a heart? Silver, or gold, or precious stone, Or star, or rainbow, or a part Of all these things or all of them in one? My God, what is a heart? That thou should'st it so eye, and woo, Pouring upon it all thy art, As if that thou hadst nothing else to do? Indeed man's whole estate Amounts (and richly) to serve thee: He did not heav'n and earth create, Yet studies them, not him by whom they be. Teach me thy love to know; That this new light, which now I see, May both the work and workman show: Then by a sun-beam I will climb to thee. First aired: 1 August 2009 For hundreds more poetry readings, visit the Classic Poetry Aloud index. Reading © Classic Poetry Alou

C Bronte read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------- Life by Charlotte Bronte (1816 – 1855) Life, believe, is not a dream So dark as sages say; Oft a little morning rain Foretells a pleasant day. Sometimes there are clouds of gloom, But these are transient all; If the shower will make the roses bloom, O why lament its fall? Rapidly, merrily, Life's sunny hours flit by, Gratefully, cheerily, Enjoy them as they fly! What though Death at times steps in And calls our Best away? What though sorrow seems to win, O'er hope, a heavy sway ? Yet hope again elastic springs, Unconquered, though she fell; Still buoyant are her golden wings, Still strong to bear us well. Manfully, fearlessly, The day of trial bear, For gloriously, victoriously, Can courage quell despair! First aired: 31 July 2009 For hundreds more poetry readings, visit the Classic Poetry Aloud index. Reading © Classic Poet

AE Housman read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------- Be Still, My Soul, Be Still by AE Housman (1859 – 1936) Be still, my soul, be still; the arms you bear are brittle, Earth and high heaven are fixt of old and founded strong. Think rather, - call to thought, if now you grieve a little, The days when we had rest, O soul, for they were long. Men loved unkindness then, but lightless in the quarry I slept and saw not; tears fell down, I did not mourn; Sweat ran and blood sprang out and I was never sorry: Then it was well with me, in days ere I was born. Now, and I muse for why and never find the reason, I pace the earth, and drink the air, and feel the sun. Be still, be still, my soul; it is but for a season: Let us endure an hour and see injustice done. Ay, look: high heaven and earth ail from the prime foundation; All thoughts to rive the heart are here, and all are vain: Horror and scorn and hate and

C Mew read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------- The Call by Charlotte Mew (1869 – 1928) From our low seat beside the fire Where we have dozed and dreamed and watched the glow Or raked the ashes, stopping so We scarcely saw the sun or rain Above, or looked much higher Than this same quiet red or burned-out fire. To-night we heard a call, A rattle on the window-pane, A voice on the sharp air, And felt a breath stirring our hair, A flame within us: Something swift and tall Swept in and out and that was all. Was it a bright or a dark angel? Who can know? It left no mark upon the snow, But suddenly it snapped the chain Unbarred, flung wide the door Which will not shut again; And so we cannot sit here any more. We must arise and go: The world is cold without And dark and hedged about With mystery and enmity and doubt, But we must go Though yet we do not know Who called, or what marks we shall leave upon the s

DH Lawrence read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------- Piano by DH Lawrence (1885 – 1930) Softly, in the dusk, a woman is singing to me; Taking me back down the vista of years, till I see A child sitting under the piano, in the boom of the tingling strings And pressing the small, poised feet of a mother who smiles as she sings. In spite of myself, the insidious mastery of song Betrays me back, till the heart of me weeps to belong To the old Sunday evenings at home, with winter outside And hymns in the cosy parlour, the tinkling piano our guide. So now it is vain for the singer to burst into clamour With the great black piano appassionato. The glamour Of childish days is upon me, my manhood is cast Down in the flood of remembrance, I weep like a child for the past. First aired: 1 May 2008 For hundreds more poetry readings, visit the Classic Poetry Aloud index. Reading © Classic Poetry Aloud

AE Housman read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------- Loveliest of Trees by AE Housman (1859 – 1936) Loveliest of trees, the cherry now Is hung with bloom along the bough, And stands about the woodland ride, Wearing white for Eastertide. Now, of my threescore years and ten, Twenty will not come again, And take from seventy springs a score, It only leaves me fifty more. And since to look at things in bloom Fifty springs are little room, About the woodlands I will go To see the cherry hung with snow. First aired: 30 April 2008 For hundreds more poetry readings, visit the Classic Poetry Aloud index. Reading © Classic Poetry Aloud 2009

RW Emerson read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------- The Rhodora by Ralph Waldo Emerson (1803 – 1882) On Being Asked Whence Is the Flower In May, when sea-winds pierced our solitudes, I found the fresh Rhodora in the woods, Spreading its leafless blooms in a damp nook, To please the desert and the sluggish brook. The purple petals, fallen in the pool, Made the black water with their beauty gay; Here might the red-bird come his plumes to cool, And court the flower that cheapens his array. Rhodora! if the sages ask thee why This charm is wasted on the earth and sky, Tell them, dear, that if eyes were made for seeing, Then Beauty is its own excuse for being: Why thou wert there, O rival of the rose! I never thought to ask, I never knew: But, in my simple ignorance, suppose The self-same Power that brought me there brought you. First aired: 28 April 2008 For hundreds more poetry readings, visit the Classi

JE Flecker read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------- Opportunity by James Elroy Flecker (1884 – 1915) From Machiavelli "But who art thou, with curious beauty graced, O woman, stamped with some bright heavenly seal Why go thy feet on wings, and in such haste?" "I am that maid whose secret few may steal, Called Opportunity. I hasten by Because my feet are treading on a wheel, Being more swift to run than birds to fly. And rightly on my feet my wings I wear, To blind the sight of those who track and spy; Rightly in front I hold my scattered hair To veil my face, and down my breast to fall, Lest men should know my name when I am there; And leave behind my back no wisp at all For eager folk to clutch, what time I glide So near, and turn, and pass beyond recall." "Tell me; who is that Figure at thy side?" "Penitence. Mark this well that by decree Who lets me go must keep her for his bride. And thou hast

R Kipling read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------- The Way Through the Woods by Rudyard Kipling (1865 – 1936) They shut the road through the woods Seventy years ago. Weather and rain have undone it again, And now you would never know There was once a road through the woods Before they planted the trees. It is underneath the coppice and heath, And the thin anemones. Only the keeper sees That, where the ring-dove broods, And the badgers roll at ease, There was once a road through the woods. Yet, if you enter the woods Of a summer evening late, When the night-air cools on the trout-ringed pools Where the otter whistles his mate. (They fear not men in the woods, Because they see so few) You will hear the beat of a horse's feet, And the swish of a skirt in the dew, Steadily cantering through The misty solitudes, As though they perfectly knew The old lost road through the woods. . . . But there is no r

W Shakespeare read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------- Sonnet 116 by William Shakespeare (1564 – 1616) Let me not to the marriage of true minds Admit impediments. Love is not love Which alters when it alteration finds, Or bends with the remover to remove: O no! it is an ever-fixed mark That looks on tempests and is never shaken; It is the star to every wandering bark, Whose worth's unknown, although his height be taken. Love's not Time's fool, though rosy lips and cheeks Within his bending sickle's compass come: Love alters not with his brief hours and weeks, But bears it out even to the edge of doom. If this be error and upon me proved, I never writ, nor no man ever loved. First aired: 19 April 2008 For hundreds more poetry readings, visit the Classic Poetry Aloud index. Reading © Classic Poetry Aloud 2009

P Verlaine read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------- Claire de Lune by Paul Verlaine (1844 – 1896) Votre âme est un paysage choisi Que vont charmant masques et bergamasques Jouant du luth et dansant et quasi Tristes sous leurs déguisements fantasques. Tout en chantant sur le mode mineur L'amour vainqueur et la vie opportune Ils n'ont pas l'air de croire à leur bonheur Et leur chanson se mêle au clair de lune, Au calme clair de lune triste et beau, Qui fait rêver les oiseaux dans les arbres Et sangloter d'extase les jets d'eau, Les grands jets d'eau sveltes parmi les marbres. Claire de Lune by Paul Verlaine (1844 – 1896) Your soul is a chosen landscape Where charming masked and costumed figures go Playing the lute and dancing and almost Sad beneath their fantastic disguises. All sing in a minor key Of all-conquering love and careless fortune They do not seem to believe in their happiness And the

JE Flecker read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------- Gravis Dulcis Immutabilis by James Elroy Flecker (1884 – 1915) Come, let me kiss your wistful face Where Sorrow curves her bow of pain, And live sweet days and bitter days With you, or wanting you again. I dread your perishable gold: Come near me now; the years are few. Alas, when you and I are old I shall not want to look at you: And yet come in. I shall not dare To gaze upon your countenance, But I shall huddle in my chair, Turn to the fire my fireless glance, And listen, while that slow and grave Immutable sweet voice of yours Rises and falls, as falls a wave In summer on forgotten shores. First aired: 9 April 2008 For hundreds more poetry readings, visit the Classic Poetry Aloud index. Reading © Classic Poetry Aloud 2009

G Herbert read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------- Love by George Herbert (1593 – 1632) Love bade me welcome; yet my soul drew back, Guilty of dust and sin. But quick-eyed Love, observing me grow slack From my first entrance in, Drew nearer to me, sweetly questioning If I lack'd anything. 'A guest,' I answer'd, 'worthy to be here:' Love said, 'You shall be he.' 'I, the unkind, ungrateful? Ah, my dear, I cannot look on Thee.' Love took my hand and smiling did reply, 'Who made the eyes but I?' 'Truth, Lord; but I have marr'd them: let my shame Go where it doth deserve.' 'And know you not,' says Love, 'Who bore the blame?' 'My dear, then I will serve.' 'You must sit down,' says Love, 'and taste my meat.' So I did sit and eat. First aired: 9 April 2008 For hundreds more poetry readings, visit the Classic

W Wordsworth read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------- Evening on Calais Beach by William Wordsworth (1770 – 1850) It is a beauteous evening, calm and free, The holy time is quiet as a Nun Breathless with adoration; the broad sun Is sinking down in its tranquillity; The gentleness of heaven broods o'er the sea: Listen! the mighty Being is awake, And doth with his eternal motion make A sound like thunder—everlastingly. Dear Child! dear Girl! that walkest with me here, If thou appear untouch'd by solemn thought, Thy nature is not therefore less divine: Thou liest in Abraham's bosom all the year; And worshipp'st at the Temple's inner shrine, God being with thee when we know it not. First aired: 7 April 2008 For hundreds more poetry readings, visit the Classic Poetry Aloud index. Reading © Classic Poetry Aloud 2009

R Bridges read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------- Nightingales by Robert Bridges (1844 – 1930) Beautiful must be the mountains whence ye come, And bright in the fruitful valleys the streams, wherefrom Ye learn your song: Where are those starry woods? O might I wander there, Among the flowers, which in that heavenly air Bloom the year long! Nay, barren are those mountains and spent the streams: Our song is the voice of desire, that haunts our dreams, A throe of the heart, Whose pining visions dim, forbidden hopes profound, No dying cadence nor long sigh can sound, For all our art. Alone, aloud in the raptured ear of men We pour our dark nocturnal secret; and then, As night is withdrawn From these sweet-springing meads and bursting boughs of May, Dream,