Notebook On Cities And Culture

Colin Marshall talks to Sean Carroll, theoretical cosmologist specializing in dark energy and special relativity at the California Institute of Technology and blogger at Cosmic Variance. In his new book, From Eternity to Here: The Quest for the Ultimate Theory of Time, Carroll explores possible answers to the question, “Why does time always move forward, never backward?” Addressing the issue necessitates drawing from various domains of physics, going all the way back to the origin of the universe.

Colin Marshall talks to Brian Reynolds Myers, contributing editor to the Atlantic and professor of international studies at Dongseo University in Busan, South Korea. In his new book, The Cleanest Race: How North Koreans See Themselves and Why it Matters, Myers examines North Korean propaganda meant for both internal and external consumption and through it constructs the closed country’s view of itself, its relationship to other countries and the Kim dynasty that has controlled it for 60 years. This approach reveals not a Stalinist ideology but one closer to Nazi Germany’s in its prioritization of the military and fixation on racial purity and a threatening outside world.

Colin Marshall talks to Nick Currie, better known as Momus. Since the mid-1980s he has led parallel careers in music (with 21 albums out so far), prose, art and journalism, exploring the nexuses between them while traveling the world and examining his favorite cultures. He has most recently turned toward traditional ink-and-paper publishing with two volumes, The Book of Jokes and The Book of Scotlands. Since 2004, he has written the blog Click Opera on his life, work and art adventures, which he closed on February 10, the eve of his 50th birthday.

Colin Marshall talks to cinematic journalist and curator Livia Bloom, editor of Errol Morris: Interviews, a compilation of conversations with the nonfiction filmmaker behind such movies as Gates of Heaven, The Thin Blue Line and The Fog of War. The book, which includes two interviews conducted by Bloom herself as well as other notable film writers like Paul Cronin and Roger Ebert, reveals a directorial mind filled with curiosity, love of truth and real or imagined misanthropy.

Colin Marshall talks to Robin Hanson, professor of economics at George Mason University, research associate at Oxford’s Future of Humanity Institute and chief scientist at Consensus Point. He’s also the thinker behind Overcoming Bias, a popular blog about issues of honesty, signaling, disagreement, forecasting and the far future, around which a large rationality-centric community has developed on the internet. “Flicking through Robin’s thoughts,” says the Observer, “you start to feel the ground shifting beneath you.”

Colin Marshall talks to Rob Walker, observer of advertising and marketing in all their forms. Author of the New York Times‘ “Consumed” column and the book Buying In: The Secret Dialogue Between What We Buy and Who We Are, Walker is also the co-creator of the “Significant Objects” project, an experiment wherein various authors and media personalities craft fictional stories to accompany everyday objects found at thrift stores. The objects are then auctioned off, revealing the value-adding effects of narrative.

Colin Marshall talks to Steven E. Landsburg, professor of economics at the University of Rochester, Slate's "Everyday Economics" columnist and author of The Big Questions: Tackling the Problems of Philosophy with Ideas from Mathematics, Economics and Physics. A pioneer in the popular-economics genre with his 1993 book The Armchair Economist, Landsburg now focuses his quantitative mind on issues of epistemology, ontology, morality and otherwise that have heretofore remained mostly untouched by such analysis.

Colin Marshall talks to Chris Wickham, Chichele Professor of Medieval History at Oxford University, Fellow of All Souls College and author of The Inheritance of Rome: A History of Europe from 400 to 1000, the latest in Penguin’s sprawling History of Europe series. Wickham integrates textual and architectual evidence to craft a new, fascinatingly detailed historical experience of the era beginning at the decline of the Roman Empire and ending at the rise of European nations as we know them today. Eschewing both teleology and grand narratives, Wickham presents the Middle Ages not as a mere stepping stone to modernity but as a fascinating period in and of itself.

Colin Marshall talks to Jeremy Haladyna, director of UCSB’s Ensemble for Contemporary Music and composer of the sprawling 28-piece-and-counting Mayan Cycle. Drawing upon over twenty years of research and exploration, Haladyna has translated countless concepts from Mayan thought, art and architecture into music that counts strings, flutes, scratch turntables and even sampled paper towel dispensers among its sonic components. An album of selections from the Mayan Cycle is now available from Innova Recordings.

Colin Marshall talks to Pepita Ferrari, director of Capturing Reality: The Art of Documentary. The first documentary film to concentrate specifically on documentary filmmaking, Capturing Reality features conversations with the likes of Errol Morris, Werner Herzog, Nick Broomfield, Albert Maysles, Scott Hicks and Molly Dineen about such important issues in the genre as interviewing, editing, the line between fact and fiction, the evolutionary possibilities of individual projects and the effect of a filmmaker's presence.

Colin Marshall talks to The Philadelphia Lawyer, author of both the web site of the same name and the book The Happy Hour is For Amateurs: A Lost Decade in the World’s Worst Profession, which is now out in paperback. Combining Kafka-like tales of the gamesmanship and pedantry of the legal profession with vivid accounts of the intense debauchery required to counterbalance all that wasted time in the office, The Philadelphia Lawyer’s web presence has attracted a large, devoted audience of disaffected litigators, suspicious law students and dedicated bacchanalists alike. His book brings the distinctive sensibility of his much-e-mailed stories into long-form narrative.

Colin Marshall talks to Laurie Brown and Andy Sheppard, host and producer, respectively, of The Signal on CBC Radio 2. Since debuting in March of 2007, the program has evolved to provide a highly distinctive listening experience that offers two skillfully-curated hours of late-night contemporary music to listeners across Canada — and, via the internet, the world — that’s neither predictable nor easily genrefiable. Brown accompanies Sheppard’s unusual sonic selections with commentary that’s long impressed fans with its friendliness, intimacy and wealth of odd stories.

Colin Marshall talks to Peter Bagge, the comic artist behind the beloved series Hate as well as Apocalypse Nerd, Neat Stuff and Sweatshop. His new book, Everybody is Stupid Except for Me and Other Astute Observations, collects his stories originally written for the libertarian magazine Reason, works of comic journalism on such subjects as the Iraq war, gun control, the “War on Drugs” and Amtrak.

Colin Marshall talks to So Yong Kim, director of In Between Days, winner of the 2006 Sundance Film Festival’s Special Jury Prize for Independent Vision, and more recently Treeless Mountain, which is now available on DVD. The story of two very young sisters in Seoul left with their distant aunt while their mother searches for their absent father, the film belongs solidly to the realist tradition while evoking the scale, perspective and feel of childhood. The New York Times‘ A.O. Scott calls Treeless Mountain one of the “vital, urgent and timely” vanguard members of the new genre of “neo-neorealism.”

Colin Marshall talks to Ken Freedman, general manager of Jersey City’s WFMU, the longest-running freeform radio station in the United States. Since the mid-1980s, Freedman and his staff have made WFMU’s name a byword for the modern freeform sensibility with a combination of, among other factors, early adoption of new distribution technology, avoidance of identity politics and pure, unadulterated unpredictability.

Colin Marshall talks to longtime Slate wine columnist Michael Steinberger, author of Au Revoir to All That: Food, Wine and the End of France. An ardent culinary Francophile in earlier decades, Steinberger has, along with much of the rest of the food world, come to realize that a malaise has fallen upon the cuisine that once led the world in taste, artistry, experience and sophistication. Steinberger’s book chronicles the history of French food, the recent developments that have forced it to face tough competition from countries like Spain and the United States and the importance of such things as the legality of lait cru cheese, the effects of viticultural subsidies and the fall of the once-almighty Michelin guide.

Colin Marshall talks to three music writers who have written books on English singer-songwriter Nick Drake, whose debut album Five Leaves Left originally shipped on September 1, 1969. Joining the conversation to celebrate the record’s fortieth anniversary are Trevor Dann, former head of BBC Music Entertainment and author of Darker Than the Deepest Sea: The Search for Nick Drake; Patrick Humphries, noted biographer of musicians and author of Nick Drake: The Biography, the very first book on the man; and Peter Hogan, author of Nick Drake: The Complete Guide to His Music and an enthusiast of Drake’s music from the very beginning.

A conversation about religion and falsity with Joel Grus, humorist, atheist and author of Your Religion is False.

A conversation with Tyler Cowen, professor of economics at George Mason University and founding blogger of Marginal Revolution. Cowen's new book is Create Your Own Economy: The Path to Prosperity in a Disordered World.

A conversation with Greg Milner, who's written music and technology journalism for Spin, Rolling Stone, The Village Voice, Slate, Salon and Wired. His new book, Perfecting Sound Forever: An Aural History of Recorded Music, tracing the evolution of music's capture from Edison cylinders to vinyl albums to waveform synthesis.