Dm Lawrence, The Humanitarian Afro-rights Activist

The American Caste Story is my debut "mixtape" and concept album that operates as an autobiographical statement about society and social systems' impact on me, as well as a dialogue between me and the world at large about the very same social systems and society. Furthermore, the album explores systemic issues that relate to social, economic, and political conditions, using jazz as a motif to depict the current state of affairs for members of the African diaspora.

The American Caste Story is DM Lawrence's debut "mixtape" and concept album that operates as an autobiographical statement about society and social systems' impact on DaQuan, as well as a dialogue between DaQuan and the world at large about the very same social systems and society. Furthermore, the album explores systemic issues that relate to social, economic, and political conditions, using jazz as a motif to depict the current state of affairs for members of the African diaspora.

The American Caste Story is DM Lawrence's debut "mixtape" and concept album that operates as an autobiographical statement about society and social systems' impact on DaQuan, as well as a dialogue between DaQuan and the world at large about the very same social systems and society. Furthermore, the album explores systemic issues that relate to social, economic, and political conditions, using jazz as a motif to depict the current state of affairs for members of the African diaspora.

The American Caste Story is DM Lawrence's debut "mixtape" and concept album that operates as an autobiographical statement about society and social systems' impact on DaQuan, as well as a dialogue between DaQuan and the world about the very same social systems and society. Furthermore, the album explores systemic issues that relate to social, economic, and political conditions, using jazz as a motif to depict the current state of affairs for members of the African diaspora and the world at large. Instrumental Credit: "Ab-Soul's Outro" - Kendrick Lamar, Terrace Martin (prod.); Nana-Kofi Siriboe speech

The American Caste Story is DM Lawrence's debut "mixtape" and concept album that operates as an autobiographical statement about society and social systems' impact on DaQuan, as well as a dialogue between DaQuan and the world about the very same social systems and society. Furthermore, the album explores systemic issues that relate to social, economic, and political conditions, using jazz as a motif to depict the current state of affairs for members of the African diaspora and the world at large. Instrumental/Background Music: "So What" by Miles Davis

The American Caste Story is DM Lawrence's debut "mixtape" and concept album that operates as an autobiographical statement about society and social systems' impact on DaQuan, as well as a dialogue between DaQuan and the world about the very same social systems and society. Furthermore, the album explores systemic issues that relate to social, economic, and political conditions, using jazz as a motif to depict the current state of affairs for members of the African diaspora and the world at large. Instrumental/Background Music: "The Heart Pt. 2", by Kendrick Lamar

The American Caste Story is DM Lawrence's debut "mixtape" and concept album that operates as an autobiographical statement about society and social systems' impact on DaQuan, as well as a dialogue between DaQuan and the world about the very same social systems and society. Furthermore, the album explores systemic issues that relate to social, economic, and political conditions, using jazz as a motif to depict the current state of affairs for members of the African diaspora and the world at large. Instrumental Credit: "Mbube" Miriam Makeba performance of Solomon Linda; "All That Jazz" Mick Jenkins

An "Egalitarian" is one who believes in the principle that all people are equal, and deserve equal and equitable rights and opportunities. The EP is my first collection of speeches, essays, monologues, and cultural artifacts that are composed into a "mixtape" in order to empower and inspire everyone who listens. Track 9 serves as an extended cut "Thank you" letter to all those who listened, and the people who poured into me. Without the time and contributions of both listeners and my support system, this project would not be possible.

An "Egalitarian" is one who believes in the principle that all people are equal, and deserve equal and equitable rights and opportunities. The EP is my first collection of speeches, essays, monologues, and cultural artifacts that are composed into a "mixtape" in order to empower and inspire everyone who listens. Track 8 explicitly states my profound and unwavering belief that all people need one another. The composition explores the economic, political, and social conditions of the world, with particular reference to the experience of those considered "Black", i.e. members of the African diaspora.

An "Egalitarian" is one who believes in the principle that all people are equal, and deserve equal and equitable rights and opportunities. The EP is my first collection of speeches, essays, monologues, and cultural artifacts that are composed into a "mixtape" in order to empower and inspire everyone who listens. Track 7 is a composition I wrote to express my feelings about the social and economic conditions of the world in an effort to have humanity value people, including but not limited to themselves, more than tangible items. Put simply, we can replace money, and the products we purchase with money, however we cannot simply replace people, especially those we love.

An "Egalitarian" is one who believes in the principle that all people are equal, and deserve equal and equitable rights and opportunities. The EP is my first collection of speeches, essays, monologues, and cultural artifacts that are composed into a "mixtape" in order to empower and inspire everyone who listens. Track 6 is a remarkable brief monologue by the late great Tupac Shakur, as he discusses the social, political, and economic conditions of the 1990s and their implications on the world. credit: CrackTracks "Dynasty" - https://soundcloud.com/cracktracks504/sets/tupacinterviews

An "Egalitarian" is one who believes in the principle that all people are equal, and deserve equal and equitable rights and opportunities. The EP is my first collection of speeches, essays, monologues, and cultural artifacts that are composed into a "mixtape" in order to empower and inspire everyone who listens. Track 4 poses a series of questions to society, all of which, may possibly relate to and effect the entire global population.

An "Egalitarian" is one who believes in the principle that all people are equal, and deserve equal and equitable rights and opportunities. The EP is my first collection of speeches, essays, monologues, and cultural artifacts that are composed into a "mixtape" in order to empower and inspire everyone who listens. Track 2 is a critical analysis of contemporary society, with focus on the fact that everyone is different, yet everyone has equal value and an infinite capacity. Our ideas, dreams, goals, responsibilities, and experiences make each of us special, invaluable, and important despite global social segregation.

An "Egalitarian" is one who believes in the principle that all people are equal, and deserve equal and equitable rights and opportunities. The EP is my first collection of speeches, essays, monologues, and cultural artifacts that are composed into a "mixtape" in order to empower and inspire everyone who listens. Track 3 consists of a sound bite from one of Jane Elliott's Anti-Racism lectures that questioned the audience.

An "Egalitarian" is one who believes in the principle that all people are equal, and deserve equal and equitable rights and opportunities. The EP is my first collection of speeches, essays, monologues, and cultural artifacts that are composed into a "mixtape" in order to empower and inspire everyone who listens. Track 1 explores the common ground all people share despite politics, economics, and social status,. Simply put, we all need each other and take part in "One Love". credit: Instrumental production by Jase Harley