Songs For The Struggling Artist

When I was in high school and dreaming of being an actor, I read a lot of the major acting texts. I read Stanislavksi. I read Stella Adler. I read Uta Hagen. I read Sanford Meisner. I was particularly enchanted with the Meisner book and tried to square it with the Meisner exercises we’d done at the Governor’s School for the Arts. They didn’t QUITE connect and I could never really apply what I learned to actual shows but I was captivated and all these texts seemed to strive for a more authentic, emotionally honest style of acting. A lot of acting training is concerned with this authenticity. A lot of acting training takes itself very seriously. I took it all pretty seriously. I took myself pretty seriously, truth be told. And then I started working as an actor. The concerns of working actors have very little in common with acting training. For the most part, the jobbing actor becomes less concerned with whether or not you can tell someone their shirt is brown with authenticity (Yes, this was an exercise I did