Smarty Pants From The American Scholar

Who defines paradise, and who gets to live in its verdant incarnation on Earth? This is the question animating Olivia Laing’s new book, The Garden Against Time, which ranges across the history of the English landscape, from John Milton’s writing of Paradise Lost to Laing’s own restoration of a walled garden. Alighting on the heartbreaking pastorals of 19th-century poet John Clare and the queer visions of 20th-century artist and filmmaker Derek Jarman, Laing pulls strands of history, literature, and resistance from the green blur that, for now, still surrounds us, even as it deceives us. Landscape architects like Capability Brown—so named for his capability to impose his will on any vista—were, as Laing writes, able “to fake nature so insidiously that even now those landscapes and the power relations they embody are mistaken for being just the way things are, natural, eternal, blandly reassuring, though what has actually taken place is the seizure of once common ground.” The author of five books of nonfiction