Interviews From Yale Radio / Artists, Curators And More

Tony Bechara, April 29 2018, ©Maku-Lopez Tony Bechara’s dynamic, color-saturated paintings create a pure field of physical perception. You can see a walk through of his show here. Each canvas is meticulously painted with multicolor areas of quarter-inch squares. Using strips of masking tape, Bechara arranges carefully formulated hues into a playful and invigorating optical surface, made up of a multitude of small colored units. The work’s overall rhythm is determined by a process that is systemic but designed to allow combinations of color to emerge by chance. Bechara cites influences across art history, including the colors of Matisse and Vuillard, the pointillism of Seurat and Signac, traditions of weaving and crafting, the precision of hard-edge abstraction, and the famed Byzantine-era mosaics at Ravenna. These influences are evidenced in Bechara’s approach to painting: he uses a tile-like grid as the basis for his explorations into the principles of color usage, particularly the intersection of organizati