Bad At Sports

We sit down with curator Rachel Adams to talk about institutional evolution, artists as infrastructure, and how curatorial practice shifts between museums and biennials. Rachel reflects on working with artists like Cauleen Smith, Liz Magic Laser, and Beatriz Santiago Muñoz, the power of slow curation, and why she’s drawn to hybrid spaces that defy the market. Along the way: phantom titles, artist contracts, Minneapolis moments, and a manifesto in a box of ice cream bars. Cauleen Smith cauleensmith.com   Liz Magic Laser lizmagiclaser.com   Beatriz Santiago Muñoz lima.art   Candice Hopkins indigenousnewyork.org   Nato Thompson https://www.natothompson.com/about   Christina Vassallo columbusmuseum.org   Sarah Schultz mplsart.com   Alison Hearst themodern.org   Andrea Andersson riversinstitute.org   Franklin Sirmans pamm.org   Mary Jane Jacob https://never-the-same.org/interviews/mary-jane-jacob/   Independent Curators International (ICI)