New Books In Eastern European Studies

In The Singing Turk: Ottoman Power and Operatic Emotions on the European Stage from the Siege of Vienna to the Age of Napoleon (Stanford University Press, 2016), Larry Wolff takes us into that distinctly European art form, the opera, to show us the reflection of European ideas of Ottoman Turkey in the modern period. Beginning in 1683 when Ottoman guns shook the walls of Vienna, through a long eighteenth century, and up to Napoleon’s military supremacy in the nineteenth, when Turkish conquest of Europe was “no longer really imaginable” (402), the singing Turk in one form or another, dazzled, terrified, and enchanted European audiences from Vienna, to Venice, to Paris. Professor Wolff’s discussion of the music—its creation, its reception, and its context—is richly entertaining and accessible to the layman. It also reveals important currents in political and cultural thought during the Enlightenment in a Europe with ever-broader horizons. Professor Wolff moves between decades and opera houses, to argue that, rat