New Books In Eastern European Studies

It was the passionate amateur painter, Winston Churchill, who introduced one of the Cold War’s key metaphors: The Iron Curtain. As John J. Curley argues in Global Art and the Cold War (Laurence King Publishers, 2019), this provocative image defined the binary logic of the Cold War and speaks to the larger importance of visuals in both the deployment of contemporary propaganda and in political resistance. A meticulously-researched and accessible monograph, Global Art and the Cold War demonstrates the crucial role of art in the greatest geopolitical conflict of the 20th century. Presenting a nuanced investigation of how the Cold War shaped major art movements including Abstract Expressionism, Pop art, and Conceptualism in the West and Socialism realism in the Eastern Bloc, Curley also challenging the traditional history of American Abstract painting in opposition to Soviet Socialist Realism by integrating other regions including Asia, Africa, and Latin America in to the study. Art from the “Cold War peripheries