The Allusionist

In their podcasts Mija and Moonface, Lory Martinez and James Kim create autobiographical fiction in multiple languages.  There are a few swears in this episode. Find out more about this episode at theallusionist.org/podlingual and hear the whole conversation, and the others in the series, on Scripps College's podcast feed.  The music is by Martin Austwick. Hear Martin’s own songs at palebirdmusic.com or search for Pale Bird on Bandcamp and Spotify, and he’s @martinaustwick on Twitter and Instagram.  The Allusionist's online home is theallusionist.org. Support the show by becoming a patron at patreon.com/allusionist. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

St Valentine's name may nowadays be all over the romance-related merch for 14 February, but he was also the patron saint of beekeepers, epilepsy and plagues. Let's get to know this multi-hyphenate saint a bit better. Find out more about topics covered in this episode at theallusionist.org/valentine. All the information in this episode is real, even though it sounds like it's not. The music is by Martin Austwick. Hear Martin’s own songs at palebirdmusic.com or search for Pale Bird on Bandcamp and Spotify, and he’s @martinaustwick on Twitter and Instagram.  The Allusionist's online home is theallusionist.org. Support the show by becoming a patron at patreon.com/allusionist. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Apologies are such important verbal transactions. So why are so many of them soooo bad? Susan McCarthy and Marjorie Ingall from SorryWatch and Laura Beaudin of fauxpolo.gy pinpoint what to look out for, to sort the apologies from the fauxpologies. There’s more about this episode at theallusionist.org/sorry. The music is by Martin Austwick. Hear Martin’s own songs at palebirdmusic.com or search for Pale Bird on Bandcamp and Spotify, and he’s @martinaustwick on Twitter and Instagram.  The Allusionist's online home is theallusionist.org. Support the show by becoming a patron at patreon.com/allusionist. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionists how and instagram.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

To round off the year, here are some choice cuts from the Allusionist vault of interesting things that guests said that there wasn’t room for in the original episodes. Brace yourself for a vivid name for dust bunnies, the scary side of glamour, another reason to be grateful for bears, and Schrödinger’s Fart. There’s more about this episode at theallusionist.org/bonus2020. The show will be back with new episodes in late January 2021. The Allusionist's online home is theallusionist.org. Support the show by becoming a patron at patreon.com/allusionist. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The usual canon of Christmas songs may not really fit people's moods in this year 2020, when I'm not sure a lot of us are feeling all that holly jolly. So I drafted in singer and songwriter Jenny Owen Youngs and we wrote a festive song that is suitable for 2020. Content note: there are swears. Several of them. Jenny Owen Youngs makes music - find it at jennyowenyoungs.com - and podcasts - Buffering the Vampire Slayer and Veronica Mars Investigations. She’s @jennyowenyoungs on Twitter and Instagram. Martin Austwick provided music, backing vocals and linguistic analysis. Hear Martin’s own songs at palebirdmusic.com or on Spotify, and he’s @martinaustwick on Twitter and Instagram. He also composed the music for the kids’ science podcast Maddie’s Sound Explorers. There’s more about this episode at theallusionist.org/mistletoe. The Allusionist's online home is theallusionist.org. Support the show by becoming a patron at patreon.com/allusionist. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionist

In Australia, there were hundreds, perhaps thousands, of languages. Until English arrived. Rudi Bremer and Karina Lester talk about the destruction and revival of indigenous Australian languages. Content note: this episode refers to violence and genocide. Find more information about the topics in this episode at theallusionist.org/custodians, and listen to the other episodes in the Survival series: Second Home about Welsh in Patagonia; Oot in the Open, about the suppression and revival of Scots; and Bequest, about queer language in Māori; and the pair of Key episodes are about language extinction and preservation. The Allusionist music is by Martin Austwick. Hear Martin’s songs at palebirdmusic.com or on Spotify, and he’s @martinaustwick on Twitter and Instagram. He also composed the music for the new kids’ science podcast Maddie’s Sound Explorers. I make two other podcasts, Veronica Mars Investigations and Answer Me This, which are soothingly escapist. The Allusionist's online home is theallusionist.org. Sta

Fill your lungs and get ready to shout out some profane answers: it’s the Swearlusionist Swearalong Quiz! Every answer is a swear word. Swearing, as we know, is good for your health, plus helps vent stress, and you’ll learn many etymological facts along the way, so this is a very wholesome and educational quiz.CONTENT NOTE: this episode contains swears. Surprise!Find more information about the topics in this episode at theallusionist.org/swearalong.The Allusionist music is by Martin Austwick. Hear Martin’s songs at palebirdmusic.com or on Spotify. He also composed the music for the new kids’ science podcast Maddie’s Sound Explorers.I make two other podcasts, Veronica Mars Investigations and Answer Me This, which are soothingly escapist.The Allusionist's online home is theallusionist.org. Stay in touch at facebook.com/allusionistshow and instagram.com/allusionistshow.Sign up to become a member of the Allusioverse at theallusionist.org/donate, and not only are you supporting an independent podcast, you get behi

This is the Alloooooooooosionist, in which we learn about the etymology of some scary words for Halloween, with the help of Paul Bae of The Black Tapes and The Big Loop podcasts, and Chelsey Weber-Smith of the podcast American Hysteria. Beware of demons! Satan! The bogeyman! Lemurs! Wait - lemurs?? Find more information about these topics and guests at theallusionist.org/nightmare. The Allusionist music is by Martin Austwick. Hear Martin’s songs at palebirdmusic.com or on Spotify, and he’s @martinaustwick on Twitter and Instagram. He also composed the music for the new kids’ science podcast Maddie’s Sound Explorers. I make two other podcasts, Veronica Mars Investigations and Answer Me This, which are soothingly escapist. The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.See Privacy Policy at https://a

Celebrity used to mean a solemn occasion; X factor was algebraic; and fame was a huge terrifying Godzilla-like beast with many many tongues. Here to try define celebrity and fame are historian Greg Jenner of the podcast You’re Dead To Me, Lindsey Weber and Bobby Finger of Who? Weekly podcast, and writer, podcaster and videomaker Hank Green. Find more information about these topics and guests at theallusionist.org/celebrity. The Allusionist music is by Martin Austwick. Hear Martin’s songs at palebirdmusic.com or on Spotify, and he’s @martinaustwick on Twitter and Instagram. He also composed the music for the new kids’ science podcast Maddie’s Sound Explorers. I make two other podcasts, Veronica Mars Investigations and Answer Me This, which are soothingly escapist. The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy

The word for ‘ghostwriter’ in French is a racist slur. How did THAT come about? And what word could French-speakers use instead? Ngofeen Mputubwele and Gregory Warner investigate. This piece originally aired on NPR’s Rough Translation; hear their new season at npr.org and on your pod app. Content note: the piece is about, and therefore contains, offensive terms. And towards the end of the episode, in the Minillusionist, I get into the racist violent etymology of the word ‘bulldozer’. Find more information about these topics and guests at theallusionist.org/ghostwriter. The Allusionist music is by Martin Austwick. Hear Martin’s songs at palebirdmusic.com or on Spotify, and he’s @martinaustwick on Twitter and Instagram. He also composed the music for the new kids’ science podcast Maddie’s Sound Explorers. I make two other podcasts, Veronica Mars Investigations and Answer Me This, which are soothingly escapist. The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, fac

In 2014, a seemingly trivial and boring incident at the bank propelled me down a linguistic road via medieval werewolves, Ms Marvel and confusingly inscribed gravestones, to find out why the English language is riddled with all this gender. What’s it FOR? How did it GET there? Will it go AWAY now please? It is, at the very least, taking up brainspace and not paying any rent. This is a recording of a live performance at the Blueberry Hill Duck Room in St Louis, Missouri on 23 November 2019, and there were visuals happening, so I’ll drop in sometimes to explain them, and I’ve also put a transcript and pictures at theallusionist.org/notitle. There are swears in this. There are also arguments that will be very useful to you if you ever come up against a denier of singular they. You will definitely win. The show features Martin Austwick and Richard Zaltzman. The original music is by Martin Austwick. Hear Martin’s songs at palebirdmusic.com or on Spotify, and he’s @martinaustwick on Twitter and Instagram. He also c

This is the Tranquillusionist, in which I, Helen Zaltzman, quell anxiety and calm brain frenzies by replacing your interior monologue with words detached from significance. In this case: the list of HGTV original programming, and lawnmower adverts from before I was born. Find this episode and a transcript and some pics of lawnmower ads at theallusionist.org/homeandgarden, and all the Allusionist episodes - other Tranquillusionists and also ones that are actually about something - at theallusionist.org. The original music is by Martin Austwick. Hear Martin’s songs at palebirdmusic.com or on Spotify, and he’s @martinaustwick on Twitter and Instagram. He also composed the music for the new kids’ science podcast Maddie’s Sound Explorers. I make two other podcasts, Veronica Mars Investigations and Answer Me This, which are also soothingly escapist. The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.Suppor

After yet another spell of the British press and politicians using very dehumanising and derogatory rhetoric about migrants, I felt it necessary to go back to the Away Team episode of the Allusionist, about the language of migration, with lecturer and researcher Emma Briant, and author and editor Nikesh Shukla. This episode originally went out in early 2017, but it is never not relevant. And there’s a chunk of new material in the Minillusionist, so stick around right till the end to hear that. Find out more about this episode at theallusionist.org/migration2020. The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

It’s great when you coin a phrase that really resonates with people, right? Until they start using it for businesses and ventures that are at odds with the meaning of it… Aminatou Sow and Ann Friedman, hosts of the podcast Call Your Girlfriend and authors of the new book Big Friendship, talk about what their term Shine Theory really means and what they had to do to keep it that way. Find out more about this episode at theallusionist.org/shinetheory. The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Yiddish word for ‘black’ is, in certain uses, a slur. So Anthony Mordechai Tzvi Russell, Arun Viswanath and Jonah Boyarin teamed up to translate Black Lives Matter without it. Find out more about this episode, the subject matter and the interviewees, at theallusionist.org/yiddishblm. Content note: since the episode is discussing a slur, it does contain incidences of the slur. There is also one category B swear. The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

When the Europeans arrived in Aotearoa New Zealand, as well as guns, stoats and Christianity, they brought ideas of cisgender monogamous heterosexuality that were imposed upon the Māori people as if there had never been anything else. But one word, takatāpui, proved otherwise. Lecturer Hemi Kelly and activist Elizabeth Kerekere excavate the linguistic evidence that pre-colonisation, Māori culture had included myriad sexual orientations, gender fluidity and polyamory. Find out more about this episode, the subject matter and the interviewees, at theallusionist.org/bequest. Other episodes in the Survival series include Second Home, about the Welsh language seeking a haven in Argentina, Oot in the Open, about the suppression and revival of the Scots language, and The Key, about language demise and revival. Allusionist episodes covering LGBTQIA+ terms and oppression include Queer, Two Or More, Polari, and Many Ways at Once. The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusioni

The Scots language didn’t have much of an LGBTQ+ lexicon. So writer and performer Dr Harry Josephine Giles decided to create one. Find out more about this episode, the subject matter and the interviewees, at theallusionist.org/manywaysatonce. Previous Allusionist episodes that go alongside this episode include Oot in the Open, Queer and Two Or More. And Josie has written up a very interesting document about the LGBTQ+ lexicon in Scots which you can read at bit.ly/lgbtscots. Wishing you all an excellent and kind Pride month. The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow. I donated 50% of the ad revenue from this episode to the Exist Loudly Fund to Support Queer Black Young People, the Okra Project, the Marsha P. Johnson Institute, the Trevor Project, akt and Mermaids UK. Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.See Privacy Policy at https

The word ‘pornography’ arrived in English in the 1840s so upper class male archaeologists could talk about the sexual art they found in Pompeii without anyone who wasn’t an upper class male archaeologist knowing about it. Even though, at the same time, Victorian England was awash with what we’d now term pornography. Dr Kate Lister of Whores of Yore and pornography historian Brian Watson of histsex.com explain the history of the word, and how the Victorian Brits dealt with material that gave them stirrings in their trousers. Sorry, ‘sit-down-upons’. ‘Inexpressibles’! If they couldn’t even express trousers, it’s little wonder they struggled to cope with pornography. Content note: though the episode is educational and thoroughly untitillating - I know, I know, what a disappointment - the nature of the topic is such that the episode may not be suitable for all audiences or circumstances. Find out more about this episode, the subject matter and the interviewees, at theallusionist.org/pornography. The Allusionist's

Twenty years ago, a 1939 poster printed by the British government with the words ‘Keep Calm and Carry On’ turned up in a second-hand bookshop in Northern England. And lo! A decor trend was born: teatowels, T-shirts, mugs, phone cases, condoms, and a zillion riffs on the phrase. Bookshop owner Stuart Manley talks about unearthing the poster that spawned countless imitations; author Owen Hatherley explains why the poster was NOT, in fact, an exemplar of Blitz Spirit and British bulldog courage and whatnot; and psychologist and therapist Jane Gregory considers whether being told to keep calm can keep us calm. Find out more about this episode, the subject matter and the interviewees, at theallusionist.org/keepcalm. The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/p

This is the Tranquillusionist, in which I, Helen Zaltzman, in the interests of temporarily trying to stop that feeling where you think your brain is trying to claw its way out of your skull, read the punchlines to classic jokes. This episode, including a transcript, resides at theallusionist.org/punchlines; see if you can figure out all the jokes they belong to. Find all the Allusionist episodes - other Tranquillusionists and also ones that are actually about something - at theallusionist.org. The original music is by Martin Austwick. Hear Martin’s songs at palebirdmusic.com or on Spotify, and he’s @martinaustwick on Twitter and Instagram. I make two other podcasts, Veronica Mars Investigations and Answer Me This, which are mercifully unconnected to current events, if you’re seeking some escape from those. The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.Support the show: http://patreon.com/allusio