Ann Kroeker, Writing Coach

“Curiosity can ruin my writing? What? I thought Ann Kroeker lauded curiosity as a key component to the writing life! She claims it’s one way we can achieve our writing goals!” “Is she turning her back on curiosity? Has it killed the cat and now she’s urging us to return to predictable poetry and lifeless prose?” No worries, friends. Curiosity still fuels my creativity. I’m still convinced that curious writers are generally more creative and productive, and able to achieve their writing goals—all while having fun! But every once in awhile, curiosity ruins my writing. And if you’re not careful, it can ruin yours. 1: Trouble with Curiosity about our Environment First, what happens when we give in to an insatiable curiosity about our environment? We think we’re sidetracked by interruptions and distractions, and those do exist and they can be the issue. But distractions alone aren’t always to blame. Sometimes what threatens my productivity or the depth of my ideas isn’t the distraction itself but my curiosity

Have you ever attempted the “I Am From” exercise? I’ll give you some links in the Resources section below to templates and lists you can use to write your own. In her book Writing to Change the World, Mary Pipher recommends this “I Am From” exercise as a way to know yourself, to explore identity issues by reflecting on food, places, people in your upbringing. You start to see what shaped you and formed your values and beliefs. If you use the template, you'll end up with a list poem. Mine turned out more like a short essay, because I took the liberty of composing more than one sentence in response to the prompts. Either way, I agree with Pipher that the process of digging up memories and images helped me better understand myself. This is what I wrote in 2011. Where I’m From I am from the persimmon tree, ripe fruit dropping, splitting, squishing soft into the grassy lawn below. I am from sweet-spring lilac and lily-of-the-valley. I am from clover and crown vetch, hollyhocks and honeysuckle, peonies and pans

Some days, you wake up and feel like you can finish a novel in a month—and it’s not even November, National Novel Writing Month (NaNoWriMo)! Or you feel so on fire you could pitch and land an essay in The Paris Review and The New Yorker. Then there are the other days. On those days, you might have […]

If you want to expand your reach, gain new skills, stretch yourself and take your writing to the next level, you can dance at the edge of your comfort zone—that place where we have to push ourselves just a little bit to try something new that we’ve been talking about for years. At the edge […]

Writers become writers because they read something that made them want to pick up a pen or open a laptop and do the same thing. They read some piece of literature that inspired. Did that happen to you? Maybe when you were young? Maybe last week? You opened a book and thought: This novel makes me want to tell a story, too, with characters as vibrant as these and scenes just as stunning. Or you clicked through to an online magazine and sighed: This essay gets me thinking in new directions. I want to explore things at this level, too. I want to help readers read, think, learn, and question. Or you turned the page of a literary journal and sank into the stanzas of a new poem: It has everything I love in it. I, too, want to work with images and metaphor, rhythm and rhyme. So you go to your computer ready to try your hand at the craft. You can’t wait—your mind is brimming with your own ideas and phrases. You open a new document and you start writing, and 500 or a thousand words later, you stop. You look out

It seems like writers are encouraged to do three things: Apply bottom to chair, write regularly, and read a lot. This is great advice, and I encourage writers to do all three. But there are a lot of other things a person can do to become a stronger, more interesting writer. One of those is to say yes to new experiences. I got this advice in a session at the first writing conference I ever went to. The presenter appeared to be heading into middle age—did not look like much of a risk taker—and she was saying we as writers should say yes to new experiences. She talked about how it would make us stronger writers because the more experiences we had, the more we could draw from in our writing. It made so much sense to me. I thought, Yeah, the more senses I tap into, the more memories I form, the more conversations I have, the more places I visit, the more I can write about. To give us an example from her life, she said in all those years she had never been water skiing, but was finally given the opportunity and

When’s the last time you asked yourself "Why?" Why am I pursuing writing? Why am I writing this particular project? Why am I working on this book proposal or replying to this email or spending time over here on Facebook when I should be finishing an article to meet a deadline—and why “should” I be finishing that article? Asking why about why we write helps us get to the root of our life motivation. Why Do You Write? And why do you write what you write? Asking this from time to time—exploring it, maybe even through a quick daily review—helps us stay on track and avoid shiny object syndrome, because if we know the overall reason why we write, we can say no to the opportunities and requests that come up, realizing they don’t fit with our why. We can have multiple answers to the question of why we write: We can write for our own pleasure, to express our thoughts clearly, to get the stories and ideas out. Maybe we write because we want to share those stories and ideas with others, or we want fame and fortune,

In the first creative writing course I took in college, I felt like my life was boring. I had nothing interesting to write about. The professor told us to pull from childhood memories, so I wrote a poem about feeding the cows on the farm where I grew up. When I read the poem aloud in […]

The inspiration for the 50-Headline Challenge that I introduced back in Episode 50 came from an interview with Jon Morrow, who wrote 100 headlines a day for two years. One of the things Jon brought up in that original interview with Duct Tape Marketing is that he likes to focus on the emotion he wants to bring out in the reader. The interviewer asked about his practice for finding that target emotion, and Jon explained that writing the 100 headlines a day helped him a) get better at writing headlines; and, b) find the ideas that seemed to generate emotion. Headlines with Emotion Those are the headlines he uses to write his posts: The ones that start with a target emotion, that make you feel something. He wants to write something that might make you cry or get mad. Jon stressed that sometimes you want a reader to get angry because, for example, let's say something is holding a reader back and he or she needs to push past that—Jon argues the reader should get angry at that block or resistance, so bringing out

How’s the challenge going? If you’ve just discovered the podcast and haven’t listened to Episode 50, “Stop Waiting for Last-Minute Writing Inspiration,” you might want to go back and listen. At the end, I issued a 50-Headline Challenge in honor of the 50th episode: write 50 headlines in the week ahead. About a week has passed, and I’ve been hearing from people who took it on. Two days after episode 50 went live, Kate Motaung tweeted that she already had 23 of her 50 written. https://twitter.com/k8motaung/status/732537449436590080 Jessica Van Roekel left a comment at the show notes saying she wrote 50 headlines in an hour. People are doing the work and finding it fruitful. When I started, I thought 50 headlines or titles sounded like a lot, but once I got going, the ideas flowed and suddenly 50 seemed well within reach. I’d take a break and come back to it, and then boom! Another batch would come to me. I counted and realized I’d hit 50 headlines easily. It didn’t feel overwhelming at all. And I feel li

My life presents numerous complications making it hard to plan ahead or get ahead. One simple practice I’ve begun is to stop waiting around for last-minute writing inspiration and instead, generate ideas that can be waiting in the wings, for their chance to step onto the screen and become a blog post, podcast, article or […]

This one’s for the moms out there who are also writers. Writer moms. My mom was a writer mom. I am a writer mom. You might be a writer mom, too. And I'm sure you know one. Please know this: Writer moms are trying to raise their family while advancing their writing in some way. And it’s hard. Madeleine L'Engle once wrote in one of her Crosswicks Journals: During the long drag of years before our youngest child went to school, my love for my family and my need to write were in acute conflict. The problem was really that I put two things first. My husband and children came first. So did my writing. Bump. (p. 19) I got a chance to hear Madeleine speak one time, and afterwards she signed books. I would have one instant to ask her about that—to ask about writing and motherhood. We waited and inched forward in line until it was finally my turn. I handed her Walking on Water. She asked for my name and scrawled a note on one of its front pages. She looked up and handed it to me. “Thank you,” I said. Then I bl

We feel like so much is at stake in our writing lives, the pressure is on. Let’s make writing fun again. Let's find the joy of writing.

Episode #47: Don't Be Afraid to Evolve The Evolution of Projects Don’t be afraid of letting a writing piece sit until the idea grows and matures to the point where you feel you’ve got a handle on it. It happens with lots of writing projects, as drafts 1 to 20 and beyond take a twist or turn, whether fiction or nonfiction, poetry or essays. Book proposals are an interesting example, especially nonfiction proposals. The author puts together an idea he feels great about and submits it. The agent or acquisitions editor shows interest, but contacts the author saying they like it, but would like to see some tweaks and changes. If the heart of the message or idea remains and the author has the time, energy, and grit, I’d encourage him to go for it. Don’t be afraid to let that project evolve to give that publisher what they think will sell in the market and best serve their readers. The evolution of an individual project is an expected part of the writing process, but don’t be afraid to evolve as a writer. The Evol

Summary and Show Notes Episode #46: What's the Big Idea? Whether you start writing and discover what you want to say as the words spill out, or you outline and plot it all out in advance, either way, you probably have a big idea. With the first method, you may not be able to articulate it up front, but I’ll bet some spark of a driving thought sent you to the screen or the page. As you write, the big idea becomes clearer and clearer. If you are the latter personality as a writer—the outliner or plotter—you probably couldn’t organize your material if you didn’t have that controlling idea. Back in high school and college, the big idea might have been called the controlling idea or the thesis. Remember the thesis? You were probably trained to express it as one sentence—a statement that is, in fact, arguable. The thesis statement expresses the big idea of your project in that one sentence and then you set out to explore and support this statement. That seems so...academic. Author and writing coach Jack Hart

Show Notes  Episode #45: You Don't Have to Do It All The writing life involves a lot more than writing. These days a writer has to at least consider blogging, even if she isn’t officially a blogger. A writer has to build up an online presence and think about platform, encouraging likes, follows, and pins. A writer is encouraged to do readings and speak and present. Writers learn to propose and pitch and query, and to promote their work online and in real life. We do all this when all we really want to do is sit down and pen a few lines of poetry, write another romance novel, compose a screenplay, or finish the draft of an article for a dream publication. As the list grows long, we start to see things sitting unfinished and half-done on our screen or our to-do list. We can’t get everything done. We can’t. We’re just one person trying to write something meaningful, something funny, something true. Sometimes we’re going to have to pick just one thing, do that well, and be okay with the rest waiting another d

Show Notes  Episode #44: Why Every Writer Needs a Buddy You may feel like such an introvert, you don’t want or need a writing buddy. And it’s true that most of the time you do the work of writing all by yourself. When you write, it’s just you and the keyboard...it’s just you and the screen. But let’s say you finished the draft of an essay you plan to submit to a literary journal, and you really want another set of eyes. Wouldn’t it be nice to phone another writer—someone who could provide a little input? You could swap projects and offer a few thoughts on each other's work. Wouldn’t that be a great gift to both of you? Or maybe you simply hold each other accountable to deadlines and goals in a weekly or monthly check-in. If one of you is stuck on a project, the other could offer ideas as you talk it through. In this episode, I suggest where to find a writing buddy, when you should ask someone to be a mentor or coach instead of a buddy, and what you can gain from forming this relationship. I hope you ca

Show Notes  Episode #43: How to Avoid Distraction and Manage Attention to Write In this episode, I take both a macro and micro view of attention, focus, and distraction. At the macro level, I suggest that formulating a general plan of where you’d like to go as a writer will make it easier to focus your attention on how a given activity fits into the big picture (and you can more easily resist Shiny Object Syndrome). At the micro level, we can focus our attention by minimizing everyday, moment-by-moment distractions. Clear your desk. Try the Pomodoro technique. When you launch your writing session, silence phone notifications, close the browser. You can even try using the "focus" view in Word to minimize visual distractions on the screen. In addition, we can learn to become "meta-aware," noticing when our mind is wandering. When we increase meta-awareness, we can learn to nudge our mind back to the task at hand by telling ourselves, “Okay, I’m writing now. So, quiet. I’m trying to concentrate. Listen for

Show Notes  Episode #42: Manage Your Energy So You Can Write In this longer-than-normal episode (over 7 minutes), I offer ideas for how to manage your energy as a writer. You’ve taken charge of your writing space and begun to prioritize it. You’ve figured out where your time is going and now you're scheduling a regular writing slot and/or grabbing opportunities where you can. Now it’s time to manage your energy to make the most of that time. Takeaway 1: Managing our energy starts with identifying activities that energize or drain us. If you do something for 40 minutes that drains you while I do something for those same 40 minutes that energizes me, I'll be able to continue making progress without much of a break, while you may need to pause and create some space. Takeaway 2: Doing an energy audit can help us understand the flow of our days—our natural peak energy hours, and the times of day we dip into valleys. Whenever possible, we can schedule writing for peak energy, when creativity is at its max. T

Show Notes   Summary: Episode #41: 5 Steps to Find Time for Writing This week I planned to record a podcast about managing time and—wouldn't you know it—I had absolutely no time to record it. I’m not 100 percent sure that’s situational irony, but I can tell you it is definitely 100 percent frustrating. At any rate, I finally snatched some time to record it, and I'm offering five steps to find time for writing. The steps are: Figure out what you're doing with your days. Stop doing some of those things by eliminating, delegating, or pausing anything you can. Determine if you're in a chaotic season, and if you are, admit it and as much as possible, embrace it. If you have a predictable schedule, block off time for writing; if you're in a chaotic season, be ready to snatch an opportunity when time opens up. When you find the time, write. Soon you'll see how managing our energy and attention fits together with managing our space and time, but we have to find time for writing before we can make the most