Scottish Poetry Library Podcast

Our latest podcast departs from our usual interview format. It's a recording of a reading held in the Scottish Poetry Library in March. The poets featured are Nina Bogin, Eoghan Walls and Beverley Bie Brahic. Nina Bogin (pictured) was born in New York City and grew up on the north shore of Long Island. She attended Kirkland College and received a B.A. degree from New York University. She has lived in France since 1976. She taught English and literature at the University of Technology of Belfort-Montbéliard inFrance, until her retirement in 2017. She was a recipient of a National Endowment for the Arts Grant in 1989 and Graywolf Press published her first book of poems, In the North, that same year. Two books of poems followed, The Winter Orchards in 2001 and The Lost Hare in 2012, both published by Anvil Press. Her latest collection, Thousandfold, is published by Carcanet. Eoghan Walls was born in Derry in Northern Ireland. He attended Atlantic College on the coast of South Wales and has lived and taught in

Liz Berry was born in the Black Country which gave her first collection its title. Black Country won a chorus of praise, not to mention a Poetry Book Society Recommendation, a Somerset Maugham Award, the Geoffrey Faber Memorial Award and Forward Prize for Best First Collection. The collection is characterised by poems written in the Black Country dialect. Her recent pamphlet The Republic of Motherhood was a Poetry Book Society Pamphlet choice and was shortlisted for the Michael Marks Award, while its title poem won the Forward Prize for Best Single Poem 2018.  Recorded at the StAnza Poetry Festival in St Andrews, Berry talks about the lack of poetry that tells the truth about the experience of childbirth and rearing, the Black Country accent and pigeons.

Fiona Moore works today as a full-time writer but, as you’ll hear in this podcast, she joined the Foreign Office after graduating from university, and it was through this job that she lived for periods in the 1980s in Eastern European countries behind the Iron Curtain. Her insights into totalitarianism inspired several poems which are all too timely. She reviews poetry, having served as an assistant editor for The Rialto. In 2014, she was Saboteur Best Reviewer. Her debut pamphlet, The Only Reason for Time, was a Guardian poetry book of the year and her second, Night Letter, was shortlisted for the Michael Marks Award for Poetry Pamphlets. Her first full collection, The Distal Point was published by HappenStance last year, and was described by her publisher as a book ‘in which she confronts personal loss and irretrievable change, as well as wider, more public themes—recent European history and the politics of power.’ In this podcast, Moore discusses grief, dictators and Brexit.

The Library was saddened when we heard the American poet Ilyse Kusnetz had died in 2016; two years before her death, she'd recorded a podcast with the Library. A new collection of work, Angel Bones, written while she was undergoing treatment for cancer, is about to be published by Alice James Books. The book has been overseen into publication by Kusnetz's husband Brian Turner, a poet, editor and memoirist himself. He’s the author of the collections Here, Bullet and Phantom Noise and the memoir My Life as a Foreign Country. We spoke to Turner about Kusnetz and Angel Bones via Skype as he is living in Florida. He talks about her love of Scotland and its poetry, the anger contemporary politics caused her, and how her poems take you inside the process of treatment for cancer.

Towards the end of 2018, Don Paterson came to the Scottish Poetry Library to discuss his latest book, The Fall at Home: New and Collected Aphorisms, which is published by Faber. Winner of the T.S. Eliot Prize and Whitbread Poetry Award, Paterson is one of Scotland's most accomplished poets, not to mention a musician, and in recent years has published several volumes of aphorisms, which are brought together in The Fall at Home. During the podcast, he discusses the relationship between poetry and aphorisms, why the English-speaking world doesn't have a strong tradition of aphorisms, and what happened the time he attended an aphorists convention.

Muriel Spark's 100th birthday was celebrated in 2018 in several ways honouring her status as arguably the greatest Scottish novelist of the twentieth century. One of the more imaginative ways came late in the year with the publication of Spark: Poetry and Art Inspired by the Novels of Muriel Spark, which was edited by poets Rob A Mackenzie and Louise Peterkin and published by Blue Diode. With contributors including Tishani Doshi, Vahni Capildeo and Sean O'Brien, the anthology does Spark justice. Mackenzie and Peterkin came into the SPL to talk about Spark and her career as a poet, from her controversial time at the Poetry Society in the 1940s to how poetry informed her novels. Plus a tribute to the late Matthew Sweeney.

To mark the publication of Barefoot: The Collected Poems of Alastair Reid (Galileo), this episode is dedicated to the late poet. Alastair Reid was a poet, an essayist, translator and traveller. Born in 1926 in Galloway, he served in the Royal Navy during the Second World War before moving to the US in the early 1950s, where he was published in The New Yorker, the start of a long association with that magazine. In the decades that followed he travelled the world, establishing friendships with two South African poets he translated, Neruda and Borges. Tom Pow, Barefoot's editor, discusses Reid's life and work: what Reid thought of his homeland, his relationships with Borges and Neruda, and how Pow came to know Reid the man and Reid the poet. The SPL wishes to thank The Poetry Archive for granting us permission to feature a performance of Reid reading 'Weathering'.

Tishani Doshi's third collection Girls are Coming Out of the Woods is one of the great collections of 2018. In August, while appearing at the Edinburgh International Book Festival, Doshi visited the SPL where she spoke about the new collection. On the podcast, she discusses writing poems that address violence against women during the MeToo era, how comfortable she is to describe herself as a poet, and why Patrick Swayze is worthy of an ode.

Guest interviewer Suzannah V. Evans sits down with Mark Ford in an interview recorded at the StAnza Poetry Festival. Ford discusses the influence of Ashbery and O'Hara, Walt Whitman's 'children', and how he puts a set together for a reading.

Our latest episode has not one but two poets: Sarah Stewart and Russell Jones, emerging voices on the Scottish poetry scene. Both are writers and editors based in Edinburgh who have new pamphlets published by Tapsalteerie: Glisk by Stewart, Dark Matters by Jones. Jones has published several pamphlets and a full-length collection in 2015 on Freight Books, The Green Dress Whose Girl is Sleeping. He was also co-editor of the anthology Umbrellas of Edinburgh (Freight). Glisk is Stewart's first pamphlet. She is also known as Sarah Forbes, author of the Elspeth Hart series of books for children. Together, the poets discuss sexism, apocalypses and Daleks.

As the age of Brexit continues to bear down on Britain, Sean O'Brien returns with a collection called Europa (Picador). One of only two poets to win the Forward and T.S. Eliot Prizes for the same collection (The Drowned Book in 2007), O'Brien talks to the SPL about fascism, leaving Europe (and whether it's actually even possible) and liking bands long after they've passed they sell-by date.

Poet, novelist, and essayist Eileen Myles is a trailblazer whose decades of literary and artistic work 'set a bar for openness, frankness, and variability few lives could ever match' (New York Review of Books). In March, they performed at the Scottish Poetry Library, reading from a new memoir Afterglow (A Dog Memoir). While here, we sat down with Eileen to talk about how to be an artist during the Trump era, anthropomorphism and the linguistic legacy of growing up working class. As well as pondering whether George W Bush was a space snake alien thing.

Rory Waterman is the author of Tonight the Summer's Over and Sarajevo Roses, both published by Carcanet. Rory was born in Belfast in 1981 before moving at an early age to Lincolnshire. Today, he's senior lecturer in English at Nottingham Trent University and co-edits the poetry pamphlet series New Walk Editions. In our latest podcast, Rory Waterman discusses writing poems about Trump and Brexit, growing up the child of divorce, and running a poetry magazine.

Elaine Feinstein is a poet, translator, novelist, playwright and biographer. Her last collection, The Clinic, Memory (Carcanet) combines new poems with a 'best of', bringing together over half a century’s worth of work. During the podcast, Feinstein discusses anti-semitism, Donald Trump, Don Quixote and translating poetry. Image by V. Carew Hunt

Our first podcast of 2018 features an interview with new Edinburgh Makar Alan Spence. Novelist, short-story writer, dramatist and, of course, poet, Spence is one of the leading lights of the Scottish literary scene. With his work informed by his Buddhism, Spence imbues his poetry with both a cosmic perspective and a Scottish sensibility to comic and enlightening effect. During the course of the interview, Spence discusses Zen and the art of poetry, working with visual artists, and the rivalry between Glasgow and Edinburgh.

Pàdraig MacAoidh / Peter Mackay is a native Gaelic speaker from the Isle of Lewis. He is an academic, writer and broadcaster whose work is influenced by the diverse linguistic heritage of his birthplace. His debut collection, Gu Leòr / Galore, was published by Acair. In our latest podcast, Mackay discusses repressed Scots, journalism versus poetry, and growing up bilingual.

Hera Lindsay Bird is a poet from New Zealand. Her first poetry collection, also called Hera Lindsay Bird, was published in July 2016 by Victoria University Press and quickly sold out its first print run. A UK edition was published in November 2017. In August, when Bird was in Edinburgh to take part in the Edinburgh International Book Festival, she found time to come down to the Scottish Poetry Library. While in the Library, she argued in favour of hating wisely, what it's like when a poem goes viral, and why sentiment is nothing to be scared of.

Henry Marsh is a Scottish poet who divides his time writing about the natural world and Scotland's troubled history. In the past, he's written about Mary Queen of Scots, John Knox and the Covenanters. In his latest collection, Under Winter Skies (Birlinn), Marsh focuses on James Graham, the first Marquess of Montrose, a brilliant soldier and poet who changed sides during the War of the Three Kingdoms. Marsh explains why he wanted to write an entire collection about this tragic figure in the SPL's latest podcast.

Winner of the 2017 Forward Prize, Sinéad Morrissey visited the Scottish Poetry Library to talk about her latest collection, On Balance (Carcanet). Morrissey grew up in Northern Ireland. At the age of 18, she won the Patrick Kavanagh Poetry Award, an early indicator of future success. She’s worked with schools, charities, prisoners, and while Laureate of Belfast, she met the Queen. Currently, she’s living in Northumberland and working in the creative writing department at the University of Newcastle. During the course of the podcast, Morrissey talks about her fascination with engineering, her grandfather's communism, and why writing is a spooky art.

Joni Wallace grew up in Los Alamos, the birthplace of the atom bomb. Her latest collection Kingdom Come Radio Hour (Barrow Street Press), which is inspired by her childhood, focuses on the extraordinary life of J. Robert Oppenheimer, the father of the nuclear bomb. Wallace discusses her personal connection to Oppenheimer, 'documentary poetics', Hank Williams, and why deer appear so often in her work.