New Books In Latino Studies

Cuba and Mexico have a long history of exchange and interaction. Cubans traveled to Mexico to work, engage in politics from afar, or expand businesses. Dalia Antonia Muller‘s Cuban Emigres and Independence in the Nineteenth-Century Gulf World (University of North Carolina Press, 2017) restores lost histories of those migrations, focusing particularly on political exiles in the nineteenth century who found, in cities like Veracruz, Merida and Mexico City, other people and resources with which to engage in anti-colonial struggles from afar. The double story of diplomatic ambivalence towards Cuban struggles for independence alongside and in contrast to popular support for those struggles makes for fascinating reading.Learn more about your ad choices. Visit megaphone.fm/adchoices

Not quite a colony, not quite independent, fiercely nationalist, what is Puerto Rico’s status, exactly? Jorge Duany‘s Puerto Rico: What Everyone Needs to Know (Oxford University Press, 2017) offers clear answers to complicated questions about Puerto Rico’s politics and history, as well as accounting for many phenomena that characterize the island today; migration to and from the island, the state of its economy, the role of language in shaping Puerto Rican identities. Whether you know nothing or a great deal, this book is sure to surprise and inform you.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In Latino City: Urban Planning, Politics, and the Grassroots (Routledge 2017) Dr. Erualdo R. Gonzalez addresses the salient issue of gentrification and its effect on immigrant and working-class populations in the city of Santa Ana, California. Centering his analysis on one of the nations most “Mexican” cities, Gonzalez tracks redevelopment discourse and practice in the city of Santa Ana over the course of four decades. Engaging the concepts of new urbanism, creative class, and transit-oriented models of planning, he explains how city officials and developers have worked in concert to displace Latina/o businesses and populations through urban revitalization efforts. Equally important, Gonzalez illuminates the grassroots response of Santa Anas Latina/o community and their effect on planning discourse and policy. Combining archival research with participant observation, Latino City provides an in-depth community study that adds to the growing body of scholarly literature referred to as Latino urbanis

What is a book? The answer, at first glance, may seem apparent: printed material consisting of a certain amount of pages. However, when a printed item goes under the scrutiny of readers, writers, editors, scholars, etc., the discussion gets complicated. The matter is that, when read, discussed, or analyzed, a book is situated in a specific environment that creates additional layers for consideration; furthermore, a printed item itself shapes the environment, revealing and producing further developments and proliferations. In From the Edge: Chicana/Chicano Border Literature and the Politics of Print (Rutgers University Press, 2016), Allison E. Fagan invites her readers to explore not only a magic world of the literature that arises out of collaboration of national, ethnic, political, social, literary borders, but also multilayered networks produced by books, which infiltrate readers’, writers’, editors’, publishers’, and translators’ communication. As the title prompts, From the E

Puerto Rico is often depicted as a “racial democracy” in which a history of race mixture has produced a racially harmonious society. In Remixing Reggaeton: The Cultural Politics of Race in Puerto Rico (Duke University Press, 2015), Petra R. Rivera-Rideau shows how reggaeton musicians critique racial democracy’s privileging of whiteness and concealment of racism by expressing identities that center blackness and African diasporic belonging. From censorship campaigns on the island that sought to devalue reggaeton, to its subsequent mass marketing to U.S. Latino listeners, Rivera-Rideau traces reggaeton’s origins and its transformation from the music of San Juan’s slums into a global pop phenomenon. Reggaeton, she demonstrates, provides a language to speak about the black presence in Puerto Rico and a way to build links between the island and the African diaspora. Petra Rivera-Rideau is an associate professor of American Studies at Wellesley University. She earned her B.A. at Harvar

Moving through the saunas of Rio de Janeiro, the Amazonian eco-resorts of Manaus, and the Afro-Brazilian heritage of Bahia, Tourist Attractions: Performing Race and Masculinity in Brazils Sexual Economy (University of Chicago Press, 2015) explores sex as an epistemology – a way of knowing. The ethnographic, theoretical and prosaic prowess of Assistant Professor Gregory Mitchell captures the individual experiences and identities of male sex workers and their transnational clients. Delving into the complex and refractive affective flows that attempt to make desire legible – across culture, race and sexuality – Tourist Attractions proposes that sex work be reframed as a form of performative labor. Exploring how affect and labour shape the performance of masculinity, Mitchell makes a robust contribution to ideas of queer kinship, authenticity and cultural memory. It follows that the conceptual depth of Tourist Attractions is also met by the contextual breadth of its subject matter – from t

In Mozlandia: Morrissey Fans in the Borderlands (Headpress, 2016), Melissa Hidalgo examines the world of Morrissey fandom in US-Mexico borderlands. As the frontman of The Smiths, Morrissey is regarded as one of the most influential and iconic musical performers to come out of the Manchester music scene. Yet, for the past three decades, Morrissey has made a name for himself as a solo performer, with committed and passionate fans across the world. As a solo performer, Morrissey has a larger fan base in borderland cities such as Los Angeles, the focus of Hidalgo’s work. In Mozlandia, Hidalgo deftly unpacks fandom, specifically as it plays out with Chicano/a, Latino/a, and Mexican fans. Hidalgo presents the ways in which fans contribute to the Morrissey community through MorrisseyOke, tribute bands, radio shows, plays and other literary tributes. By situating her work in the borderland city of Los Angeles, Hidalgo is able to present what a fan community looks like and the variety of ways fan culture is ena

In Latin Numbers: Playing Latino in Twentieth-Century U.S. Popular Performance (University of Michigan Press, 2015) Brian Eugenio Herrera examines the way in which Latina/o actors have communicated and influenced ideas about race and ethnicity in the U.S. through their performances on the stage and screen. Introducing the concept of the “Latin number,” Dr. Herrera analyzes a series of overlapping historical moments from 1930 to 1990 when media and audiences became fascinated with Latinas/os and their potential impact on U.S. society. As a fleeting phenomenon, in which the U.S. public rediscovers, consumes, and then disregards Latinas/os, “Latin numbers,” Herrera explains, comprise a form of “spectacular entertainment” that perpetuates the myth of Hispanics as perennial novelties. Building on the work of cultural historians, Herrera also employs the concept of “playing Latino” to describe the more enduring effects of Latina/o popular performance on U.S. systems o

In Border Contraband: A History of Smuggling Across the Rio Grande (University of Texas Press, 2015) Professor George T. Diaz examines a subject that has received scant attention by historians, but one that is at the heart of contemporary debates over U.S.-Mexico immigration and border enforcement. Focusing on trans-border communities, like Laredo/Nuevo Laredo, Diaz details the interplay between state efforts to regulate cross-border trade and the border people that subverted state and federal laws through acts of petty smuggling and trafficking. Using folk songs (corridos), memoirs, court documents, and newspapers, Diaz uncovers the social history of a transnational contrabandista community that responded to the hardening of the U.S.-Mexico border and the enforcement of trade regulations through the formation of a moral economy. Holding nuanced views of newly erected legal and physical barriers to the mobility of people and consumer goods across the border, contrabandistas established a cultural world of smu

After the enormity of our loss had been calculated, Guzman started writing. Drawn to the page to process his grief and to understand in the best way poets know how, through their art. This chapbook does more than encapsulate the memory of a community, it links that community to a single life and to a larger struggle. /I am afraid of attending places that celebrate our bodies because that’s also where our bodies have been cancelled/ when you’re brown and gay you’re always dying twice/ We are kicking off our chapbook celebration with a call to remembrance to preserve the memory of the 49 people killed and the 53 injured at Pulse nightclub in Orlando, FL. This is also a call to celebrate art in the face of loss, in spite of loss, and the enduring need of the human spirit to express fear as hope. If this wasn’t enough of a reason to click on the link and order the collection, 10% of all proceeds will be donated to Pridelines. The rest of the funds will be used in the continued production o

Mireya Loza’s Defiant Braceros How Migrant Workers Fought for Racial, Sexual, and Political Freedom (University of North Carolina Press, 2016) sheds new light on the private lives of migrant men who participated in the Bracero Program (1942-1964), a binational agreement between the United States and Mexico that allowed hundreds of thousands of Mexican workers to enter the U.S. on temporary work permits. While this program and the issue of temporary workers has long been politicized on both sides of the border, Loza argues that the prevailing romanticized image of braceros as a family-oriented, productive, legal workforce has obscured the real, diverse experiences of the workers themselves. Focusing on underexplored aspects of workers lives–such as their transnational union-organizing efforts, the sexual economies of both hetero and queer workers, and the ethno-racial boundaries among Mexican indigenous braceros–Loza reveals how these men defied perceived political, sexual, and racial norms.

As evidenced by many of the conversations featured on this podcast, scholarship on the U.S.-Mexico Borderlands composes a significant and influential genre within the field of U.S. Western History and Chicana/o-Latina/o Studies. Geographically rooted in the U.S. Southwest and Mexico, or Greater Mexico, publications in this subfield explore a broad range of themes including: migration and labor, citizenship and race, culture and identity formation, gender and sexuality, politics and social justice, just to name a few. This episode features a conversation with two historians of the U.S.-Mexico Borderlands: Kelly Lytle Hernandez, author of Migra!: A History of the U.S. Border Patrol (UC Press, 2010), and John Mckiernan Gonzalez, author of Fevered Measures: Public Health and Race at the Texas-Mexico Border, 1848-1942 (Duke University Press, 2012). My discussion with Kelly and John focuses on their exemplary scholarship to explore how historians conceptualize, investigate, and explain the history of the U.S.-Mexic

In her new book The Spitboy Rule: Tales of a Xicana in a Female Punk Band (PM Press, 2016), Michelle Cruz Gonzales tells her story as a member of a feminist hardcore punk band. The band, Spitboy, emerged in the early 90s in the Bay Areapunk scene. The book provides an insider’s view of the scene, what it was like touring, and how a young Xicana found herself in a genre of music that typically identifies itself as male and white. Gonzales reflects on the gender and racial politics that shaped punk music and explores her political and racial awakening while performing in the band. She discusses how audiences responded to an all-women band and the roots of Spitboy’s conflict with the riot Grrrl bands. The Spitboy Rule is an unflinchingly honest look at Gonzales’s life in Spitboy and offers tremendous insight into the 90s punk scene. The podcast delves deep into all of these questions and explores Gonzalez’s recent career as a professor and writer. Michelle Cruz Gonzales writes memoir and

Cuban artists have been very productive this past decade, producing stunning and surprising works against a backdrop of political and economic transformation as well as continuing scarcity on the island. Planet/Cuba: Art, Culture and the Future of the Island (Verso, 2015), Rachel Price’s thoughtful approach to this cultural scene, pays special attention to conceptual and performance art that moves from the very local to the global. Her focus on artistic vocabularies centered on trees, marabou, and water as well as the symbolic and real significance of time and surveillance brings together a provocative array of artists that have a lot to tell us about the everyday both in Cuba and on our shared planet. This marvelous book acquaints readers with unforgettable artists and their work.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Over the past quarter-century, scientists have been mapping and exploring the human genome to locate the genetic basis of disease and track the histories of populations across time and space. As part of this work, geneticists have formulated markers to calculate percentages of European, African, and Amerindian genetic ancestry in populations presumed to originate or inhabit particular geographic regions. The work done by geneticists in recent years has been received with a mixture of excitement and concern. Genomics is simultaneously viewed as the key to diagnosing and curing inherited disease, while also posing a threat to individual privacy and raising concerns over the reappearance of racialized thinking in scientific research. In Mestizo Genomics: Race Mixture, Nation, and Science in Latin America (Duke University Press, 2014), editors Peter Wade, Carlos Lopez Beltran, Eduardo Restrepo, and Ricardo Ventura Santos ask how ideas of race, ethnicity, nation, and gender enter into the work of genetic scientist

Kevin Bubriski, a New Englander and internationally acclaimed photographer, was a freelance photojournalist when he first arrived in New Mexico in 1981 to study filmmaking in Santa Fe. Bubriski recalls, “Although I was working as a news photographer on my own, I was looking for images that I enjoyed for their own visual merit and innate curiosity.” Bubriski found himself in a new culture as distinct to him as any foreign country he would later photograph. He took his 35-millimeter camera and hand-cranked 16mm Bolex, and began to explore the environs, particularly the neighborhoods of native New Mexicans. Excited by the photographic opportunities, he says, “I went to every fiesta, every parade, every celebration and religious observance.”Look into My Eyes: Nuevomexicanos por Vida 81′-83‘ is a collection of images from that personal exploration, it is a photographic documentation of Hispanic New Mexicans, Nuevomexicanos, taken between 1981-1983 in Albuquerque, Santa Fe, and s

The California farmlands have long served as a popular symbol of America’s natural abundance and endless opportunity. Yet, from John Steinbeck’s The Grapes of Wrath and Carlos Bulosan’s America is in the Heart to Helena Maria Viramontes’s Under the Feet of Jesus, many novels, plays, movies, and songs have dramatized the brutality and hardships of working in the California fields. Little scholarship has focused on what these cultural productions tell us about who belongs in America, and in what ways they are allowed to belong. In The Nature of California: Race, Citizenship, and Farming since the Dust Bowl (University of Washington Press, 2016), Sarah Wald analyzes this legacy and its consequences by examining the paradoxical representations of California farmers and farmworkers from the Dust Bowl migration to present-day movements for food justice and immigrant rights. Analyzing fiction, nonfiction, news coverage, activist literature, memoirs, and more, Wald gives us a new way of thinki

In Ends of Assimilation: The Formation of Chicano Literature (Oxford University Press, 2015), John Alba Cutler provides a literary history of Chicano/a literature that tracks the fields formation and evolution from the 1960s forward. The central focus of the book examines the tension between the theories posited by scholars of assimilation sociology and Chicano/a writers whose literary works, focusing on the Mexican American experience, have advanced rival interpretations of the process of assimilation and immigrant incorporation into American society. Whereas the founders of assimilation sociology (Robert Park and Ernest Burgess among others) characterized American culture as homogenously Anglo-Saxon and presumed assimilation was a desirable and natural social process, Cutler shows how Chicano/a literary works have depicted culture as dynamic, multi-faceted, and uncircumscribed by static notions of authenticity or national unity. More than mere anti-assimilationist, Cutler argues that Chicano/a literary work

To his contemporaries in Gilded Age Manhattan, Guillermo Eliseo was a fantastically wealthy Mexican, the proud owner of a luxury apartment overlooking Central Park, a busy Wall Street office, and scores of mines and haciendas in Mexico. But for all his obvious riches and his elegant appearance, Eliseo was also the possessor of a devastating secret: he was not, in fact, from Mexico at all. Rather, he had begun life as a slave named William Ellis, born on a cotton plantation in southern Texas during the waning years of King Cotton. After emancipation, Ellis, capitalizing on the Spanish he learned during his childhood along the Mexican border and his ambivalent appearance, engaged in a virtuoso act of reinvention. Eliseo’s success in crossing the color line, however, brought heightened scrutiny in its wake as he became the intimate of political and business leaders on both sides of the US-Mexico border. The Strange Career of William Ellis: The Texas Slave who Became a Millionaire (W.W. Norton, 2016) reads

Betina Cutaia Wilkinson is the author of Partners or Rivals? Power and Latino, Black, and White Relations in the Twenty-First Century (University of Virginia Press 2015). Wilkinson is assistant professor of politics and international affairs at Wake Forest University. In Partners or Rivals, Wilkinson relies on national survey and focus group data to examine how social interaction; feelings of identification with members of their own group and others; and individuals sense of power as established by their racial, economic, and political surroundings impact interracial attitudes. She finds that the complex racial dynamics are not easily reducible to simple formulae, yet they have strong implications for the formation of interracial coalitions.Learn more about your ad choices. Visit megaphone.fm/adchoices