New Books In Asian American Studies

Race is the subject of passionate and increasingly angry debate. But amidst all the talk of unconscious bias it’s an area into which many fear to tread. In this podcast Professor McWhorter of Colombia University outlines his sometimes controversial views on these issues and explains why he wants to debate them in public. His latest book is Woke Racism: How a New Religion Has Betrayed Black America (Portfolio, 2021). Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

Based on longitudinal ethnographic work on migration between the United States and Taiwan, Time and Migration: How Long-Term Taiwanese Migrants Negotiate Later Life (Cornell UP, 2021) interrogates how long-term immigrants negotiate their needs as they grow older and how transnational migration shapes later-life transitions. Ken Chih-Yan Sun develops the concept of a “temporalities of migration” to examine the interaction between space, place, and time. He demonstrates how long-term settlement in the United States, coupled with changing homeland contexts, has inspired aging immigrants and returnees to rethink their sense of social belonging, remake intimate relations, and negotiate opportunities and constraints across borders. The interplay between migration and time shapes the ways aging migrant populations reassess and reconstruct relationships with their children, spouses, grandchildren, community members, and home, as well as host societies. Aging, Sun argues, is a global issue and must be reconsidered in

In Disorientation: A Novel by Elaine Hsieh Chou (Penguin Press, 2022), we meet Ingrid Yang: an eighth-year PhD student in East Asian studies struggling to write a dissertation on (fictional) canonical Chinese American poet Xiao-Wen Chou. Her situation is made all the more distressing by the fact that her student loan deferral is soon to expire, and it’s dawning on her that she was never interested in Xiao-Wen Chou in the first place—rather, her advisor convinced her that this would be a good topic for a marketable dissertation. Then one day, a strange note in the archives leads her to a shocking discovery. What is it? What happens? You’ll have to read Disorientation to find out. Tune in to this episode of the New Books Network podcast to hear Elaine Hsieh Chou discuss the inspiration for Disorientation, how liberating it felt to have the last word on toxic white men, the difficulties of finding institutional space for Asian American studies, the continued importance of the legacy of the Third World Liberation

In this episode I talk with Daniel Y. Kim, Associate Professor of English and American Studies at Brown University, about his 2020 book Intimacies of Conflict: Cultural Memory and the Korean War, published by New York University Press. Though often considered “the forgotten war,” lost between the end of World War II and the start of the Cold War, the Korean War was, as Daniel Y. Kim argues, a watershed event that fundamentally reshaped both domestic conceptions of race and the interracial dimensions of the global empire that the United States would go on to establish. He uncovers a trail of cultural artefacts that speaks to the trauma experienced by civilians during the conflict but also evokes an expansive web of complicity in the suffering that they endured. Taking up a range of American popular media from the 1950s, Kim offers a portrait of the Korean War as it looked to Americans while they were experiencing it in real time. Kim expands this archive to read a robust host of fiction from US writers like Su

Charles Yu won the 2020 National Book Award for Interior Chinatown but some of us became fans a decade earlier, with How to Live Safely in a Science Fictional Universe (2010). He brilliantly uses SF conventions to uncover the kind of self-deceptive infilling that we all do every day, the little stories we tell ourselves to make our world seem predictable and safe when it’s anything but. His other work includes two books of short stories (Third Class Superhero 2006 and Sorry Please Thank You in 2012) and some episodes of Westworld, He speaks with John and with Chris Fan, Assistant Professor at UC Irvine, senior editor and co-founder of Hyphen magazine, noted SF scholar. The conversation gets quickly into intimate territory: the pockets of safe space and the "small feelings" that families can and cannot provide, and that science fiction can or cannot recreate. Graph paper and old math books get a star turn. Charlie's time as a lawyer is scrutinized; so too is "acute impostor syndrome" and the everyday feeling o

Ruth Ozeki, whose most recent novel is The Book of Form and Emptiness, speaks with critic Rebecca Evans and guest host Emily Hyde. This is a conversation about talking books, the randomness and serendipity of library shelves, and what novelists can learn in the editing room of a movie like Mutant Hunt. Ozeki is an ordained Zen Buddhist priest, and her novels unfold as warm-hearted parables that have been stuffed full of the messiness of contemporary life. The Book of Form and Emptiness telescopes from global supply chains to the aisles of a Michaels craft store and from a pediatric psychiatry ward to the enchanted stacks of the public library. The exigencies of environmental storytelling arch over this conversation. Evans asks Ozeki questions of craft (how to move a story through time, how to bring it to an end) that become questions of practice (how to listen to the objects stories tell, how to declutter your sock drawer). And we learn Ozeki’s theory of closure: her novels always pull together at the end so

Arise Africa, Roar China: Black and Chinese Citizens of the World in the Twentieth Century (University of North Carolina Press, 2021) explores the close relationships between three of the most famous twentieth-century African Americans, W. E. B. Du Bois, Paul Robeson, and Langston Hughes, and their little-known Chinese allies during World War II and the Cold War--journalist, musician, and Christian activist Liu Liangmo, and Sino-Caribbean dancer-choreographer Sylvia Si-lan Chen. Charting a new path in the study of Sino-American relations, Gao Yunxiang foregrounds African Americans, combining the study of Black internationalism and the experiences of Chinese Americans with a transpacific narrative and an understanding of the global remaking of China's modern popular culture and politics. Gao reveals earlier and more widespread interactions between Chinese and African American leftists than accounts of the familiar alliance between the Black radicals and the Maoist Chinese would have us believe. The book's mult

In Minor Transpacific: Triangulating American, Japanese, and Korean Fictions (Stanford University Press, 2021), David S. Roh brings Asian Americanist study of Korean American literature in conversation with Asian studies scholars’ work on Zainichi literature—that is, the literature of ethnic Koreans displaced to Japan during the Japanese occupation of Korea—to model what a sustained dialogue between Asian studies and Asian American studies scholarship might reveal about both Korean American and Zainichi literatures. On this episode of New Books in Asian American Studies, David Roh chats about the fortunate happenstances that led him to this project, Younghill Kang’s thoughts on Syngman Rhee and the expansion of US empire in Korea, the legal status of the Zainichi and how it troubles Asian American assumptions about citizenship and nationality, the incorporation of American racial discourse into Kazuki Kaneshiro’s GO, tensions and problems in Asian American studies’ taking up of discourse around so-called “com

“This is America”: Race Gender and Politics in America’s Musical Landscape by Katie Rios (Lexington Books, 2021) examines an eclectic mix of different artists and cultural products, from Laurie Anderson and Childish Gambino to Hamilton. The artists Rios studies confront problems of race and gender that have deep roots in American history, often by championing social movements that have recently swept the nation such as #MeToo and #BlackLivesMatter. While a musicologist by training, Rios is concerned with more than the sonic signifiers of political dissent and resistance. She finds a shared language of cultural and political critique in a wide array of music, videos, dance, visual arts, and theater. Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium

Season three of Novel Dialogue launches in partnership with Public Books and introduces some fresh new voices into the mix. John and Aarthi welcome Chris Holmes, Emily Hyde, Tara Menon, and Sarah Wasserman into the ND pod as guest hosts. And have they brought a series of scintillating conversations with them! In our series premiere, Sarah sits down with acclaimed novelist Chang-rae Lee and Anne Anlin Cheng, renowned scholar of American literature and visual culture at Princeton. The conversation goes small and goes big: from the shortest short story to the totalizing effects of capitalism. Chang-rae is no stranger to such shifting scales: his novels sweep through large stretches of time and space, but their attention to detail and meticulous prose makes for an intimate reading experience. Chang-rae’s latest novel, My Year Abroad, fuels a discussion about how we can form meaningful bonds in current conditions (hint: it’s often around a table) and about the specters of other, better worlds that haunt Chang-rae’

In Tonal Intelligence: The Aesthetics of Asian Inscrutability During the Long Cold War (Columbia University Press, 2020), Sunny Xiang reads the archives of US intelligence agencies alongside Asian American literature to develop a method of reading for tone rather than content, and shows us how doing so allows us to rethink both the nature of war itself and the construction of race during the long cold war. On this episode of New Books in Asian American Studies, Sunny Xiang chats about militarization and war as a way of life, race and rumor in Kazuo Ishiguro's work, Induk Pahk and Theresa Hak Kyung Cha’s differing approaches to incorporating the story of Korean independence activist Yu Guan Soon into their work, Ha Jin as an entryway to thinking about the boundaries between Asian American studies and Asian studies approaches to Asian/American literature, her hope for a multilingual future for Asian American studies, the limits of representation as a political goal, the nature of Asian American student groups o

Midori Yamamura’s Yayoi Kusama: Inventing the Singular (MIT Press, 2015) is an in-depth examination of the famed artist’s early years in Japan and the United States. Based on extensive research in Kusama’s archives as well as interviews with Kusama herself, Inventing the Singular both tracks the evolution of Kusama’s artistic practice and maps the artistic, social, and political contexts in which Kusama developed as an artist. The result is as much an analysis of the development of a globalized art world after the end of World War II as a study of one artist, however influential. The book begins with Kusama’s childhood in Japan before following her integration into artist groups, styles, and themes with a steadily more international focus. Yamamura’s careful scholarship seizes on connections to movements as diverse as Surrealism, Pop Art, and the Dutch Nul group to show how art dealers’ nascent control of the global art market encouraged the careers of white male artists at the expense of artists such as Kusa

Today I talked to Andy Choi about his novel Slow Hot (Schism Press, 2021).  "The principal narratives of Slow Hot (Schism Press, 2021) intersect, contrast, and complement one another like the panels in an intricate silk bojagi. Shards of text depicting our digital alienation and oversaturated connectivity in the age of apocalypse cut into a young Korean's journey home, the ghosts he encounters there, the shamanistic reinvention of his queer voice in the oppressive sweat of a subtropical forest. Like the invasive species he mentions, from Asia to North America, Choi vividly captures not only a sense of transpacific longing, but the need to belong on a more elemental level, so that whichever direction he takes us all we can do is marvel at what he creates along the way and thank him most profusely for the trip, for the refuge it gave us." (Gary J Shipley, author of Warewolff!) "What if love could save you but also kill you? That is the riddle at the heart of this iconoclastic, playful, prismatic debut novel. In

Hear Dr. Rosina Lippi-Green talk about some of her shocking findings on language discrimination and bias on campus. Lippi-Green and Avi discuss her book English with an Accent: Language, Ideology and Discrimination in the US (Routledge, 2011) and what the academic community can do to be more inclusive of scholars with different levels of English. We also discuss Rosina's transition from researcher to popular novelist. Avi Staiman is the founder and CEO of Academic Language Experts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

In Intersectionality in the Muslim South Asian-American Middle Class: Lifestyle Consumption beyond Halal and Hijab (Lexington Books, 2021), wherein Ternikar theorizes the everyday consumption of South Asian Muslim American women through case studies of their food, clothing, and social media presence. Through feminist, intersectional, and sociology of consumption theories, she provides excellent insights into the nuanced ways that these women negotiate their gendered, classed, racial, and religious identities. Far from being simply a book about the clothing styles, dietary habits and preferences, and social media presence of Muslim American women of South Asian backgrounds, it is an excellent exploration of the ways that this group of American women maintain, form, and re-invent new identities through consumption while maintaining and re-negotiating inherited ethno-religious traditions. Farha Bano Ternikar is an associate professor of Sociology and director of Gender and Women’s Studies at Le Moyne College. Sh

One of the first members of Albert Samaha’s family introduced in his memoir Concepcion: An Immigrant Family’s Fortunes (Riverhead Books, 2021) is his uncle Spanky: a baggage handler in San Francisco’s airport. Spanky emigrated to the United States from his home country, the Philippines, where he lived a very different life as a rockstar: one of the founding members of VST & Co., one of the country’s most famous bands. That’s merely one of the family members Albert Samaha profiles in Concepcion which traces the lives of generations of Filipinos, and Filipino-Americans, trying to find a better life for themselves and navigating the ups-and-downs of American society and politics. Albert Samaha is an investigative journalist and inequality editor at BuzzFeed News whose work has appeared in The New York Times, the Village Voice, San Francisco Weekly, and the Riverfront Times, among other outlets. A Whiting Foundation Creative Nonfiction Grant recipient, he is also the author of Never Ran, Never Will: Boyhood and F

Viet Thanh Nguyen, author of the Pulitzer Prize winning The Sympathizer and its sequel The Committed, joins esteemed scholar Colleen Lye of UC-Berkeley for a candid discussion about the Asian-American novel and the role of literature and theory in radical social movements. Colleen is drawn to the mix of philosophy and suspense in Viet's work and wonders if he considers himself a member of the theory generation (those writers for whom literary theory is not just a way of reading texts but an impetus to create new literary forms for grappling with ideas). Viet, schooled in deconstruction and postcolonial theory, accepts the designation with a caveat: If he is a novelist of ideas, then he is a novelist of revolutionary ideas. Inspired by Fanon's anticolonialism and Gayatri Spivak's concept of the double bind, Viet's defiantly politicizing aesthetic looks to place the colonial subject, particularly the Vietnamese refugee, at the center of multiple stories of American and French imperialism. Colleen and Viet refle

All nations make rules -- through their constitutions, legislatures, bureaucratic practices – about who counts as a citizen. American by Birth examines the role of the Supreme Court – particularly a ruling from 1898 that is still precedent today. Wong Kim Ark v. United States interpreted the language of the 14th Amendment to answer whether a man born in the United States was a citizen. The Court ruled in favor of Wong Kim Ark and held that the 14th Amendment extends to children of immigrants who were born in the United States. Using the work of legal scholars, political scientists, and historians, Drs. Julie L. Novkov and Carol Nackenoff provide an extended biography of Wong Kim Ark and the historic 1898 landmark case – but also a biography of US Citizenship from the colonies to the present. American by Birth: Wong Kim Ark and the Battle for Citizenship (UP of Kansas, 2021) concludes with an impressive chapter that contextualizes birthright citizenship globally and within the context of American politics and

White middle-class eaters are increasingly venturing into historically segregated urban neighborhoods in search of "authentic" eating in restaurants run by-and originally catering to-immigrants and people of color. What does a growing white interest in these foods mean for historically immigrant neighborhoods and communities of color? What role does foodie culture play in gentrification? In The Sixteen-Dollar Taco: Contested Geographies of Food, Ethnicity, and Gentrification (U Washington Press, 2021), Pascale Joassart-Marcelli sheds light on food gentrification and the emotional, cultural, economic, and physical displacement it produces. She explores three neighborhoods of San Diego, California where "authentic" ethnic food attracts growing numbers of affluent white consumers, while the black and brown people who make this food continue to struggle with economic insecurity and food apartheid.  Drawing on rich interviews with the locals who work, live, cook, and eat in these contested landscapes, Joassart-Mar

Political Scientist Efrén Pérez’s new book, Diversity's Child: People of Color and the Politics of Identity (U Chicago Press, 2021), explores the term and category “people of color” and how this grouping has been used within politics, but also how it is has been used by those who are classified as people of color. Pérez examines group identity, language and public opinion, and implicit cognition to explain how marginalization of non-white groups can form a collective group identity that is interchangeable for the individual. Diversity’s Child fills in a rather substantial gap in research about racial and ethnic identity in the United States by surveying people of color about how they think and feel about racial disparities that impact them as well as other groups that are often categorized as people of color. Part of what Pérez finds in the multi-method approach is that politics can be seen as a solution to the inequality that many of those within this broad umbrella category experience and understand. Pérez’