New Books In Asian American Studies

How do we understand our contemporary politics of race in historical, economical, and political context? How do we make sense of the Chinese Exclusion acts and ongoing racial discrimination? In Ghosts of Gold Mountain: The Epic Story of the Chinese Who Built the Transcontinental Railroad (HMH, 2019), Dr. Gordon H. Chang recovers the history of how thousands of immigrants from southern China came to work on the Transcontinental Railroad, at the time an essential American infrastructure and the second largest construction project in the world after the Suez Canal. Despite their contribution (they constituted 90% of the Central Pacific Railroad work force), Chinese workers were marginalized politically, socially, and economically in their time -- and in subsequent treatments of American labor and immigration history. But how to recount marginalization without objectifying the Chinese who built the railroads? Chang masterfully presents the story of 20,000 workers as lived experience. The Chinese are presented “no

In Mapping Abundance for a Planetary Future: Kanaka Maoli and Critical Settler Cartographies in Hawai'i (Duke University Press, 2021), Candace Fujikane draws upon Hawaiian stories about the land and water and their impact upon Native Hawai'ian struggles to argue that Native economies of abundance provide a foundation for collective work against climate change. Fujikane contends that the practice of mapping abundance is a radical act in the face of settler capital's fear of an abundance that feeds. Cartographies of capital enable the seizure of abundant lands by enclosing "wastelands" claimed to be underdeveloped. By contrast, Kanaka Maoli (Native Hawaiian) cartographies map the continuities of abundant worlds. Vital to restoration movements is the art of kilo, intergenerational observation of elemental forms encoded in storied histories, chants, and songs. As a participant in these movements, Fujikane maps the ecological lessons of these elemental forms: reptilian deities who protect the waterways, sharks who

Welcome to The Academic Life. You are smart and capable, but you aren’t an island, and neither are we. So we reached across our mentor network to bring you podcasts on everything from how to finish that project, to how to take care of your beautiful mind. Wish we’d bring in an expert about something? Email us at cgessler@gmail.com or dr.danamalone@gmail.com. Find us on Twitter: The Academic Life @AcademicLifeNBN. In this episode you’ll hear about: social justice, chronic illness, the importance of self-advocacy and a support network, and what it’s like graduating from college and then applying to graduate school during a pandemic. Our guest is Amy Sumerfield, who describes herself like this: I am a 23 year old cisgendered woman living in Loveland, Colorado. I was born in South Korea and lived with a foster family there until I was five months old. I was eventually adopted by my current family where I then grew up in Boulder, Colorado. I am more than privileged to have the upbringing that I did and I would not

This episode features three interviews with organizers and scholars concerned with Asian migrant sex work: SWAN Vancouver (Alison Clancey and Kelly Go), Dr. Lily Wong, and Dr. Yuri Doolan. On March 16, 2021, Robert Aaron Long targeted three Atlanta-area spas and massage parlors and killed eight people: Delania Ashley Yuan González, Xiaojie Tan, Daoyou Feng, Paul Andre Michels, Hyun Jung Grant, Soon Chung Park, Suncha Kim, and Yong Ae Yue. Six of these victims were Asian women. Within the days following the shooting, many groups representing women, Asian Americans, sex workers, and migrants, have collectively mourned and sent strength and solidarity to the eight victims and their families. This podcast episode seeks to express solidarity with these groups by highlighting the work of scholars and organizers who have been studying the racially encoded figures and the broader histories of Asian migrant sex work. We hope to give space here to understand how the violence that occurred on March 16 was imbricated wit

The Case for Identity Politics: Polarization, Demographic Change, and Racial Appeals (University of Virginia Press, 2020) dives into the discussion and debate surrounding the 2016 primary and how Donald Trump was ultimately nominated by the Republican Party to be their standard bearer and then elected president. But this is not the center of the book—though it is a very important data point. Christopher Stout, Associate Professor of Political Science at Oregon State University, came to this question about identity politics and how this understanding of rhetorical and political levers is at play with different groups of voters in the United States, through the work of Charles Hamilton and considerations of the idea of deracialized strategies in American politics. Hamilton, who has written a forward to The Case for Identity Politics, co-authored, with Kwame Toure, the 1967 text Black Power: The Politics of Liberation, bringing forward this deracialization thesis that provides the jumping off point for Stout’s r

Many scholars have interrogated the incarceration of 120,000 Japanese-Americans during WWII – with an eye to understanding the particular type of racism that allowed the administration of Franklin D. Roosevelt to punish based on heritage rather than any particular action or crime. Bradford Pearson’s new book The Eagles of Heart Mountain: A True Story of Football, Incarceration, and Resistance in World War II America (Atria/Simon and Schuster, 2021) provides a political history of the incarceration of Japanese-Americans during WWII by, first, going back in time to highlight the complex history of how Japanese (and Chinese) Americans first came to the West coast in the 17th century and the nuances of the racism they encountered over the centuries. Once Pearson establishes the origins of Anti-Asian-American racism, he follows several teenagers who played football both free and incarcerated. These nisei, American citizens of Japanese heritage, had their education and participation in a sport that has come to defi

In this inaugural episode, we discuss a unique special issue of The Journal of Asian American Studies: #WeToo, a reader of Art, Poetry, Fiction, and Memoir, that seeks to answer the question, “What does sexual violence look like in the lives of those hailed as “model minority?” Intended as a reader for the college classroom, the #WeToo special issue contains works that make academic language and theories of sexual violence relevant and workable for our students’ understanding of their own lives and experiences. This episode features interviews with the issue editors, erin Khuê Ninh and Shireen Roshanravan, as well as with two contributors, James McMaster, and Mashuq Mushtaq Deen. The JAAS Podcast is a collaboration between the New Books Network and the Journal of Asian American Studies (JAAS) and is hosted by Chris Patterson (University of British Columbia). The Issue’s Companion Website on the Asian American Writers Workshop is here. Christopher B. Patterson is an Assistant Professor in the Social Justice In

In the spring of 1942, the United States government forced 120,000 Japanese Americans from their homes in California, Oregon, Washington, and Arizona and sent them to incarceration camps across the West. Nearly 14,000 of them landed on the outskirts of Cody, Wyoming, at the base of Heart Mountain. Behind barbed wire fences, they faced racism, cruelty, and frozen winters. Trying to recreate comforts from home, many established Buddhist temples and sumo wrestling pits. Kabuki performances drew hundreds of spectators—yet there was little hope. That is, until the fall of 1943, when the camp’s high school football team, the Eagles, started its first season and finished it undefeated, crushing the competition from nearby, predominantly white high schools. Amid all this excitement, American politics continued to disrupt their lives as the federal government drafted men from the camps for the front lines—including some of the Eagles. As the team’s second season kicked off, the young men faced a choice to either join

As right-wing nationalism and authoritarian populism gain momentum across the world, liberals, and even some conservatives, worry that democratic principles are under threat. In The Spectre of Race: How Discrimination Haunts Western Democracy (Princeton UP, 2018), Michael Hanchard argues that the current rise in xenophobia and racist rhetoric is nothing new and that exclusionary policies have always been central to democratic practices since their beginnings in classical times. Contending that democracy has never been for all people, Hanchard discusses how marginalization is reinforced in modern politics, and why these contradictions need to be fully examined if the dynamics of democracy are to be truly understood. Hanchard identifies continuities of discriminatory citizenship from classical Athens to the present and looks at how democratic institutions have promoted undemocratic ideas and practices. The longest-standing modern democracies —France, Britain, and the United States—profited from slave labor, emp

This unique episode features a dual/duel interview with two authors whose recent books focus on the overlapping contexts and theories of Game Studies and Asian American Studies. The first is Tara Fickle and her book The Race Card: From Gaming Technologies to Model Minorities (NYU Press, 2019), which investigates the ways Asian Americans have had to fit roles, play games, and follow rules in order to be seen as valuable in the US. The second author is Christopher B. Patterson, who discusses his book Open World Empire: Race, Erotics, and the Global Rise of Empire (NYU Press, 2020), which asks similar questions to theorize ways of seeing games as queer erotics, as expressions of empire, and as withholding “The Asiatic.” During this duel/dual interview, each author asks the other questions about their books, with the goal of having a broader conversation about the various concepts that both books play with. Christopher B. Patterson is an Assistant Professor in the Social Justice Institute at the University of Bri

Intertwining autobiography and ethnography, Clara Han’s touching new book Seeing Like a Child: Inheriting the Korean War (Fordham University Press, 2020) asks how scholarship can be transformed from a child’s perspective. Through a critique of anthropological practices that assume fully formed “I” in its emphasis on self-reflexivity as well as the prioritization of pre-established epistemological categories in the scholarship on transgenerational trauma, Han shows how distinction between historical and ordinary events breaks down as the violence of war is seeped into everyday lives. The make-believe world interlocks with mundane details of the everyday as a child constructs the world around them through languages that are differently encoded with trauma and joy from the legacy of the war. Divided into four parts, “Part I: Loss and Awakenings” enters into how the trauma of father’s isan kajok (dispersed families) intersect with the memories of illness and affliction of Han’s mother. “Part II: A Future in Kinsh

Can we ever overcome the epistemological barrier to conceptualizing Asian women not as particular cases but as theories, and can women of color academics be heard in this process? This is one of the central questions Laura Hyun Yi Kang grapples with in her groundbreaking book, Traffic in Asian Women (Duke University Press, 2020).  Kang, in conversation with works such as Kuan-Hsing Chen’s Asia as Method: Towards Deimperialization, contests the uses of Asian women as a bounded unit of knowledge and proposes “start[ing] off from ‘Asian women’ as an imperial effect and multivalent discourse of intra-Asian contestation and transpacific nonknowing” (35). Contesting the limitation of rendering a generalized group as a bounded unit legible for academics’ expertise and dissection, Kang proceeds to examine “unexpected transfigurations” and “investments in sympathies” of Asian women in three categories that became important for knowledge dissemination within and by the universities, NGOs and UN agencies: “Traffic in wo

Enter the Wu-Tang. Return to the 36 Chambers. People listening to these albums by the Wu-Tang Clan and its members likely never knew about Sophia Chang: a Korean-Canadian woman who worked with members like RZA, ODB and Method Man. Q-Tip of A Tribe Called Quest called Sophia Chang “an integral part of the golden era of hip-hop.” The Baddest Bitch in the Room (Catapult, 2020) charts Sophia Chang’s life, from her childhood in Vancouver, through time in New York’s hip-hop scene and travels between the United States and China managing martial arts, through to the present day. Sophia Chang is the music business matriarchitect who managed Ol’ Dirty Bastard, RZA, GZA, D’Angelo, Raphael Saadiq, Q Tip, and A Tribe Called Quest as well as working with Paul Simon. She did marketing at Atlantic, A&R at Jive, A&R Admin at Universal, as well as serving as General Manager of RZA’s Razor Sharp Records, Cinematic Music Group, and Joey Bada$$’ Pro Era Records. Sophia is currently a screenwriter and author developing numerous TV

The Peculiar Afterlife of Slavery: The Chinese Worker and the Minstrel Form (Stanford University Press, 2020) explores how antiblack racism lived on through the figure of the Chinese worker in US literature after emancipation. Drawing out the connections between this liminal figure and the formal aesthetics of blackface minstrelsy in literature of the Reconstruction and post-Reconstruction eras, Caroline H. Yang reveals the ways antiblackness structured US cultural production during a crucial moment of reconstructing and re-narrating US empire after the Civil War. Ultimately, The Peculiar Afterlife of Slavery shows how the Chinese worker manifests the inextricable links between US literature, slavery, and empire, as well as the indispensable role of antiblackness as a cultural form in the United States. Dr. Caroline Yang is an Associate Professor in the Department of English at the University of Massachusetts Amherst. Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. S

In a bustling city-center of Seoul, women in yellow vests protesting over the “final” resettlement between the Japanese and Korean governments every Wednesday is an iconic sight, testifying to the strength and resilience of the “comfort women” movement. In her award-winning book Embodied Reckonings: “Comfort Women,” Performance, and Transpacific Redress (University of Michigan Press, 2018), Elizabeth Son examines a long neglected aspect of the “comfort women” advocacy movement: embodied practices of the former “comfort women” and activists as they protest against the historical amnesia of sexual slavery. Through a transpacific framework, Son shows how the “comfort women” movement holds Asian American and Asian activists together as they collectively address America’s imperialist past and seek redress against militarized sexual violence. Son’s monograph takes the reader to the materiality, physicality, and aurality of the Wednesday demonstrations as the collective presence of former “comfort women” and activis

In Writing Across the Color Line: U.S. Print Culture and the Rise of Ethnic Literature, 1877-1920 (University of Massachusetts Press, 2020), Lucas A. Dietrich investigates how ethnic literatures took shape in the U.S. context and how writers of color intervened in the “mainstream” writing. Interestingly, this intervention was framed through specific genres and techniques, including satire and parody towards the mainstream narratives. The book brings our attention to the most prominent ethnic writings of the second half of the nineteenth century while taking into consideration the negotiations in which both the writers and the publishers participated. What is compelling about this research is the dialogical approach that Dietrich undertakes to explore the ways in which the ethnic writers were, in fact, accepted into what could be described as the dominant mainstream writing of white writers. Writing Across the Color Line contains rich materials which demonstrate not only how the writers of color established di

In Camps: Vietnamese Refugees, Asylum Seekers and Repatriates (University of California Press, 2020) is an in-depth study of the fate of the nearly 800,000 Vietnamese refugees who left their country by boat, and sought refugee in Southeast Asia and the Pacific. The experiences of these populations and the subsequent policies remain relevant today; Who is a refugee? Who determines their status? And how does it change over time? Jana K. Lipman takes the reader to visit camps in Guam, Malaysia, the Phillipines and Hong Kong, drawing out the politics, policies and how these impacted refugees rights to remain, be resettled or repatriated. She draws out the tensions between the UN High Commissioner for Refugees and the US government, drawing into focus the direct impact this had on the day-to-day lives of those stuck in camps. Her research is the first major work to pay close attention to first-landing host sites, with particular emphasis on Vietnamese activism in the camps and as part of the diaspora. The work wil

When Jeremy Lin shot (pardon the pun) to stardom with his unexpected scoring run with the New York Knickerbockers in 2012 many aficionados of basketball were surprised that an Asian American (Lin is of Taiwanese extraction) played this sport at such a high level. While “Linsanity” did not last, it fueled important questions about the relationship between a particular community and a sport that, at least at the collegiate and professional levels, does not feature many players of this specific ethnic background. While the NBA is not overcrowded with players of Asian descent, the sport is quite popular in places like China (not without controversy, however) and elsewhere in Asia. What roles has the game played in the lives of individuals and communities of Asian Americans in the United States? The answer to that question can be found in Joel Franks’ wonderful monograph Asian American Basketball: A Century of Sport, Community and Culture (McFarland, 2016). The historical record of the sport in Asian American comm

In Insurgent Aesthetics: Security and the Queer Life of the Forever War (Duke University Press), Ronak K. Kapadia theorizes the world-making power of contemporary art responses to US militarism in the Greater Middle East. He traces how new forms of remote killing, torture, confinement, and surveillance have created a distinctive post-9/11 infrastructure of racialized state violence. Linking these new forms of violence to the history of American imperialism and conquest, Kapadia shows how Arab, Muslim, and South Asian diasporic multimedia artists force a reckoning with the US war on terror's violent destruction and its impacts on immigrant and refugee communities. Drawing on an eclectic range of visual, installation, and performance works, Kapadia reveals queer feminist decolonial critiques of the US security state that visualize subjugated histories of US militarism and make palpable what he terms “the sensorial life of empire.” In this way, these artists forge new aesthetic and social alliances that sustain

Ishtyle: Accenting Gay Indian Nightlife (University of Michigan Press, 2020) follows queer South Asian men across borders into gay neighborhoods, nightclubs, bars, and house parties in Bangalore and Chicago. Bringing the cultural practices they are most familiar with into these spaces, these men accent the aesthetics of nightlife cultures through performance. Kareem Khubchandani develops the notion of “ishtyle” to name this accented style, while also showing how brown bodies inadvertently become accents themselves, ornamental inclusions in the racialized grammar of desire. Ishtyle allows us to reimagine a global class perpetually represented as docile and desexualized workers caught in the web of global capitalism. The book highlights a different kind of labor, the embodied work these men do to feel queer and sexy together. Engaging major themes in queer studies, Khubchandani explains how his interlocutors’ performances stage relationships between: colonial law and public sexuality; film divas and queer fans;