London Review Bookshop Podcasts

In Against Memoir (And Other Stories), Michelle Tea takes us through the hard times and wild creativity of queer life in America. Via a series of essays, addresses and fragments she reclaims Valerie Solanas as an absurdist, remembers the lives and deaths of the lesbian motorcycle gang HAGS and introduces us to activists at a trans protest camp. Tea was in conversation with writer Juliet Jacques. Hosted on Acast. See acast.com/privacy for more information.

Denise Riley’s devastating long poem ‘A Part Song’, written in response to the death of her son, was first published in the LRB in 2012 and later became the kernel of her acclaimed collection Say Something Back (Picador). The poem’s prose counterpart Time Lived, Without Its Flow was initially published in a small edition by Capsule Press but has now been made more readily available in a new edition, also from Picador. Riley was in conversation about her essay with the writer Max Porter, author of Grief is the Thing with Feathers and Lanny and with the poet Emily Berry, author of Dear Boy and Stranger, Baby. Hosted on Acast. See acast.com/privacy for more information.

Music critic Ian Penman is back with a pioneering book of essays alluding to a lost moment in musical history ‘when cultures collided and a cross-generational and “cross-colour” awareness was born’. It Gets Me Home, This Curving Track (Fitzcarraldo) focuses on black artists, including James Brown, Charlie Parker and Prince, who were at the forefront of innovation and the white artists that followed, adapting their sounds for the mainstream. Described by Iain Sinclair as ‘a laureate for marginal places’ Penman began his career in 1970s at the NME and has since gone on to write for publications such as Sight & Sound, Uncut and the London Review of Books. Penman was in conversation with writer and editor Jennifer Hodgson. Hosted on Acast. See acast.com/privacy for more information.

Nell Zink, born in Virginia in 1964 and now resident in Germany, is one of the most remarkable novelists of her, and indeed any generation. Her exuberant creations, always inflected with political, social and ecological concern, have won worldwide acclaim for their recklessness, their inventiveness and their sheer stylistic brilliance. She read from the latest of them, Doxology (4th Estate), a tale that begins with the iconic tragedy of 11 September 2001 and spins out from it into America’s past and potential futures, she discussed it with Alex Clark of the Guardian. Hosted on Acast. See acast.com/privacy for more information.

In twelve inimitable, eccentric, hilarious, disturbing and powerful novels, Nicola Barker has established herself as one of the most inventive and powerful voices in contemporary British fiction. To mark the publication of the thirteenth, I Am Sovereign (William Heinemann), Barker was in conversation about experiment, fiction, contemporaneity and a great deal else besides with the novelist and short story writer Ali Smith. Hosted on Acast. See acast.com/privacy for more information.

‘A writer is only as interesting as what she pays attention to.’ Deborah Levy is the author of many plays, novels, short stories and essay collections. Inventive, experimental and compulsively readable, her work has won many awards, accolades and prizes. Her latest novel The Man Who Saw Everything (Hamish Hamilton) plays with time and memory in a gripping exploration of the weight of history and the disastrous consequences of trying to ignore it. ‘There’s no one touching the brilliance of Deborah Levy’s prose today’ writes Lee Rourke. Levy was in conversation with Shahidha Bari, academic, critic and author of Dressed: The Secret Life of Clothes (Jonathan Cape). Hosted on Acast. See acast.com/privacy for more information.

At the New School in New York, where Simon Critchley teaches, ‘Critchley on Tragedy’ is one of the most consistently oversubscribed courses. Now, in Tragedy, the Greeks and Us (Profile) he explains, in often surprising ways, why Greek Tragedies remain so compellingly relevant to modern times, in the way they confront us with things about ourselves we don’t want to believe, but are nevertheless true. Critchley was in conversation with Shahidha Bari, Senior Lecturer in Romanticism at Queen Mary, University of London. Hosted on Acast. See acast.com/privacy for more information.

In 1990, Eileen Myles chose Rosie from a litter on the street, and their connection instantly became central to the writer's life and work. During the course of their sixteen years together, Myles was madly devoted to the dog’s wellbeing, especial... Hosted on Acast. See acast.com/privacy for more information.

Romy Hall, the protagonist of Rachel Kushner’s latest novel *[The Mars Room][1]* (Cape), is beginning two consecutive life sentences plus six months at a women’s correctional facility. Cut off from everything she knows and loves – The Mars Room, a San Francisco strip club where she once earned a living, her seven-year-old son Jackson now in the care of her estranged mother – Romy begins a terrifying new life, detailed with humour and precision by Kushner. George Saunders writes ‘Kushner is a young master. I honestly don't know how she is able to know so much and convey all of this in such a completely entertaining and mesmerizing way.’ She read from her latest novel, and was in conversation about it with the novelist and critic Adam Thirlwell. [1]: /on-our-shelves/book/9781910702673/mars-room Hosted on Acast. See acast.com/privacy for more information.

In Life Lessons (Verso) Melissa Benn explores how we need to rethink education for life. As more and more of us live and work longer than ever before, a National Education Service should, like the NHS, be the framework that ensures a life-long... Hosted on Acast. See acast.com/privacy for more information.

John Berger was one of the most various of writers and men: art critic, essayist, novelist, poet and much-missed friend of the shop. In *[A Writer of Our Time][1]* (Verso), Berger’s first full biographical study, Joshua Sperling traces Berger’s... Hosted on Acast. See acast.com/privacy for more information.

Issue 146 of Granta is themed around the politics of feeling. Guest co-editor Devorah Baum interviews Peter Pomerantsev about his piece ‘Normalnost’, which explores how what once appeared the exclusive culture of post-Soviet Russia – the denial and... Hosted on Acast. See acast.com/privacy for more information.

Katherine Angel’s Daddy Issues engages with what Lauren Elkin has called ‘that forgotten figure in feminism’s critique of patriarchy: the father’, examining the place of fathers in contemporary culture and asking how the mixture of love and hatred we feel towards our fathers can be turned into a relationship that is generative rather than destructive. If we are to effectively dismantle patriarchy, Angel argues, it is vital that fathers are kept on the hook. Angel was in conversation with Sarah Moss, whose sixth novel Ghost Wall was longlisted for the Women’s Prize 2019. Hosted on Acast. See acast.com/privacy for more information.

Winner of the Women’s Prize for Fiction, An American Marriage (Oneworld) is a thrilling depiction of the American Dream in freefall. Barack Obama (no less) has called it ‘a moving portrayal of the effects of a wrongful conviction on a young... Hosted on Acast. See acast.com/privacy for more information.

Vasily Grossman’s Life and Fate, suppressed by the Soviet authorities in the 1950s but smuggled out of Russia with the help of Andrey Sakharov in the early 1980s, established Grossman’s reputation as a 20th-century Tolstoy, in particular following Robert Chandler’s magnificent 1985 translation into English. Most readers, however, do not realize that it is only the second half of a two-part work, the first half of which was published in 1952 under the title For a Just Cause. Grossman’s original and preferred title was Stalingrad – a title now restored in Chandler’s new translation. The translator writes of it ‘To me, at least, Stalingrad now seems a greater novel than Life and Fate. It is more varied, more polyphonic, closer to Grossman’s immediate experience of the war … In our translation, we have restored much of the reality edited out from previous editions, reinstating several hundred passages – some of just three or four words, some of several pages – from the typescript. Our hope is that this may allow

New York's 92nd Street Y has been a home to the voices of literature for 80 years, hosting in its famed Reading Series the greatest literary artists of the 20th century and recording for posterity their appearances as part of its vast audio archive. Featuring Colm Tóibín on Elizabeth Bishop and Rachel Cusk on Katherine Anne Porter, the Writers on Recordings series invites contemporary authors to discuss the legendary voices that have meant the most to them. Each conversation features rare archival recordings and is led by Bernard Schwartz, who produces 92Y's Reading Series as director of its Unterberg Poetry Center. Now in its third year, the series is produced in collaboration with the 92nd Street Y and Queen Mary University of London. Hosted on Acast. See acast.com/privacy for more information.

New York's 92nd Street Y has been a home to the voices of literature for 80 years, hosting in its famed Reading Series the greatest literary artists of the 20th century and recording for posterity their appearances as part of its vast audio archive. Featuring Colm Tóibín on Elizabeth Bishop and Rachel Cusk on Katherine Anne Porter, the Writers on Recordings series invites contemporary authors to discuss the legendary voices that have meant the most to them. Each conversation features rare archival recordings and is led by Bernard Schwartz, who produces 92Y's Reading Series as director of its Unterberg Poetry Center. Now in its third year, the series is produced in collaboration with the 92nd Street Y and Queen Mary University of London. Hosted on Acast. See acast.com/privacy for more information.

Sheila Rowbotham’s many books, in history, politics, feminist theory and biography, have established her firmly at the forefront of both the women’s movement and of libertarian socialism. Perhaps the most personal of them though is Promise of a Dream, first published by Penguin in 2000 and now available again in a new edition from Verso. Frank, beautifully written, funny and moving, it is a coming of age story that takes us from Leeds to Oxford via the Sorbonne, and a stirring account of awakening political consciousness during the 1960s. Professor Rowbotham read from her work, and was in conversation with Lynne Segal, Professor of Psychology and Gender Studies at Birkbeck College and author, most recently, of Radical Happiness and Making Trouble. Hosted on Acast. See acast.com/privacy for more information.

In her latest work Guestbook: Ghost Stories (Particular Books) Leanne Shapton, through a series of stories and vignettes, encounters the uncanny. Are our experiences of ghosts and the unworldly mere fantasies of the mind, or are they solid evidence of the supernatural? In a book designed, curated and illustrated by Shapton herself, she provides some, but by no means all of the answers. Toronto-born Shapton rose to literary prominence with her genre-defying Important Artifacts and Personal Property from the Collection of Lenore Doolan and Harold Morris, published by Bloomsbury in 2009. Her subsequent works, including Was She Pretty?, Swimming Studies and Toys Talking, have continued to baffle those readers and booksellers who like to know exactly which shelf to put a book on. She was in conversation with novelist and critic Adam Thirlwell. Hosted on Acast. See acast.com/privacy for more information.

David Keenan’s For the Good Times (Faber), set in Belfast during The Troubles, pursues four friends battling for an identity in a neighbourhood harangued by violence and religious intensity. The book highlights the complexity of believing in a cause whilst indulging in the spoils of amoral days. Keenan’s second novel is an urgent and experimental follow up to This is Memorial Device (Faber). Keenan was in conversation with artist and musician, Bill Drummond. Hosted on Acast. See acast.com/privacy for more information.