National Gallery Of Art | Audio

August 2012 - Maria-Josep Balsach, professor of contemporary art, University of Girona, Catalonia, Spain. Catalan painter Joan Miró (1893–1983), celebrated as one of the greatest modern artists, combined abstract art with surrealist fantasy to create his lithographs, murals, tapestries, and sculptures for public spaces. Held on June 1 and 2, 2012, at the National Gallery of Art, this public symposium explored Joan Miró—his personal life, politics, art, and the impact that he had on other artists. This program was held in conjunction with the exhibition Joan Miró: The Ladder of Escape on view at the Gallery from May 6 to August 12, 2012, and was coordinated with and supported by the Institut Ramon Llull.

August 2012 - Charles Palermo, Alumni Memorial Term Distinguished Associate Professor of Art History, The College of William and Mary. Catalan painter Joan Miró (1893–1983), celebrated as one of the greatest modern artists, combined abstract art with surrealist fantasy to create his lithographs, murals, tapestries, and sculptures for public spaces. Held on June 1 and 2, 2012, at the National Gallery of Art, this public symposium explored Joan Miró—his personal life, politics, art, and the impact that he had on other artists. This program was held in conjunction with the exhibition Joan Miró: The Ladder of Escape on view at the Gallery from May 6 to August 12, 2012, and was coordinated with and supported by the Institut Ramon Llull.

August 2012 - Marina Belozerskaya, independent scholar Exotic animals have been sought and collected by rulers for millennia, going back to Egyptian pharaohs and Mesopotamian kings. But how they have been used varied from culture to culture, reflecting the concerns of a particular time and place. In this lecture recorded on June 17, 2012, at the National Gallery of Art, Marina Belozerskaya discusses the uses of exotic beasts in Europe between the Renaissance and the Enlightenment, and the shifting purposes they served, from emulation of antiquity to building encyclopedic collections to spurring scientific and economic progress

August 2012 - J. Carter Brown, director emeritus, National Gallery of Art To commemorate the 1996 Atlanta Olympics, the 100th anniversary of the modern Olympic Games, J. Carter Brown (1934-2002), former director of the National Gallery of Art, curated Rings: Five Passions in World Art, on view from July 4 to September 29, 1996, at the High Museum of Art, Atlanta. The works in this exhibition celebrated the Olympic spirit by highlighting the universal human emotions of love, anguish, awe, triumph, and joy. In this lecture recorded on June 9, 1996, Brown described bringing together 129 objects—including Rodinˈs The Kiss (1889) and Munchˈs The Scream (1893)—spanning seven centuries, loaned from prestigious museums and private collections around the world. Brown experimented with the exhibition installation, grouping artworks by the primary emotion that each evoked rather than by artist, chronology, movement, or locale.

August 2012 - Benet Rossell, artist. Catalan painter Joan Miró (1893–1983), celebrated as one of the greatest modern artists, combined abstract art with surrealist fantasy to create his lithographs, murals, tapestries, and sculptures for public spaces. Held on June 1 and 2, 2012, at the National Gallery of Art, this public symposium explored Joan Miró—his personal life, politics, art, and the impact that he had on other artists. This program was held in conjunction with the exhibition Joan Miró: The Ladder of Escape on view at the Gallery from May 6 to August 12, 2012, and was coordinated with and supported by the Institut Ramon Llull.

July 2012 - Gary Tinterow, director, Museum of Fine Arts, Houston. Following a two-year renovation, the galleries devoted to impressionism and post-impressionism in the West Building of the National Gallery of Art reopened on January 28, 2012. Among the world's greatest collections of paintings by Manet, Monet, Renoir, Cézanne, Van Gogh, and Gauguin, the Gallery's later 19th-century French paintings returned to public view in a freshly conceived installation design. In honor of the reopening, the Gallery hosted a public symposium on April 27, 2012, focused on issues surrounding the reinstallation of three major 19th-century paintings collections: The Barnes Foundation, the Musée d'Orsay, and the Metropolitan Museum of Art.

July 2012 - Liz Tunick, Kress Interpretive Fellow, National Gallery of Art; Mary Morton, curator and head of the department of French paintings, National Gallery of Art; Kimberly Jones, associate curator, National Gallery of Art; Charlie Ritchie, associate curator, National Gallery of Art; Ann Hoenigswald, senior conservator, National Gallery of Art; Wil Scott, head of adult programs, National Gallery of Art Edouard Manet's iconic painting The Railway has intrigued and perplexed viewers ever since it was first publicly exhibited at the Paris Salon in 1874. The painting was given to the National Gallery of Art in 1956 and now hangs in the recently reinstalled West Building Galleries devoted to 19th-century French painting. Gallery Fellow Liz Tunick discusses the painting with National Gallery curators Mary Morton, Kimberly Jones, and Charlie Ritchie, paintings conservator Ann Hoenigswald, and educator Wil Scott. Their discussions explore and illuminate the artist's innovative techniques—such as his bold, varie

July 2012 - Xavier Rey, curator of paintings, Musée d'Orsay. Following a two-year renovation, the galleries devoted to impressionism and post-impressionism in the West Building of the National Gallery of Art reopened on January 28, 2012. Among the world's greatest collections of paintings by Manet, Monet, Renoir, Cézanne, Van Gogh, and Gauguin, the Gallery's later 19th-century French paintings returned to public view in a freshly conceived installation design. In honor of the reopening, the Gallery hosted a public symposium on April 27, 2012, focused on issues surrounding the reinstallation of three major 19th-century paintings collections: The Barnes Foundation, the Musée d'Orsay, and the Metropolitan Museum of Art.

May 2012 - Robert T. Singer, curator of Japanese art, Los Angeles County Museum of Art. The exhibition Edo: Art in Japan, 1615–1868—on view from November 15, 1998, to February 15, 1999, at the National Gallery of Art—was the first comprehensive survey of Japanese art of the Edo period in the United States. In this podcast recorded on November 15, 1998, exhibition curator Robert T. Singer highlights some of the 281 objects presented in the exhibition, including painted scrolls and screens, costumes, armor, sculpture, ceramics, and woodblock prints. Forty-seven of the works were designated National Treasures of Japan, and many had never before left the country. The exhibition was organized by the National Gallery of Art, in collaboration with the Agency for Cultural Affairs of the Japanese Ministry of Education, Government of Japan, and The Japan Foundation.

July 2012 - Martha Lucy, associate curator, The Barnes Foundation. Following a two-year renovation, the galleries devoted to impressionism and post-impressionism in the West Building of the National Gallery of Art reopened on January 28, 2012. Among the world's greatest collections of paintings by Manet, Monet, Renoir, Cézanne, Van Gogh, and Gauguin, the Gallery's later 19th-century French paintings returned to public view in a freshly conceived installation design. In honor of the reopening, the Gallery hosted a public symposium on April 27, 2012, focused on issues surrounding the reinstallation of three major 19th-century paintings collections: The Barnes Foundation, the Musée d'Orsay, and the Metropolitan Museum of Art.

July 2012 - Arthur K. Wheelock Jr., curator of northern baroque paintings, National Gallery of Art, and Melanie Gifford, research conservator, National Gallery of Art. Few artists were more skilled than Willem van Aelst (1627–1683) at depicting luscious fruits, luxurious fabrics, and spoils of the hunt. His renowned still lifes are remarkable for their fine finish, carefully balanced composition, jewel-toned palette, and elegant subject matter. Bringing together 28 of these sumptuous paintings and his only known drawing, this exhibition—the first devoted solely to this artist—celebrates the most technically brilliant Dutch still-life painter of his time. It is also accompanied by the first comprehensive publication on his work. In this opening day lecture, curator Arthur K. Wheelock Jr. discusses van Aelst's life and talent, including his impact on late-17th-century still-life painting. Conservator Melanie Gifford discusses the technical research that revealed how van Aelst created his luxurious illusions. El

July 2012 - Andrew Graham-Dixon, art critic. For 400 years Caravaggio's staggering artistic achievements have thrilled viewers, yet his volatile personal trajectory—the murder of Ranuccio Tommassoni, the doubt surrounding Caravaggio's sexuality, the chain of events that began with his imprisonment on Malta and ended with his premature death—has long confounded historians. Andrew Graham-Dixon delves into the original Italian sources, presenting fresh details about Caravaggio's life (1571-1610), his many crimes and public brawls, and the most convincing account yet published of the painter's tragic death at the age of thirty-eight. With illuminating readings of Caravaggio's infamous religious paintings, for which Caravaggio often used prostitutes and poor people as models, Graham-Dixon immerses listeners into the artist's world, during the height of the Counter-Reformation in Italy, and creates a masterful profile of the mercurial painter's life and work.

June 2012 - Jonathan Bober, curator and head of the department of old master prints, National Gallery of Art The genius of Giovanni Benedetto Castiglione (1609–1664) is characterized by his thoroughgoing synthesis of other artists' styles, his incessant variations upon a relatively narrow range of subjects, and his profound influence upon later artists. In the National Gallery of Art exhibition The Baroque Genius of Giovanni Benedetto Castiglione, on view from January 29 to July 8, 2012, Castiglione's works and comparative examples are presented side by side, underscoring the serial aspect of his creativity. In this lecture recorded on June 3, 2012, exhibition curator Jonathan Bober suggests that this creativity contradicts the division of Baroque style into "naturalistic" and "classical," and predicts critical aspects of contemporary art, including appropriation, crossing of boundaries, and variations on a theme.

June 2012 - Charles Brock, associate curator, department of American and British paintings, National Gallery of Art Curator Charles Brock discusses the National Gallery of Art's landmark exhibition George Bellows, the first comprehensive presentation of the artist's career in more than 3 decades. In this opening-day lecture recorded on June 10, 2012, Brock explores Bellows' paintings, drawings, and lithographs depicting tenement children, boxers, sporting events, family portraits, World War I subjects, Maine seascapes, scenes of Woodstock, NY, and the urban landscape of New York City. This exhibition, on view through October 8, 2012, charts the full range of Bellows' artistic achievement, represented by some 130 works arranged thematically and chronologically throughout 9 galleries.

June 2012 - Franklin Kelly, chief curator and deputy director, National Gallery of Art, Lance Mayer and Gay Myers, independent conservators. Scholars from around the world gathered at the National Gallery of Art to discuss Samuel F. B. Morse's newly conserved Gallery of the Louvre, which is on view at the National Gallery of Art from June 25, 2011, through July 8, 2012. In a 2-day public symposium, held and recorded on April 20 and 21, 2012, academics, conservators, and curators examined the historical context of the work, its conservation treatment, and the techniques used. This program was coordinated with and supported by the Terra Foundation for American Art.

June 2012 - Peter J. Brownlee, associate curator, Terra Foundation for American Art. Scholars from around the world gathered at the National Gallery of Art to discuss Samuel F. B. Morse's newly conserved Gallery of the Louvre, which is on view at the National Gallery of Art from June 25, 2011, through July 8, 2012. In a 2-day public symposium, held and recorded on April 20 and 21, 2012, academics, conservators, and curators examined the historical context of the work, its conservation treatment, and the techniques used. This program was coordinated with and supported by the Terra Foundation for American Art.

June 2012 - Nancy Anderson, curator and head of the department of American and British paintings, National Gallery of Art, Andrew McClellan, professor and dean of academic affairs for arts and sciences, Tufts University. Scholars from around the world gathered at the National Gallery of Art to discuss Samuel F. B. Morse's newly conserved Gallery of the Louvre, which is on view at the National Gallery of Art from June 25, 2011, through July 8, 2012. In a 2-day public symposium, held and recorded on April 20 and 21, 2012, academics, conservators, and curators examined the historical context of the work, its conservation treatment, and the techniques used. This program was coordinated with and supported by the Terra Foundation for American Art.

June 2012 - Olivier Meslay, associate director of curatorial affairs, Dallas Museum of Art. Scholars from around the world gathered at the National Gallery of Art to discuss Samuel F. B. Morse's newly conserved Gallery of the Louvre, which is on view at the National Gallery of Art from June 25, 2011, through July 8, 2012. In a 2-day public symposium, held and recorded on April 20 and 21, 2012, academics, conservators, and curators examined the historical context of the work, its conservation treatment, and the techniques used. This program was coordinated with and supported by the Terra Foundation for American Art.

June 2012 - David Bjelajac, professor of art and American studies, The George Washington University. Scholars from around the world gathered at the National Gallery of Art to discuss Samuel F. B. Morse's newly conserved Gallery of the Louvre, which is on view at the National Gallery of Art from June 25, 2011, through July 8, 2012. In a 2-day public symposium, held and recorded on April 20 and 21, 2012, academics, conservators, and curators examined the historical context of the work, its conservation treatment, and the techniques used. This program was coordinated with and supported by the Terra Foundation for American Art.

June 2012 - Jean-Philippe Antoine, professor, department of visual arts, Université Paris 8. Scholars from around the world gathered at the National Gallery of Art to discuss Samuel F. B. Morse's newly conserved Gallery of the Louvre, which is on view at the National Gallery of Art from June 25, 2011, through July 8, 2012. In a 2-day public symposium, held and recorded on April 20 and 21, 2012, academics, conservators, and curators examined the historical context of the work, its conservation treatment, and the techniques used. This program was coordinated with and supported by the Terra Foundation for American Art.