New Books In Popular Culture

In The Pirate's Code: Laws and Life Aboard Ship (Reaktion, 2023), Dr. Rebecca Simon presents a rollicking account of pirates’ codes, the strict rules essential for survival at sea. Pirates have long captured the imagination with images of cutlass-wielding swashbucklers, eye patches and buried treasure. But what was life really like on a pirate ship? Piracy was a risky, sometimes deadly occupation, and strict orders were essential for everyone’s survival. These ‘Laws’ were sets of rules that determined everything from how much each pirate earned from their plunder to compensation for injuries, punishments and even the entertainment allowed on ships. These rules became known as the ‘Pirates’ Code’, which all pirates had to publicly swear by. Using primary sources such as eyewitness accounts, trial proceedings and maritime logs, this book explains how these codes were the key to pirates’ success in battle, both on sea and on land. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses

Ritual deposition is not an activity that many people in the Western world would consider themselves participants of. The enigmatic beliefs and magical thinking that led to the deposition of swords in watery places and votive statuettes in temples, for example, may feel irrelevant to the modern day. However, Dr. Ceri Houlbrook shows in ‘Ritual Litter' Redressed (Cambridge University Press, 2023) that ritual deposition is a more widespread feature now than in the past, with folk assemblages – from roadside memorials and love-lock bridges, to wishing fountains and coin-trees – emerging prolifically worldwide. Despite these assemblages being as much the result of ritual activity as historically deposited objects, they are rarely given the same academic attention or heritage status. As well as exploring the nature of ritual deposition in the contemporary West, and the beliefs and symbolisms behind various assemblages, this Element explores the heritage of the modern-day deposit, promoting a renegotiation of the p

Earlier this month, Toho Studios released “Godzilla Minus One”—the 37th film in the now almost seven-decade-old franchise. Godzilla has gone through many phases over the past 70 years: symbol of Japan’s nuclear fears, cuddly defender of humanity, Japanese cultural icon and, now, the centerpiece of another Hollywood cinematic universe. But it was 1954’s Godzilla that launched the whole thing, with a story written by Japanese author Shigeru Kayama. He also wrote a novelization for the movie and its sequel Godzilla Raids Again (University of Minnesota Press: 2023), both translated by Jeffrey Angles. In this interview, Jeffrey and I talk about these novels, how they differ from the movies, and how they start Godzilla’s journey to becoming a cultural icon. Jeffrey Angles is a professor and advisor of Japanese in the Department of World Languages and Literatures at Western Michigan University. He is also a prominent translator of modern Japanese literature, with several volumes of Japanese literature in translation

Greil Marcus is perhaps the world’s foremost interpreter of Bob Dylan. This podcast focuses on Marcus’ latest Dylan book, Folk Music: A Bob Dylan Biography in Seven Songs (Yale University Press, 2022). Marcus begins his book with a 2001 quote from Dylan: “I can see myself in others.” In this sense, Marcus writes, “the engine of his songs is empathy.” We begin our conversation with “Murder Most Foul,” from 2020, on the assassination of John F. Kennedy, with Dylan “putting on Kennedy’s bloody suit.” We discuss, too, “Desolation Row,” from 1965. The opening line— “They’re selling postcards of the hanging…”— could be a reference, Marcus suggests, to a lynching of three black circus workers in Duluth, Minnesota in 1920, just over twenty years before Dylan was born there. And Marcus offers insights on the five other songs covered in this volume: “Blowin’ in the Wind”/1962; “The Lonesome Death of Hattie Caroll”/1964; “The Times They Are A-Changin’”/1964; “Jim Jones”/1992; and “Ain’t Talkin’”/2006. Veteran journalist

Under the direction of founding editor Joshua Glenn, the MIT Press’s Radium Age series is reissuing notable proto–science fiction stories from the underappreciated era between 1900 and 1935. In these forgotten classics, science fiction readers will discover the origins of enduring tropes like robots (berserk or benevolent), tyrannical supermen, dystopian wastelands, sinister telepaths, and eco-catastrophes. With new contributions by historians, science journalists, and science fiction authors, the Radium Age book series will recontextualize the breakthroughs and biases of these proto–science fiction classics, and chart the emergence of a burgeoning genre. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a p

Without Nebraska, Bruce Springsteen might not be who he is today. The natural follow-up to Springsteen's hugely successful album The River should have been the hit-packed Born in the U.S.A. But instead, in 1982, he came out with an album consisting of a series of dark songs he had recorded by himself, for himself. But more than forty years later, Nebraska is arguably Springsteen's most important record--the lasting clue to understanding not just his career as an artist and the vision behind it, but also the man himself. Nebraska is rough and unfinished, recorded on cassette tape with a simple four-track recorder by Springsteen, alone in his bedroom, just as the digital future was announcing itself. And yet Springsteen now considers it his best album. Nebraska expressed a turmoil that was reflective of the mood of the country, but it was also a symptom of trouble in the artist's life, the beginnings of a mental breakdown that Springsteen would only talk about openly decades after the album's release. Warren Za

It’s the UConn PopCast, and in this episode we tackle ‘For All Mankind,’ Apple TV’s alternate history about a space race that never ended. We first react to episode one of season four, which portrays a well-established human base on Mars. What does this first episode portend for the rest of the season, and the overall trajectory of the show? We then dive deep into the political, social, and technological themes of the show over the past three seasons. What does this text say about the malleability of the structures of contemporary societies? Can technological advances ‘overleap’ political problems? Is the show’s portrayal of gender as progressive as it seems at first blush? Most fundamentally, what type of politics is ‘For All Mankind’ trying to sell us, and is it convincing? The UConn PopCast is proud to be sponsored by the University of Connecticut Humanities Institute. Check out the Popular Culture Initiative. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a pre

The 1970s was a golden age for representations of African American life on TV sitcoms: Sanford & Son, Good Times, The Jeffersons. Surprisingly, nearly all the decade’s notable Black sitcoms were made by a single company, Tandem Productions. Founded by two white men, the successful team behind All in the Family, writer Norman Lear and director Bud Yorkin, Tandem gave unprecedented opportunities to Black actors, writers, and producers to break into the television industry. However, these Black auteurs also struggled to get the economic privileges and creative autonomy regularly granted to their white counterparts. Scratchin' and Survivin': Hustle Economics and the Black Sitcoms of Tandem Productions (Rutgers UP, 2023) discovers surprising parallels between the behind-the-scenes drama at Tandem and the plotlines that aired on their sitcoms, as both real and fictional African Americans devised various strategies for getting their fair share out of systems prone to exploiting their labor. The media scholar Adrien

An essay collection exploring the board game's relationship to the built environment, revealing the unexpected ways that play reflects perceptions of space. Board games harness the creation of entirely new worlds. From the medieval warlord to the modern urban planner, players are permitted to inhabit a staggering variety of roles and are prompted to incorporate preexisting notions of placemaking into their decisions. To what extent do board games represent the social context of their production? How might they reinforce or subvert normative ideas of community and fulfillment? In Playing Place: Board Games, Popular Culture, Space (MIT Press, 2023), Chad Randl and D. Medina Lasansky have curated a collection of thirty-seven fascinating essays, supplemented by a rich trove of photo illustrations, that unpack these questions with breadth and care. Although board games are often recreational objects, their mythologies and infrastructure do not exist in a vacuum—rather, they echo and reproduce prevalent cultural la

Randy Laist, professor of English at Goodwin University and the University of Bridgeport, has a new edited volume focusing specifically on popular culture and the 1980s. The essays in The '80s Resurrected: Essays on the Decade in Popular Culture Then and Now (McFarland, 2023) approach this theme from a number of disciplinary perspectives, global positions, as well as a wide variety of pop cultural artifacts. Laist’s effort in bringing together these essays was not just about reflecting on the 1980s, and particularly how the 1980s seems to be quite present in contemporary popular culture, but also because of the way that the 1980s has shaped our current political environment. The ‘80s Resurrected includes chapters on different media engagement and different issues that are fleshed out from different artifacts—including video games, film, television, dolls, and music. The ideas that these chapters dive into include questions of race, gender, class, sexuality, LGBTQ+, neoliberalism, misogyny, representation, and

Silk—a luxury fabric, a valuable trade good, and a scientific marvel. This material, created by the bombyx mori silkworm, has captivated artisans for centuries—and it captivated science presenter and writer Aarathi Prasad, who was studying the scientific potential of silk for new treatments. That started Aarathi on a journey to explore the world of silk—not just the traditional silk we use today, but all its different varieties: wild silks, made from less famous moths; sea silks, made from mollusks; and spider silk, strong, yet significantly more difficult to harvest. This all comes together in her latest book, Silk: A History in Three Metamorphoses (William Collins, 2023) In this interview, Aarathi and I explore this world of silk, in all its forms, and why silk may be the hottest new material in biotechnology today. Aarathi Prasad is a writer, broadcaster, and researcher interested in the intersection of science and technology with cultures, history, health, and the environment. She is also the author of In

Olivia Rodrigo's new album "Guts" offers a compelling perspective on early adult uncertainty, societal expectations of young women, and the craft of songwriting. We take a deep dive into the art and persona of this chart-bestriding performer.  The UConn PopCast is proud to be sponsored by the University of Connecticut Humanities Institute. Learn about our MA Program. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Reality TV shapes and reflects how we see ourselves, and what we regard as normal. Professor Danielle J. Lindemann watched thousands of hours of reality tv to decode its influence on society. She joins us to discuss her book True Story: What Reality TV Says About Us (FSG, 2022).  Danielle J. Lindemann is an Associate Professor of Sociology at Lehigh University interested in gender, sexuality, the family, and culture. She is the author of Commuter Spouses: New Families in a Changing World and Dominatrix: Gender, Eroticism and Control in the Dungeon. Her research has been featured in media outlets such as The New York Times, The Wall Street Journal, The Economist, The Atlantic, The Washington Post, Rolling Stone, Billboard, and The Chronicle of Higher Education. She has spoken about her work on National Public Radio and has written op-eds for CNN, Newsweek, Salon, Fortune, and Quartz. The UConn PopCast is proud to be sponsored by the University of Connecticut Humanities Institute. Learn about our MA Program. Le

Frank Capra's It's a Wonderful Life is one of the best-loved films of Classical Hollywood cinema, a story of despair and redemption in the aftermath of war that is one of the central movies of the 1940s, and a key text in America's understanding of itself. This is a film that remains relevant to our own anxieties and yearnings, to all the contradictions of ordinary life, while also enacting for us the quintessence of the classic Hollywood aesthetic. Nostalgia, humour, and a tough resilience weave themselves through this movie, intertwining it with the fraught cultural moment of the end of World War II that saw its birth. It offers a still compelling merging of fantasy and realism that was utterly unique when it was first released, and has rarely been matched since. Michael Newton's study of the film, It's a Wonderful Life (British Film Institute, 2023), investigates the source of its extraordinary power and its long-lasting impact. He begins by introducing the key figures in the movie's production - notably d

In this episode, I talk to Vicki Howard and Sarah Elvins, both contributors to Volume 6 of the anthology A Cultural History of Shopping. Jon Stobart is the series editor, and Vicki Howard is the editor of Volume 6: A Cultural History of Shopping in the Modern Age. The chapters of this volume include: Practices and Processes, by Sarah Elvins, Spaces and Places, by Alison Hulme, Shoppers and Identities, by Joshua L. Carreiro, Luxury and Everyday, by Vicki Howard, Home and Family, by Helen Sheumaker, Visual and Literary Representations, by Angelica Michelis, Reputation, Trust and Credit, by Franck Cochoy, by Johan Hagberg and Hans Kjellberg, Governance, Regulation and the State, by Jan Logemann. Paula De La Cruz-Fernandez is a consultant, historian, and digital editor. Editor New Books Network en español. Edita CEO. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

The Bond movies have influenced portrayals of masculinity and femininity for decades, but the Daniel Craig-era saw a revolution in depictions of sex, gender, and inclusivity. The UConn PopCast discusses with Professor Susan Burgess, author of LGBT Inclusion in American Life: Pop Culture, Political Imagination, and Civil Rights (NYU Press, 2023) The UConn PopCast is proud to be sponsored by the University of Connecticut Humanities Institute. Learn about our MA Program. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Of all the musical developments of rock in the 1960s, one in particular fundamentally changed the music’s structure and listening experience: the incorporation of extended improvisation into live performances. While many bands—including Cream, Pink Floyd, and the Velvet Underground—stretched out their songs with improvisations, no band was more identified with the practice than the Grateful Dead. In Get Shown the Light: Improvisation and Transcendence in the Music of the Grateful Dead (Duke UP, 2023), Michael Kaler examines how the Dead’s dedication to improvisation stemmed from their belief that playing in this manner enabled them to touch upon transcendence. Drawing on band testimonials and analyses of early recordings, Kaler traces how the Dead developed an approach to playing music that they believed would facilitate their spiritual goals. He focuses on the band’s early years, the significance of their playing Ken Kesey’s Acid Test parties, and their evolving exploration of the myriad musical and spiritua

Chinese was the earliest truly global cuisine. When the first Chinese labourers began to sojourn and settle abroad, restaurants appeared in their wake. Yet Chinese food has the curious distinction of being both one of the world's best-loved culinary traditions and one of the least understood. For more than a century, the overwhelming dominance of a simplified form of Cantonese cooking ensured that few foreigners experienced anything of its richness and sophistication - but today that is beginning to change. In Invitation to a Banquet: The Story of Chinese Food (Norton, 2023), the James Beard Award-winning cook and writer Fuchsia Dunlop explores the history, philosophy and techniques of China's rich and ancient culinary culture. Each chapter examines a classic dish, from mapo tofu to Dongpo pork, knife-scraped noodles to braised pomelo pith, to reveal a singular aspect of Chinese gastronomy, whether it's the importance of the soybean, the lure of exotic ingredients or the history of Buddhist vegetarian cuisine

Ask anyone outside of Austin what they know about the city and chances are the first thing they'll mention is the music. While the Armadillo Era has been well-chronicled, there is no book about Austin music in the 90s. In their new book, A Curious Mix of People: The Underground Scene of '90s Austin (University of Texas Press, 2023), veterans of the sccene Greg Beets and Richard Whymark have put together an oral history of the decade. Beets and Whymark are not trying to cover all of the music made in Austin during the 1990s; they're most interested in the underground/punk community in which they participated. While a few of those bands got big (e.g., Spoon), the music remained mostly local, DIY. It was driven by live shows, though local media (radio, TV, print), record stores, and a few labels were also important to the story. Beets and Whymark devote chapters to those elements, but almost half of the chapters are based around a particular club. Organizing the book around physical spaces is not only appropriat

Today’s guest is Maaheen Ahmed, who has edited a new collection of essays, The Cambridge Companion to Comics (Cambridge University Press, 2023). This book offers both a broad diachronic perspective, reaching back to the earliest print artifacts that could be called “comic books,” and a deep synchronic view, touching on mainstream and alternative comics work, from almost every continent. Contributions include Jaqueline Berndt on the aesthetics of “manga eyes,” Daniel Stein on “racialines” in comics, Kim Munson on the vexed relationship of museums and comics, and Shiamin Kwa on life-writing in comics. Maaheen Ahmed is Professor in the Department of Literary Studies at Ghent University. Maaheen is the author of Openness of Comics: Generating Meaning within Flexible Structures (University Press of Mississippi, 2016) and the co-editor of Comics Memory, with Benoît Crucifix (Palgrave, 2018). Maaheen is one of the primary investigators of “Children in Comics: An Intercultural History from 1865 to Today (COMICS),” a