New Books In Popular Culture

Psychedelics are not terribly new. And the drug mescaline is certainly not new. Mike Jay's new book, Mescaline: A Global History of the First Psychedelic (Yale University Press, 2019), tells two trippy stories: one that is about Indigenous use and another about Western society's adoption of the drug in culture and medicine. He discusses perceptions of mescaline in science, culture, and the psychedelic renaissance. The book - and the discussion - is eye-opening. Mike Jay is a freelance writer and public intellectual. He is the author of over a dozen books and regularly contributes to the the London Review of Books, the Wall Street Journal and the Literary Review. He works as a curator and exhibit designer for the Wellcome Trust in London. Lucas Richert is an associate professor in the School of Pharmacy at the University of Wisconsin, Madison. He studies intoxicating substances and the pharmaceutical industry. He also examines the history of mental health. Learn more about your ad choices. Visit megaphone.fm

Video games are a significant part of popular entertainment in the twenty-first century. From Words with Friends to Grand Theft Auto, most people spend at least some of their leisure time with video games. In his book, Unlimited Replays: Video Games and Classical Music (Oxford University Press, 2018), William Gibbons examines the intersection between video games and classical music. From close readings of the scores of specific games to an analysis of games with characters related to classical music, Gibbons asks what happens when highbrow art meets lowbrow entertainment. Often classical music enhances the visual and storytelling elements of a game by sonically marking characters or situations as wealthy or sophisticated, as also happens in film and TV scores. Gibbons finds unexpected connections and layering of signification as video game scores exploit musical references from sources as far flung as Stanley Kubrick’s films to Richard Wagner’s Lohengrin. He ends the book with an account of how orchestras are

Academic discussions of ethnic food have tended to focus on the attitudes of consumers, rather than the creators and producers. In this ground-breaking new book, The Ethnic Restaurateur (Bloomsbury, 2016), Krishnendu Ray reverses this trend by exploring the culinary world from the perspective of the ethnic restaurateur.Focusing on New York City, he examines the lived experience, work, memories, and aspirations of immigrants working in the food industry. He shows how migrants become established in new places, creating a taste of home and playing a key role in influencing food cultures as a result of transactions between producers, consumers and commentators.Based on extensive interviews with immigrant restaurateurs and students, chefs and alumni at the Culinary Institute of America, ethnographic observation at immigrant eateries and haute institutional kitchens as well as historical sources such as the US census, newspaper coverage of restaurants, reviews, menus, recipes, and guidebooks, Ray reveals changing t

Howard Philips Smith has been investigating and writing about the gay history of New Orleans for over two decades. Raised on a small farm in rural Southern Mississippi, he studied French literature and taught English in a French lycée in Bordeaux thanks to a Fulbright Scholarship before moving to New Orleans in the 1980s. After a decade in the Crescent City, Smith moved to Los Angeles and completed his novel The Cult of the Mask, based on the experiences of New Orleans’ gay community before the onslaught of AIDS. The research for this work resulted in two books: Unveiling the Muse and Southern Decadence. In this interview, we discuss Unveiling the Muse: The Lost History of Gay Carnival in New Orleans (University Press of Mississippi, 2017) a thorough investigation of the history of New Orleans’ Mardi Gras krewes.Gay Carnival krewes were first formed in New Orleans in the late 1950s, growing out of costume parties. Their balls were often held in clandestine locations to avoid harassment. Despite their rich his

David Resnick combines two of his passions, movies and education, in his book, Representing Education In Film: How Hollywood Portrays Educational Thought, Settings and Issues (Palgrave Macmillan, 2018). Films are powerful messengers which both project and reflect particular values, ideas and social behavior. Using many examples of Hollywood movies, Resnick analyzes the way movies perform in a variety of formal and informal educational settings, including sports, arts and religion. In this lively and engaging interview David Resnick shares insights he gained through decades of experience in education and research.Renee Garfinkel is a Jerusalem-based psychologist, writer, and television & radio commentator.  Write her at r.garfinkel@yahoo.com or tweet @embracingwisdomLearn more about your ad choices. Visit megaphone.fm/adchoices

This week we take a break from fun and games to talk about business and consumerism–which, to be sure, is for some people also fun and games.As Vicki Howard reminds us in her new book, From Main Street to Mall: The Rise and Fall of the American Department Store (University of Pennsylvania Press, 2015), it used to be that America was filled with department stores. Congenital nostalgics remember places like Wanamaker’s in Philadelphia; they even print books about the big-city department stores of Days Gone By. But that ignores the important place that department stores held in small towns all around the country.Vicki Howard has already written on the history of the wedding industry. Now she and Al Zambone talk about the department store, how they began, what they offered people that hadn’t existed before, and how they were undone by the same forces that created them. Zambone gets a little autobiographical, too, but please forgive him. Enjoy.Al Zambone is a historian and the host of the podcast Historically

How and when did Russia become a country of smokers? Why did makhorka and papirosy become ubiquitous products of tobacco consumption? Tricia Starks explores these themes as well as the connections between tobacco, gender, and empire in her latest monograph, Smoking Under the Tsars: A History of Tobacco in Imperial Russia (Cornell University Press, 2018). Starks illustrates how tobacco influenced facets of life, politics, morality, and culture in the 19th century from the perspectives of tobacco users, producers, and objectors. The book includes full-color ads for tobacco and papirosy cigarettes that add to the book’s rich prose. From Tolstoy’s anti-tobacco screed to the “Tobacco Queens” of St. Petersburg, Starks uses primary sources to craft an edifying narrative of the history of tobacco and tobacco consumption in the imperial period. Tricia Starks is Professor of History at the University of Arkansas. Her research interests include Russian and Soviet history, public health and the history of medicine, as we

In her new book, This Is Really War: The Incredible True Story of a Navy Nurse POW in the Occupied Philippines (Chicago Review Press, 2019), Emilie Le Beau Lucchesi presents the largely unknown story of the US Navy nurses captured by the Japanese in the Philippines during World War II. Focusing on what she calls the “twelve anchors,” Lucchesi examines the lives of these women as they lived in prison camps throughout the Philippines, while at the same time continuing to work as nurses, and often the only medical professionals, in each camp. Focusing on the story of navy nurse Dorothy Still, Lucchesi starts at the attack on Pearl Harbor, chronicling the Japanese attack on the Philippines and the capture of thousands of Americans, including Dorothy. The narrative follows Dorothy, Chief Nurse Laura Cobb, and ten other navy nurses who continued to work in a makeshift hospital in the civilian prison camp they were sent to. Recounting their experiences with death, disease, malnutrition, starvation, and overcrowded c

In Good Booty: Love and Sex, Black and White, Body and Soul in American Music (Dey St. Books, HarperCollins, 2017), Ann Powers explores the rich and, at times, unexpected intersections of love, sex, race, gender, sexuality, and American popular music. This heavily-researched book features colorful stories about sex, eroticism, and American music, while engaging source material in the realms of African American and American history, black feminist and womanist theory, American dance, and more. Good Booty begins in the 19th century in New Orleans’ Congo Square, and it ends with a discussion of Britney Spears and Beyoncé as cyborg and avatar, respectively. In other chapters, Powers engages early 20th-century American music and dance, eroticism in gospel music, sexuality and teen-girl rock and roll fandom, rock groupie culture, popular music in the early years of the AIDS crisis, and more.Kimberly Mack holds a Ph.D. in English from UCLA, and she is an Assistant Professor of African-American literature at the Univ

As my first guest, I’d would like to introduce Susan Brownell, Professor of Anthropology at the University of Missouri – St Louis, one of the authors of The Anthropology of Sport: Bodies, Borders, Biopolitics (University of California Press, 2018). During the course of the interview, we covered the subfield of sport anthropology, the marginalization of traditional games, the recent Caster Semenya case, and the contemporary transnationalism of sport.In The Anthropology of Sport, understandably, the authors enlighten us about what the subfield entails, how anthropology is well suited to dissect the nature of sport, and provide us with ample anecdotes and observations of the world of sport through an ‘anthropological gaze.’ The chapters are structured in a way that cover all the relevant aspects in the study of sport, including history, class, race/ethnicity, sex/gender, nationalism, and globalization. Two important additions to the field of sport studies include a chapter on sport, health, and the environment (

In the late ’90s and early 2000s, the Portland Trail Blazers were one of the hottest teams in the NBA. For almost a decade, they won 60 percent of their games while making it to the Western Conference Finals twice. However, what happened off-court was just as unforgettable as what they did on the court.When someone asked Blazers general manager Bob Whitsitt about his team’s chemistry, he replied that he’d “never studied chemistry in college.” And with that, the “Jail Blazers” were born. Built in a similar fashion to a fantasy team, the team had skills, but their issues ended up being their undoing. In fact, many consider it the darkest period in franchise history.While fans across the country were watching the skills of Damon Stoudamire, Rasheed Wallace, and Zach Randolph, those in Portland couldn’t have been more disappointed in the players’ off-court actions. This, many have mentioned, included a very racial element—which carried over to the players as well. As forward Rasheed Wallace said, “We’re not reall

In this highly engaging book, fashionista and pop culture expert Tanisha C. Ford investigates Afros and dashikis, go-go boots and hotpants of the sixties, hip hop's baggy jeans and bamboo earrings, and the #BlackLivesMatter-inspired hoodies of today.The history of these garments is deeply intertwined with Ford’s story as a black girl coming of age in a Midwestern rust belt city. She experimented with the Jheri curl; discovered how wearing the wrong color tennis shoes at the roller rink during the drug and gang wars of the 1980s could get you beaten; and rocked oversized, brightly colored jeans and Timberlands at an elite boarding school where the white upper crust wore conservative wool shift dresses.Dressed in Dreams: A Black Girl's Love Letter to the Power of Fashion (St. Martins Press, 2019) is a story of desire, access, conformity, and black innovation that explains things like the importance of knockoff culture; the role of “ghetto fabulous” full-length furs and colorful leather in the 1990s; how black g

Nearly every consumer today is familiar with the name Levi Strauss thank to the jeans that bear his name. As Lynn Downey explains in her book Levi Strauss: The Man Who Gave Blue Jeans to the World (University of Massachusetts Press, 2016), to understand the man behind the brand requires sorting through decades of popular legends created to fill a vacuum of knowledge. Born Löb Strauß, he changed his name to Levis Strauss when he emigrated as a young man from Bavaria to the United States. Once in New York City he joined the dry goods firm established by his brothers, moving to California in 1853 to establish a branch of the firm in San Francisco. There Strauss prospered with the gold rush-era boom, becoming a leading Bay Area businessman and civic philanthropist. It was this status that led Jacob Davis, a Nevada tailor, to seek his help in patenting his design for riveted pants. Together they succeeded in establishing a patent that became the foundation for the brand known today throughout the world, thanks to

More than half of American adults and more than seventy-five percent of young Americans believe in intelligent extraterrestrial life. This level of belief rivals that of belief in God. In American Cosmic: UFOs, Religion, Technology (Oxford University Press, 2019), professor Diana Pasulka examines the mechanisms at work behind the thriving belief system in extraterrestrial life, a system she asserts is changing and even supplanting traditional religions.Over the course of a six-year ethnographic study, Pasulka interviewed successful and influential scientists, professionals, and Silicon Valley entrepreneurs who believe in extraterrestrial intelligence, thereby disproving the common misconception that only fringe members of society believe in UFOs. She argues that widespread belief in aliens is due to a number of factors including their ubiquity in modern media such as The X-Files, which can influence memory, and the believability lent to that media by the search for planets that might support life. American Co

Today we are joined by Stephen Hardy, retired professor of kinesiology and affiliate professor of history at the University of New Hampshire, and Andrew Holman, professor of history at and the director of Canadian studies at Bridgewater State University.  Hardy and Holman are the co-authors of Hockey: A Global History (University of Illinois Press, 2018).  In our conversation, we discussed the popularization of the Montreal game in the 19th; the rise of divergent styles of hockey in Canada, the USA, and Europe; and the increasing commercialization of hockey.In Hockey, Hardy and Holman offer a comprehensive and engaging history of the fastest game from it’s origins in a series of stick based contests, including early hockey, bandy, and polo through to the development of our contemporary commercial hockey best exhibited by the NHL and KHL.Their work offers an innovative periodization that gives order to the tensions and contradictions inherent in the disorderly expansion and contraction of the global

This volume introduces a new concept to explore the dynamic relationship between folklore and popular culture: the "folkloresque." With "folkloresque," Foster and Tolbert name the product created when popular culture appropriates or reinvents folkloric themes, characters, and images. Such manufactured tropes are traditionally considered outside the purview of academic folklore study, but the folkloresque offers a frame for understanding them that is grounded in the discourse and theory of the discipline. Fantasy fiction, comic books, anime, video games, literature, professional storytelling and comedy, and even popular science writing all commonly incorporate elements from tradition or draw on basic folklore genres to inform their structure. Through three primary modes--integration, portrayal, and parody--the collection offers a set of heuristic tools for analysis of how folklore is increasingly used in these commercial and mass-market contexts. Michael Dylan Foster and Jeffrey A. Tolbert's edited collection

Hoaxes! Jokes! Farces and fun! Cristopher Rea's China’s Chaplin (Cornell University Press, 2019) introduces the imagination of Xu Zhuodai (1880–1958), a comic dynamo who made Shanghai laugh through the tumultuous decades of the pre-Mao era. Xu was a popular and prolific literary humorist who styled himself variously as Master of the Broken Chamberpot Studio, Dr. Split-Crotch Pants, Dr. Hairy Li, and Old Man Soy Sauce. He was also an entrepreneur who founded gymnastics academies, theater troupes, film companies, magazines, and a home condiments business. While pursuing this varied career, Xu Zhuodai made a name for himself as a “Charlie Chaplin of the East.” He wrote and acted in stage comedies and slapstick films, compiled joke books, penned humorous advice columns, dabbled in parodic verse, and wrote innumerable works of comic fiction. China’s Chaplin contains a selection of Xu’s best stories and stage plays (plus a smattering of jokes) that will answer the questions that keep you up at night. What is a fat

In her innovative and revealing study of midcentury American sex and culture, Bad Girls: Young Women, Sex, and Rebellion before the Sixties (University of North Carolina Press, 2015),  Amanda Littauer traces the origins of the "sexual revolution" of the 1960s. She argues that sexual liberation was much more than a reaction to 1950s repression because it largely involved the mainstreaming of a counterculture already on the rise among girls and young women decades earlier. From World War II–era "victory girls" to teen lesbians in the 1940s and 1950s, these nonconforming women and girls navigated and resisted intense social and interpersonal pressures to fit existing mores, using the upheavals of the era to pursue new sexual freedoms.Building on a new generation of research on postwar society, Littauer tells the history of diverse young women who stood at the center of major cultural change and helped transform a society bound by conservative sexual morality into one more open to individualism, plurality, a

“Fashion is universal,” writes my guest Kimberly Alexander in her book Treasures Afoot: Shoe Stories from the Georgian Era (Johns Hopkins UP, 2018), “enabling historians across time, place, and culture to form an understanding of the people who made clothes and who wore them. But shoes are different. As shoe scholar June Swann opines, ‘No other garment or accessory maintains the imprint of its wearer–even over long spans of time.’ A shoe molds to the foot and captures a facet of the physical characteristics of its wearer, as well as, by extension, an element of his or her personal history. We can study how much wear occurred and on what part of the shoe, how a shoe was altered or repaired, why a shoe or a pair of shoes were saved and handed down–and, from this, form a idea of the ordinary lives of the people who wore them.”Together Kimberly and I discuss her new book; why shoes are important; why fashion is important; and even how to talk about material culture in class.Al Zambone is a historian and the host

In this this interview, Carrie Tippen talks with Jeanette M. Fregulia about the movements of coffee beans, coffee drinking, and coffee houses from Ethiopia and Yemen, across the Mediterranean region, through Western Europe, and to the Americas. In A Rich and Tantalizing Brew: A History of How Coffee Connected the World (University of Arkansas Press, 2019), Fregulia examines the geographic movements of coffee beans through global trade as well as the social and cultural movements of coffee drinking from a medicine to an aid in religious ritual to an elite domestic drink to a public event in the coffee house. Covering a wide ranging chronology from the sixth century to today, the story of coffee as it moves East to West shares much in common with the movements of other foods like chocolate, sugar, tea, and olives, but Fregulia argues that coffee is unique among global foodstuffs for the way it transformed social structures and social behaviors to become part of the pubic sphere. Fregulia’s history decenters the