New Books In Literature

Our first August rebroadcast was John and Pu's 2019 interview with SF superstar Cixin Liu (you may want to re-listen to that episode before this one!). Here, they reflect on the most significant things that Liu had said, and to ponder the political situation for contemporary Chinese writers who come to the West to discuss their work. They consider whether our world is like a cabinet in a basement, and what kind of optimism or pessimism might be available to science fiction writers. They compare the interview to a recent profile of Liu in The New Yorker, and ponder the advantages and disadvantages of pressing writers to weigh in on the hot-button topics of the day. Discussed in this episode: Cixin Liu, The Three Body Problem, The Dark Forest, and Death’s End Jiayang Fan, “Liu Cixin’s War of the Worlds” (New Yorker interview/profile) Yuri Slezkine, The House of Government: A Saga of the Russian Revolution Isaac Asimov, The End of Eternity George Melies (dir.), A Voyage to the Moon Fritz Lang (dir.), M

Twelfth-century Europe was not a good time or place to be born female. Even queens had few rights, garnered little respect, and were tolerated largely for their ability to produce male heirs—preferably in quantity and without exhibiting any unfortunate qualities such as independence or intelligence. One notable exception was Eleanor of Aquitaine, queen of England thanks to her marriage (following a scandalous affair and divorce) to Henry II of England—although Eleanor spent many of her later years imprisoned by her no longer loving husband, who suspected her of conspiring with their sons against him. In The Falcon's Eyes (Harper, 2022), Eleanor appears first as a shining if distant example for Isabelle, a young countess whose impoverished family is delighted to marry her off to the wealthy if less distinguished Gerard de Meurtaigne. Isabelle initially welcomes the match, but her new husband soon shows a disturbing need for control over his dependents, including his wife. Budding friendships with her maid, her

Today I talked to Leanne Kale Sparks, author of The Wrong Woman: A Novel (Crooked Lane Books, 2022). The only survivor of Denver's notorious "Reaper" serial murders, FBI Special Agent Kendall Beck grapples with the ghosts of her past by seeking justice for victims of abuse. She's neck deep in a particularly ugly case involving the disappearance of five-year-old Emily Williams--but her investigation is derailed when her best friend and roommate, Gwen Tavich, turns up dead floating in a nearby lake. Devastated by the news of Gwen's death, Kendall teams up with Denver detective Adam Taylor to find the killer. Gwen's fiancé, Ty Butler, is being evasive about the last time he saw Gwen, and as the evidence mounts against him, he's arrested for the murder. With every new clue, Kendall questions how well she really knew her friend. And when Gwen's dark secrets begin spilling out one by one, she begins to understand the devastating magnitude of her murder. The Reaper has returned to Denver--and he's not stopping at j

A nameless young woman from This Place, and a nameless young man from That Place are stuck together when That Place, the occupying force, imposes another curfew on This Place. Author Nandita Dinesh never identifies the country, but the two protagonists share a language and much of their culture. They’re also falling in love. The young woman from That Place is a De-programmer, whose job involves interviewing the military troops now patrolling outside the house where she’s holed up with the young man. He is a Protest Designer, skilled at waiting out curfews, although his brother is supposed to be getting married the next day and there’s a lot of conversations about that. While confined with the young woman, the young man explains his strategies for passing time while under curfew. He wonders how his family and neighbors will react if he marries her. Where would they live? They swap stories about their families and respective homelands, and want to imagine strategies for ending the conflict, but nothing seems do

Rebecca van Laer’s writing appears in TriQuarterly Review, joyland, Columbia journal, the Florida review, Salamander, Hobart, mokeybicycle, electric literature and elsewhere. She holds a PhD in English from Brown University. Shannon McLeod is the author of the essay chapbook Pathetic from Etchings Press, and her writings have appeared in Tin House, Prairie Schooner, Hobart, and Smokelong Quarterly. She lives in Virginia where she teaches high school English. Rebecca and Shannon join me to discuss their debut novellas, How to Adjust to the Dark and Whimsy, both out with Long Day Press. Books Recommended in this episode: How to Adjust to the Dark and Whimsy Rebecca Recommends: Nate Lippens, My Dead Book Naomi Washer, Subjects We Left Out Shannon Recommends: Chloe Caldwell, Women Chantel V. Johnson, Post-Traumatic Ursula Villarreal-Moura, Math for the Self-Crippling  Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global

The rich worldbuilding of a never-colonized North America sets the stage for this unusual murder mystery debut by B. L. Blanchard. Chibenashi is a broken man. He’s a peacekeeper for a small village, mentally stuck in place and trauma from the murder of his mother, the separation from his father who confessed to her murder, and his isolation from caring for his sister for the past 20 years. When another murder hits close to home, Chibenashi becomes closer to the investigation than perhaps he should be. The path to solving the crime sets him on a journey to discover the truth, but at what cost? Though the plot device may feel familiar, the world adds additional twists. Set in a modern, 21st century industrialized indigenous society surrounding the Great Lakes, the foundational elements such as the value of community and a non-punishment focused criminal justice system offer a unique lens to examine the threads of the case and Chibenashi’s understanding of what he’s taken as truth. B. L. Blanchard is a graduate

Victory Colony, 1950 (Yoda Press, 2020) by Bhaswati Ghosh is a story of resilience about East Pakistani refugees who were forced to leave their homes in East Pakistan because of their Hindu faith. After Amala’s parent are killed in the violence following the partition of India in 1947, she and her brother manage to survive until they reach Calcutta. Within moments of disembarking from their train, Amala loses Kartik, and comes close to being hauled off by groping policemen. She’s saved by several young volunteers who steer Amala away and into a refugee camp. Manas, a student and the volunteer leader, comes from a privileged, wealthy family that doesn’t approve of fraternizing with refugees. But he cares about these poverty-stricken people, especially Amala. When conditions start deteriorating in the refugee camp, a group men and women manage to occupy a vacant plot of land nearby. There they begin to rebuild their lives with backbreaking work, in a society of their own making. Bhaswati Ghosh has written and t

The stories in Bombay Hangovers (Vishwakarma Publications, 2021) are laced with the grit, sleaze and dynamism of Bombay. They explore the nerve centre of a great metropolis with caustic wit and uncompromising realism. From the red-light corner of Kamathipura and the race course of Mahalaxmi, from South Bombay where a perfume maker works on exotic fragrances to the throbbing epicentre of Thana and the township of Kalyan, from Bandra to Andheri, the city is brought alive through memorable characters, piquant situations and no holds barred language. With the occasional foray into Goa, the poet Rochelle Potkar makes an impressive debut in short fiction, a genre unfairly neglected by most publishers in India. Sharonee Dasgupta is currently a graduate student in the department of anthropology at UMass Amherst. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Palestinian writer Suhail Matar speaks to managing editor Emily Everett about his story “Granada,” translated by Amika Fendi. The story appears in The Common’s new spring issue, in a special portfolio of Arabic fiction from Palestine. Suhail talks about the inspiration and process behind the story, which explores the complex ways in which Palestinians connect when they meet and interact abroad. Suhail also discusses the difficulties of translation, the history and modern realities of Palestinians living within Israel’s current borders, and his PhD work exploring how the brain processes and reacts to language. Suhail Matar was born in Haifa in 1987, where he also grew up. He is finishing a PhD in neurocognitive sciences at New York University. The story “Granada” belongs to his short story collection North of Andalusia, West of the Homeland, which was jointly awarded the Al Qattan Foundation’s 2012 Young Writer of the Year Award. Read Suhail’s story in The Common at thecommononline.org/granada. Learn more abou

Eda Gunaydin joins us today to talk about Root and Branch: Essays on Inheritance (NewSouth, 2022). Lots of themes: Turkey, Australia, Sydney, family, friends, media, food, essays. That there is no easy translation for ‘awkward’ in other languages suggests that I’m only myself in English. This feels like a loss, because I’d like to think of myself as Turkish, too. There is a Turkish saying that one’s home is not where one is born, but where one grows full – dogdugun yer degil, doydugun yer. Mixing the personal and political, Eda Gunaydin’s bold and innovative writing explores race, class, gender and violence, and Turkish diaspora. Equal parts piercing, tender and funny, this book takes us from an overworked and underpaid café job in Western Sydney, the mother-daughter tradition of sharing a meal in the local kebab shop, to the legacies of family migration, and intergenerational trauma. Root & Branch seeks to unsettle neat descriptions of belonging and place. What are the legacies of migration, apart from loss?

John and Pu Wang, a Brandeis professor of Chinese literature, spoke with science-fiction genius Cixin Liu back in 2019. His most celebrated works include The Three Body Problem, The Dark Forest, and Death’s End. When he visited Brandeis to receive an honorary degree, Liu paid a visit to the RTB lair to record this interview. Liu spoke in Chinese and Pu translated his remarks in this English version of the interview (the original Chinese conversation is at 刘慈欣访谈中文版 Episode 14c). Mr. Liu, flanked by John and Pu (photo: Claire Ogden) They discuss the evolution of Mr. Liu’s science fiction fandom, and the powerful influence of Leo Tolstoy on Mr. Liu’s work, which leads to a consideration of realism and its relationship to science fiction. Science fiction is also compared and contrasted with myth, mathematics, and technology. Lastly, they consider translation, and the special capacity that science fiction has to emerge through the translation process relatively unscathed. This is a testament to science fiction’s t

Fifty years ago, President Richard Nixon stepped off a plane in Beijing: a visit that changed the course of China, the U.S., the Cold war and the world. The stories in Gish Jen’s newest story collection, Thank You Mr. Nixon: Stories (Knopf: 2022), covers stories spanning the fifty-year relationship since then, from a Chinese woman press-ganged into translating for her Western tour group, to an English professor struggling to teach the wealthy Chinese students at his university. Gish Jen is the author of one previous book of stories, five novels, and two works of nonfiction. Her honors include fellowships from the Guggenheim Foundation, the Radcliffe Institute for Advanced Study, and the Fulbright Foundation. Her stories have been chosen for The Best American Short Stories five times, including The Best American Short Stories of the Century; she has also delivered the William E. Massey, Sr., Lectures in American Studies at Harvard University. She and her husband split their time between Cambridge, Massachusett

Yussef El Guindi's In a Clear Concise Arabic Tongue (Broadway Play Publishing, 2021) collects short plays and monologues from almost twenty years of this exciting playwright's career. Guindi writes mainly about Arab and Muslim character, but does so within the framework of the American immigrant story. These are stories of characters caught between the reductive ideas wider American society holds about them and the much more complex reality they know is obscured by stereotypes. These plays are funny, moving, political, personal, epic, and miniature. They represent the arc of a playwright coming to artistic maturity, and should be a welcome addition to any theatre or school festival of short work. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supporti

Speed of Dark (She Writes Press, 2022) by Patricia Ricketts opens with a black man getting off Metra train in Northbrook, Illinois to search for someone who might be hiding in the woods. Mosely Albright works in a Mission house helping drug addicts, alcoholics and those who are down on their luck. The reverend has asked him to search for one of the men who isn’t capable of surviving in the freezing cold. The man he finds is a different one though, and he’s gone when Mosely wakes up, stiff and frozen the next morning. He’s forgotten the way back to the station and knocks on Mary M. Phillips’s door to ask for a glass of water and directions. Mosely has the gift of seeing when people need help, and he knows that Mary Em is desperate. He wants to help her, but the lake, (Mishigami – its Ojibwe name) wants her in its icy waters. Told by Mary Em, Mosely, and Mishigami, Speed of Dark is a story about human connection, the plight of the great lakes, and the power of kindness, friendship, and love. Patricia Ricketts i

Julia and I discuss her latest novel, Vigil Harbor, a story of the near future in which many of our current crises are amplified in terrifying yet recognizable ways. The Covid pandemic and its aftereffects are still felt, coastal communities are being swept into the sea, a violent wave of xenophobia and anti-immigrant anti-refugee sentiment stokes fire everywhere—such is the world a little more than a decade from now in Julia’s imaginings. Like so many of Julia’s works of fiction, it is the voices of the characters that populate this world that make the novel sing. There’s the architect, Austin Kepner, who obsesses over building houses that are made to withstand the furies of an angry planet’s weather. Margo, the sardonic, brainy teacher. Brecht, home from NYU after escaping a domestic terrorist attack, and so many other unique and compelling voices. Life in the small coastal town of Vigil Harbor is roiled by two unexpected visitors, one a stranger, and the other well-known to certain inhabitants. The result

Los Angeles in the 1870s is not the sprawling city we know today. A rapidly growing pueblo of perhaps 7,000 residents, it features vineyards and ranchos, worked by an army of transient men as likely to shoot one another up in bars as stagger home after a heavy night’s drinking. Although ethnically diverse, it is riven by racism, and its relatively small female population is relegated either to the home or to its brothels. When the son of Robert Gaines, one of the pueblo’s wealthier citizens, sets out to rob his sister of her lawful inheritance, he raises eyebrows, but even the town judge has to admit that the son’s behavior is entirely within the law. In this simultaneously repressive and unbridled town, Maddie Wilcox stands out. As a widow who owns her dead husband’s vineyard and rancho, she has a degree of freedom that most women lack (although Maddie takes care not to defy convention too obviously). And as a licensed doctor, her profession takes her all over Los Angeles as she visits patients in need of ca

King Rao–one of the protagonists from Vauhini Vara’s novel The Immortal King Rao (W. W. Norton & Company: 2022)—is like many of the tech founders we idolize today. King comes from humble beginnings—born into a Dalit family in a coconut grove in India–moves to the U.S., and launches a company that ends up dominating the world. But Vauhini’s novel is also the story of King’s daughter Athena, living in the world created by her father’s company: a world of social credit, “hothouse earth” and “Shareholder Government”. The Immortal King Rao presents a techno-dystopia that may be recognizable for us today. But it’s more than just a warning about the future–Vauhini’s novel weaves together scenes from the past and the near future to tell a story about caste in India and the growth of our modern-day tech sector. Vauhini Vara has worked as an editor at the New Yorker, the New York Times Magazine, and the Atlantic, and as a journalist for those publications and others, including the Wall Street Journal, where she began h

Taking its inspiration from Great Expectations, Furnace Creek (Eyewear Publishing, 2021) teases us with the question of what Pip might have been like had he grown up in the American South of the 1960s and 1970s and faced the explosive social issues--racial injustice, a war abroad, women's and gay rights, class struggle--that galvanized the world in those decades. A guilty encounter with an escaped felon, a summer spent working for an eccentric man with a mysterious past, conflicted erotic feelings for his employer's niece and nephew--these events set the stage for a journey of sexual and moral discovery that takes Newt Seward to New England, Rome, and Paris--all before returning home to confront his life's many expectations and disappointments. Deftly combining elements of coming-of-age story, novel of erotic discovery, Southern Gothic fiction, and detection-mystery thriller, Furnace Creek leaps the frame of Dickens' masterpiece to provide a contemporary meditation on the perils of desire, ambition, love, los

London, 2017. Lucille will do anything for her beloved grandmother. So when Granny Sylvie volunteers to send her to Paris to retrieve a beloved Dior creation left in the city many years ago, Lucille accepts. Why not escape for the weekend, when home means dealing with her hostile, demanding boss and a mother so uncaring that she’s forgotten Lucille’s birthday for five years in a row? Not long after arriving in Paris, however, Lucille discovers that the one dress is actually eight, and two of those are missing, including the Maxim’s, which she was specifically tasked with bringing back to London. Soon she is searching all over the city, in the company of her new friends Veronique and Leon, while her boss screams his frustration over the phone. This present-day story intertwines with one set in Paris in 1952, featuring Alice Ainsley, the young, newlywed wife of Britain’s ambassador to France. Alice’s wealth and her position in society require her to look and act the part of the perfect hostess. Who better to dr

The Justice of Kings (Orbit, 2022) opens with our young narrator, Helena, traveling from town to town as clerk to the King’s Justice, a learned and idealistic man called Vonvalt. The first few chapters build towards a pivotal incident, the razing of the village of Rill and the immolation of its inhabitants. Vonvalt, who has leeway on how he applies common law, has discovered the village still worshipped the old gods, and imposed a fine as punishment, privately cautioning the local Lord to worship more discreetly. However, Patria Claver, the priest who traveled with Helena’s party, had his own ideas about how to handle pagans and returned with a party of crusading soldiers to mete out death to the inhabitants. This sets up the central conflict between Vonvalt, a rational man who prides himself on a measured and appropriate response, and the nobles who back Claver, amassing a private and punitive army of crusaders. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a pre