New Books In Literature

In this special episode of New Books in Australian and New Zealand Studies, we are joined by two fantastic Australian poets. In her new poetic narrative, Walking with Camels: The Story of Bertha Strehlow (UWA Publishing, 2018), poet Leni Shilton takes us back to Central Australia of the 1930s to tell the story of Bertha Strehlow, one of very few white women living among Aboriginal people at the time. In her new collection, The Sky Runs Right Through Us: Poems from the Edge of the Indian Ocean (UWA Publishing, 2018), poet Renee Pettitt-Schipp recounts her time working with asylum seeker and islander students on Christmas Island and the Cocos (Keeling) Islands, an experience that can never be forgotten, even after her return to the Australian mainland.Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Rob Wolf interviews Robert J. Sawyer, the author of 23 novels, about his most recent book, Quantum Night (Ace, 2016). Sawyer is considered, as he puts it, “an optimistic and upbeat science fiction writer.” But you wouldn’t know that from Quantum Night.The book explores the nature of evil, and its conclusion is alarming: the vast majority of humans are either psychopaths, lacking empathy for others, or mindless followers. Sawyer is one of the rare science fiction authors to earn Nebula, Hugo and John W. Campbell Memorial awards, and he deftly juggles multiple plots lines in Quantum Night, everything from his main character’s painful effort to reconstruct lost memories to geopolitical machinations, including the U.S.’s invasion of Canada. The story focuses on Jim Marchuk, a psychologist at the University of Manitoba, and his discovery (which his physicist girlfriend independently confirms) that psychopathy affects two-sevenths of the world’s population—

In Impossible Conversations: Imaginary Interviews with World-Famous Artists (Black Scat Books, 2015), Carla M. Wilson imagined discussions with (you guessed it) world-famous artists. In this book—Curious Impossibilities: Ten Cinematic Riffs (Black Scat Books, 2017)—Wilson applies the same imaginative technique to film. She “talks” to ten renowned directors, including Orson Welles, Jean-Luc Godard, and eight others. Listen in.Learn more about your ad choices. Visit megaphone.fm/adchoices

Valentina (Valka) Koroleva and her cousin Iskra share a dream: to fly in defense of their Soviet motherland against the Nazi forces that have launched a surprise invasion in violation of Hitler’s nonaggression pact with Stalin. So when Valka receives a telegram announcing the formation of all-female fighting and bomber units, the two of them set off for Moscow without hesitation. The number of applicants far exceeds the slots available, and the competition proves tougher than Valka and her cousin anticipate. But while they do not in the end become elite fighter pilots, they do make the cut for the night bomber unit: Valka as a pilot and Iskra as her navigator. Soon they are flying a shaky biplane constructed of wood and canvas, liable to burst into flames or crash without warning, against the German forces. Meanwhile, Valka’s best friend, Pasha, has been drafted into a ground regiment where he operates a ham radio under harsh conditions. He and Valka exchange regular letters, expressing their diff

Set 50-plus years in the future, Omar El Akkad‘s debut novel American War (Knopf, 2017) has been widely praised, becoming one of those rare books with science fiction themes to make numerous mainstream publications’ Best Books of the Year lists. It was, for example, among the 100 Most Notable Books in The New York Times, the Best Books of 2017 in GQ, and was the Canadian Broadcasting Corporation’s top pick for Canadian fiction. El Akkad was born in Cairo, Egypt, grew up in Qatar, eventually moved to Canada, and now lives in Oregon. He has worked as a journalist, covering everything from the Arab Spring to the Black Lives Matter movement. He also spent two years covering the terrorism trials of the Toronto 18, which gave him insight into how young minds are radicalized and provided partial inspiration for his depiction of American War’s protagonist, Sarat Chestnut. We meet Sarat when she’s an appealing, headstrong six-year-old and follow her, via El Akkad’s nuanced writing,

A modern morality tale lurks under this fast-paced horror novel. Jason Arnopp‘s The Last Days of Jack Sparks (Orbit, 2016) consists of the diary of a fictional character, Jack Sparks, along with a collection of interviews about him. Additional commentary by his surviving brother begins and ends the work. Jack Sparks is well-known writer and personality, who scoffs at the idea of an afterlife, and would love to disprove hauntings and other supernatural encounters. Now that he’s gotten clean in rehab, he’s ready to concentrate on his new book, Jack Sparks on the Supernatural. Other than his love interest, his red-headed roommate, he’s disinterested in other people, unless he can exploit them in some way. At least 50% of the information I just wrote turns out to be false. Jack is an unreliable narrator. The events he describes in his journal are framed by Alistair, his brother, who as it turns out, has his own motivation for presenting events a certain way. Let’s just say Jack and A

Onigamiising is the Ojibwemowin word for Duluth and the surrounding area. In this book of fifty warm, wise and witty essays, Linda LeGarde Grover tells the story of the four seasons of life, from Ziigwan (Spring) to Biboon (Winter), using episodes from her own life as illustrations of the central Anishinaabe concept of mino bimaadiziwin (To live a good life). Educational in the most profound sense, these essays in Onigamiising: Seasons of an Ojibwe Year (University of Minnesota Press, 2017) range back and forth between ceremony and tradition, intergenerational trauma and revitalization, domestic pleasures and feasts, and a life well lived. James Mackay is Assistant Professor of British and American Studies at European University Cyprus, and is one of the founding editors of the open access Indigenous Studies journal Transmotion. He can be reached at j.mackay@euc.ac.cy.Learn more about your ad choices. Visit megaphone.fm/adchoices

Everyone knows that wild mushrooms can be dangerous, but David Walton in his new novel The Genius Plague (Pyr, 2017) raises the dangers to a new plane. While victims of an unusual fungal infection enjoy skyrocketing I.Q.s, they also find themselves suddenly willing to sacrifice their own (and others’) lives to protect the Amazon rain forest, raising the possibility that the fungus—a species native to the Amazon—has hijacked their minds to advance its own ends. In his interview with Rob Wolf, Walton discusses the wonders of fungi, how he finds time to write while juggling his responsibilities as both an engineer and father of seven, how he came to believe in evolution after growing up in a family that considered Darwin’s ideas “silly,” and the importance of shunning dogma. The Wall Street Journal named The Genius Plague one of the best science fiction books of 2017. Walton’s first book, Terminal Mind, received the Philip K. Dick Award in 2008. Rob Wolf is the author o

Today I talked with Angela Davis-Gardner, an award-winning North Carolina-based novelist writing about Japan. Her book Butterfly’s Child (Random House, 2011) depicts the journey of a Japanese American boy Benji, who is plucked from the security of his home in Nagasaki to live with his American father, Benjamin Franklin Pinkerton, and stepmother, Kate, on their farm in Illinois. When the true that Benji’s true identity as a child born from a liaison between an officer and a geisha surfaces, Benji is set on a journey to uncover the truth about his mother’s tragic death. In this interview, Angela explains the conflicts, love, betrayal and redemption beautifully conceived and portrayed in her book. Melody Yunzi Li, originally from Canton, China, is currently a visiting assistant professor at Transylvania University. She holds an MPhil in translation from the University of Hong Kong and is a PhD candidate in Comparative Literature at Washington University in St.Louis. She was also a visiting sch

When we first meet Thomas Harding in 1968, he is facing what he believes will be his last Christmas and mourning the loss of an unnamed woman who clearly meant a great deal to him. He carries with him bundles of letters, which he plans to re-read on his trip to Paris. The letters sweep us back to the very beginning of World War I, then trace the entire course of the conflict. One of them he has not yet seen. Most of the correspondence takes place between Thomas and Evie Elliott, the younger sister of his best friend, Will. We see the early hope and idealism of the troops fade as the realities of trench warfare sink in. We watch from the inside the transformation of womens roles in society because of the absence of men. We become caught up in the developing love between Evie and Thomas, the grief suffered by families who lose their loved ones to war, the frustration of being left behind, unable to take part. We revel in the guilty pleasure of riffling through other peoples things, reading words not meant for o

Rob Wolf interviews Becky Chambers, author of the Wayfarer series. The first book, The Long Way to a Small, Angry Planet (Harper Voyager, 2016), was originally self-published then quickly picked up by a traditional publisher, garnering numerous accolades. It was shortlisted for, among other things, the Kitschies, a British Fantasy Award, and the Arthur C. Clarke Award. Her second book, A Closed and Common Orbit (Harper Voyager, 2017), was nominated this year for a Hugo for Best Novel and won the Prix Julia Verlanger. Billed as a space opera, The Long Way to a Small, Angry Planet does the unexpected: rather than focus on battles or threats to civilization it offers an intimate portrait of the relationships among the nine members of the Wayfarer spacecraft’s multi-species crew. And with A Closed and Common Orbit, Chambers does the unexpected again: rather than follow the Wayfarer’s crew on a new adventure, it focuses on two of the lesser characters from the first book, offering poignant coming-of-a

Silver Hammer, Golden Cross (Pyewacket Press, 2017) is sixth in the series of the Circle of Ceridwen series. It begins by exploring the friendship of two young heirs, Ceric, of Saxon descent and Hrald, of Danish descent. Although the history of their families is complicated, involving revenge killings mandated by honor, the two young men feel close to each other, mainly because of the warm friendship their mothers maintained through various tribulations. This friendship endures, despite the fact that Ceric’s mother now lives with Hrald’s father, on the island of Gotland. Hrald’s father has effectively abandoned his Danish family, after beginning a new family in exile and taking an oath to kill no further men. Ceric wished to marry Hrald’s sister Ashild, both because he cares for her, and because it will allow him and Hrald to strengthen the bond between the two noble houses. The headstrong Ashild, who emerges as the central character of Silver Hammer, Golden Cross, is conflicted. She l

In her new book, Caring for Red: A Daughter’s Memoir (Vanderbilt University Press, 2016), Mindy Fried shares her experiences with providing care for her father at the end of his life. With rich stories and memories of her father, the book introduces the reader to Manny “Red” Fried, in addition to Mindy as a daughter as caregiver. The book really focuses on how families can preserve the dignity of older family members as they age, as well as how we can keep older family members active and engaged into their later years. Red’s personal history is important throughout the book—he was a labor organizer and once pursued by the government during the McCarthy era. This historical time influences not only Red’s life and experiences but also that of his family. By combining “activism with acting,” he led a rich life and was interested in being engaged until the end. With friends and family having “Mondays with Manny,” his community was able to provide support

It takes courage to walk into a classroom when students don’t look like you. It takes courage to return every day to teach a class when students devalue education. Media has portrayed the scenario in films like Freedom Writers and Dangerous Minds with white teachers symbolizing the great white hope to a class of minority students. Well, Michelle Kuo is not the great white hope, but she becomes hope and maintains hope for young black students in Mississippi Delta, specifically Patrick. Kuo writes about her journey in the memoir Reading with Patrick: A Teacher, a Student, and a Life-Changing Friendship (Random House, 2017). Her story focuses on race, justice and education in the rural south where she taught American History through black literature. Kuo, a Harvard graduate born to Taiwainese parents, wanted to work in a place where she was needed. Thus, she was assigned to an alternative school, which the local administration used as a dumping ground for the so-called “bad kids”—where ra

If you’ve ever wondered how your favorite writers go about crafting their written works, or if you’ve ever been interested in writing a book yourself, chances are you’ve wandered into a bookstore or a library, scanning the shelves for some kind of guidance. Books on writing typically fall into two camps: some are more centered on writing as philosophy, a way of life. Less about how to write and more about the author, and their specific writing journey, like Annie Dillard’s The Writing Life and Stephen King’s On Writing, which are both fascinating and inspiring, but not necessarily all that helpful if you’re looking for some quick and dirty tips on revising a story. Many other books on writing—I would venture to say even most—act as coaches: they preach writing regimens and keeping daily journals—finding the time and making the space. The strategy with these is often to write as much as you can as quickly as possible, because the goal is to get your foot in

In this episode, Rob Wolf speaks with Stephen Baxter, author of The Massacre of Mankind (Crown, 2017), the alliteratively titled sequel to H. G. Wells‘ alliteratively titled classic, The War of the Worlds. Baxter is the author of over 20 novels and dozens of short stories. He’s won the John W. Campbell Award, the Philip K. Dick Award twice, and numerous British Science Fiction Association awards. Few books (science fiction or otherwise) have had as large an impact on the modern imagination as The War of the Worlds. Since it appeared as a serial in a British magazine in 1897, it has been adapted for movies (at least seven times), comics, television, video games and, most famously, in 1938 for a radio drama by Orson Welles that reportedly caused some listeners, who confused fictional news for real, to panic. In The Massacre of Mankind, Baxter envisions new technologies adapted from salvaged Martian equipment, the takeover of much of Europe by Kaiser Wilhelm, and, of course, the eventual return of t

For some reason, books occasionally arrive in pairs—meaning that out of nowhere a topic that has received little attention convinces two or more writers that it is novel-worthy, and those authors produce their finished products at more or less the same time. In this case, we decided to address the issues addressed by combining two shorter interviews into a single podcast. Both books explore the ramifications of Hitler’s decision to invade France, then attack Britain. Both examine the wartime leadership and postwar political defeat of British Prime Minister Winston Churchill. Both are set in Europe, especially the United Kingdom, between 1938 and 1946. Beyond that, they tell very different stories. In When It’s Over (She Writes Press, 2017), Barbara Ridley traces the experiences of Lena Kulkova, a young Czech woman who accompanies her socialist boyfriend from Prague to Paris, then follows him to Britain just before the Nazi forces invade the French capital. As Lena copes with life in a new co

For some reason, books occasionally arrive in pairs—meaning that out of nowhere a topic that has received little attention convinces two or more writers that it is novel-worthy, and those authors produce their finished products at more or less the same time. In this case, we decided to address the issues addressed by combining two shorter interviews into a single podcast. Both books explore the ramifications of Hitler’s decision to invade France, then attack Britain. Both examine the wartime leadership and postwar political defeat of British Prime Minister Winston Churchill. Both are set in Europe, especially the United Kingdom, between 1938 and 1946. Beyond that, they tell very different stories. In When It’s Over (She Writes Press, 2017), Barbara Ridley traces the experiences of Lena Kulkova, a young Czech woman who accompanies her socialist boyfriend from Prague to Paris, then follows him to Britain just before the Nazi forces invade the French capital. As Lena copes with life in a new co

Since their establishment, the Nebula Awards have proven a trusty guide to what the next generation will consider a classic. Take for example, the inaugural award for Best Novel, which went to Frank Herbert for Dune in 1965. Dune‘s impact can be measured in countless ways–not only in the loyalty of critics and fans (who have left in excess of half a million ratings on Goodreads) but in the proliferation of sequels, prequels, movies, TV shows, games, and more. The 2015 Best Novel winner, Naomi Novik (for Uprooted), joins the ranks of science fiction and fantasy’s greatest authors, including Samuel R. Delany, Ursula K. Le Guin, Larry Niven, Isaac Asimov, Connie Willis, William Gibson, Octavia E. Butler, Kim Stanley Robinson and many more. But the Nebulas, voted on by the members of the Science Fiction and Fantasy Writers of America, recognize more than novels. Award categories include stories, poems, and dramatic presentation. The abundance of categories and nominees posed a challenge for Juli

Pungently sensual, Claude Lalumiere‘s Venera Dreams: A Weird Entertainment (Guernica Editions, 2017), is a carnal carnival ride, circling around the central conceit. There’s a city-state by the name of Venera, a place where an opium-like drug called vermillion grows. Lalumiere’s work is reminiscent of the French poet, Rimbaud, who write in his poem Larme, “What did I draw from the gourd of the wine? Some golden liquor, pale, which causes sweating.” The novel consists of a collection of stories, linked by people’s experiences of Venera and its inhabitants. The stories are visceral, intense, and tinged with melancholy. Though almost uniformly erotic, the sexual configurations rarely seem based on romance or love, although love is alluded to. Instead there is an almost reflexive instinct in the various protagonists to give themselves over to their appetites. The regular values of a bourgeois society—the accumulation of property, the maintenance of family, the adherence t