New Books In Historical Fiction

As Maya Rodale notes early in this interview, romance novels tend not to get the same respect as other categories of fiction, historical or otherwise. Here, and in her Dangerous Books for Girls, she argues persuasively that this bad reputation is an attempt by life’s insiders to undermine the central message of most romance novels: that outsiders, too, have the right to love, success, and happiness. But the message is nowhere more evident than in her Gilded Age Girls Club series, in which a small group of wealthy women make it their goal in life to support female-run businesses and their staffs. In An Heiress to Remember (Avon Books, 2020), the heroine, Beatrice Goodwin, suffers from no lack of money; her family has plenty of it—enough to insist that their beautiful daughter wed a duke to bring them prestige in society, even though Beatrice has fallen in love with Wes Dalton, one of her father’s employees. At twenty, Beatrice gives in to her parents’ demands, but sixteen years later, she is back in New York,

Laura Waterman talks about her novel, Starvation Shore (University of Wisconsin Press, 2019), which relies upon memoirs, letters, and diaries to reconstruct the life of the Greely Party as it attempted to survive impossible conditions. Waterman is a climber, conservationist, and author who has written many books with her husband Guy Waterman about mountain history, climbing and environmental ethics. Her memoir Losing the Garden tells the story of her marriage to Guy and his decision in 2000 to end his life on the summit of Mt Lafayette. In the summer of 1881, the twenty-five men of the Lady Franklin Bay Expedition watched their ship sail for home from Discovery Harbor, just 500 miles from the North Pole. Commanded by the ambitious yet underqualified Adolphus W. Greely, this crew represented the first U.S. attempt to engage in scientific study of the Arctic. The frigid landscape offered the promise of great adventure—and unknown dangers. It was an expedition Greely eagerly anticipated long before it began. Sta

An orphaned young woman disguises herself as a boy in order to escape the dangers of being alone in 1870’s San Francisco. A group of castoffs destroy the bird population of the Farallon Island by stealing and selling their eggs. A young woman raped in the 1980’s struggles to raise her daughter on her own while her unattached best friend becomes a field researcher for the government, counting and monitoring bird populations across the west. The daughter runs away to seek her own path and learns something about her mother, and a wanderer escapes his privileged life to seek his destiny. Everything in this novel is connected to wild birds, the geography of the west, and friendship. And the characters are all tied together by a rare collection of bird eggs. Emily Strelow was born and raised in Oregon’s Willamette Valley, has lived all over the West, and is back living in Portland. For the last decade she’s combined teaching writing with doing seasonal avian field biology with her husband. While doing field jobs, s

How does the world of book reviews work? In Inside the Critics’ Circle: Book Reviewing in Uncertain Times (Princeton University Press, 2020), Phillipa Chong, assistant professor in sociology at McMaster University, provides a unique sociological analysis of how critics confront the different types of uncertainty associated with their practice. The book explores how reviewers get matched to books, the ethics and etiquette of negative reviews and ‘punching up’, along with professional identities and the future of criticism. The book is packed with interview material, coupled with accessible and easy to follow theoretical interventions, creating a text that will be of interest to social sciences, humanities, and general readers alike. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/historical-fiction

In the fantasy medieval land of Trea—a conservative society that despite its worship of the goddess Amur respects her human daughters only as wives and mothers—eighteen-year-old Berona has limited expectations for her future. Securing a handsome husband who will win her heart and teach her to dance seems like enough of a challenge, given that her father keeps presenting her with candidates who can neither appeal to nor appreciate her fiery nature. But Berona remains hopeful until a nighttime encounter at the stream that runs near her house brings her face-to-face with humanity’s ancient enemy, the Water Demon, desperate for revenge after six hundred years locked deep in the world’s oceans. The Demon threatens Berona and her family, and to protect her parents and younger sister, Berona accepts help from a magician, member of an outlawed sect with a philosophy of life very different from that of the Intercessors of Trea. The magician has been searching for the Girl of Fire, who according to ancient prophecy is

Last summer, massive fires in the Amazon rain forest provoked environmental concerns around the world. But the history of exploitation—of the natural world of the rain forest and the people living in it—goes back at least to the rubber boom of the early twentieth century. This setting forms the backdrop for Joan Schweighardt’s compelling and well-written Rivers trilogy, which starts with Before We Died and continues with Gifts for the Dead (Five Directions Press, 2019) and the forthcoming River Aria. As Gifts for the Dead opens, it is 1911 and the heroine, Nora Sweeney, is waiting for bad news in Hoboken, NJ. A fortuneteller has prophesied that any day two dock workers will appear on the doorstep to report that both the man Nora loves, Baxter Hopper, and his brother, Jack, have died during their work as rubber tappers in Brazil. But when the dock workers arrive, it’s to deliver the comatose body of Jack, on the brink of death. Nora and Jack’s mother, Maggie, nurse him back to health, and life goes on. With he

Effie Tildon loves her older sister, Luella. Sixteen to Effie’s thirteen, Luella has long taken the leading role in deciding what the two sisters do, even when it leads them in directions their parents would not approve of. Those three extra years are one reason that Luella directs Effie rather than the reverse, but another important reason is that Luella is strong and healthy and rebellious, whereas Effie has lived in the shadows since her birth—the result of a congenital heart defect that, although entirely curable in our own century, in 1900 has left everyone in the family certain that Effie may die any minute. So when Luella leads Effie to a Roma camp on the outskirts of New York City, then disappears one day without letting her sister know where she’s headed, Effie is determined to find her, even if it means confronting her fear that their father has had Luella committed to New York’s notorious House of Mercy, a home for wayward women and girls. Effie comes up with a plan to abandon her privileged Gilded

Leticia Liliuokalani Lang, better known as Letty, has good intentions, but her strong will and quick temper tend to get in her way. Banished from her Hawaiian home due to a conflict with her stepmother, Letty winds up in a California boarding school, where she decides to devote her career to healing animals—even though female veterinarians are scarcer than the proverbial hen’s teeth in 1906. On the ship back to her beloved islands, Letty notices a beautiful racehorse and realizes the horse’s trainer is abusing him. An accident in the harbor sends the stallion into the ocean, and Letty dives in to save him without a second thought. That sets her on a collision course with the horse’s owner and trainer after she insults the former and reports on the latter’s mistreatment. All this before Letty even reaches her home and confronts the stepmother who sent her away. Letty learns that she has a magical gift that challenges her self-control but acts as a source of strength and connection. She is one of nine Gates, bo

As you may know, university presses publish a lot of good books. In fact, they publish thousands of them every year. They are different from most trade books in that most of them are what you might called "fundamental research." Their authors--dedicated researchers one and all--provide the scholarly stuff upon which many non-fiction trade books are based. So when you are reading, say, a popular history, you are often reading UP books at one remove. Of course, some UP books are also bestsellers, and they are all well written (and, I should say, thoroughly vetted thanks to the peer review system), but the greatest contribution of UPs is to provide a base of fundamental research to the public. And they do a great job of it. How do they do it? Today I talked to Kathryn Conrad, the president of the Association of University Presses, about the work of UPs, the challenges they face, and some terrific new directions they are going. We also talked about why, if you have a scholarly book in progress, you should talk to

Writing novels—never mind entire series—takes determination, persistence, imagination, and craft. Charles Todd has added to those natural challenges the joys and complications of creating a single persona from a mother/son team. In A Cruel Deception (William Morrow, 2019), the eleventh in their beloved Bess Crawford series, the strengths of their long collaboration are on full display. Bess, a British nurse, worked with the wounded throughout the First World War. In A Cruel Deception, the war has ended, and Bess faces the future with some trepidation. So it comes almost as a relief when her former matron requests help finding Lawrence Minton, the matron’s son, who has gone missing during the peace talks in Paris. The search goes well, and Bess tracks Minton to a rural farmhouse, where she confronts him with his addiction to laudanum. He wants nothing to do with her efforts to cure him. Despite his refusal to heal, she soldiers on, aided by a young Frenchwoman who loves him. Bess soon realizes that the root of

As revealed by the title of Talia Carner’s latest novel, The Third Daughter (William Morrow, 2019), her heroine, Batya, has two older sisters. Both ran off with men their parents could not tolerate, placing a heavy burden on Batya to compensate for her sisters’ failings by making her parents happy. When her family is forced to flee its home in a Ukrainian village to escape a pogrom, losing most of its goods, Batya helps out by taking a job at a local tavern. There she meets Yitzik Moskowitz, a smooth-talking, well-respected, and obviously well-off visitor who soon convinces Batya’s father to give his third daughter’s hand in marriage. Moskowitz promises to wait two years before making Batya his wife, but he insists she travel with him now, because who knows when he will return to Ukraine? Although only fourteen, Batya agrees to accompany her future husband on his journey. But after one night on the road, she discovers that what the “Man from Buenos Aires” wants from her has nothing to do with marriage. After

Grand Duchess Maria Romanova arrives in Ekaterinburg in 1918 with her parents, the former Tsar Nicholas II and his wife, Alexandra. After months of house arrest in the deep interior of Russia, the family is beginning to despair of ever being rescued. As conditions worsen, Maria and her family are increasingly at the mercy of the men set to guard them. As the pro-monarchist White Army approaches Ekaterinburg, the fate of the Romanovs hangs in the balance.Thousands of miles away and six decades later, Australian Val Doyle has her hands full with an abusive husband, a small daughter, and a mystery surrounding her recently deceased father, who died claiming, “I didn’t want to kill her!” The only clues to what may have happened are a vintage camera with a roll of film still in it and an exquisite jeweled box that refuses to open.Veteran novelist Gill Paul unravels the stories of Maria and Val in The Lost Daughter(William Morrow, 2019), a meticulously researched, engrossing novel set in Russia, China, and Australi

When I spoke with Linnea Hartsuyker back in 2017, her epic saga was just beginning. The first novel opens with her hero, Ragnvald, seeing a vision of a golden wolf who will unite the feuding kingdoms of Norway under one rule. The vision sets the course of Ragnvald’s life, bringing him into the service of Harald Fair-Hair, a young and confident warrior whose counselor and friend Ragnvald becomes. Meanwhile, Ragnvald’s sister, Svanhild, sets off on a different course, one that offers her a life of adventure not often available to women but pits her against her beloved brother.Twenty years later, Harald has come close to achieving his goal. One more wedding stands between him and a unified Norway. Svanhild and Ragnvald have returned to fighting on the same side, but two decades of wounds and battles, as well as old patterns, are catching up with the older generation. And the three of them have produced a large and varied group of children, most of them sons at or near adulthood, ready to challenge their parents’

Zaytuna just wants to be left alone to her ascetic practices and nurse her dark view of the world. But when an impoverished servant girl she barely knows comes and begs her to bring some justice to the death of a local boy, she is forced to face the suffering of the most vulnerable in Baghdad and the emotional and mystical legacy of her mother, a famed ecstatic whose love for God eclipsed everything. The Lover (Kindle Direct Publishers, 2019) is a historically sensitive mystery that introduces us to the world of medieval Baghdad and the lives of the great Sufi mystics, washerwomen, Hadith scholars, tavern owners, slaves, corpsewashers, police, and children indentured to serve in the homes of the wealthy. It asks what it means to have family when you have nearly no one left, what it takes to love and be loved by those who have stuck by you, and how one can come to love God and everything He’s done to you.In our conversation Laury Silvers discusses her transition from writing scholarship to historical fiction,

Nellie Bly is in some respects a household name, yet the passage of time has erased many of her accomplishments from popular memory. One of the first well-known female journalists, she wrote for Joseph Pulitzer’s acclaimed paper The World, traveled around the world in less than eighty days, married a millionaire, and pursued a celebrated career at a time when the idea of women with professions was still new.But her first journalistic assignment—the one that landed her a job with The World when she was still Elizabeth Cochrane, a twenty-something from Pittsburgh trying to make her living in the big city—was quite different. As Kate Braithwaite details in The Girl Puzzle (Crooked Cat Books, 2019), at Pulitzer’s suggestion, Elizabeth had herself declared insane and sent off to Blackwell’s Island, the location of one of New York’s most notorious lunatic asylums, with the intention of reporting on life from the inside.Braithwaite’s dramatic and compelling novel opens with the middle-aged Nellie Bly revealing her s

101 years have passed since the murder of the Imperial Family of Russia at Yekaterinburg, but their appeal has not diminished.  Indeed, interest in the Romanovs is at a historic high as television and the Internet age enables ever more devotees to discover the sepia-tinged appeal of Tsar Nicholas II and his doomed family.Less attention is devoted to the members of Nicholas’s family of origin, including many who survived the slaughter of 1917, escaping Russia for lives of exile in Europe and North America. And of these, no one is more fascinating than Nicholas's own mother, Dowager Empress Maria Fyodorovna, the Danish princess who captured the hearts of Russia when she arrived to marry the heir to the throne, Grand Duke Alexander Alexandrovich in 1866.C.W. Gortner's latest novel, The Romanov Empress: A Novel of Tsarina Maria Feodorovna (Ballentine Books, 2018) goes a long way to addressing this disparity.  The novel is an exceptionally well-researched, masterfully crafted account of Maria Fyodorovna

Zoya Andropova—soon to be known in her adopted country as Zoë Andropov—didn’t ask to be rescued from her Soviet orphanage, even after the arrest of her father, a strong supporter of the very regime that has now taken his life. But rescued she is, by well-meaning Americans, who soon dump her at a wealthy boarding school where she struggles to retain far more than her name. She takes refuge in literature, in particular by the émigré writer Lev (Leo) Orlov, whose science fiction transports her to more satisfying times and places.So perhaps it is no surprise that when Orlov shows up to teach at the school where Zoya, having nowhere else to go, has moved from student to worker, she tumbles into love with him, ignoring both his advances to the other girls and his very present and controlling wife. Zoya charts the evolution of this romantic triangle in her diary, which we read, interspersed with letters from Lev to his wife.As Adrienne Celt notes early on,Invitation to a Bonfire (Bloomsbury Publishing, 2019) is insp

Naoko Nakamura is only seventeen when she falls madly in love with an American navy man. It’s 1957, and the US occupation of Japan has ended just a few years before, leaving bitter memories in the local population. Even though Naoko’s beloved Hajime wants to marry her, her family will have nothing to do with him—in part because they have another husband picked out for her, but also because marriage to an American will cast shame on the entire family. When it becomes clear that Naoko is pregnant, her mother gives her a choice: rid herself of the child or leave the family forever.More than fifty years later, as Tori Kovac’s father lies dying, she learns he once had, as he puts it, “another life before this one.” Her journey to discover the truth of that other life leads her halfway around the world as she struggles to separate truth from the stories—always dismissed as fiction—that her father told her as she was growing up.Ten thousand babies were born to Japanese women fathered by US servicemen; the vast major

When a strange man knocks on Deborah Tyler’s door one January evening in 1888, she faces a difficult decision. She can guess that her visitor is a criminal, because who else would travel to her isolated Utah community in the dead of winter? And her husband, who normally handles such situations, left home five months ago and has not returned. She is tempted not to answer, but that will only send the unwanted traveler to the next house in Junction, endangering her younger sister and her sister’s children.Besides, most of the criminals who arrive on Deborah’s doorstep are not thieves or murderers but polygamists evading arrest for what the US government has recently declared a felony. Deborah has little sympathy for plural marriage or the men who practice it, but she is a loyal Mormon who distrusts those inclined to persecute her faith and cares about the families left destitute when their breadwinners flee.Deborah makes her choice. But the next day, a federal marshal arrives in pursuit. Threatened with prosecut