New Books In Historical Fiction

This is a story of America! Lynden Hoover, a young man on the brink of a new beginning, cannot embrace it without confronting the traumas of his past. Help comes from The Duke, an old loner who calls America's landscape his home. He clings to an honor code, but in fleeing from Short Arm, his merciless enemy, his code is being tested. At the end of the 20th century few Knights of the Road still cling to their vanishing lifestyle. The Duke mentors Lynden, enlisting old traveling friends to keep himself and his apprentice just ahead of Short Arm's relentless pursuit. When two of those friends are murdered, the stakes become life or death. Bonds are formed, secrets exposed, sacrifices made, trusts betrayed - all against a breathtaking American landscape of promise and peril. Three unforgettable characters, hurtling toward a spellbinding climax where pasts and futures collide, and lives hang in the balance. With The Last Professional (Artemesia Publishing, 2022), Davis has done for American railroads what Kerouac

Today I talked to Leslie T. Grover about her book The Benefits of Eating White Folks (Jaded Ibis Press, 2022). The Sickness, a disease with unknown origins, is killing white children in the antebellum South, but Perpetua, a Black enslaved woman, is facing something much more devastating: Her daughter Meenie is missing. What she finds in her search for her child will change her life forever. By fusing the past and present with the power of prose and poetry, Leslie T. Grover poignantly explores the ripple effect of history and the nature of love and family and the ties that bind. Leslie T. Grover is a Black History writer and community scholar-activist. She is the founder of a small nonprofit, Assisi House, Inc., which uses the power of story to build the capacity of vulnerable communities. Her work in Narrative Medicine, social justice, and Black History has inspired this book. A native of Charleston, Mississippi, she is an unapologetic Black Southern woman, and this extends itself into her writing. Leslie’s w

France in 1755 is a country of extremes. The streets of Paris are filled with the poor and downtrodden, whereas just a few miles away lies the Palace of Versailles, with its renowned Hall of Mirrors where courtiers under the eye of Louis XV while away the hours amid endless extravagance. Once known as Louis the Well-Loved, the king has steadily lost ground with his people, and even his long-term relationship with Madame de Pompadour has entered a new phase. To retain her power and appeal to the king’s changing appetites, Madame enlists the help of Dominic-Guillaume Lebel, Louis’s valet de chambre. He sets up a school in Deer Park (le Parc des Cerfs), near the palace, where carefully selected thirteen- and fourteen-year-old girls from poor families can master basic literacy, painting, music, dance, embroidery, manners, and court protocol. Those who succeed in pleasing the king leave with a dowry and an income for life. Even those who fail receive some kind of financial settlement. Véronique Roux, a printer’s d

Ruta Sepetys is an acclaimed “crossover” author (read by both young people and adults) of historical novels. In her latest novel I Must Betray You (Philomel Books, 2022) published by Philomel Books in 2022, she dramatizes the last days of the communist dictatorship of Nicolae Ceausescu in Romania in 1989. A 17-year-old boy, Cristian Florescu, feels compelled to become one of the legions of civilian informants in the service of the regime to help his family. Young Cristian becomes involved in the violent revolution against the regime in December 1989. Sepetys’ story reveals the real tensions among Romanians in this closed society and the angst that drove so many ordinary people to risk their lives in revolting against the totalitarian regime. Sepetys interviewed many who lived through the last days the Ceausescu regime in order to recreate, through the use of historically informed imagination, the inherent suspicion and fear of Romanians of not only their government but also their fellow countrymen. Ian J. Dra

There is a great temptation, when writing about the past, to sanitize its circumstances and attitudes to make the characters more palatable to present-day readers. Tania Bayard, who has written four mystery novels set in fourteenth-century France, does not make that mistake. Her Paris is filthy and smelly, with muddy streets and refuse lying in heaps, horrible diseases, stray dogs, and dead rats in the gutters. Her characters, too, wallow in prejudices and superstitions of all sorts. And those streets are filled with beggars, prostitutes, thieves, cheats, and would-be sorcerers and witches, ready to prey on upstanding citizens. Yet fourteenth-century France, in these novels as in real life, also contains farsighted thinkers, gifted artists of all sorts, and would-be scientists. One of the shining lights is Christine de Pizan, a scribe at the court of Charles VI “the Mad” who will soon establish a name for herself as a poet and early feminist. Contrary to the stereotypes of medieval women as passive and obedie

Interest in the events leading up to the Russian Revolution of 1917 has only increased since the centenary of the Romanovs’ assassination in 1918. Bryn Turnbull tackles this familiar story from the perspective of Emperor Nicholas’s eldest daughter, Grand Duchess Olga Nikolaevna (1895–1918). The novel opens with a prediction, apparently made on the day of Olga’s birth, that the infant grand duchess would “not live to see thirty.” From there it moves to 1907, when the young heir to the throne, Tsarevich Alexei, is on the brink of death due to uncontrolled bleeding, the result of his hereditary hemophilia. Enter Grigori Rasputin, who enacts a miracle cure, saving the boy’s life and earning himself the undying gratitude of the desperate empress. With this central conflict established—including the secrecy maintained around the nature of Alexei’s illness for as long as he remained heir to the throne—we shift forward in time to Nicholas II’s abdication in March 1917. The two stories of the revolution and the years

Guest host Chris Holmes sits down with Booker Prize winning novelist Damon Galgut and Andrew van der Vlies, distinguished scholar of South African literature and global modernisms at the University of Adelaide, Australia. Andrew and Damon tunnel down into the structures of Damon’s newest novel, The Promise to locate the ways in which a generational family story reflects broadly on South Africa’s present moment. The two discuss how lockdowns during the Covid-19 pandemic invoke for some the limitations on movement during the Apartheid era in South Africa. The Promise is a departure from Damon’s previous two novels, which were peripatetic in their global movement and range. Damon describes the ways in which this novel operates cinematically, as four flashes of a family’s long history, with the disembodied narrator being the one on the move. Damon provocatively divides novels into two traditions: those that provide consolation, and those that can provide true insight on the world but must do so with a cold distan

Starting a new historical mystery series is always fun, but summarizing one at book 7 creates a certain conundrum: how to convey the essence of a character and her development without giving away too much information? Since her first adventure in 1887 (A Curious Beginning, published in 2015), Veronica Speedwell, a lepidopterist by inclination and training, has had an exciting two years. Early in that book, she leaves a family funeral only to encounter a housebreaker and would-be abductor. She evades the villain with help from an unknown rescuer who promises to reveal a decades-old secret but dies before he can fulfill his promise. Veronica is nothing if not intrepid, and she flees London in the company of the unkempt and misanthropic Stoker. Together they attempt to discover who perpetrated the murder and why without falling under suspicion themselves. By 1889, Veronica and Stoker have tackled more than a few complicated cases. In An Impossible Impostor (Berkley Books, 2022), the head of Scotland Yard’s Spec

In the Shadow of Dora by Patrick Hicks (Stephen F. Austin University Press 2020) explores the space program’s path from the Dora Mittelbau concentration camp in 1940’s Nazi Germany, to the Apollo 11 moon landing in 1969. Eli Hessel has lost his entire family and is pulled out of the Auschwitz death camp to march with thousands of other emaciated prisoners to the Dora-Mittelbau concentration camp in central Germany, where they’ll be forced to help build the Third Reich’s V-2 rocket program. Eli glimpses Werher von Braun and other scientists, who helped developed the V-2 rocket and were later recruited in Operation Paperclip to work in the United States on our nascent rocket program. Hicks describes Hessel’s struggle to survive the deprivations and torture by sociopathic ‘kapos’ in control of daily humiliations, cruelty, and murder at Dora. Approximately 20,000, mostly Jews, were murdered there, and very few survived. Eli survives, immigrates to New York, studies astrophysics, and gets recruited by the Kennedy

Season three of Novel Dialogue launches in partnership with Public Books and introduces some fresh new voices into the mix. John and Aarthi welcome Chris Holmes, Emily Hyde, Tara Menon, and Sarah Wasserman into the ND pod as guest hosts. And have they brought a series of scintillating conversations with them! In our series premiere, Sarah sits down with acclaimed novelist Chang-rae Lee and Anne Anlin Cheng, renowned scholar of American literature and visual culture at Princeton. The conversation goes small and goes big: from the shortest short story to the totalizing effects of capitalism. Chang-rae is no stranger to such shifting scales: his novels sweep through large stretches of time and space, but their attention to detail and meticulous prose makes for an intimate reading experience. Chang-rae’s latest novel, My Year Abroad, fuels a discussion about how we can form meaningful bonds in current conditions (hint: it’s often around a table) and about the specters of other, better worlds that haunt Chang-rae’

Our second January Novel Dialogue conversation is with Caryl Phillips, professor of English at Yale and world-renowned for novels ranging from The Final Passage to 2018’s A View of the Empire at Sunset. He shares his thoughts on transplantation, on performance, on race, even on sports. Joining him here are John and the wonderful comparatist Corina Stan, author of The Art of Distances: Ethical Thinking in 20th century Literature. If you enjoy this conversation, range backwards through the RtB archives for comparable talks with Jennifer Egan, Helen Garner, Orhan Pamuk, Zadie Smith, Samuel Delany and many more. It’s a rangy conversation. John begins by raving about Caryl’s italics–he in turn praises Faulkner’s. Corina and Caryl explore his debt (cf. his The European Tribe) to American writers like Richard Wright and James Baldwin. Meeting Baldwin was scary–back in those days before there were “writers besporting themselves on every university campus.” Caryl praises the joy of being a football fan (Leeds United),

Even for someone trained from birth to manage a farm, stepping into an inheritance at the age of twenty is not easy. Yet this is the situation facing Promise Mears Crawford when Sunday’s Orphan opens in 1930. Trouble comes at her from many directions. Her adoptive uncle, Taylor Crawford, constructed his farm according to the principles of racial equality, in defiance of the Jim Crow laws in effect all around him. Taylor had the standing to resist opposition from his neighbors, but Promise lacks both his stature and the resources she needs to fulfill the obligations he took on. Her financial constraints land her in conflict with the farm’s foreman, Fletch Hart, a long-time friend whose dreams of becoming a physician she cannot support due to lack of funds. But the potential loss of Fletch’s friendship pales in comparison to the threat posed by the arrival of Daffron Mears, a self-appointed Jim Crow enforcer whose propensity for vigilante violence is well known throughout the county. Daffron wants a job—in fact

Stoking Hope (D.X. Varos, 2021), C.K. McDonough’s debut novel, opens in an early 1900’s southwest Pennsylvania coal town. Nineteen-year-old Martha gets pregnant, her father banishes her, and she’s sent to a home for unwed mothers in neighboring West Virginia. She gives birth, and when her daughter Frances is taken from her six years later, Martha agrees to marry her widowed boss with hopes of getting her daughter back. The loveless marriage allows Frances to stay in school and pursue her dream of becoming a chemist, until long-held secrets cut that dream short. Stoking Hope is a family saga that travels through five decades of challenges and heartache with moments of unexpected generosity and joy. The novel culminates with the creation of Kevlar, a life-saving fabric. A Uniontown, Pennsylvania native, C. K. McDonough has a journalism degree from West Virginia University’s Perley Isaac Reed School of Journalism, and twenty years’ experience in the communications industry. She says writing video scripts and adv

Night Came With Many Stars (Godine 2021) ebbs and flows with people who only take or destroy, balanced by those who give or heal. And everything centers on a family. A Kentucky father treats Carol, his thirteen-year-old motherless daughter like a servant up to the moment he loses her in a poker game. It’s 1933, and Carol’s aching heart begins a novel of stories filled with heartache or joy that weaves back and forth across decades. Carol gets rescued on the side of the road and finds a home with two women who help pregnant teenagers, a woman survives a botched self-induced abortion, a Black family saves a starving white boy, and Carol’s grandson wins money playing poker. In this beautifully-written novel, characters are defined by what they do, not by what they are. Simon Van Booy is the award-winning and best-selling author of fifteen books that include: The Secret Lives of People in Love (short-listed for the Vilcek Prize), Love Begins in Winter (awarded the Frank O'Connor International Short Story Award), 

As Jinny Webber explains in this interview, a “bedtrick” is a literary device through which a character is deceived into spending the night with someone unexpected, trapping that character into an unwanted commitment. William Shakespeare used the device in All’s Well That Ends Well and Measure for Measure. So it is a fitting title for this novel about the gender-bending that was so much a part of Shakespeare’s comedies—most notably, Twelfth Night. There were practical reasons for having female characters appear as men throughout much of a play, but Webber takes this historical reality and twists it into the essence of her plot. Her main character, Alexander Cooke, is a gifted actor with the Lord Chamberlain’s Men, the company where Shakespeare serves as playwright. Sander, as Alexander is known to family and friends, specializes in female roles, which in Elizabethan times could be played only by males—usually pre-pubescent boys. Only a select group of confidants knows that Sander was born Kate Collins, a vill

Gone Missing in Harlem by Karla FC Holloway (TriQuarterly 2021) tells the story of an African American family trying to survive the early decades of the twentieth century. The Mosbys leave their life in Sedalia within hours after six-year-old Percy loudly notes that his father’s boss has made a mistake in calculating what is owed. Percy’s parents know what would happen if they stayed. They settle in Harlem, but the Spanish flu is raging around the globe, and Percy’s father doesn’t survive. His mother, DeLilah, is pregnant with Selma. Years later, Percy witnesses a murder in New York, and DeLilah sends him back to Sedalia. She does her best to make a home for her daughter, but Selma’s childhood is cut short when a brutal rape leaves her pregnant. After her baby is kidnapped, the city’s first ‘colored policeman’, Weldon Haynie Thomas, vows that this kidnapping will not end like the Lindbergh kidnapping. Gone Missing in Harlem touches upon many things, including African American soldiers coming home from WWI, th

Today I talked to Dina Greenberg about her new novel Nermina's Chance (Atmosphere Press, 2021). Nermina is a medical student in Sarajevo. She’s been raised in an educated family of Westernized, secular Muslims, but it’s 1992 and the Serbian Chetniks have started to destroy the city. Her mother and brother are murdered and Nermina is brutally raped. She manages to bribe her way out of Bosnia, flees with an orphaned five-year-old whom she leaves with relatives, and ultimately ends up in Portland, Oregon. She starts to rebuild her life and resolves to bring her own child into the world, but she’s twenty-four and can’t afford a medically induced pregnancy. So, she entices a ‘sperm donor’ who has no idea of her intentions. Through pregnancy and the first sixteen years of her daughter’s life, Nermina completes her degrees and begins counseling traumatized combat veterans. One of them turns out to be the brother of Nermina’s unknowing sperm donor. Nominated for The Pushcart Prize, Best Small Fictions, and The Millio

Great Britain’s Regency Era (1811–1820) has long been wildly popular as a subject of historical fiction yet overly focused on the romance genre. The towering figures of Jane Austen and Georgette Heyer have tended to dominate the field to the point where even novels that are not primarily romances exist within Austen’s world. But as we can see from Andrea Penrose’s Wrexford & Sloane mystery series, far more was going on during the Regency than parties and marriage politics. Penrose’s London is a gritty place filled with canny urchins, men and women of science, engineers and international businessmen, gamblers and disgraced lords and satirists who make their living off the foibles and follies of the well-to-do. One such satirist is Charlotte Sloane—a young artist who writes under the pen name A.J. Quill. Her network of contacts—including the two urchins who live with her, known as Raven and Hawk—proves invaluable in untangling a series of murders, the first of which Bow Street is all too eager to blame on the E

Despite all the attention paid to the two world wars of the twentieth century, not a great deal of historical fiction focuses on the period that preceded them. Dana Mack’s debut novel, All Things That Deserve to Perish, is an exception. Through its depictions of Berlin high society, the Junkers from the agricultural estates of old Prussia, and interfaith marriages, the novel explores the fraught transition to a modern, commercial economy that simultaneously promoted and complicated relations between Germans at all levels of society and their Jewish fellow citizens. Mack focuses her story on Elisabeth von Schwabacher, the daughter of a successful Jewish financier who has just returned from Vienna to her parents’ home in Berlin when the book opens. Lisi, as she’s known, has been training as a classical pianist, and her great ambition is to perform in concert halls and private soirées. Or is it? Lisi’s mother pushes the conventional future of wife and mother and rigorously oversees a diet and makeover program to

It’s December 1667 and London is still recovering both from the Plague and the Great Fire. Lucy Campion visits retired judge Master Hargrave and discovers that he’s been attacked and robbed in his home. She once worked as a maid for the judge, but she learned how to read and now works as a sort of printer’s apprentice. It turns out that a stash of the judge’s papers has been stolen. Then, while Lucy is working, trying to interest buyers in the books she has helped print, a rival storyteller poaches the crowd she has convened, and it becomes clear that his tales are directly connected to the judge’s stolen papers. When she hears someone being murdered, and that too is connected to the judge’s papers, Lucy is determined to figure out who is trying to destroy his name. In Cry of the Hangman (Severn House, 2021), the historian Susanna Calkins also manages to convey 17th century British views about order and justice, crime and punishment, legal and illegal marriages, the possibility of moving out of the social ord