New Books In Science Fiction

According to Merriam-Webster, noir is “crime fiction featuring hard-boiled, cynical characters and bleak, sleazy settings.” The Cambridge Dictionary says noir shows “the world as being unpleasant, strange, or cruel.” Nick Harkaway new novel Titanium Noir (Knopf, 2023) has all that but with a twist—rather than the fedora-wearing detective hired by a woman who'd just as soon stab you in the back as love you, the first-person narrator is P.I. Cal Sounder, hired by the police to help investigate the murder of a 7’8”, 91-year-old man who by all rights could have lived several more centuries. Sounder’s specialty is investigating crimes against Titans, the one percenters among one percenters, whose access to an exclusive medical treatment known as Titanium 7 enlarges both their bodies and their lifespans. The story is set hundreds of years in the future, when such miracle treatments become possible, but the book also sends roots into the past. The murder weapon, for instance, is a .22 Derringer, a small handgun not

Today I talked to Arin Greenwood about her new book Your Robot Dog Will Die (Soho, 2019). When a global genetic experiment goes awry and canines stop wagging their tails, mass hysteria ensues and the species is systematically euthanized. But soon, Mechanical Tail comes to the rescue. The company creates replacements for “man’s best friend” and studies them on Dog Island, where 17-year-old Nano Miller was born and raised. Nano’s life has become a cycle of annual heartbreak. Every spring, she is given the latest robot dog model to test, only to have it torn from her arms a year later. But one day she makes a discovery that upends everything she’s taken for granted: a living puppy that miraculously wags its tail. And there is no way she’s letting this dog go. Arin Greenwood is an animal writer and former lawyer living in St. Petersburg, Florida, with her husband, Ray, and their beloved pets. Arin was animal welfare editor for The Huffington Post. Her stories about dogs, cats, and other critters have appeared in

In science fiction, aliens who come to Earth are usually scary and menacing, aspiring to destroy, conquer, or even eat mankind. But the aliens in Karen Lord’s The Blue, Beautiful World (Del Rey, 2023) aren’t interested in conquering or destroying; they’re interested in inviting Earthlings to join a Galactic Council. It turns out, however, that humans need a little time and training before they’re ready to assume the responsibilities of galactic citizenship. And complicating matters is the fact that humans might not be the only Earth dwellers to receive the aliens’ invitation. It’s not surprising that water and oceans figure prominently in Lord’s novel. As a Barbadian writer, she has a lifelong respect—and fear—of the water. “I'm kind of terrified of the ocean,” Lord said. “To give you context, there is literally a part of the island that you can drive to and look around and see three coastlines. But you can't see any other land from any of the coasts. It's an oddly isolating feeling, like you're standing tipt

In The Shooting (4 Horsemen Publications, 2022), the first book in a trilogy, CK Westbrook superbly places real-life characters in a fantasy world filled with unthinkable environmental disasters while addressing major issues that face our world today. After almost every gun owner worldwide turns their weapon on themselves in a terrifying fifteen minute window, Kate Stellute, like the rest of the population, searches for answers. The mass-shooting is so enormous in scale and diabolical, no one can figure out who or what caused it, but after a bizarre encounter with an otherworldly stranger, Kate suddenly finds herself the government's prime suspect. A mid-level program analyst for Space Force and proud rule follower her entire life, a confused Kate doesn’t know where to turn. She puts trust in a neighbor, NASA biophysicist Sinclair, and with their combined background, they race to unravel the truth before an angry mob closes in. Kate knows she must formulate a plan to appease the otherworldly stranger, keep he

Mexican American writers make their mark in Science Fiction literature! In this first of a kind anthology, written solely by Mexican Americans, we are taken into space and near future barrios, to the other side of the universe, and onto post-apocalyptic worlds ala raza style. We have seen collections of futures of every kind, but not yet where Chicanada dominate the scene. Enter the world of El Porvenir, ¡Ya! - Citlalzazanilli Mexicatl -Chicano Science Fiction Anthology by Somos en escrito Literary Foundation Press, an independent raza publisher. Authors: Ernest Hogan, Mario Acevedo, Frank Lechuga, Martin Hill Ortiz, Pedro Iniguez, Nicholas Belardes, Armando Rendón, Lizz Huerta, Emmanuel Valtierra, Rios de La Luz, Beatrice Pita, Rosaura Sánchez, R. Ch. Garcia, Ricardo Tavarez, Rosa Martha Villarreal, Carmen Baca, Scott Russell Duncan, Gloria Delgado, and Kathleen Alcalá. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.suppor

This episode is a first for the Peoples & Things podcast: it features a guest host. It is something you will be seeing more of in the future. Guest host Aaron Benanav, assistant professor of sociology at and a senior research associate of the Autonomous Systems Policy Institute at Syracuse University, and Lee Vinsel interview writer Cory Doctorow, the author of over 20 books including several best-sellers and multi-award winners and special advisor to the Electronic Frontier Foundation, about his new novel, Red Team Blues (Tor, 2023). Red Team Blues is a taut neo-noir technothriller that examines crypto technologies and the many social and economic inequities of Silicon Valley. The conversation puts Red Team Blues in the larger context of Doctorow’s career and writings. Lee Vinsel is an associate professor in the Department of Science, Technology and Society at Virginia Tech. He studies human life with technology, with particular focus on the relationship between government, business, and technological change

Boogie Down Predictions: Hip-Hop, Time, and Afrofuturism (MIT Press, 2022), edited by Roy Christopher, is a moment. It is the deconstructed sample, the researched lyrical metaphors, the aha moment on the way to hip-hop enlightenment. Hip-hop permeates our world, and yet it is continually misunderstood. Hip-hop's intersections with Afrofuturism and science fiction provide fascinating touchpoints that enable us to see our todays and tomorrows. This book can be, for the curious, a window into a hip-hop-infused Alter Destiny--a journey whose spaceship you embarked on some time ago. Are you engaging this work from the gaze of the future? Are you the data thief sailing into the past to U-turn to the now? Or are you the unborn child prepping to build the next universe? No, you're the superhero. Enjoy the journey.--from the introduction by Ytasha L. Womack Through essays by some of hip-hop's most interesting thinkers, theorists, journalists, writers, emcees, and DJs, Boogie Down Predictions embarks on a quest to unde

Essays on speculative/science fiction explore the futures that feed our most cherished fantasies and terrifying nightmares, while helping diverse communities devise new survival strategies for a tough millennium. The explosion in speculative/science fiction (SF) across different media from the late twentieth century to the present has compelled those in the field of SF studies to rethink the community’s identity, orientation, and stakes.  In Ida Yoshinaga, Sean Guynes, and Gerry Canavan's edited volume Uneven Futures: Strategies for Community Survival from Speculative Fiction (MIT Press, 2022), more than forty writers, critics, game designers, scholars, and activists explore core SF texts, with an eye toward a future in which corporations dominate both the means of production and the means of distribution and governments rely on powerful surveillance and carceral technologies. The essays, international in scope, demonstrate the diversity of SF through a balance of popular mass-market novels, comics, films, ga

The Archive Undying (Tordotcom, 2023) is Emma Mieko Candon’s ambitious epic science fiction novel about intertwined human survivors following the violent fall of cities run by AI entities so massive, they had the power and influence of gods. When the robotic god of Khuon Mo went mad, it destroyed everything it touched. It killed its priests, its city, and all its wondrous works. But in its final death throes, the god brought one thing back to life: Sunai. For twenty years, Sunai has been unable to die, unable to age, and unable to forget the horrors he’s experienced. He’s run as far as he can from the wreckage of his faith, drowning himself in drink, drugs, and men. But when Sunai wakes up in the bed of the one man he never should have slept with, he finds himself on a path straight back into the world of gods and machines. There’s a lot to unpack and it may sound all doom and gloom, but not to worry. Says Candon, “Welcome to your protagonist. I hope you have fun. He's at least funny about it.” The Archive Un

Humankind discovers intelligent life in an octopus species with its own language and culture, and sets off a high-stakes global competition to dominate the future. The transnational tech corporation DIANIMA has sealed off the remote Con Dao Archipelago, where a species of octopus has been discovered that may have developed its own language and culture. The marine biologist Dr. Ha Nguyen, who has spent her life researching cephalopod intelligence, will do anything for the chance to study them. She travels to the islands to join DIANIMA’s team: a battle-scarred security agent and the world’s first (and possibly last) android. The octopuses hold the key to unprecedented breakthroughs in extrahuman intelligence. As Dr. Nguyen struggles to communicate with the newly discovered species, forces larger than DIANIMA close in to seize the octopuses for themselves. But no one has yet asked the octopuses what they think. Or what they might do about it. A near-future thriller, a meditation on the nature of consciousness,

Gareth L. Powell’s Descendant Machine (Titan Books, 2023) is set about 200 years in the future, and yet the recent explosion in A.I. technology suggests Powell’s imagined future—in which the minds of humans and A.I.s are symbiotically enmeshed—is just around the corner. The Bristol author’s new novel centers around a mysterious machine called the Grand Mechanism, an impenetrable black sphere, which, about two thousand years ago, replaced a star in a binary system. The system is home to a humanoid, multi-armed species known as the Jzat, who are divided among those who want to crack open the Grand Mechanism, believing it contains a wormhole to connect them with a more advanced Jzat civilization, and those who want to leave the mechanism alone, fearing it contains a black hole or other existential danger. “I got a bit satirical with the way the faction is appealing to nationalism to get the power they need to open this thing by promising sunlit uplands and making Jzat great again,” Powell says. “It's like any sc

Today I talked to Brad Kelly about his novel House of Sleep (2021). A cerebral PsyFi thriller that will break your heart and then set it free. Think Chuck Palahniuk with soul, supernatural Don DeLillo, occult Murakami, edgy Atwood. At an exquisite mansion perched on an edenic plateau, twenty-some guests are remembering their dreams as clearly as yesterday. All that's required is to let an eccentric guru called the Diving Man work their subconscious like a snake-charmer. Parts Willy Wonka, Judge Holden, and Tim Leary, he seems to know what can't be known, professes a bizarre philosophy, and spends his days leaping from the cliffs to hold his breath for minutes on end in the churning river below. He is also plotting against the dissolution of the world. The House draws Lynn, an anxious, earnest therapist who foresaw her fiancé's death in a dream . . . or, just maybe, called it into being. This is her last chance to heal, but only if she can come to terms with her dark connection to another seeker—the young logo

Leslye Penelope’s latest novel, The Monsters We Defy (Redhook, 2022), takes readers to a version of 1920s Washington D.C. where bootleggers, powerful spirits, and humans blessed (and burdened) with enchantments engage in an epic battle over peoples’ destinies. Penelope’s protagonist, Clara Johnson, is based upon a real person—a woman who, as a teenager during the Red Summer race riots of 1919 shot and killed a police detective after he broke down her bedroom door. Prohibited from arguing self-defense, she was convicted of manslaughter, but a judge later tossed out the verdict. Penelope found the real Johnson’s exoneration so remarkable that she felt “it had to be magic.” As she puts it, “How did this young Black girl get out of that situation? If magic was involved, that would make so much more sense.” The book’s magical elements are layered over D.C.’s dynamic Black community, where Black entrepreneurs, artists and academics thrive even as they face racism that is both overt (the Ku Klux Klan holds a demonst

Four days before Christmas, 8-year-old Bo loses his mother in a tragic accident, 28-year-old Brandon loses his job after a hostile takeover of his big-media employer, and 48-year-old Blue, a key witness in a criminal trial against an infamous now-defunct tech startup, struggles to reconnect with his family. So begins Jinwoo Chong's dazzling, time-bending debut that blends elements of neo-noir and speculative fiction as the lives of Bo, Brandon, and Blue begin to intersect, uncovering a vast network of secrets and an experimental technology that threatens to upend life itself. Intertwined with them is the saga of an iconic '80s detective show, Raider, whose star actor has imploded spectacularly after revelations of long-term, concealed abuse. Flux is a haunting and sometimes shocking exploration of the cyclical nature of grief, of moving past trauma, and of the pervasive nature of whiteness within the development of Asian identity in America. Jinwoo Chong is the author of the novel Flux, published March 21, 20

In Lavanya Lakshminarayan’s science fiction novel, The Ten Percent Thief (Solaris, 2023), is set in a world centered on meritocracy, where everyone is judged on the Bell Curve. Apex City, formerly Bangalore, divides its population into the Virtual and Analog societies where access to technology earns a stark difference in quality of life. With the right image, values and opinions, citizens can ascend to the glittering heights of the Twenty Percent, the Virtual elite, they’re the movers and shakers with access to the best technology and thus the best quality of life. The risk of falling to the Ten Percent looms in most citizens’ minds with its threat of deportation to the Analog society where there is no access to electricity and running water, and limited access to humanity. Told through the over 20 perspectives, the mosaic novel explores a future trajectory based on our current relationship with technology. Though the book was written prior to the covid 19 pandemic, Lakshminarayan noticed that during the pan

Denise Crittendon’s debut science fiction novel,Where it Rains in Color (Angry Robot, 2022), is set far in the future, long after the Earth has been destroyed, on the planet of Swazembi. Swazembi is a color-rich utopia and famous vacation center of the Milky Way. No one is used to serious trouble in this idyllic, peace-loving world, least of all the Rare Indigo. But Lileala’s perfect, pampered lifestyle is about to be shattered. Published on the cusp of Crittendon’s 70th birthday, the novel’s creation was decades in the making. Ideas were jotted down and relegated to a drawer while her work as a journalist and ghostwriter took front seat. Inspiration was gathered from her time in Zimbabwe and a recurring dream she had over many years. “The dream influenced the novel a great deal,” says Crittendon. “The novel was kind of built around the dream. When I finally started writing it again, then the dreams came back. And then I stopped and the dreams went away. When I finally got a chance to do that final push, I ne

In their new novel, The Terraformers (Tor Books, 2023), Annalee Newitz leaps 60,000 years into the future, redefining ideas of peoplehood, democracy and love A diverse array of characters—hominids, animals, and objects that in 2023 are still considered inanimate, such as doors and trains—are “people” in this multi-generational story about a corporation terraforming their privately-held planet Sask-E and their workers (which the corporation owns as part of their “proprietary ecosystem development kit,”) who want to turn Sask-E into a public, democratically-governed territory. The plot tracks the nitty-gritty of building complex things—environments, relationships, governments—as Sask-E evolves over thousands of years into a pseudo replica of Pleistocene Earth. Newitz’s heroes are members of the Environmental Rescue Team, an interplanetary force of first responders and environmental engineers who keep ecosystems in balance and stage disaster rescues. Apart from a fanciful invention called a “gravity mesh,” which

Kim Stanley Robinson, SF novelist of renown, has three marvelous trilogies: The Three Californias, Science in the Capital and Red Mars, Green Mars and Blue Mars. But lately it is The Ministry for the Future, his "science fiction nonfiction novel" (Jonathan Lethem) that has politicians, Eurocrats and the rest of us pondering how policy might fight climate change. In this Books in Dark Times conversation from the RTB vaults (you can also read a longer version that appeared as an article in our partner Public Books) Stan and John start out with Stan’s emerging from the Grand Canyon into the pandemic moment of late March, 2020. Then they discuss Stan’s sense that SF is the realism of the day and his take on “cognitive estrangement.” Finally, they happen upon a shared admiration for the great epic SF poet, Frederick Turner. Small fact connecting him to RTB-land: he completed a literature PhD directed by Frederic Jameson with a dissertation-turned-book on the novels of Phillip K. Dick. Mentioned in the Episode Geo

“Soft sci-fi, gothic body horror” is how Hiron Ennes describes their debut novel, Leech (Tordotcom, 2022). But that’s just the tip of the iceberg. Set in an isolated winter chateau, the novel weaves a surreal and atmospheric tale of a doctor who is part of a hivemind parasite, a twisted baron’s family, and a newcomer that threatens to destroy any perceived sense of order. Leech is an exploration of bodily autonomy, trauma, and a desperation to dig up the oppressive structures of the past. It is a multi-layered, multi-threaded slow burn that pays off for the persistent reader as the characters reveal their own monstrous, intertwined attempts at survival in the least hospitable of places. Hiron Ennes is a writer, musician, and medical student based in the Pacific Northwest. Their areas of interest include infectious disease, pathology, and petting your dog. Brenda Noiseux is a host of New Books in Science Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a prem

When H.G. Wells was growing up in England in the 1860s, science wasn’t part of education or everyday life the way it is now. Even though the 19th century was an era of dramatic technological invention, the professionalization of science was still developing. Wells viewed science as an incredibly powerful force. He knew it could either help or hurt humanity--even with that risk, he believed society should fully embrace science. When Wells wrote his first novel, The Time Machine, in 1895, he kicked off a 50-year-long writing career. He was a pioneer in the science fiction genre, and his stories have inspired generations of audiences, artists, filmmakers, and other writers around the world. Sarah Cole is the Parr Professor of English and Comparative Literature and Dean of Humanities at Columbia University. She is the author of Inventing Tomorrow: H.G. Wells and the Twentieth Century and At the Violet Hour: Modernism and Violence in England and Ireland, among other works. See more information on our website, Writ