New Books In Science Fiction

Take an average-to-below-average man, his loyal best friend, a jar of pickles, and some bug sex facts, and what do you have?The answer to that is Stringers, the new novel by Chris Panatier (Angry Robot, April 2022), which is already garnering fantastic reviews. In this riotous, laugh-out-loud science fiction epic, Ben Sullivan has lived a life full of questions relating to the strange facts in his brain and now faces abduction by aliens who want the answers he doesn’t have. It’s part buddy movie, part space adventure, with lots of heart and charm.It’s also ridiculously funny.“I wasn’t thinking about a space comedy even when I first conceived of [STRINGERS],” Chris says. “What I first conceived of was ‘what if someone was born with a bunch of crazy knowledge in their head’. Of course, because of my affinity for potty humour, that went to bugs f***ing themselves in the head, which you’ll find on page 3.”From its stunning cover to the formatting quirks that make it unlike anything you’ve read before—plus, yes, t

The world today seems to be slipping into a science fiction future. We have phones that speak to us, cars that drive themselves, and connected devices that communicate with each other in languages we don't understand. Depending the news of the day, we inhabit either a technological utopia or Brave New World nightmare. This volume in the MIT Press Essential Knowledge surveys the uses of science fiction. Sherryl Vint's Science Fiction (MIT Press, 2021)focuses on what is at the core of all definitions of science fiction: a vision of the world made otherwise and what possibilities might flow from such otherness.Frances Sacks is a journalist and graduate of Wesleyan University where she studied in the Science and Society Program. She is also a drummer who has studied Gamelan in Bali, Berber in Morocco, and most traditional Ga patterns with master drummers in Ghana.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-fiction Hosted by Simplecast, an AdsWizz company. See p

Charles Yu won the 2020 National Book Award for Interior Chinatown but some of us became fans a decade earlier, with How to Live Safely in a Science Fictional Universe (2010). He brilliantly uses SF conventions to uncover the kind of self-deceptive infilling that we all do every day, the little stories we tell ourselves to make our world seem predictable and safe when it’s anything but. His other work includes two books of short stories (Third Class Superhero 2006 and Sorry Please Thank You in 2012) and some episodes of Westworld, He speaks with John and with Chris Fan, Assistant Professor at UC Irvine, senior editor and co-founder of Hyphen magazine, noted SF scholar.The conversation gets quickly into intimate territory: the pockets of safe space and the "small feelings" that families can and cannot provide, and that science fiction can or cannot recreate. Graph paper and old math books get a star turn. Charlie's time as a lawyer is scrutinized; so too is "acute impostor syndrome" and the everyday feeling of

Literature is full of families torn apart by tragedy—death, war, crime. But what if the members of a family can’t agree on the cause of the tragedy that divides them?In Mike Chen’s new novel, Light Years from Home: A Novel (Mira Books, 2022), sisters Kass and Evie agree that their brother Jacob vanished 15 years ago. But did he runaway to party to his heart’s content, as Kass believes, or was he abducted by aliens, as Evie thinks? Their starkly different interpretations of the facts exacerbates the pain and tragedy of their brother’s disappearance, pushing the family to the point of breaking.“One of the things that I really wanted to show was how a single moment can really change the trajectory of people's lives,” Chen says. Jacob’s disappearance “fundamentally changes the direction of this family. Kass has this attitude of ‘if no one else is going to fix it, I am going to fix it.’ And Evie has the same attitude, except she thinks about it as ‘I'm going to fix it by going with my dad on like these UFO hunts,

Today I talked to Sequoia Nagamatsu about his novel How High We Go in the Dark (William Morrow, 2022).In 2030, a grieving archeologist arrives in the Arctic Circle to continue the work of his recently deceased daughter at the Batagaika Crater, where researchers are studying long-buried secrets now revealed in melting permafrost, including the perfectly preserved remains of a girl who appears to have died of an ancient virus.Once unleashed, the Arctic plague will reshape life on Earth for generations to come, quickly traversing the globe, forcing humanity to devise a myriad of moving and inventive ways to embrace possibility in the face of tragedy. In a theme park designed for terminally ill children, a cynical employee falls in love with a mother desperate to hold on to her infected son. A heartbroken scientist searching for a cure finds a second chance at fatherhood when one of his test subjects--a pig--develops the capacity for human speech. A widowed painter and her teenaged granddaughter embark on a cosmi

Tochi Onyebuchi’s new novel Goliath (Tordotcom, 2022) features a phenomenon familiar to those of us who live in cities—gentrification.Like the gentrifiers of today who push out old-timers with high rents and coffee boutiques, Onyebuchi’s urban colonizers are taking over property in communities that have suffered from underinvestment and systemic racism.But unlike gentrifiers of today, who often leave behind comfortable lives in the suburbs, the gentrifiers in Goliath are returning from comfortable lives on space stations where those with means had fled years earlier to escape pollution and environmental degradation on Earth.Onyebuchi sees in the story of David and Jonathan—returnees from who take over a home in a Black and Brown community in New Haven—parallels to frontier narratives.“I've read a lot of westerns and western-inflected literature, and the ways in which people have written about the American West were very fundamental in how I approached the characters of David and Jonathan. You have people goin

“Why not just torture this main character and make his children completely disappear?”That’s the terrifying premise behind Deep Dive (Angry Robot, 2022), the debut novel by author Ron Walters, which sets a videogame developer on a thrilling virtual reality adventure which is equal parts Inception and Matrix, and perhaps a little Parenthood too.Creating a story that is a relentlessly thrilling and page-turning science fiction story is one challenge. But Deep Dive also has a strong emotional core, that of a parent whose worst fear has come true. And so aside from nefarious government organizations doing shady things, we’re also treated to some modern parenting issues. Such as regrets over trying to figure out that all-important work-life balance—and what happens when you can’t and one side of it almost completely vanishes?This emotional pull within a fascinating VR-centric plot will undoubtedly resonate with all readers, but it will especially speak to those with children who face similar struggles.“A lot of pe

Now that science has granted eternal life and youth to all, the world is a place of endless opportunity to live out one's dreams and fulfill one's desires. With death unnecessary, it becomes optional and suicide is celebrated when chosen. However the main character, 10,000 year old Warren, has fought off the urge to die but begins to contemplate making this choice for himself. Matthew C. Kruger's book What The Living Know: A Novel of Suicide and Philosophy (Nfb Publishing, 2020) tackles questions such as: How many times can you send someone on their way and not start to feel as if it might be your time to go? How much life will you live before you come to say "that's enough for me"? Or, through it all, will your love for life always endure?Our conversation discusses the importance of, not just having a philosophy, but having a lived and embodied philosophy: one that's procedural and takes into account the messiness and hardships of each and every day. While the book is a hard read mentally -- and perhaps spir

Most people believe that when they grow up, they need to “put away childish things”—a wise strategy for holding a job, paying the rent and raising a family. But what if you need to fight a malevolent pirate who threatens to destroy the universe? In that case, a toy War Wizard blaster might come in handy.In British author Dan Hanks’s second novel, Swashbucklers (Angry Robot, 2021), the four lead characters arm themselves with War Wizards and other toys retrofitted to inflict maximum damage as they try to stop an evil that threatens their town and the world.“The idea originally was to do a Ghostbusters thing, but then it became about ‘How would the Ghostbusters do their jobs as parents?’” Hanks says. “How would the Ghostbusters have dealt with fighting ghosts while also trying to find babysitters and go to nativity plays and things like that? What if the Goonies had all grown up and they had their own kids?”The story addresses the power and limits of nostalgia while remaining firmly rooted in the contemporary w

The late 1970s to the mid-1980s, a period commonly referred to as the post-Mao cultural thaw, was a key transitional phase in the evolution of Chinese science fiction. This period served as a bridge between science-popularization science fiction of the 1950s and 1960s and New Wave Chinese science fiction from the 1990s into the twenty-first century. Chinese Science Fiction during the Post-Mao Cultural Thaw (University of Toronto Press, 2021) surveys the field of Chinese science fiction and its multimedia practice, analysing and assessing science fiction works by well-known writers such as Ye Yonglie, Zheng Wenguang, Tong Enzheng, and Xiao Jianheng, as well as the often-overlooked tech–science fiction writers of the post-Mao thaw.Exploring the socio-political and cultural dynamics of science-related Chinese literature during this period, Hua Li combines close readings of original Chinese literary texts with literary analysis informed by scholarship on science fiction as a genre, Chinese literary history, and m

Patricia A. Jackson’s debut novel Forging a Nightmare immerses the reader in a world of menace-—fallen angels and demigods whose history of alliances and resentments stretch to the beginning of time. Jackson puts a fresh spin on biblical characters like Gabriel and Lucifer by turning them into FBI agents, a parish priest, a homeless preacher and other seemingly ordinary folks who pursue ancient vendettas in modern day New York City.On the surface, the story is about a series of grisly murders. But underneath, it is about much more: a son grappling with his father's abandonment, the persecution of “the other” and the revelation that maybe Hell isn't the unremittingly evil place we thought it was.The hero is Michael Childs, a Black FBI agent who competes in jousts (at the opening of the book, he shows up at the scene of a grisly murder clad in medieval armor) and who (unbeknownst to him) descends from divinity. His sidekick is Anaba Raines, a Black former Marine and the eponymous Nightmare, whose transformation

The next world war is 13 years away—that is, if you live in the world envisioned by Elliot Ackerman and James Stavridis, 2034: A Novel of the Next World War (Penguin, 2021).When writing about the intersection of combat and diplomacy, the co-authors draw from experience. Ackerman has worked in the White House and served five tours of duty as a Marine in Iraq and Afghanistan, where he received the Silver Star, the Bronze Star for Valor, and the Purple Heart. Stavridis, a retired United States Navy admiral, served as NATO Supreme Allied Commander Europe and, after leaving the Navy, as the dean of the Fletcher School of Law and Diplomacy at Tufts University.2034 plays out a what-if scenario, starting with an incident between the Chinese and U.S. that escalates into a major conflict. “You could certainly say right now, vis-a-vis the United States’ relationship with China, that if we’re not in a Cold War, we are at least in sort of the foothills of a Cold War,” Ackerman says.Told through the eyes of multiple main c

Shmulie Shimmer is the inventor of LERBS, the most popular designer drug ever to be created. Turns out that it leaves people brain dead, and Shmulie should be in prison, but his business partner took the rap. Now Shmulie’s father hasn’t heard from him in over a year and half. He approaches Shmulie’s high school friend, Professor Nick Friedman, aka Nick Bones, private detective. Nick’s beautiful daughter was a victim of Lerbs, and Nick never wants to see the guy again, but Shmulie’s father has cancer and only a few months to live, so NIck takes the case. It’s a future in which the world no longer works the way it did, and sharp-witted, colorful characters roam above and below ground in what is an unrecognizable New York City. Now, Nick needs the help of his AI computer to make his way in the Velvet Underground, previously known as part of the subway system. Phil M. Cohen's Nick Bones Underground (Koehler Books, 2019) is a mystery, a wild ride through the future, a science-fiction nightmare, and an exploration

Destroyer of Light (Tor Books, 2021) is Jennifer Marie Brissett’s long-awaited follow up to her critically acclaimed debut Elysium, winner of a Philip K. Dick Special Citation and a finalist for the Locus and the Tiptree awards.Her new novel takes readers far into the future where humans are settling a new planet. They are the survivors of the world described in Elysium—an Earth where four-dimensional aliens known as the Krestge have destroyed human civilization.The frame of Destroyer of Light is a mystery—a search for a missing boy. But a deeper story follows the relationship of a mother and her young daughter, who is kidnapped and abused by a warlord building an army of child soldiers. The book is also about the relationship between humans and their former antagonists, the Krestge. Some of the aliens’ descendants now live peacefully among humans. While some people are willing to forgive the crimes of the past, going so far as to start families with the Krestge, others see the aliens’ crimes as unforgivable.

Ryka Aoki’s new novel, Light from Uncommon Stars (Tor Books, 2021), is packed with as much variety as a box of lovingly prepared assorted donuts from your favorite, funky-but-long-standing neighborhood donut shop.One of the book’s primary settings is, in fact, a donut shop, but unlike other Los Angeles donut shops it is run by a family of refugees from a faraway galaxy.The story revolves around three women—the matriarch of the outer space family, Lan Tran; Shizuka Satomi, a world famous violin teacher, who is also contractually obliged to deliver souls to hell; and her newest student, Katrina Nguyen, a trans runaway fleeing an abusive home who has no formal violin training but is a brilliant musician with natural talent.With a book focused on musicians, Aoki relied on narration to convey the power of Katrina’s performances. “When one is a poet and writing novels, sometimes … I feel at a horrible disadvantage. I still write at the speed of a poet. … But during certain moments, I'm really glad I'm a poet becaus

Cadwell Turnbull appeared on New Books in Science Fiction two years ago to discuss his debut novel, The Lesson, about an alien invasion and colonization of Earth, centered around Turnbull's native U.S. Virgin Islands.He returns to talk about his second book, No Gods, No Monsters (Blackstone, 2021), which, rather than aliens from another planet, features monsters who live among us as our friends, neighbors and even relatives. While ostensibly about the fantastical, the novel is grounded in reality with complex characters whose experiences touch on difficult but important issues like police violence, othering, and even fake news.While the two books have different characters and storylines, Turnbull calls them “sister books.”Aliens and monsters “are both versions of human fears manifested through these speculative elements,” Turnbull says. “One is dealing with a threat from without, and one is dealing with a threat from within. And they both have similar thematic concerns.”Among the topics Turnbull discusses in

It’s no coincidence that one of the main characters in S. Qiouyi Lu’s In the Watchful City carries with ser a qíjìtáng, or cabinet of curiosities. Lu’s novella is, itself, a cabinet of unusual mementos, with many smaller objects carefully folded into the larger structure.On one level the plot is simple. The qíjìtáng is full of stories, and its owner, Vessel, who hovers between life and death, needs to add one more story to ser collection in order to have a second chance at life. (Vessel’s pronouns are se, ser and sers). So se asks Anima, one of eight people who provide surveillance for the city-state of Ora, for aer story. (Anima’s pronouns are ae, aer and aers).But Anima’s life isn’t so simple. Ae serves as a node in the city’s Hub, which aer monitors by entering the consciousness of animals (including a gecko, raven, and wild dog during the course of the story). In this way, Ae can travel anywhere and yet aer body is fastened by a stem to a tank of amniotic-like fluid.Lu likens Anima’s experience of being b

Jackson Ford has some things in common with his protagonist, Teagan Frost. Both use nom de plumes. And both can move sh*t.With her telekinetic powers, Teagan can move inorganic objects while Ford (aka Rob Boffard) uses his creative powers to move plots at a rapid clip.Ford, and his publisher, Orbit, have also moved the cultural needle—specifically, by bringing three books with sh*t (asterisk and all) into the world. The most recent contribution, Eye of the Sh*t Storm (Orbit, 2021), is the third in Ford’sThe Frost Files series and continues Teagan’s attempts to learn about her origins while managing her government handlers and keeping Los Angeles safe from those with strange psychic powers like hers.“Teagan is not a typical superhero because she resents her ability to move things with her mind,” Ford says. “She would much rather learn how to cook, be a professional chef, and own her own restaurant… Her ability has forced her into a life she has no desire to be a part of.”In his New Books interview, Ford discus

Gautam Bhatia’s debut novel The Wall (Harper Collins, 2020) is set in Sumer, a city enclosed in an impenetrable, unscalable barrier that seems sky high. To its inhabitants, whose ancestors have lived there for 2,000 years, the place is more than a city or even a country—it’s their universe.Sumer’s residents know something is on the other side but have no desire to explore beyond the wall. They are content with what they have, living comfortably with the resources, rules and hierarchies that have sustained them for centuries.But every couple generations, some people crave more. In this generation, a group calling themselves the Young Tarafians are determined to breach the wall once and for all.“It's not that there is some kind of very visible and wretched oppression that's keeping people down,” Bhatia says. “At the end of the day, the resources are distributed in a way that everyone has enough for at least a decent standard of life. So it's not meant to be a dystopia, and that's part of the point. … Rebellion

Where does DNA end and the soul begin? It’s a question that Evelyn Caldwell, the brilliant genetic researcher at the center of Sarah Gailey’s The Echo Wife, never asks as she develops her award-winning technique for human cloning, which takes DNA from “sample to sentience” in 100 days.In The Echo Wife, clones are tools, created for specific time-limited purposes—to serve as a body double to draw fire from potential assassins, for example, or to provide donor organs. The question of a soul never enters into it. “Clones aren’t people. …They’re specimens,” Evelyn explains. “They’re temporary, and when they stop being useful, they become biomedical waste. They are disposable.”Evelyn’s attitudes evolve when her ex-husband, Nathan, secretly uses the Caldwell Method to create Martine—a new wife scaffolded from Evelyn’s DNA but modified to be more docile and easy going. Because of Martine’s compliant nature (and complete reliance on Nathan for her knowledge of the world), Martine is eager to provide Nathan with the c