Art Monthly Talk Show

Kathryn Lloyd, John Parton, Jamie Sutcliffe and George Vasey discuss exhibitions by Laure Prouvost, Callum Hill and Reinhard Mucha as well as the ‘Is This Tomorrow?’ exhibition at the Whitechapel Gallery.

Louise Ashcroft, Joseph Constable and Daniel Neofetou discuss collaborative models of artistic self-determination from alternative art schools to community interest companies, Ghislaine Leung’s exhibition at Chisenhale Gallery and Josephine Berry’s book Art and (Bare) Life: A Biopolitical Enquiry.

Isobel Harbison, Andrew Hibbard, Dominic Johnson and Chris McCormack discuss the work of Josephine Pryde, Ulay and David Raymond Conroy as well as art, activism and AIDS.

Larne Abse Gogarty, Lizzie Homersham, Morgan Quaintance & Jack Smurthwaite discuss Flo Brooks’s show at Project Native Informant, the ‘Before Projection’ exhibition of video sculpture at SculptureCenter, the Bow Gamelan Ensemble presentation at Cooper Gallery and the writing of Mark Fisher.

Alex Fletcher, George Vasey & Maria Walsh discuss the 12th edition of Manifesta, the roving European biennale, in Palermo, Sicily; the current art scene in Kampala, Uganda; and the work of video artist Lucy Beech.

Amy Budd, Sara Jaspan & Tom Snow discuss the art scene in Rotterdam, the ICA workshop ‘On Cripping’ and Chad Elias’s book on contemporary art in post-civil war Lebanon.

Vassilios Doupas, Andrew Hunt and Ellen Mara De Wachter discuss contemporary art shows in Athens, different models of curating and the ‘Somewhere in Between’ exhibition at Bozar in Brussels.

Stephanie Schwartz, Giulia Smith and Dan Ward discuss the relationship between art and health, Martha Rosler and Hito Steyerl’s show in Basel, and Meriem Bennani’s show in Kingston.

Ashiya Eastwood, Daniel Neofetu and Maria Walsh discuss the promotion of Forensic Architecture within the art world and its implications for political art, Taryn Simon’s ‘An Occupation of Loss’ and the Groundwork programme of international art in Cornwall.

Isobel Harbison on the Joan Jonas survey exhibition at Tate Modern, Taylor Le Melle on Sophia Al-Maria’s show at Project Native Informant and Edward C Ball on the art scene in Paris, including the opening of the Rem Koolhaas-designed gallery, Lafayette Expectations.

Dave Beech discusses the idea that the robot is to visions of the future what the genius was to the industrial age, and argues that current thinking devalues labour while simultaneously ushering in a new form of slavery.

Jennifer Thatcher discusses the art world’s We Are Not Surprised anti-harassment movement in response to the wider post-Weinstein #MeToo campaign, and Amy Budd discusses the ‘No, No, No, No’ exhibition at Cell Projects. Presented by Chris McCormack.

Ashiya Eastwood explores TJ Demos’s book Against the Anthropocene, Kathryn Lloyd examines Sophie Jung’s performance-based art practice and Virginia Whiles discusses her interview with Rasheed Araeen.

Lizzie Homersham on Hannah Black and her recent show at Chisenhale Gallery, Seth Pimlott on Erika Balsom’s book ‘After Uniqueness: A History of Film and Video Art in Circulation’ and George Vasey on David Dye’s exhibition at the Henry Moore Institute.

Bob Dickinson on art, life and the algorithm, Giulia Smith discusses the upsurge in art about sickness, and Virginia Whiles reports on Manchester's New North and South exhibition marking 70 years of independence for India and Pakistan.

Isobel Harbison on the Gothenburg Biennial, Richard Hylton on the rise in thematic shows of black artists, and Maria Walsh on Leon Wainwright’s book ‘Phenomenal Difference: A Philosophy of Black British Art’.

Lisa Le Feuvre discusses the crisis in public sculpture highlighted by this year’s Münster Sculpture Project.

Sophia Phoca on Documenta, Jamie Sutcliffe on Jenna Sutela’s exhibition at Banner Repeater and Lauren Velvick on Marlie Mul’s project at Glasgow GoMA, ‘This exhibition is cancelled’.

Bob Dickinson on crowdthinking and the political fallout from the rise of referendums, and Chris Fite-Wassilak on the music-themed exhibition Wagstaff’s at Mostyn in Llandudno and Martin Herbert's book of artist refuseniks ‘Tell Them I said No’.

Brian Hatton suggests that the loop in art predates its usage in film and video art theory; Maria Walsh takes a critical view of a slew of women’s art shows; Sophie J Williamson argues that cultural translation can both help and hinder understanding.