For The Record With Gg And Adam

Illuminati Hotties, the solo project of producer and multi-instrumentalist Sarah Tudzin, delivers 12 tracks of earnest/funny, clever/silly, and tender/punk music, all played and produced impeccably. We discuss “Let Me Do One More” in episode #157.

San Francisco-based Pardoner combines the best of noisy and melodic 90s rock to express the absurdity and anxiety of living through late-stage capitalism. We discuss "Came Down Different" in episode #156 of “For the Record.”

Bay Area native Sven Gamsky performs under the name "Still Woozy," and his debut record is so full of catchy, sun-drenched earworms that even the breakup songs make you feel good. We discuss "If This Isn't Nice, I Don't Know What Is" in episode #155.

The second record from North Carolina singer-songwriter Indigo De Souza swings wildly between grungy rock, catchy bass grooves, and synth-driven pop, all held together by her powerful and versatile voice. We discuss "Any Shape You Take" in episode #154.

Squirrel Flower's second record brings textured production and a grungier rock sound to back up Ella Williams' gorgeous, warm voice. We discuss "Planet (i)" in-depth on episode #153 of “For the Record.”

Bachelor is the name of a new collaboration between the artists behind Jay Som and Palehound. We discuss their new record, "Doomin' Sun," in-depth on episode #152 of “For the Record.” For all the past episodes, visit ForTheRecordPodcast.com.

Pom Pom Squad’s debut LP, “Death of a Cheerleader,” combines a Motown girl-group sound with a modern punk attitude and excellent pop sensibilities. We discuss it in-depth on episode #151 of “For the Record.”

Sleater-Kinney's tenth album, "Path of Wellness," represents a new direction for a band that has never stopped changing. We discuss it in-depth on episode #150 of “For the Record.” For all the past episodes, visit ForTheRecordPodcast.com.

The third album from Japanese Breakfast, "Jubilee," swings for the fences with a much bigger, poppier sound, complete with horn and string arrangements. It's a major leap forward in Michelle Zauner's impressive career.

Rosie Tucker's debut for Epitaph Records, "Sucker Supreme," is a surprising indie pop gem. Witty lyrics and concise songwriting, together with some interesting experimental moments, result in a charming album that you'll end up leaving on repeat.

Squid's debut LP, "Bright Green Field," defies categorization. It's an electrifyingly creative mix of post-punk, jazz, and experimental rock that explores the anxiety and excitement of our dystopian future.

Covering the map with everything from pop to heavy rock to country-tinged ballads, Prism Bitch's varied and energetic debut LP is worth a listen. We discuss "Perla" on episode #146 of “For the Record.”

Tune-Yards are back with an album of politically-charged tracks that you can't help but sing along to -- and they're from right here in the Bay Area! We discuss "Sketchy" on episode #145 of “For the Record.”

Adult Mom's third album is their first for Epitaph Records, and the fullest realization yet of their charming, intimate sound. We discuss "Driver" on episode #144 of “For the Record.” For all the past episodes, visit ForTheRecordPodcast.com.

Julien Baker's third album is a triumph. It's major departure from her previous sound, with a richness of production that matches its emotional expansiveness. We discuss "Little Oblivions" on episode #143 of “For the Record.”

London quintet Shame made a splash with the brash post-punk of their debut record, but come back with a more complex and contemplative sound for their second album. We discuss "Drunk Tank Pink" on episode #142 of "For the Record."

Norwegian quartet Pom Poko create art-punk which combines prog intricacy, rich production, and jazz improvisation to create unexpectedly poppy, emotionally resonant songs which amply reward repeat listens.

British singer-songwriter Katy J Pearson channels Americana and sunny 70s rock to create her own charming brand of indie pop. We discuss her debut record, "Return," in episode #140 of "For the Record." For all the past episodes, visit ForTheRecordPodcast.

Disheveled Cuss is the new, more accessible side project of Tera Melos’ inventive and talented guitarist Nick Reinhart, and delivers a satisfying twist on your favorite 90s tropes. We discuss their self-titled debut record in-depth in episode #139.

With an electrifying voice and an eclectic mash-up of genres, Bartees Strange leads us into the dark COVID winter with what may be the best record of 2020. We discuss his debut LP, "Live Forever," in-depth in episode #138 of "For the Record."