Sinopsis
On each episode, we discuss a single new album.
Episodios
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For the Record #97: Foxwarren's "Foxwarren"
02/01/2019Foxwarren is led by Canadian singer-songwriter Andy Shauf, and brings a rich, complex warmth to the isolation of the Canadian prairie. We discuss it in-depth on episode #97 of "For the Record."
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For the Record #96: Boygenius' self-titled EP
16/12/2018Boygenius is the group project of Lucy Dacus, Julien Baker, and Phoebe Bridgers, who recorded this six-song EP when they came together in an L.A. studio for a four-day break in their own solo touring schedules.
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For the Record #95: Rubblebucket's "Sun Machine"
11/11/2018On the surface, Rubblebucket's fifth LP is a fun, energizing dose of electro-funk to which you can't help but dance. But dig a little deeper and you'll find a thoughtful meditation on finding joy and personal growth in the aftermath of major health and re
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For the Record #94: Ian Sweet's "Crush Crusher"
04/11/2018This is Ian Sweet's second record, but to some degree it's a solo debut by vocalist/guitarist Jilian Medford. We discuss Ian Sweet's rebirth with the melodic, experimental "Crush Crusher" in-depth on episode #94 of "For the Record."
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For the Record #93: Swearin's "Fall into the Sun"
21/10/2018Swearin' broke up 3 years ago, but have reunited for a third LP. We discuss Swearin's new record, "Fall into the Sun," in depth in episode #93 of "For the Record."
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For the Record #92: The Beths' "Future Me Hates Me"
08/10/2018The Beths is a new power pop band from New Zealand who pile hooks upon hooks while also creating impressive depth. We discuss their debut LP, “Future Me Hates Me” in episode #92 of “For the Record.”
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For the Record #91: Slothrust's "The Pact"
22/09/2018For their fourth studio album, Slothrust brings in a new producer and willingness to experiment, taking their guitar-driven sound in some unexpected directions. We discuss it in depth in episode #91 of “For the Record.”
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For the Record #90: Janelle Monáe's “Dirty Computer”
03/09/2018Janelle Monáe breaks out of her history of doing concept albums in-character to make a more personal record that also serves as a statement of queer, black, feminist empowerment to which you can't help but dance.
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For the Record #89: Valley Queen's "Supergiant"
10/08/2018Valley Queen's debut LP combines Natalie Carol's powerful vocals with 70s-tinged guitar rock that recalls both Florence and the Machine and Fleetwood Mac. We discuss it in depth in episode #89 of “For the Record.”
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For the Record #88: Fantastic Negrito's "Please Don't Be Dead"
29/07/2018Oakland's own Fantastic Negrito has a story worthy of a Hollywood movie, and he uses his incredible life experience to bring emotion and depth to the modern blues fusion of his latest record, “Please Don't Be Dead.” We discuss it in depth in episode #88 o
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For the Record #87: Snail Mail's "Lush"
15/07/2018Lindsey Jordan of Snail Mail is only 19 years old, but possesses a guitar prowess and emotional maturity that make her wise beyond her years. We discuss the dreamy textures of her Matador debut, “Lush,” in episode #87 of “For the Record.”
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For the Record #86: Flasher's “Constant Image”
24/06/2018Flasher are a Washington D.C.-based trio who make tight, energetic, new-wavey post-punk that captures the urgency and anxiety of being young in 2018 America. We discuss their debut LP, “Constant Image,” on episode #86 of “For the Record.”
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For the Record #85: Neko Case's "Hell-On"
10/06/2018Neko Case combines her singular voice with a host of collaborators, branching out into a variety of musical styles and instrumentation choices to make what might be her best solo record yet — and it's mostly self-produced. We discuss it in depth in episo
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For the Record #84: L.A. Salami's "City of Bootmakers"
27/05/2018British singer-songwriter L.A. Salami crosses genres in a style he describes as “post-modern blues.” In his new record, “City of Bootmakers,” he addresses both social and personal issues using songs that are tight, catchy, and will stick with you long aft
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For the Record #83: Frank Turner's "Be More Kind"
21/05/2018British singer-songwriter Frank Turner takes things in a new, synthier direction on his new record, “Be More Kind,” which is also his proposed solution to how we keep our sanity in an increasingly chaotic world. We discuss the album in depth in episode 83
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For the Record #82: Forth Wanderers' "Forth Wanderers"
06/05/2018The Forth Wanderers may be just out of high school, but they make compelling guitar rock with a wisdom beyond their years. We discuss their self-titled debut for Sub Pop Records in episode #82 of "For the Record."
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For the Record #81: Caroline Rose's "LONER"
22/04/2018Caroline Rose's sophomore record "LONER" is already one of our favorites of 2018, combining a great sense of humor with a pop sensibility that compels you to just keep the whole album on repeat, and we discuss it in detail in episode #81 of "For the Recor
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For the Record #80: Marlon Williams' "Make Way for Love"
08/04/2018Marlon Williams is only 27 but his extraordinary, Roy Orbison-esque croon has already won him fame in his native New Zealand. With "Make Way for Love," he branches out beyond a more stripped-down presentation of his amazing voice to bring us a record with
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For the Record #79: Our Picks from SXSW 2018
26/03/2018In Episode #79 of For the Record, we depart from our usual format to tell you about our favorite new discoveries from 2018's South by Southwest music conference (aka SXSW) in Austin. We discuss Gang of Youths, Haley Heynderickx, Mal Blum, Flasher, Carolin
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For the Record #78: Superchunk's "What a Time to Be Alive"
25/02/2018Almost 30 years in, on their 11th studio album, Superchunk sound like they've been galvanized by national events, and bring us an album that's more vital and thrilling than anything they've done in years.