Glasstire

Brandon Zech and Christina Rees take an optimistic view of a more collaborative future for Texas art, artists, and institutions, and their more appreciative audiences. "There’s a lot of sweat equity that artists are willing to put into their own shows if you give them the space in a museum."

Brandon Zech and Christina Rees discuss how artists and arts workers will adapt to and navigate our new landscape. "The only people who are going to be making art are people who really are artists and really want to make art. And they'll have to do it without thinking that they're going to make a living off of it."

Brandon Zech and Christina Rees discuss the difficulties faced by museums and nonprofits, the government stimulus bill, and the possible closure of art schools as a result of the pandemic. "This is still early days. I was talking to somebody on the phone who knows a lot about higher education, and he was sounding the alarm, essentially saying that he thinks a number of universities are going to shut because of this." This week’s podcast is supported in part by The Modern Art Museum of Fort Worth and their program 'Being There: Revisiting Tuesday Evenings' at the Modern, a rebroadcast of past Tuesday Evenings lectures on YouTube. Terri Thornton, Curator of Education, will introduce each presentation, with an online chat to follow. Join the museum, as usual, on Tuesdays from 7-8 PM for the program. For more information, go here: bit.ly/2UJaOoD

Brandon Zech and Christina Rees discuss the effect of the novel coronavirus on Texas-based galleries, museums, and artists.  "I’m most afraid for mid-tier galleries and nonprofits."

Christina Rees talks with Michael Auping, the Modern Art Museum of Fort Worth's Chief Curator from 1993 to 2017, about the Modern's presentation of his current exhibition 'Mark Bradford: End Papers.' "I was feeling like abstraction had really dried up, that it had really come to the end of the line. And then I found Mark Bradford. And I thought, ‘Ah ha, here’s another rabbit hole that we can really go down.’"

In this podcast, Glasstire's Christopher Blay and William Sarradet interview attendees at the Dallas Museum of Art's exhibition 'Speechless: Different by Design' during a recent DMA Late Night opening. "It's interesting to be in a museum space and have all of the exhibitions have to do with touch. It's an interesting feeling, almost like you’re doing something you shouldn’t be doing."

Brandon Zech and Christopher Blay discuss whether artists make good critics, why blue-chip artists won't write criticism, and the difficulties of text art. "You don’t see Jeff Koons writing a review about an exhibition for Artforum."

Christina Rees talks to Terri Thornton, Curator of Education at the Modern Art Museum of Fort Worth, in celebration of the 25th anniversary of her long-running, acclaimed guest lecture series Tuesday Evenings at The Modern. "I have a real fondness for the brains of artists. People laugh about artists not being good communicators and I just think that’s a load of crap."

Christina Rees and Neil Fauerso on their most bonkers movie-going experiences, and why you should still see movies on the big screen. "The best films of cinema are better than any TV show that’s ever been made… and that really comes through when you see the films in a movie theater."

Christopher Blay, Christina Rees, and guests Heyd Fontenot and Dean Daderko discuss the ins and outs of a successful artist residency. "I want a residency to change my perspective — you want to make something new and to be affected by the space, the place, and the people."

Brandon Zech and Christina Rees discuss what to expect from art in Texas over the next ten years. "I see smaller, more splintered audiences that are more passionate. And then I see this whole other art world that really is about theme-park entertainment."

Brandon Zech and Christina Rees discuss their favorite Texas art exhibitions from the past decade. “I was really shaken by this show. Even talking about it is taking me back to that place.”

Brandon Zech and Christina Rees discuss all of the ways you can gift art in the holiday season. "I try not to be too much of a bully about giving art away as a Christmas gift. I certainly don’t want my friends and family to be like ‘oh my god, here we go with the art again.'" This week’s podcast is supported in part by The Modern Art Museum of Fort Worth and their exhibitions Robyn O’Neil: WE, THE MASSES, on view through February 9, 2020, and FOCUS: Martine Gutierrez, on view through January 12, 2020. For more information, go here. This week's podcast is supported by The Modern Art Museum of Fort Worth and their exhibitions Robyn O’Neil: WE, THE MASSES, on view through February 9, 2020, and FOCUS: Martine Gutierrez, on view through January 12, 2020. For more information, go here: bit.ly/33AcPXg

Brandon Zech and Christina Rees on what makes for a rewarding studio visit. “You can walk into an artist’s studio and it can look chaotic; it can look like a mess. But that doesn’t mean that what’s happening there is chaotic or messy.”

Glasstire Editor-in-Chief, Christina Rees, and guest writer, Neil Fauerso sit down with SCRiBBLES director Lynnsey Ooten and writer & actor Brandon Garegnani.

Glasstire Editor-in-Chief, Christina Rees, and guest writer, Neil Fauerso sit down with Brian Emond, writer & actor on Vice Guide to Big Foot.

Glasstire Editor-in-Chief, Christina Rees, and guest writer, Neil Fauerso sit down with the filmmakers of The Killing of Kenneth Chamberlain; producer & actor Enrico Natale, director & writer David Midell, and executive producer Sharad Chib.

Glasstire Editor-in-Chief, Christina Rees, and guest writer, Neil Fauerso sit down with Zoe Ward, director & writer of Soft & Pink.

Christina Rees talks with Modern Art Museum of Fort Worth curator Alison Hearst about the museum's acclaimed Focus exhibition series, the politics of art acquisitions, and the work of current Focus artist Martine Gutierrez. "The way the Focus series works here is that we only work with artists who aren't in our collection, so there's a lot of things I'm thinking about when I'm planning these shows: who isn't represented in our collection? Where are the holes in our acquisitions, and also where are the holes in the exhibition programming in Texas and beyond?" This podcast is sponsored by The Modern Art Museum of Fort Worth and its exhibitions Robyn O’Neil: WE, THE MASSES, on view through February 9, 2020, and FOCUS: Martine Gutierrez, on view through January 12, 2020. For more information on the show, go here: bit.ly/2XlXSpz

Brandon Zech and Christina Rees discuss whether or not big-name art attractions are worth braving the crowds. "A lot of the art attractions that have a weight behind them are the hallmark pieces of art history, or the pieces that have come into the public eye — like the Sistine Chapel or the Mona Lisa." This week's podcast is supported in part by The Modern Art Museum of Fort Worth and their exhibitions Robyn O’Neil: WE, THE MASSES, on view through February 9, 2020, and FOCUS: Martine Gutierrez, on view through January 12, 2020. For more information, go here: bit.ly/33AcPXg Art Dirt is also supported by the University of Houston School of Art and their MFA and MA in Art History programs. The deadline to apply is January 15, 2020; to start your application and to learn more, go here: uh.edu/kgmca/art