Banjo Hangout Top 100 Clawhammer And Old-time Songs

A G tune from the playing of fiddler Jim Reed. Played on my Menzies tackhead in standard tuning, but tuned down to C.

aDAde - derived from Melvin Wine's fiddling. Not exactly as in my Banjo Newsletter tab of 31 years ago (February, 1984).

Learned from the fiddling of well-known Missourian Lonnie Robertson (1908 - 1981). I'm just becoming familiar with some of his work and am impressed by his smooth, clear, fast playing.

This style of clawhammer I really only use on stage. Very little melody is played except in the break. I got this song from my dad, who got it from my grandma, who probably got it from the Osborne Brothers.

Jazz song from an old broadway play

The old-time Tune of the Week for 1/16/15 allowed me to look at many sources. I ended up learning from Kentucky fiddler Emmett Lundy, Virginia banjo player Wade Ward, and traditional children's nursery songs. Check out more information on the tune: http://www.banjohangout.org/topic/297815

Unleashing the latest wanderings of my mind and fingers on the unsuspecting banjo public. In Double C.

From the fiddling of Bruce Greene who learned it from Uncle George Nicholson (born in Laurel Co., KY in 1854). This tune reminds me of another I've heard before. For some reason the tune gives me a deep sense of deja vu when Bruce plays it. It's on his solo fiddle CD Five Miles of Ellum Wood.

Clawhammer take on trad 3 part dance tune. Supposed to be in D, but I'm in C. Wildwood.

"Meg Gray" from the fiddle playing of George Hawkins. Played by Bob Lanham on a Vega Tubaphone banjo.

Clawhammer take on a Reel from the Shetland Islands written by Ian Burns. G tuning but way low.

aEAC#E with autoharp

A French-Canadian crooked tune learned from Guy Bouchard. Robin Kearton playing fiddle.

Played on a Nechville Phantom. Yup.. tonering, resonator...

a quick recording I made to demonstrate some of the techniques I use to create variations of a tune. A tab and lesson are available on my website, dropthumb.com played in open D tuning (f#DF#AD) on my Fielding Catamount banjo (12" rolled brass ring up on risers)

Old English ballad... but here i'm playing behind Hobart's high-octane fiddle... lot's o' fun! Playin' a Romero in G modal tuning... and thanks for listening.

This tune comes from fiddler Harvey "Pappy" Taylor (1894-1987), of Effingham, Illinois, collected by the late Gary Harrison. I made this practice tape in 2011, playing my 1964 Ode Model 42, in a G variant tuning (gDGAD), capoed on the 2nd fret.