Overinvested

This week, Gavia and Morgan dive into Disney Channel classic "High School Musical 2" at a Patreon subscriber's request. They discuss the film's cultural impact, its Marxist themes, its blast-from-the-past fashions, and much more.

This week, Morgan and Gavia discuss Alfred Hitchcock's 1954 mystery "Rear Window," starring James Stewart and Grace Kelly. They break down Stewart and Kelly's star power, dig into some classic feminist film theory, praise the film's iconic costumes, and more.

This week, Morgan and Gavia discuss Martin Scorsese's Best Picture-winning, Boston mob epic "The Departed" (2006), starring Leonardo DiCaprio, Matt Damon, Mark Wahlberg, and more. They compare the film to "Infernal Affairs" (2002), the film upon which it is based, praise its depiction of Boston, and consider Leonardo DiCaprio's excellent performance and perplexing career.

Due to unforeseen chaotic events related to the coronavirus, we've delayed our next new episode until next week. In the meantime, please enjoy this oldie-but-goodie episode on the 2016 catastrophe "Passengers," which seems even more mystifying in retrospect. Stay in your pods, everybody.

This week, Morgan and Gavia discuss Autumn de Wilde's new adaptation of Jane Austen's masterpiece "Emma." They compare it to previous adaptations of the novel, puzzle over some odd casting and script choices, and praise its all-time great costumes.

This week, Gavia and Morgan discuss "Clueless" (1995), Amy Heckerling's classic high school adaptation of Jane Austen's "Emma." They compare the film to the novel and its other adaptations, discuss its engagement with nineties teen culture, and praise its costumes, performances, and more.

This week, Gavia and Morgan finally go deep on Paolo Sorrentino's art film-cum-television program "The Young Pope" and its sequel "The New Pope," in which they are both thoroughly overinvested. They discuss its treatment of Catholicism and the Church's recent scandals, Sorrentino's bravura direction, and above all, Jude Law's career-best performance as the young pope himself.

This week, Gavia and Morgan discuss "Birds of Prey," Cathy Yan's cracking sequel to the disastrous "Suicide Squad," once again featuring Margot Robbie as Harley Quinn. They praise the film's visual style and Margot Robbie's bold performance, compare the current state of DC and Marvel films, and critique the film's handling of Ewan McGregor's queer-coded villain.

This week, Gavia and Morgan offer their predictions for Sunday's Academy Awards telecast. Will "1917" or "Parasite" win the big prize? Can Bong Joon-ho topple Sam Mendes for best director? Can anyone upset Joaquin Phoenix or Brad Pitt? And more...

This week, Gavia and Morgan discuss their top ten films of the year, highlighting many of the small indies and docs that made 2019 such a great year for cinema, including "Parasite," "Hustlers," "Little Women," and many more.

This week, Morgan and Gavia revisit an old favorite: Robert Altman's 2001 masterpiece "Gosford Park." They admire the film's depiction of interwar Britain; praise its sprawling cast of legendary actors including Helen Mirren, Maggie Smith, and Clive Owen; and compare it to the less politically astute "Downton Abbey," also written by screenwriter Julian Fellowes.

This week, Gavia and Morgan discuss one of 2019's most celebrated movies, Bong Joon-ho's "Parasite." They give an overview of the film's international success, break down its political subtext, and praise its extraordinary production design and fantastic cast of actors including Song Kang-ho and Park So-dam.

This week, Gavia and Morgan diverge on Greta Gerwig's new adaptation of Louisa May Alcott's classic novel "Little Women." They assess Gerwig's structural changes to the book, compare this iteration of the story to its previous adaptations, and discuss the film's marvelous troupe of actors including Saoirse Ronan, Florence Pugh, and Timothée Chalamet.

This week, Morgan and Gavia dive into the year's biggest blockbuster catastrophe, "Star Wars: The Rise of Skywalker," starring Daisy Ridley, Adam Driver, and Oscar Isaac. They attempt to figure out what the hell went wrong, from an abysmal script to uninspired direction to a dire press tour. Everything that could go wrong, did go wrong... and Overinvested is here to survey the damage.

This week, Gavia and Morgan discuss Todd Solondz's tween indie "Welcome to the Dollhouse" (1995). They compare it to other films about middle schoolers, praise its depiction of the messy realities of adolescent life, and contextualize it within nineties culture.

This week, Morgan and Gavia celebrate the twentieth anniversary of the 1999 classic con artist film "The Talented Mr. Ripley," starring Matt Damon, Jude Law, Gwyneth Paltrow, and more. They dive into the film's complicated production history, take stock of Matt Damon's disappointing career, and discuss the film's unusual approach to its slippery protagonist.

This week, Gavia and Morgan discuss Damon Lindelof's new television adaptation of Alan Moore's classic comic series "Watchmen." They compare it to Lindelof's previous work, analyze its treatment of politics and race, and contemplate its place in the changing television and superhero landscapes.

This week, Morgan and Gavia discuss Rian Johnson's new murder mystery "Knives Out," starring Daniel Craig, Chris Evans, Ana de Armas, and many more. They compare the film to the Agatha Christie stories that inspired it, praise its many delicious performances, and break down its progressive political message.

This week, Morgan and Gavia finally tackle Todd Phillips' gritty comic book origin story "Joker," starring Joaquin Phoenix as disaffected loner-turned-criminal Arthur Fleck. They discuss the film's relationship to Batman comics and Martin Scorsese films, critique its perturbing treatment of race and mental health issues, and break down Phoenix's much-discussed performance.

This week, Morgan and Gavia discuss the second installment of Philip Pullman's follow-up trilogy to "His Dark Materials," "The Secret Commonwealth," which finds Lyra Silvertongue studying at Oxford as a young adult. They discuss the novel's relationship to the earlier books, Pullman's new ideas about daemons, and second-book-in-a-trilogy problems.