Historiansplaining: A Historian Tells You Why Everything You Know Is Wrong

Unlocked after 1 year for patrons only: He is the earliest human being whose name and life story are known to history. We examine the origins and contents of the most ancient narrative ever found anywhere on Earth, and trace how it has been rediscovered, re-used, and re-translated in the modern world, becoming a living and evolving text in a time of anxiety over the fate of civilization. Please sign on as a patron in order to keep the podcast going and to hear patron-only lectures, including part 2 on the Epic of Gilgamesh! -- https://www.patreon.com/c/u5530632 Image: Sumerian bas-relief sculpture of a man subduing a bull, possibly representing Gilgamesh slaying the Bull of Heaven, 2200s BC. Our previous lecture on the discovery of the Library of Ashurbanipal, where the Epic of Gilgamesh was rediscovered: https://soundcloud.com/historiansplaining/unlocked-the-great-archaeological-discoveries-pt-3-the-library-of-ashurbanipal Suggested further reading: George, "The Epic of Gilgamesh"; N.K. Sandars, "The E

We follow how a remote landmass on the far western fringe of Europe became the home of a lasting Gaelic civilization and a major center of classical and Christian knowledge, before coming under attack by Viking raiders and Anglo-Norman invaders. We examine the English Crown’s shifting and increasingly desperate strategies to control Ireland, and the long battle over control of land and religion before Ireland was finally subjected to Protestant domination following the Glorious Revolution. Recommended further reading: Cronin, “A History of Ireland”; Foster, ed., “The Oxford Illustrated History of Ireland”; Ranelagh, “A Short History of Ireland”; Roberson, “The Irish Ice Sheet,” Music: “Danse du Grand Calumet de la Paix” / “Forets Paisibles,” from the opera-ballet “Les Indes Galantes,” by Jean-Philippe Rameau & Louis Fuzelier, 1735, performed by Les Arts Florissants, with vocalists Patricia Petibon & Nicolas Rivenq -- used with the kind authorization of Les Arts Florissants Image: Lavabo, Mellifont Abbe

Nations: What are they? Are they defined by language, by “culture,” by blood, or something else? How do you know if you are part of one? —and is everyone in the world a member of one nation or another? We follow how the rise of medieval kingdoms and universities and the print revolution made it possible for people in the West to imagine themselves as part of extended kinship groups united by a common language and ancestry, how these abstract “nations” differed from all earlier social groupings, how nations have developed a standard template for national history and mythology, and how since the French Revolution, “nationalism” has inspired the loyalties and fired the passions of millions. Finally, we consider how scholars and critics have torn the concept of the nation to shreds, and then have tried to account for the profound transformations in consciousness and time made it possible for people to conceive of themselves as belonging to nations in the first place. Apologies for the osprey squawking in

We follow how deportation policy has evolved, expanding massively in the aftermaths of World War One and World War Two, while shifting its main targets -- from political radicals and dissidents, to organized criminals, to "undesirable" racial and ethnic groups including Asians and Mexicans. We examine the changing laws and judicial rulings that have carved out an exception for deportation, allowing the government nearly unlimited and unchecked power, with no recourse to the protections of the Bill of Rights -- and finally, we consider how the Trump administration's recent failed attempts to deport supporters of the Palestinian cause might lead to a small crack in the wall sealing the deportation process off from the courts and the Constitution. Image: Cartoon of the Buford or "Red Ark" departing from New York, Evening Star, Dec. 22, 1919 Suggested further reading: Kanstroom, "Deportation Nation"; Drinnon, "Rebel in Paradise: A Biiography of Emma Goldman"; Muzaffar Chishti and Colleen Putzel-Kavanaugh, "Tapp

Unlocked after 1 year for patrons only: The most massive and momentous manuscript discovery of modern times, the Dead Sea Scrolls blew the lid off of the long-mysterious world of messianic and apocalyptic ferment before the destruction of the Second Temple—yet it took decades of conflict and struggle to bring them to public light. We trace why the scrolls became the object of a long international struggle, what they actually say, and what they reveal about the roots of the Bible, Christianity, and modern Judaism. Suggested further reading: Lim, “The Dead Sea Scrolls: A Very Short Introduction”; Collins, “The Dead Sea Scrolls: A Biography”; Shanks, ed., “Understanding the Dead Sea Scrolls: A Reader from the Biblical Archaeology Review”; Eisemman & Wise, “The Dead Sea Scrolls Uncovered”; Wise, Abegg, & Cook, eds., “The Dead Sea Scrolls: A New Translation.” Image: Portion of the Temple Scroll Please sign up as a patron, at any level, in order to hear patron-only lectures, including the series on the Epic of

We examine the roots of the American practice of "deportation" -- from colonial banishment of heretics, through the political upheaval over Alien & Sedition Acts, to the age of Chinese Exclusion -- which paved the way for the federal government to exercise virtually unlimited & absolute power over aliens, whom they placed outside the protection of the Constitution. Suggested further reading: Kanstroom, "Deportation Nation: Outsiders in American History" Image: East Asian women & children in a holding cell, Angel Island immigration station, Calinfornia, ca. 1920 Please sign on as a patron to hear all patron-only lectures, including the most recent on the modern history of the Papacy! -- https://www.patreon.com/c/user?u=5530632

For Patrons only for 1 year: We follow the tribulations of the Papacy through the aftermath of the Protestant Reformation, as the Pope's loyal soldiers in the Jesuit order are expelled from Catholic states and empires, the Church comes under attack in the French Reovlution, and Napoleon takes the Pope prisoner. We then follow the Papacy's gradual recovery of prestige -- through the reactionary rigorism of Pius IX and the 1st Vatican Council; the creation of Catholic social teaching and the intervention of the Church in the class struggle between capital and labor under Leo XIII; and the dramatic reforms of the Second Vatican Council in the 1960s. We consider the controversies and scandals of the modern church relating to fascism, the Nazi Holocaust, the Vatican Bank, and the suppression of Liberation Theology, and finally, examine the recent shakeup of the Vatican under Pope Francis, the momentous implications of the Synod on Synodality, and the clues presaging a new political assertiveness of the Church un

We follow the paths by which the bishops of Rome – leaders of what had been a small church on the fringe of the Christian world – established themselves as the foremost spiritual leaders of Western Christendom and with time, as supreme heads of the global Catholic Church. We follow the dramatic turns in the Papacy’s fortunes, as Popes alternate between pinnacles of power and prestige, commanding lands and armies, launching Crusades and outwitting emperors, and extreme lows of feebleness and humiliation, overruled by councils and overthrown by foreign kings. We consider how the Papacy made use of the Renaissance and struggled to respond to the Protestant Reformation—before examining the history of the modern Papacy and the more recent Popes for Part 2. Suggested further reading: Norwich, “Absolute Monarchs : A History of the Papacy”; La Due, “The Chair of Saint Peter : A History of the Papacy” Please sign up, at any level, to support the podcast and hear patron-only lectures! -- www.patreon.com/c/user?u

Update for listeners, and happy Father's Day wishes; excerpt from latest patron-only lecture on Italy between unification and the entry into the First World War. Please sign up on Patreon to hear the latest lecture and all patron-only materials! -- https://www.patreon.com/posts/italy-nation-war-131082248 Podcast website: www.historiansplaining.com Image: The Paderno D'Adda hydroelectric power plant, Lombardy, 1895-8 Music: "Nel Blu, Dipinto di Blu" / "Volare," by Domenico Modugno

Unlocked after 1 year for patrons only: We review the diplomatic landscape of Europe on the eve of war in the summer of 1914—and then trace the dizzying cascade of events that followed after the assassination of the Archduke Franz Ferdinand in Sarajevo on June 28, 1914. We get a handle on the ensuing crisis that ricocheted through embassies, banquet halls, and barracks all across Europe, and plunged all the great powers of the continent into a war that soon spread around the world. Suggested further reading: Christopher Clark, “The Sleepwalkers: How Europe Went to War in 1914”; Margaret MacMillan, “The War That Ended Peace: The Road to 1914”; Barbara Tuchman, “The Guns of August.” Image: Photograph of nine kings (George V of Britain seated, center; Kaiser Wilhelm II of Germany standing, in red), at Windsor, for funeral of Edward VII of Britain, May, 1910. Please sign up to hear all patron-only lectures, including recent series on the Dead Sea Scrolls & the Epic of Gilgamesh: https://www.patreon.com/c/use

We follow the convulsions of Italian society -- foreign invasion, popular revolution, peasant revolt, liberal reform, Romantic pageantry, diplomatic dirty dealings, and patriotic war -- through which the residents of a fragmented, poor, and backwards section of Europe overthrew the puppet regimes of foreign rulers and challenged the internal power of the Church, to seize control of their own destiny and create a new nation-state that would take its place among the major powers of the world. Image: "The First Italian Flag Taken to Firenze," by F.S. Altamura, 1859. Suggested further reading: Lucy Riall, "Risorgimento"; John A. David, ed., "Italy in the Nineteenth Century." Musical passage: "Va, Pensiero" from Nabuco, Lyrics by Temistocle Solera, music by Giuseppe Verdi, performed by Novosibirsk Symphony Orchestra Please sign on as a patron to hear all patron-only lectures, including the recent series on the Dead Sea Scrolls and on the Epic of Gligamesh! -- https://www.patreon.com/c/user?u=5530632

We follow Korea's thousand-year struggle to maintain its integrity and independence, fending off cataclysmic invasions by the Mongols, the Manchus, and the samurai of Japan, and repeatedly transforming itself -- from a confederation of Buddhist warrior-nobles, to a strictly Confucian surveillance state, to a fledgling modern industrial nation -- before finally falling to Meiji Japan. Suggested reading: Han Woo-Keun, “The History of Korea”; Michael J. Seth, “A History of Korea” & “A Brief History of Korea”; Takashi Hatada, “A History of Korea”; Ki-Baek Lee, “A New History of Korea” Image: Seokguram Grotto, outside Gyeongju, late 700s Please sign on as a patron to hear all patron-only lectures! -- www.patreon.com/c/user?u=5530632

I give an update on the progress of the podcast, and an important caution on how to sign up as a patron while avoiding Apple's new fees. I give an excerpt from my latest episode for patrons, "History of the United States in 100 Objects -- 24: Beaver-Fur Stovepipe Hat, ca. 1590-1670" -- On this episode: A tall “stovepipe” hat, which was made in the 1600s out of felt from beaver fur and likely belonged to a powerful member of the English Parliament, illustrates the extraordinary value of finely made hats, which fueled centuries of colonization, exploration, diplomatic feuding, and warfare all across North America, as European empires and Native American nations competed fiercely for control of the lucrative fur trade. Please sign up here (on desktop or Android app -- not iPhone!) in order to hear the whole lecture: https://www.patreon.com/posts/history-of-in-24-126376005

We examine the origins of the Korean people and state – from prehistoric migrations and technological advances, through the formation of warrior confederations, the rise and fall of the Chinese colony, the tumult and intrigue of the “Three Kingdoms” era, and the arrival of Buddhism, and finally to the unification of most of Korea under the Silla kingdom. Suggested reading: Han Woo-Keun, “The History of Korea”; Michael J. Seth, “A History of Korea” & “A Brief History of Korea”; Takashi Hatada, “A History of Korea”; Ki-Baek Lee, “A New History of Korea” Map of approximate borders of Gojoseon, the first regional confederaton in Korea, ca. 200s BC, before takeover by Wiman: https://www.reddit.com/r/MapPorn/comments/rkauac/the_first_kingdom_of_korea/#lightbox Map of Korea during the Three-Kingdoms period ca. 500 AD, at the height of Koguryeo power: https://commons.wikimedia.org/wiki/File:Three_Kingdoms_of_Korea_Map-es.svg Image: wall mural depicting the Azure Dragon, embodying spring & the east, in a Goguryeo

We journey through the different eras and incarnations of Troy as archaeologists have reconstructed them from the excavations at Hissarlik. We then explore the surviving evidence -- including linguistic theories, newly discovered tablets from the ancient Hittite capital, and the long-lost and rediscovered "Priam's Treasure" that Schliemann unearthed-- to form a picture of who the Trojans were and what sort of city they created in the Bronze Age world. Image: Gold jewels & vessels from "Priam's Treasure" as displayed at the Pushkin State Museum of Fine Arts, Moscow, 1990s. Music: "Les Cyclopes," by Rameau, performed by Paul Barton & published by Feurich Further Reading: Tolstikov & Treister, “The Gold of Troy”; Allen, “Finding the Walls of Troy”; Traill, “Schliemann of Troy”; Moorehead, “Lost and Found: the 9,000 Treasures of Troy”; McCarty, “Troy: The Myth and Reality Behind the Epic Legend”; Gainsford, Kiwi Hellenist blog, “The Trojan War #3: Bronze Age Evidence,” ; Fitton & Villing, British Museum blog,

Unlocked after 1 year for patrons only -- We trace the evolution of Japanese society, including the tensions between its peaceable, Buddhist-inspired aspect and its martial aspect; its extraordinary transformation in the Meiji period, from an antiquated hermit kingdom to a dynamic modern power; and its crucial alliance with its European mirror image, Great Britain – which set the stage for its role in the First World War. Dan Carrick & Japanese singers’ performance of Gilbert & Sullivan’s 1885 adaptation of the Meiji anthem, “Miya Sama” -- https://www.youtube.com/watch?v=cOh5MIVP1bU A Japanese rendition of “Miya Sama” -- https://www.youtube.com/watch?v=5DpgzFtHuBg Image: the grand receiving room of Nijojo, Kyoto Suggested further reading: Perez, “The History of Japan”; Mason & Caiger, “A History of Japan,” 2nd ed. Please sign up on Patreon at any level to hear all patron-only lectures: https://www.patreon.com/c/user?u=5530632

It is one of the foundational achievements of archaeology, and one of the most momentous discoveries ever made in any field -- We follow the long debate over whether and where the remains of the ancient legendary city of Troy could be found, and we see how the mystery was solved by the excavations overseen by the brilliant, ruthless, and indefatigable German businessman, explorer, and serial liar, Heinrich Schliemann. Pt. 2 will examine how modern scholars and excavators have used the finds from the site in Turkey -- including the long lost priceless "Treasure of Priam" -- to reconstruct the city and its place in the Bronze-Age world. Music: "Les Cyclopes" by Jean-Philippe Rameau, played on piano by Paul Barton, and published by Feurich Piano. Image: Sophia Schliemann posing in a gold diadem, necklace, and earrings from Troy 2, dubbed "The Jewels of Helen," 1873-4. Suggested further reading: Tolstikov & Treister, “The Gold of Troy”; Allen, “Finding the Walls of Troy”; Traill, “Schliemann of Troy”; Mooreh

A sample from a lecture on Patreon for patrons only for one year: We trace the strugles of Venice, through conquest, revolution, and depression, to fashion a place for itself in the modern world, to channel or keep at bay the new floods -- of rising seas, of diseased canals, and of tourist hordes -- and most of all, to somehow square the circle of preservation and modernity. Sign up as a patron at any level to hear this lecture: https://www.patreon.com/posts/impossible-city-121039973 Image: The Palazzo dei Camerlenghi & Rialto Bridge on the Grand Canal in the flood of Nov. 4, 1966 Intro music: Giuseppe Verdi, La Traviata, overture Closing music: Giuseppe Verdi, La Traviata, brindisi / drinking song

We use a recent controversial murder case as a way to reconsider recent world events--such as war in Europe and the return of Trump--from the perspective of the epistemological crisis and the decline of trust in Truth, Facts, and Reality. CHAPTERS: 0:00:20 – Intro & Disclaimers 0:11:45 – The Great Witch Hunt: overview 0:28:25 – The Great Witch Hunt: midwives & caregivers 0:45:10 – The Lucy Letby Case: narrative 1:15:55 – The Lucy Letby Case: analysis 1:44:10 – The Lucy Letby Case: reactions & aftermath 1:51:25 – Defensiveness & the epistemic house of cards 2:08:00 – The partisanization of knowledge 2:20:40 – The trials of the expert class 2:38:40 – Lessons of World War I 2:46:30 – The threat to democracy is the presidency 2:55:50 – The “economy” 2:59:10 – Conclusions: Notre Dame restored Image: 18th-century farmhouse on eroding cliff's edge, Trimingham, Norfolk, England, April 2024. Audio version of my 2022 article, "In the American Tempest: Democracy, Conspiracy, and Machine" -- https://soundcloud.com/his

We trace Venice's remarkable flowering between the 1300s and 1500s, in which it astonished Europe as a center of commercial and imperial power, learning, and art, as well as its repeated struggles -- with the bubonic plague, the Ottoman Turks, the rival Italian states, and the Catholic Church -- that forced Venice to give up its empire, and to transform into a pleasure-ground of music, theater, sex, and revelry -- arguably becoming the world's first tourist attraction -- before finally losing its long-treasured independence and becoming a pawn of modern powers. Image: Painting by Canaletto, 1730s, showing the Sensa festival fleet and the Bucintoro returning to San Marco after the marriage to the sea ceremony. Thank you to Sarai Cole for permitting use of an exceprt of her rendition of Vivaldi's "Filiae Maestae Jerusalem" / "Sileant Zephyri" -- https://soundcloud.com/sarai-cole-freericks/sileant-zephyri-from-filiae-maestae-jerusalem-vivaldi Suggested further reading: Ferrarro, "Venice: History of the Float