Cinema Eclectica

On 13th September 1996, Tupac Shakur died in a still-unexplained killing (well, unless Eminem just blew the case wide open). It left a lot of things in limbo, including Vondie Curtis-Hall's spiky, charming directorial debut. Nobody wanted to see a crime comedy starring someone who'd just been the victim of a horrific crime, even if - as Graham and Mark unpack on this week's episode - the crime in Gridlock'd is rather more small-time than the web of corruption that got Tupac killed. Twenty-seven years later, and Gridlock'd has a deserved cult following for its tricky but successful blend of caper comedy and angry commentary on American healthcare. Join our hosts as they explore this, plus the wonders of Thandiwe Newton's accent, the movies Tim Roth nearly starred in, the iconic '90s hits that made this risky film possible, and the timelessness of G-funk production. Plus, Graham explains Tupac's odd, involuntary role in the Kendrick-Drake feud to Mark. All eyez on this! If you ca

Outside of documentaries and one unforgettable appearance on The Simpsons, The Ramones only made one film appearance - but what an appearance! Allan Arkush's chaotic, Joe Dante-scripted Rock 'n' Roll High School wasn't even meant to star da brudders, with Todd Rundgren and Cheap Trick considered for the film's musical guests. Then, one of the film's stars told producer Roger Corman there was a much hipper band whose asking price was much lower - and Corman, as ever, was sold on the second part. In the first of September's triple-headed shows, Graham is joined by Rob and Aidan to talk about that first wave of NY punk, as well as this film and The Ramones's unexpected connections with The Beatles, John Carpenter and Frank Sinatra. We also discuss why Joe Dante's films connect so well with da yoof, the experience of feeling old when you listen to Radio 1, bands who sell a lot of t-shirts and Rob's hatred of Blink-182. Hey! Ho! Let's go! For less than one pound ninety

When David and Graham are on the show together, you should be on high alert for a camp catastrophe, and lord do we get it in the form of Ken Hughes's Sextette. An innuendo-stuffed sex farce starring Mae West, it could have been a smash hit if it was made in the 1930s, when she was in her forties. Instead, it was made in the 1970s, when she was 84, and the result is the vanity project to end all vanity projects. Join us as we discuss the star-studded cast, including a relentlessly hammy Keith Moon, an unrecognisable Alice Cooper, and Ringo Starr; discuss ways in which an OAP sex comedy could actually have worked; catalogue the film's strange relationship to both Britain and the laws of physics; and talk about Sextette's unbelievable musical numbers. Plus, discover the secret of Mae West's shoes and find out how true love brought David to this highly special film. Aww. If you want to hear our scandalous secret memoirs, well, tough. But if you sign up to our Patreon you can get a bonus episode

What was the British pop movie like before The Beatles? They were quite a lot like What a Whopper, as Graham and Mark discover this week. A featherweight farce in which a struggling writer and his bohemian friends try to fake a Loch Ness Monster sighting - just go with it, OK - it features a plethora of British comedy legends, a script by Dalek creator Terry Nation, and, as its lead, one Adam Faith. It's easy to forget what a massive name Faith was in his heyday, and our hosts examine every aspect of his wild career, from his other acting roles in Budgie and Beat Girl through his career in financial advice to his delightful last words. We also discuss the real-life Loch Ness Monster hoaxes that may have inspired Nation's script, the tragic life of female lead Carol Leslie, the film's not-wholly-unstereotypical vision of Scotland and the state of Michael Winner's finances. It's a monster of an episode! If you don't want to see us reduced to hoaxing cryptids to make ends meet, you can do

Get your motor running, head out on the highway... wait, it's not that Peter Fonda-starring 1960s biker movie. No, The Wild Angels came a few years before Easy Rider, and it centres around a noticeably less idealistic group of bikers. Director Roger Corman hired several real Hell's Angels to serve as extras in his film, and if you're thinking there's probably stories from that set, you're right. Let Ben and Graham tell you them: from Corman's sociological reasons for having Bruce Dern's character work at an oil refinery to the unexpected trouble he had involving a coffin and the letter "Z". And, because this is Pop Screen, we also talk about the film's musical legacy - Primal Scream are certainly fans - and its female lead Nancy Sinatra. whose career teaches us many valuable lessons. Here's one: if you're accused of being a nepo baby, why not get together with an incredibly rum country singer and release a series of duets that are so unwholesome as to sound a

What do you get if you combine the most divisive woman in 1970s America, the least divisive woman in modern America, and a comedy legend? You get an absolute treat, at least if it goes as well as 9 to 5 did. Colin Higgins's film brings together Jane Fonda, Dolly Parton and Lily Tomlin in a class-conscious romp about three women who kidnap their sexist pig of a boss and find the office runs a lot better without him. It's basically The Communist Manifesto with a thumping C&W theme song. This week, Graham treats himself after self-harming with The Idol by getting back together with Jeff to talk about this lasting classic of early '80s Hollywood. Prepare for an in-depth comparison of the many beards of Sterling Hayden, an appreciation of Jane Fonda's shrewdly against-type performance, and our pitch for a Dolly Parton horror movie. Patreon - what a way to make a living! Subscribe today and you can hear Graham and Aidan talking about Fred Durst's The Fanatic in an exclusive Pop Screen episod

Ladies and gentlemen, The Weeknd. To celebrate - 'celebrate' - the first anniversary of one of the defining pop star ego trips of our age, Graham and Robyn have reconvened to look at all six - no, wait, all five - episodes of Sam Levinson's disasterpiece. If you're wondering why we won't get a third season of Euphoria until the cast are in a retirement home, forget the writer's strike - this is why.From the twisted minds of Robyn and Graham, please enjoy discussion of: the Weeknd's remarkable anti-charisma and his future acting plans that will definitely, definitely happen, the troubled production of this show and the Amy Seimetz cut we'll never see, The Idol's strained relationship with queerness, its downright nonexistent relationship with modern pop, and much much more. Worth listening this week just for the Jojo Siwa joke, frankly.Our exclusives are about something even more interesting than LA club owners nobody's ever heard of - classic Asian genre cinema, Red Dwa

Back with a vengeance! Yes, ahead of the release of Furiosa, we're looking at the Mad Max movie that features the most legendary pop star in the whole series (well, apart from the Doof Warrior): Mad Max Beyond Thunderdome. Initially reviled for its lighter tone and child sidekicks, the film now feels like a stepping stone to the operatic excesses George Miller has taken the franchise to in the 21st century - and Tina Turner as Aunty Entity is a piece of stunt-casting that truly works. This week, Producer Rob rejoins the show to talk about all things Mad Max, including the series's fascinatingly improvisatory attitude towards continuity, the extent to which Max Rockatansky obeys Joseph Campbell's laws of heroism, and the absolute goldmine of memorable quotes this movie contains. It's two podcasters enter, and, er, two podcasters leave - but not before revealing this film's unexpected place in hip-hop history... Come to our Barter Town over at Patreon, where you can exchange your money for a

We've covered plenty of biopics of musical legends on this podcast, and one word has hovered unspoken in the background: Cox. Dewey Cox, that is, the legendary rocker played by John C Reilly in Jake Kasdan's Walk Hard: The Dewey Cox Story. A musical innovator, a tortured genius, a tireless advocate for small people's rights... he didn't exist, of course, but this spoof is so beautifully observed it doesn't really matter. Let's duet! This week, Mark Harrison of Film Stories rejoins Graham to look at the film that makes it impossible to watch any other biopic without giggling inappropriately at all the sad parts. We discuss the cameos that were cut, the gruelling promotional tour Reilly embarked on in support of the film, and which of 2024's biopics include scenes from this film played dead straight. It's a beautiful ride, alright. If you want to buy us a sink to replace the ones we broke during our dark period, you can donate to our Patreon, where you'll get a monthly bonus

John Singleton was 21 - 21! - when he made one of the most acclaimed debuts of the 1990s, one which led to him becoming the first African-American to get a Best Director nomination at the Oscars. It would be the perfect punchline if it was bad, but annoyingly for this deeply unserious podcast it's great: a frontline dispatch from a world plagued by violence and poverty that still feels vital, and also finds room for more humour and tenderness than you might expect. Join Rob and Graham as they discuss this landmark film and its star Ice Cube, then perhaps the most controversial music star in America, now a reliable, familiar presence in all kinds of movies. They also discuss the film's unexpected inspiration, its heartbreaking ending and venture a cheeky but probably-accurate guess as to why there are so many movies about gentrification. Plus: hot takes on gangsta rap from early '90s political columnists that have not aged as well as this movie!If you don't want us to be drawn into the terrible

Sam Taylor-Johnson is about to release Back to Black, her second music biopic following 2009's Nowhere Boy. So naturally Pop Screen decided to review... her EL James adaptation? Yeah, why not, it's got Rita Ora in it. Returning co-host Joe did a lot of Ritasearch for this podcast and was delighted to remember that she only has about a minute of screentime. Not that there's any shortage of other things to talk about when it comes to 50 Shades of Grey. Its status as a cultural phenomenon, its dubious sexual politics, its troubled production and long list of nearly-stars... all of this and more is covered in this dangerously erotic edition of Pop Screen. We also explain why Christian Grey's chauffeur is the secret hero of these movies, and reveal what the Frenchest film ever made is. It's not this one. If you don't want us to be financially dependent on a creepy billionaire who uses us as sex slaves, you can donate to our Patreon where we're about to drop an exclusive episode on the 1

There are some pop movies that capture the appeal of an entire genre. Such was the case with Perry Henzell's The Harder They Come, a crime drama that was such a hit it essentially popularised reggae in the United States. Such things are possible only with a star of the calibre of Jimmy Cliff, plus soundtrack and screen appearances from the likes of Toots and the Maytals and Prince Buster. This week, Aidan rejoins Graham to talk about Henzell's film, and uncover the reason why he might be the ultimate Pop Screen director. We also talk about Chris Blackwell's Island Records, whose film division was launched by this very movie. There's also discussion of the film's real-life inspiration, the "original rude boy" Ivanhoe Martin, its possible subtexts and the white-knuckle experience of watching that bus swerving all over the place during the opening credits. If you want to keep us from plying our trade as door-to-door gardeners, you can donate to our Patreon and get a monthly bonus

In 2024, Pop Screen is spending a month in Jamaica, hailing the island's mighty presence in the field of music. And to kick off, we're talking about... er, 10cc? Yes, when they said they don't like reggae, they love it, few could have expected that love would manifest itself in multi-instrumentalist Lol Creme directing a 1991 Jamaican comedy about a small-town eccentric who thinks he can talk to trees, cows and cricket balls becoming involved with a lusty German photographer. As you do. The Lunatic is, as you can probably tell from the above synopsis, a weird old thing. Fortunately Graham and Mark Cunliffe have re-teamed in order to make it even weirder, with digressions about the original TV version of The Hitchhiker's Guide to the Galaxy, how Small Axe got Graham through the first lockdown year, and the film's tonal similarity to the saucy seaside postcards of Donald McGill. We're not in love - but we did enjoy it. If you'd like to throw a bit of spare change at your local vill

In 2004, the veteran Welsh rock band The Alarm pulled off an audacious hoax, releasing their single '45 RPM' under the alias of The Poppy Fields. The Poppy Fields were supposedly a new band of teenage rock stars in skinny jeans, as was the style at the time. As the song ascended the charts, Alarm mainman Mike Peters revealed the deception, kicking off a debate about ageism in the music industry. It's a fascinating story, so fascinating that Mick has dragged himself out of his sickbed to talk to Graham about Vinyl, the 2012 film loosely based on it. We discuss its many missed opportunities, its bizarre decision to make the Mike Peters analogue more or less totally unsympathetic, and the question of whether this con would work in 2012 - which is more of a cultural gap than the eight years it is on paper. We also discuss The Alarm's long career, the rock movie baggage of star Phil Daniels, and the irony that - these days - a middle-aged heritage act is a better money-spinner than a sexy young roc

Good vibes only this week, as Mark Cunliffe of We Are Cult rejoins the podcast to talk about Cyndi Lauper's lead role in the 1988 supernatural comedy Vibes. A film so inspired by Ghostbusters that Dan Aykroyd was briefly attached to star, it has an enviable cast fronted by Lauper, Jeff Goldblum and Peter Falk. And yet, somehow, it tanked. On this episode of Pop Screen, then, we attempt to solve the timeless Fortean mystery of why people didn't watch this at the time, taking detours to talk about the career of supporting players Julian Sands (RIP) and Steve Buscemi, consider the odd self-seriousness with which 1980s family comedies treat their paranormal mythos, try to ascertain what the worst Dario Argento film is and talk about a Winnebago full of balloons, I guess. It's one of those weeks. Tomorrow sees the release of our latest Patreon exclusive episode, about Sofia Coppola's Priscilla. Subscribers also get two bonus podcasts a month - Last Night... and From the Video Aisle, the latter of w

Memo to you: Pop Screen is back for 2024 and we're covering one of the wildest, most controversial and most ambitious rock movies of the 1970s. Starring Mick Jagger among a motley cast of models, gangsters, boxers and one father of a national embarrassment, Performance saw Nicolas Roeg and Donald Cammell join forces for a joint debut like no other. On this episode, Rob and Graham reunite to talk about the film's turbulent production, its difficult journey into a form Warner Brothers - who thought this was going to be like A Hard Day's Night - found acceptable, and the short but eventful life of the mysterious Donald Cammell. If you want to hear us talk more about his co-director, Rob and Graham have also covered The Man Who Fell to Earth. If you want us to talk more about Mick Jagger, well... ...there's an exclusive bonus episode of this podcast concerning Tony Richardson's Ned Kelly coming out on our Patreon very soon, where it'll join a galaxy of quality content: the franchise-reasse

Last week, our sister podcast Uncut took you through January through to June in our two-part review of 2023. Now, Pop Screen takes up the reigns with Vincent, Naomi, Rob, Graham, Kat, Simon, Mike, Oliver and James all returning to give their favourite films of the second half of the year - culminating in that all-important top ten. What will make the cut? Who did Barbenheimer on the day of release? How many diverging opinions on Saltburn can we get? And who put the Puss in Boots sequel above the new Scorsese? But it's not all about the year's big talking points and blockbusters. We also shine the spotlight on smaller films you might have missed, including The Passenger, Raging Grace, Femme, Trenque Lauquen, Smoking Causes Coughing, Eileen, How to Have Sex, Afire and many more. We'll be back in a fortnight's time with a regular Pop Screen episode on Mick Jagger's first acting role in Performance, but until then... ...if you want more, you can always donate to our Patreon where you'll

Pop Screen finishes 2023 with a movie that could not be less stock to our ears - Joe Berlinger and Bruce Sinofsky's Metallica: Some Kind of Monster. Granted unprecedented levels of access to the world's biggest heavy metal band, the directors of the Paradise Lost trilogy made a raw documentary about a band somehow staying together and making an album despite unprecedented personal turmoil. The punchline: the album they make is St. Anger, perhaps the most reviled album in their back catalogue (or at least the most reviled one that doesn't feature Lou Reed). Join Aidan and Graham for this exploration of the lifestyle and indeed deathstyle of the metal legends, including diversions to talk about Lars Ulrich's feud with Napster, which type of dad James Hetfield is and the vexed question of whether Metallica are actually good. We also discuss the band's history and former members, their decision to hire a group therapist to get them back together and, of course, that infernal snare drum sound.

All we want for Christmas is this: Mariah Carey's notorious film vehicle is the subject of Pop Screen's festive episode. Equally reviled and unfortunate, it's the tale of a foster child who grows up into an aspiring singer, and whose rise to fame is, shall we say, subtly patterned on Carey's own career. Its soundtrack album was released on 9/11, which stymied its commercial potential. That inspired a #JusticeforGlitter campaign many years later; the film was less fortunate. On this year's Pop Screen Christmas special, David rejoins Graham to talk about the many unlikely couples in this film, the almost surreally undercharacterised friends of Carey's Billie, and how Carey's divorce from Tommy Mottola may have forced this film into its 1980s setting. We also discuss Carey's triple-threat legacy: her world-class voice, her current status as Queen of Christmas, and the "I don't know her" gif. If you want to help us transcend being backing singers for... Top Chef'

Get ready for (a) love (-in): Graham is joined once again by the Uncut Network's Rob for a look at Iain Forsythe and Jane Pollard's massively acclaimed sort-of documentary about Nick Cave. As well as providing an intimate look at the Australian legend's creative process and history, it also features appearances from his deeply unexpected celebrity friends: Ray Winstone and Kylie Minogue, together at last! Along the way, there's time to consider the idiosyncratic concert demands of Nina Simone, while a look back at Forsythe and Pollard's career lets us talk about The Cramps and reveal the name of God. But mostly, this is a celebration of Cave - and there's more to come, with Andrew Dominik's duology of One More Time With Feeling and This Much I Know To Be True out tomorrow on our Patreon... If you want to put stacks of green paper in our red right hands, you can donate to our Patreon, where you'll get the aforementioned Pop Screen bonus episodes plus reviews of Eastern genre ci