What's Tech?

For longer than I would like to admit, I thought Raspberry Pi was a dessert. I'm not proud of that. Fortunately, I eventually learned what Raspberry Pi actually is, and though it's not nearly as tasty, it's just as exciting: an affordable, customizable computer the size of a credit card. Raspberry Pi has changed how thousands of people tinker with and learn about computers. People have used the hardware to create Game Boy emulators and synthesizers, tiny cameras and jukeboxes. To learn more about Raspberry Pi and how the hardware is changing computer education, I invited my pal and colleague, The Verge video director Miriam Nielsen, to the show. Subscribe to What's Tech on iTunes, listen on SoundCloud or Spotify, or subscribe via RSS. And be sure to follow us on Twitter. You can also find the entire collection of What's Tech stories right here on the The Verge Dot Com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Whether or not you've used a video game emulator yourself — and if you have, it's okay, I'm not gonna snitch — it's impossible to deny their prevalence. Since the age of modern computing, people have figured out how to use code to mimic game consoles like NES and Genesis in order to play them on everything from laptops to smartwatches. Sometimes it's a near-perfect recreation of a childhood memory. Sometimes it's a virtual reality "remix" of a popular cartoon fighter (blatant self-promotion) or something indescribably trippy. In either case, it's probably something the game's developer and publisher are pretty mad about. Learn more about your ad choices. Visit megaphone.fm/adchoices

Graphics cards! So hot right now. Whether it's the slow realization that jumping on board with the 2016 VR revolution requires a tricked-out gaming rig you'd never previously have dreamed of stashing under your desk, or the blitz of hype surrounding Nvidia's latest 1000-series GPUs, there's more reason to get excited about PC gaming hardware than there has been in years. But what is a graphics card? Do you really need one, and which one do you need? Learn more about your ad choices. Visit megaphone.fm/adchoices

Share on Facebook Tweet Share Pin Drake is a former child actor, current pop star, and the secular god of memes — even if he denounces that last label. Born Aubrey Drake Graham, the Canadian celebrity has been inescapable, not just for fans of music, but enthusiasts of technology. That's because Drake is a meeting point of the two. To talk about Drake's give-take relationship with technology — specifically social media — I invited my friend and colleague Jamieson Cox onto this week's episode of What's Tech. Jamieson is one of my favorite music critics, and as an added bonus, shares the same hometown as Drake, and nearly the same birthday. None of this is relevant, but this is my post, gosh dang it, and I'll include what I want. Subscribe to What's Tech on iTunes, listen on SoundCloud or Spotify, or subscribe via RSS. And be sure to follow us on Twitter. You can also find the entire collection of What's Tech stories right here on the The Verge Dot Com. Learn more about your ad choices. Visit megaphone.fm/ad

A couple weeks ago, my friend and colleague Bryan Bishop visited Las Vegas for a flashy conference called CinemaCon, where movie studios and theater owners discuss the future of the film industry — a future that isn't as predictable as it used to be. Many theater owners worry that in the age of streaming, the cineplex will become less relevant. The message from studios, however, was clear: theater owners have nothing to fear, because studios still believe big, communal screens are the true home of movies. Of course, that's not entirely true. Over the past decade, more and more movies have been released directly to VOD, or video-on-demand. VOD is a large umbrella of a format, covering everything from online streaming platforms like Netflix and Amazon, to the On Demand section on your cable box. The format has grown dramatically, over the years, in terms of users, but also in terms of reach and power. Movies transition from theaters to home viewing formats faster than ever. And Sean Parker, known for his involv

If you own a smartphone or have a Facebook account, odds are you've played a free-to-play game. Maybe you grew crops in Farmville or scrimmaged in Clash of Clans. If you're anything like me, one of those city-building games (the kind that publishers shrewdly pair with a popular intellectual property like The Simpsons or Star Wars), has sunk its claws into your free time and shredded it into gory pulp. Odds are you haven't, however, paid for your free-to-play games. The format, which makes money from secondary purchases inside of the game after its been downloaded for free, only sees purchases from 2.2 percent of its players, according to 2014 report by Swrve. This year's Swrve report has an even more seemingly grim stat: nearly half of free-to-play revenue comes from 0.19 percent of players. So with those numbers in mind, why is free-to-play gaming still popular amongst some of the industry's best and smartest video game publishers? And why might it be the dominant revenue model for big publishers in the futu

This week, The Verge launched a gadget blog. It's called Circuit Breaker, and you can read about its origin and purpose in The New York Times. Paul Miller, the editor of Circuit Breaker, has spoken a lot this week about the broader hopes and ambitions for the new site. But ever the dullard, I wanted to learn the basics: what is a gadget blog, anyway? I invited Miller onto the show to get an answer. Miller co-launched The Verge years ago, and before that he worked for Engadget, one of the original gadget blogs. In today's episode we talk about how that site and other former gadget blogs evolved and expanded over the past decade, and why Miller and his crew are returning to the looser, faster, scrappier format. After you give the show a listen, be sure to visit Circuit Breaker on its two homes: The Verge and Facebook. Subscribe to What's Tech? on iTunes, listen on SoundCloud, or subscribe via RSS. And be sure to follow us on Twitter. You can also find the entire collection of What's Tech? stories right here on

2016 is shaping up to be the year of the bot. Late last month, Microsoft made a big bet on tools that will help developers create artificial intelligence software meant to improve the lives of humans by completing small tasks, and last week Facebook launched an entire bot platform for its communication tool, Messenger. I invited my buddy and colleague Casey Newton — who wrote one of my favorite features on bots — to explain the technology. Newton has some predictions for the applications of bots that I think you'll find interesting. But in the meantime, the most useful bots may be the ones that just order a pizza. The episode pairs well with our recent episode on artificial intelligence, so be sure to give that a listen, too! Subscribe to What's Tech? on iTunes, listen on SoundCloud, or subscribe via RSS. And be sure to follow us on Twitter. You can also find the entire collection of What's Tech? stories right here on the The Verge Dot Com. Learn more about your ad choices. Visit megaphone.fm/adchoices

For nearly 60 episodes, one question has persisted through What's Tech: what is happening in the ending of Steven Spielberg's 2001 sci-fi film A.I. Artificial Intelligence? To settle the question once and for all, I invited my friend and artificial intelligence expert, Sam Byford, to appear on the show. Sadly, as you will hear me learn, Sam Byford is in expert in actual artificial intelligence, not the film Artificial Intelligence. Truth is, he's never even seen the film. But that's okay. This is still one of my favorite episodes of What's Tech, as Byford shares what it was like to attend the recent match-up of human Go champion Lee Se-dol and artificial intelligence AlphaGo. As for the ending of A.I., I'm sure we'll have an answer in the next 60 episodes. Learn more about your ad choices. Visit megaphone.fm/adchoices

I love Slack, the mega-popular corporate-friendly chat client. I love it so much that I desperately want to delete it from my phone, because I can't help but check its messages every hour of every day. Yesterday night, I responded to a message at 3AM. Lol, I have no self-control and this is a cry for help! Anywho, Slack is still so new that it's possible you haven't heard of, let alone used, the service, which I describe to newcomers as something between text messaging, AOL chatrooms, and AIM — it's no less addicting than a combination of the three. I invited my buddy, colleague, and Slack expert Casey Newton to tell me more about the app, and more importantly, guide me onto a road of self-improvement. Subscribe to What's Tech? on iTunes, listen on SoundCloud, or subscribe via RSS. And be sure to follow us on Twitter. You can also find the entire collection of What's Tech? stories right here on the The Verge Dot Com. Learn more about your ad choices. Visit megaphone.fm/adchoices

This Sunday the WWE will host the Super Bowl of professional wrestling. Wrestlemania will takeover the AT&T Stadium in Dallas, Texas, which has a maximum capacity of 105,000. If things go as the WWE plans, the show will be the biggest pro wrestling event in history. That's only partly why you should tune in. After decades of ups-and-downs, pro wrestling is expanding beyond the ring, becoming a superhero-like universe of comedy shows, gaming streams, and reality programs. Wrestlemania is the culmination of storylines that span thousands of hours of live and prerecorded events and programs — and is somehow made accessible to newcomers. I will actually be in attendance. I haven't been passionate about pro wrestling since childhood, but I've always heard that Wrestlemania — like the Kentucky Derby, a NASCAR race, and competitive noodling — is a sporting event that must be experienced in person. To prepare, I invited my friend and colleague Bill Hanstock to appear on this week's What's Tech. Hanstock is the wrestl

In 2013, billionaire eccentric inventor Elon Musk announced an idea called the Hyperloop: a super-fast, low-friction transportation system that looked like the prom photo for a subway tunnel and a bullet-train. Musk made the Hyperloop an open-sourced project, inviting thinkers, scientists, and fellow inventors — no matter their age — to help make the potentially revolutionary concept into a reality. This year, we're seeing some of the early steps from the theoretical sketch room to a real world groundbreaking ceremony. In January, students participated in a design contest for the pods that would travel inside the Hyperloop's tube, and later this year, a piece of test track will be constructed by global construction firm Aecom. For many folks, though, the specifics behind the Hyperloop remain vague. So naturally, I've invited my friend and colleague Andy Hawkins to explain. Learn more about your ad choices. Visit megaphone.fm/adchoices

A $3 million vide game tournament is happening right now in Shanghai, China, pitting 16 of the best Dota 2 teams against each other. But what, pray tell, does any of that mean? Dota 2 is an immensely popular video game that mixes elements of many genres, from sports simulation to role-playing epics to twitch-reaction shooters, and yet is unique in its own right. To its millions of adherents, Dota is closer to a lifestyle than a pastime. Think about the dedication most people show to playing and watching football or baseball, and you're on your way there. Having accrued more than 3,000 hours in its mythical universe, I can say with assurance that I’ve been afflicted with the Dota 2 bug. I know all the professional players, all the fictional hero characters, all their magical abilities, and all the complex interplays among them. There’s as much to learn about this game as there is for Magic: The Gathering, a competitive card game familiar, at least in name, to anyone who passed through a high school cafeteria i

My colleague Adi Robertson, I recently learned, is a fan of oddball transportation. On our work trip to the Sundance Film Festival, she gleefully introduced me to the funicular, a small and nicely furnished box that travels up and down a cliffside on a steel track, like a rollercoaster pushing through molasses. The funicular, she told me with the confidence of an expert in these things, was cool, but not nearly as cool as the PRT. Robertson had been traveling elsewhere in the country to research personal rapid transit. In West Virginia, she actually got to ride on a PRT, which is sort of like a subway, but different in two crucial ways: each vehicle is roughly the size of a car, and each goes directly to your destination — no unnecessary stops. You can now read Robertson's feature, "The Road Not Taken." For the audio-inclined, we also recorded this episode of What's Tech. Subscribe to What's Tech? on iTunes, listen on SoundCloud, or subscribe via RSS. And be sure to follow us on Twitter. You can also find the

Normally we publish What's Tech on Tuesday morning, but we couldn't hold next week's episode until then. A federal court has requested Apple help the FBI gain access to the contents of an iPhone that belonged to one of the San Bernardino shooters. Apple has refused. For some, the issue appears, at first glance, quite cut and dry: Apple should do everything in its power to help the FBI. But the case is more complex than a company collaborating with the government, and plays into a larger and ongoing debate about encryption and privacy. I recorded this episode with The Verge's Russell Brandom last week, so we don't address Apple specifically, but the episode does provide the crucial context for conversations you're likely to have at the office coffee machine or family dinner table. Learn more about your ad choices. Visit megaphone.fm/adchoices

Coverage of SpaceX and Blue Origin, the two private companies pursuing the reusable rocket, is near inescapable. Maybe you watched a launch on our site, or saw one of the not-quite-landings in a Facebook video. Space news has become so ubiquitous in tech culture, that it's easy to scroll right past, maybe leaving a Like in your wake, taking for granted the creative and financial cost that goes into sending an object into space — and attempting to bring it back to repeat that journey. I've invited resident rocket expert Loren Grush to explain how reusable rockets work, and why scientists and inventors hope to create them at a practical cost. For longtime listeners, we also discuss the film Knowing. Learn more about your ad choices. Visit megaphone.fm/adchoices

I am perpetually envious of my friend and colleague Sam Byford. He lives in Tokyo, and has access to new Hatsune Miku vinyls, Nintendo 3DS limited editions, and Sega arcades. His is the technological life I wish I could live. There's one gadget, however, Sam says I can and should buy today in the States: a traditional film camera. I invited Sam to What's Tech? to defend this suspicious claim, and I admit, his love for the classic camera is contagious. To learn how you can get started with a film camera, give the show a listen. And afterwards, stop by iTunes and give us a review. It goes a long way to introducing What's Tech? to more listeners. Learn more about your ad choices. Visit megaphone.fm/adchoices

Super Bowl 50 approaches with the reliability of the morning sun, and yet, you still have so many questions. There are the obvious questions, which I can answer here. What teams are in the Super Bowl? The Denver Broncos and the Carolina Panthers. What time is the Super Bowl? Kickoff is scheduled for 6:30PM ET on CBS, but it's safe to add another five minutes of ceremonial buffer time. What dish should I bring? Homemade fried mac and cheese balls, an easy, unexpected hit. But there are plenty of more interesting questions for which I don't have the answers. So I've invited my good friend and work buddy, SB Nation's Dan Rubenstein, to tell us about the biggest live television event of the year and its storied history. Oh, and who will win? My bet's on you, the viewer! Twist! Learn more about your ad choices. Visit megaphone.fm/adchoices

I've used Spotify for a few years, but I'm curious if I should make a switch to one of the dozen and change alternate music streaming services. Apple Music has free concerts, I'm told, and Tidal has better audio quality. But every time I consider shifting my subscription, I feel overwhelmed by the details. I invited The Verge's Micah Singleton onto today's episode to share the history of music streaming services, and direct me on where to spend my money. I also want to hear his story about interviewing Jay Z. Okay, I mostly just want to hear that story. Learn more about your ad choices. Visit megaphone.fm/adchoices

[Apologies, the original file uploaded incorrectly. This is the complete episode.] My options at the movies this week include a 1980s Dublin-set rock musical, a dark comedy that hinges on a lap dog, a thriller involving the moon landing conspiracy, a Werner Herzog doc about the internets profound mark on our lives, and dozens of other offbeat films, TV shows, documentaries, and visual experiments. I'm speaking about the Sundance Film Festival, but the variety of genre and voices applies to the dozens of annual film festivals across the globe. Alongside the advent of digital filmmaking, there are more film festivals than ever featuring more films by a wider variety of people. And digital streaming has helped niche films find their audience. To prepare me for my first Sundance and provide some context for film fests, I invited Verge Entertainment Editor Emily Yoshida onto the show. We talk about the role technology plays in film festivals, including the increasing prominence of virtual reality. Learn more about