New Books In The American West

The only constant in Western history is change. Susan Lee Johnson, Harry Reid Endowed Chair in the History of the Intermountain West at UNLV, knows this better than most. Author of the Bancroft Prize Winning "Roaring Camp," (2000), Johnson's new book is a testament to the changing nature of Western history. In Writing Kit Carson: Fallen Heroes in a Changing West (UNC Press, 2020) Johnson writes about shifting ideas about the region's meaning across the span of the twentieth century through the lens of two mid-twentieth century "minor historians" of Kit Carson: Quantrille McClung, a librarian at the Denver Public Library, and Bernice Blackwelder, a former CIA employee and radio entertainer. Johnson tells the history of these two women's often mundane, quintessentially American, lives in the urban 20th century West, and their fasciation with Kit Carson, the 19th century explorer (if you ask some historians) or colonizer (if you ask many others). Johnson's intensely personal book is less a history of Carson, and

Inseparable from its communities, Northwest Coast art functions aesthetically and performatively beyond the scope of non-Indigenous scholarship, from demonstrating kinship connections to manifesting spiritual power. Contributors to Unsettling Native Art Histories on the Northwest Coast (University of Washington Press, 2020), edited by Kathryn Bunn-Marcuse and Aldona Jonaitis, foreground Indigenous understandings in recognition of this rich context and its historical erasure within the discipline of art history. By centering voices that uphold Indigenous priorities, integrating the expertise of Indigenous knowledge holders about their artistic heritage, and questioning current institutional practices, these new essays "unsettle" Northwest Coast art studies. Key themes include discussions of cultural heritage protections and Native sovereignty; re-centering women and their critical role in transmitting cultural knowledge; reflecting on decolonization work in museums; and examining how artworks function as livin

How do we understand our contemporary politics of race in historical, economical, and political context? How do we make sense of the Chinese Exclusion acts and ongoing racial discrimination? In Ghosts of Gold Mountain: The Epic Story of the Chinese Who Built the Transcontinental Railroad (HMH, 2019), Dr. Gordon H. Chang recovers the history of how thousands of immigrants from southern China came to work on the Transcontinental Railroad, at the time an essential American infrastructure and the second largest construction project in the world after the Suez Canal. Despite their contribution (they constituted 90% of the Central Pacific Railroad work force), Chinese workers were marginalized politically, socially, and economically in their time -- and in subsequent treatments of American labor and immigration history. But how to recount marginalization without objectifying the Chinese who built the railroads? Chang masterfully presents the story of 20,000 workers as lived experience. The Chinese are presented “no

In 1916, hundreds of local female household workers attempted to establish a union in Denver. The organizer behind the effort was Jane Street, a remarkable 29-year-old woman who, as Jane Little Botkin describes in The Girl Who Dared to Defy: Jane Street and the Rebel Maids of Denver (University of Oklahoma Press, 2021), brought a remarkable set of skills to what seemed an impossible task. Raised in Arkansas, young Jane went west with her sister after a failed marriage to a bigamist and sexual predator. While in San Francisco, she joined the Industrial Workers of the World (IWW), and upon her move to Denver in late 1915 began to organize the mainly immigrant housemaids who worked for the city’s elite. While Street’s efforts enjoyed considerable success initially, she soon found herself battling as well the patriarchal views of the all-male IWW leadership. The loss of the Housemaids’ Union’s charter in 1917 spelled the beginning of the end for the local, while the demands of her growing family forced Street to

This book began as a bet between a father and son: could Richard White, Professor Emeritus at Stanford University and renowned historian of the American West, tell a complete history of California through photographs taken by his son, the photographer Jesse Amble White? As he tells it, no - Richard White lost that bet to Jesse. But the resulting book they created together, California Exposures: Envisioning Myth and History (Norton, 2020), is nonetheless an engrossing read. Taking Jesse's photographs as touchstones for the meeting places between myth and history, White tracks the history of California through the moment of Sir Francis Drake's landing in the 16th century (though where exactly that landing took place is a matter of some debate), all the way to the water crises engulfing the state now in the early 21st century. Along the way, Richard and Jesse both show and tell stories of Indigenous California, of settlement and agriculture, and of research libraries blocking entry to sensitive material. If Cali

Imagine a rodeo rider atop a bucking bronco, hat in hand, straining to remain astride. Is the rider in your mind's eye white? Is the person male? Popular imaginings and high level, televised, professional rodeo circuits have created a stereotyped image of who rodeo is by and for, but it is far too limited an image, and one that does not reflect reality. In Rodeo as Refuge, Rodeo as Rebellion: Race, Gender, and Identity in the American Rodeo (University Press of Kansas, 2020), Dr. Elyssa Ford, an associate professor of history at Northwest Missouri State University, paints a very different image of rodeo than what Western myth would have one believe. Ford argues that rodeo has, from its creation, both a vehicle for rebellion and a place of refuge for groups of people told they didn't belong in the American West, let alone in Western rodeo. From Hawaiian ranching culture to Black and gay rodeo, men and women have used professional riding as a powerful expression of self in a nation that has often tried to deny

The Ogallala aquifer has nourished life on the American Great Plains for millennia. But less than a century of unsustainable irrigation farming has taxed much of the aquifer beyond repair. The imminent depletion of the Ogallala and other aquifers around the world is a defining planetary crisis of our times. Running Out: In Search of Water on the High Plains (Princeton University Press, 2021) offers a uniquely personal account of aquifer depletion and the deeper layers through which it gains meaning and force. Anthropologist Lucas Bessire journeyed back to western Kansas, where five generations of his family lived as irrigation farmers and ranchers, to try to make sense of this vital resource and its loss. His search for water across the drying High Plains brings the reader face to face with the stark realities of industrial agriculture, eroding democratic norms, and surreal interpretations of a looming disaster. Yet the destination is far from predictable, as the book seeks to move beyond the words and genres

In America's Pacific Northwest a group of conservative Protestants have been conducting a new experiment in cultural transformation. Dissatisfied with what they see as the clumsy political engagement and vapid literary and artistic culture of mainstream Evangelicals, these Christian Reconstructionists have deployed an altogether different set of strategies for the long game, fueled by their Calvinist theology and much-more-hopeful apocalypse.  In Survival and Resistance in Evangelical America: Christian Reconstruction in the Pacific Northwest (Oxford UP, 2021), Crawford Gribben presents a hybrid study of historical, theological, literary, and anthropological analysis of this variant of Evangelical counter-culture. Gribben paints a rich and detailed portrait of this loosely banded, sometimes coordinated migration to the "American redoubt." This migration has led, in part, to the establishment of a network of communities and institutions that include churches, a liberal arts college, a publishing house, and an

Today I talked to Rick McIntyre about the first two books of his ongoing The Alpha Wolves of Yellowstone series. The first book we discuss, The Rise of Wolf 8: Witnessing the Triumph of Yellowstone's Underdog, introduces us to the wolves of Yellowstone National Park. Yellowstone National Park was once home to an abundance of wild wolves—but park rangers killed the last of their kind in the 1920s. Decades later, the rangers brought them back, with the first wolves arriving from Canada in 1995. This is the incredible true story of one of those wolves. Wolf 8 struggles at first—he is smaller than the other pups, and often bullied—but soon he bonds with an alpha female whose mate was shot. An unusually young alpha male, barely a teenager in human years, Wolf 8 rises to the occasion, hunting skillfully, and even defending his family from the wolf who killed his father. But soon he faces a new opponent: his adopted son, who mates with a violent alpha female. Can Wolf 8 protect his valley without harming his protégé

Today I talked to Michael P. F. Smith about his book The Good Hand: A Memoir of Work, Brotherhood, and Transformation in an American Boomtown (Viking, 2021) Michael Smith is a folk singer who has shared the stage with luminaries such as Ramblin’ Jack Elliott. He’s also a playwright, whose works include Wood Guthrie Dreams and Ain’t No Sin. The Good Hand is his first book. This episode looks at what life is like in the oil fields of North Dakota. It covers a wide range of topics from how much oil (black gold) has influenced our standard and style of living to just how miserable the wages are for workers handling the rigs. Lonely, often violent men blanket Williston, North Dakota, many of them the earlier victims of abusive fathers. The episode touches on notable characters like Huck and the Wildebeest, and most of all Magic Mike (the author and narrator). It’s safe to say that the open spaces of North Dakota are another feature the episode addresses. Dan Hill, PhD, is the author of eight books and leads Sensor

Michael J. Pfeifer's The Making of American Catholicism: Regional Culture and the Catholic Experience (NYU Press, 2021 traces the development of Catholic cultures in the South, the Midwest, the West, and the Northeast, and their contribution to larger patterns of Catholicism in the United States. Drawing on extensive archival research, the book argues that American Catholicism developed as transnational Catholics creatively adapted their devotional and ideological practices in particular American regional contexts. They emphasized notions of republicanism, individualistic capitalism, race, ethnicity, and gender, resulting in a unique form of Catholicism that dominates the United States today. The book also offers close attention to race and racism in American Catholicism, including the historical experiences of African American and Latinx Catholics as well as Catholics of European descent. Zach McCulley (@zamccull) is a historian of religion and literary cultures in early modern England and PhD candidate in H

Calamity Jane is an enigma of Western history. Clad in men’s clothing, she rode across the American West in the latter half of the 19th century, making a name for herself as a military scout, a hard drinker, dime-novel mainstay, and performer. Even after her death, Martha Jane Canary has proven immortal in Hollywood portrayals and, most recently, in an Emmy Award nominated performance by Robin Weigert in HBO’s series Deadwood (2004-2006, 20189.  Hidden beyond over a century of mythos, the real Calamity Jane can be hard to discern. In Calamity: The Many Lives of Calamity Jane (Yale UP, 2020), Dr. Karen Jones embraces the paradoxes and inconsistencies in Canary’s life story. Dr. Jones, professor of environmental and cultural history at the University of Kent, uses cultural and gender analysis to uncover the meanings of Calamity Jane as a character of the Wild West mythology – rather than playing the role of “truth detective,” Jones instead analyzes Jane’s many stories to uncover deeper meanings behind the stori

In the early twentieth century so many dead bodies surfaced in the rivers around Aberdeen, Washington, that they were nicknamed the "floater fleet." When Billy Gohl (1873-1927), a powerful union official, was arrested for murder, local newspapers were quick to suggest that he was responsible for many of those deaths, perhaps even dozens--thus launching the legend of the Ghoul of Grays Harbor.  More than a true-crime tale, The Port of Missing Men: Billy Gohl, Labor, and Brutal Times in the Pacific Northwest (University of Washington Press, 2020) sheds light on the lives of workers who died tragically, illuminating the dehumanizing treatment of sailors and lumber workers and the heated clashes between pro- and anti-union forces. Goings investigates the creation of the myth, exploring how so many people were willing to believe such extraordinary stories about Gohl. He shares the story of a charismatic labor leader--the one man who could shut down the highly profitable Grays Harbor lumber trade--and provides an e

The medium of cinema emerged during the height of Victorian-era European empires, and as a result, settler colonial imperialism has thematically suffused film for well over a century. In Cinematic Settlers: The Settler Colonial World on Film (Routledge, 2020), Drs. Janne Lahti (Academy of Finland Fellow in history, University of Helsinki) and Rebecca Weaver-Hightower (Professor of English, Virginia Tech University) bring together a collection of scholars from a variety of disciplines to examine how film has been used to both justify and, in some cases, push against global systems of settler colonial conquest. The essays in the collection are truly global, stretching from Australia to central Asia to Hawaii, the American West, and beyond, and cover film history from the early twentieth century up to the “final frontier” of early twenty first century science fiction films. Together, Lahti and Weaver-Hightower make a strong case for further settler colonial cultural studies as a means of understanding how entert

On January 6th, 2021, when right wing supporters of Donald Trump staged an insurrection at the US Capitol building, they were participating in a long tradition of conservative rebellion with its roots in the West. Dr. James Skillen, associate professor of environmental studies at Calvin University, traces those roots in his new book, This Land is My Land: Rebellion in the West (Oxford University Press, 2020).  By the late 20th century, the Bureau of Land Management owned and managed huge swaths of some western states. Skillen argues that change in the regulatory environment, with a new emphasis on ecosystem and wildlife management beginning in the 1970s, combined with a groundswell of conservative support to foment armed rebellion against perceived government overreach among ranchers, small-time miners, and other western resource users.  When Ammon Bundy and his family staged a takeover of the Malheur Wildlife Refuge in eastern Oregon in 2014, it was just the latest episode in a series of rebellions across th

Herman J. (1897–1953) and Joseph L. Mankiewicz (1909–1993) wrote, produced, and directed over 150 pictures. With Orson Welles, Herman wrote the screenplay for Citizen Kane and shared the picture’s only Academy Award. Joe earned the second pair of his four Oscars for writing and directing All About Eve, which also won Best Picture. In The Brothers Mankiewicz: Hope, Heartbreak, and Hollywood Classics (University of Mississippi Press, 2019), Sydney Stern draws on interviews, letters, diaries, and other documents still in private hands to provide a uniquely intimate behind-the-scenes chronicle of the lives, loves, work, and relationship between these complex men. The book is part of the Hollywood Legends Series of the University of Mississippi Press. Despite triumphs as diverse as Monkey Business and Cleopatra, and Pride of the Yankees and Guys and Dolls, the witty, intellectual brothers spent their Hollywood years deeply discontented and yearning for what they did not have—a career in New York theater. Herman, f

Journalists, scholars, politicians, and citizens often assume that calls for secession are political or historical aberrations. Our founding myth is that the Civil War divided an otherwise united nation and we soon reconstructed the United States to form a more perfect union. But Richard Kreitner’s provocative new book, Break It Up: Secession, Division, and the Secret History of America's Imperfect Union (Little Brown, 2020), argues that “disunion” is the hidden thread in the history of the United States. Kreitner is a contributing writer to The Nation who has also published in The New York Times, Boston Globe, Washington Post, USA Today, Slate, Raritan, and The Baffler. American politics from colonial times to the present, Break it Up argues, has always included “forces that have conspired to divide it” and Kreitner insists that we get a more nuanced and comprehensive “understanding of both our contentious past and our uncertain future” if we confront that history. Drawing on rich scholarship from multiple d

There is something quintessentially American about the idea of the west. Though the time of western expansion has long since passed, stories about cowboys on horses and pioneers panning for gold resonate with us to this day, living on in our books, our movies, and our in cultural imaginations. Through these stories, the west has come to represent values like stoicism, self-reliance, and rugged individualism. For many who call it home, the west also represents a heritage, a tradition, and a way of life. But how many of these collective conceptions of the west are actually true? In her stunning debut essay collection, Anything Will Be Easy After This: A Western Identity Crisis (University of Nebraska Press, 2020), author Bethany Maile reaches into the depths of her childhood on the prairies of Eagle, Idaho to determine where the many myths about the American west begin and end. To help answer these questions, Maile goes on expeditions to an Idaho rodeo pageant, a Lady Antebellum concert, a livestock auction hou

In Voices from the Valley: Tech Workers Talk About What They Do and How They Do It (FSG Originals, 2020), the celebrated writers and Logic cofounders Moira Weigel and Ben Tarnoff take an unprecedented dive into the tech industry, conducting unfiltered, in-depth, anonymous interviews with tech workers at all levels, including a data scientist, a start-up founder, a cook who serves their lunch, and a PR wizard. In the process, Weigel and Tarnoff open the conversation about the tech industry at large, a conversation that has previously been dominated by the voices of CEOs. Deeply illuminating, revealing, and at times lurid, Voices from the Valley is a vital and comprehensive view of an industry that governs our lives. Logic dissects the way technology functions in everyday lives. The titans of Silicon Valley, for all their utopian imaginings, never really had our best interests at heart: recent threats to democracy, truth, privacy, and safety, as a result of tech’s reckless pursuit of progress, have shown as muc

What is the history of equal rights in Hollywood? In A Piece of the Action: Race and Labor in Post–Civil Rights Hollywood (Columbia UP, 2019), Eithne Quinn, a senior lecturer in American Studies at the University of Manchester, explores the transitional years following the civil rights movement of the 1960s, in order to chart the struggle by Black film makers for rights, recognition and representation. The book combines analysis of on-screen representations, with research on both the production and political economy of Hollywood films. Attentive to questions of gender and race, alongside a critical perspective on Hollywood’s myths of equality and diversity, the book will be essential reading across arts, humanities, and social sciences, as well as for anyone interested in understanding why inequality persists in Hollywood today. Learn more about your ad choices. Visit megaphone.fm/adchoices