Jack Dappa Blues Podcast

Presented by: Jack Dappa Blues Heritage Preservation FoundationIn partnership with The African American FolkloristThis in-depth session brings together leaders grounded in Indigenous identity, tribal sovereignty, and reclamation work to guide participants through the process of connecting and reconnecting families to tribal ancestry.

What does it mean to speak the truth of the Blues on the very soil where our ancestors were enslaved?In this live broadcast, Lamont Jack Pearley—traditional Bluesman, folklorist, and founder of the Jack Dappa Blues Heritage Preservation Foundation—reflects on being invited to present his original scholarship on Blues Ecology at Hopson Plantation, once home to Blues legend Pinetop Perkins.As we close out Black Music History Month, this episode holds space for a necessary conversation about land, memory, and music. We'll explore how different landscapes—Mississippi’s cotton fields and Louisiana’s red-light districts—shaped different kinds of Blues, and why where we honor the Blues matters just as much as how we do it.Through personal reflection, fieldwork excerpts, and live performance, we ask:Can you celebrate the Blues without honoring the history that created it?Join us tonight for truth-telling, music, and memory from the Delta to the mic.

Jack Dappa Blues Heritage Radio presents:Mojo Workin’: Dr. Katrina Hazzard-Donald on Hoodoo, Blues, and the Black Belt TraditionIn this culturally rich and significant episode of Jack Dappa Blues Radio, we welcome renowned folklorist, sociologist, and dance scholar Dr. Katrina Hazzard-Donald for an in-depth discussion on Black Belt Hoodoo, Blues culture, and African American sacred traditions.In this episode, we explore:The African origins and survival of Hoodoo as a metaphysical systemThe jook joint as a sacred space of spirit, resistance, and joyHow Blues music operates as ritual, cosmology, and cultural memoryThe overlap between Dr. Hazzard-Donald’s work and the Blues Ecology frameworkDr. Hazzard-Donald is the author of Mojo Workin’: The Old African American Hoodoo System and Jookin’: The Rise of Social Dance Formations in African American Culture. She is a professor emerita at Rutgers University, a Yoruba/Lukumi initiate, and a lifelong cultural worker dedicated to preserving and interpreting Black Southe

Creole Roots, Sinners, and GravediggersBluesman, actor, and cultural preservationist Chris Thomas King joins Jack Dappa Blues Radio to uncover the real story of the Blues — from the juke joints of Louisiana to the haunting depths of Gravedigger Gonna Cut You Down.We talk Creole identity, his film Sinners, the founding of the Blues Origin Institute, and why the Blues didn’t start in the Delta — it started in Louisiana.This is the Blues you weren’t taught. The Blues that remembers.▶️ Available now on all streaming platforms.#ChrisThomasKing #CreoleBlues #JackDappaBlues #BluesPeople #BluesOriginInstitute #BlackMusicMonth

Each month, The African American Folklorist honors a Black scholar whose life’s work is immersed in the deep study and preservation of African American folkways, knowledge systems, and community truth-telling. For June, we recognize Dr. Elisha Oliver, a biocultural anthropologist, visual ethnographer, and Executive Director of Texas Folklife, as our African American Folklorist of the Month.Dr. Oliver’s scholarship is rooted in lived experience, land memory, and embodied care. Her work crosses the fields of anthropology, folklore, health equity, and the arts, tracing the relationships between space, place, food environments, and Black wellness traditions. Through rigorous fieldwork and visual storytelling, she brings to light the narratives often overlooked in mainstream academia and institutional folklore.In this episode, we’ll explore how Dr. Oliver uses film, photography, and the spoken word to document the intersections of storytelling, traditional healing, and environmental sustainability. We’ll discuss h

The Blues as Black Sonic Folklore: Part 2:"Hard Ground and High Water: The Blues of Survival and Struggle"We continue our Black Music Month series by diving into the Blues as a witness to environmental crisis and class struggle.Featuring music by Bessie Smith, Charley Patton, Blind Lemon Jefferson, and Lead Belly, we explore how songs about flood, drought, and urban segregation serve as time capsules, preserving Black ecological, economic, and emotional history through sound. These are more than Blues, they are survival songs, testimonies of people shaped by both nature and the systems that fail them.

In this episode of Jack Dappa Blues Radio, we welcome Kandia Crazy Horse, Afro-Indigenous musician, rock critic, author, and frontwoman of the genre-defying band Cactus Rose NYC. From the newsroom to the stage, Kandia has blazed a singular trail across rock, country, and Americana—reclaiming sound as a site of cultural sovereignty, survival, and storytelling.We dive into her legacy as editor of Rip It Up: The Black Experience in Rock ’n’ Roll, her academic work at Princeton University, and her bold mission to center Afro-Indigenous identity in American roots music. Her concept of “sonic sovereignty” challenges colonial gatekeeping in music, and her voice—both literal and literary—carries the spirit of revolution.

In this kickoff episode for Black Music Month, Jack Dappa Blues Radio explores the Blues as Black folklore, not just as music, but as cultural testimony, survival strategy, and sonic memory. Through the voices of Tommy Johnson, Mance Lipscomb, Rube Lacy, Charley Patton, and Blind Lemon Jefferson, we treat Blues lyrics as living archives, capturing addiction, emotional depth, environmental trauma, and coded cultural critique.We examine the Blues as testimony, as ecological witness, and as class commentary, diving into how metaphor, moan, and memory serve as vital tools for storytelling and resistance.This episode honors the spirit of Black Music Month by placing tradition bearers front and center, revealing how the Blues doesn't just recall history—it makes it.

In this episode, we dive back into the film Sinners, not just as a movie, but as a cultural reckoning. We’re breaking down how the film tells a deeper story about Black American folklife, Blues culture, and the enduring legacy of Blues People. This time, we’re not just exploring themes; we’re getting into the characters, the plot, and the ways they reveal the real-life struggle between tradition and transformation.Rather than just reviewing the film, we’re asking why Sinners matters. It’s not just entertainment, it’s a bold statement about what it means to be a Blues person in a world where survival, spirituality, and cultural memory are constantly tested. We’ll explore how the film reflects critical ideas like Blues Ecology, Clyde Woods’ Development Arrested, and the legacy of the Plantation Complex. We’ll also look at how the film’s portrayal of Black womanhood, feminism, and colorism challenges or reinforces cultural narratives.Big Bill Broonzy’s legacy will be front and center as we examine how his words

In this episode of The African American Folklorist, we honor Dr. Ebony Bailey as Folklorist of the month of May. Dr. Bailey is a dynamic scholar, writer, and cultural worker whose groundbreaking research intersects Black Literature and Folklore. Dr. Bailey explores how African Americans have historically been both represented as “the folk” and how they have powerfully redefined that term through literature, activism, and cultural intervention.We dive into her acclaimed article, (Re)Making the Folk: Black Representation and the Folk in Early American Folklore Studies (Journal of American Folklore, 2021), and discuss her public talk, Re(Making) the Folk: The Folk in Early African American Folklore Studies and Postbellum, Pre-Harlem Literature. Through this dialogue, Dr. Bailey highlights how early Black writers and intellectuals used folklore as a site of resistance, cultural affirmation, and narrative control.She also shares insights from her work as a museum researcher with Kera Collective and her leadership

Jack Dappa Blues Radio Live – Sunday Night EditionEpisode: Spirit Work, Hoodoo & Black Southern Cosmologies: Conjure, Pentecost, and the BluesIn this deeply spiritual and culturally rich episode, Jack Dappa Blues Radio Live explores the sacred intersections of Blues music, Hoodoo, Black Southern Pentecostalism, and Afro-Indigenous folk beliefs. Host and folklorist Lamont Jack Pearley guides listeners through a journey of ancestral memory, ritual practice, and the spiritual systems encoded in the Blues.We honor the life and work of the late Freeman Vines and his haunting “hanging tree guitars,” examine texts like Black Magic by Yvonne P. Chireau, Mojo Workin’ by Katrina Hazzard-Donald, and Stories of Rootworkers & Hoodoo in the Mid-South by Tony Kail, and spotlight the special Hoodoo Heritage digital issue of The African American Folklorist, curated by Hess Love.This episode isn’t just a conversation—it’s a revival of memory, a ritual of sound, and a space for cultural reclamation.

In this month’s episode of The African American Folklorist, we shine a spotlight on Dr. Constance Bailey—Assistant Professor of African American Literature and Folklore at Georgia State University, and an innovative scholar whose research explores Black women’s comedy, speculative fiction, and African American oral traditions.A native of Natchez, Mississippi, Dr. Bailey’s work is grounded in the richness of Southern Black culture, Black humor, and the possibilities of Afrofuturism. In this engaging conversation, we discuss her academic journey, her role as a digital media editor for the American Folklore Society, and her forthcoming book The Black Folktastic: Black Speculation and the Sankofa Aesthetic. We also explore how folklore, humor, and speculative storytelling are powerful tools of resistance, cultural memory, and imagination in Black communities.Join us as we celebrate Dr. Bailey’s contributions to the field and highlight the significance of preserving and teaching Black folklore in contemporary spac

In this special episode, we sit down with Kelle Jolly, the self-described "Affrilachian-Georgia-lina-Peach", whose music and storytelling embody the rich cultural tapestry of the Appalachian South. A celebrated folk artist, community builder, and ukulele virtuoso, Kelle shares the inspiration behind her latest book, Lady Fay Ukulele, and the deep significance of its story.We’ll explore how her roots, influences, and passion for tradition shape her work, weaving together themes of friendship, forgiveness, and the magic of music. Join us for an intimate and lively conversation filled with melody, heritage, and the enduring power of storytelling.

The blues is more than just music—it’s history, it’s storytelling, and it’s the soul of Black American life. In this compelling live broadcast, we explore Writing the Blues—the ways Black authors, poets, and filmmakers have infused their works with the rhythm, pain, resilience, and triumph of the blues.From Langston Hughes’ poetic blues verses to Alice Walker’s deeply emotional narratives, from August Wilson’s stage masterpieces to period-piece films that use the blues as a backdrop, this discussion uncovers how Black storytelling in literature and cinema keeps the essence of the blues alive.Join us as we break down the themes of struggle, survival, love, and liberation found in both historical and contemporary works. We’ll examine films like The Color Purple, Ma Rainey’s Black Bottom, Ray, and Down in the Delta, alongside the written works of W.E.B. Du Bois, Zora Neale Hurston, and more.How does the blues shape Black narratives? How do these stories continue to evolve while honoring the legacy of the blues?

Join us for a real, Blues People conversation about the blues on Jack Dappa Blues Radio! In this live broadcast, I—Lamont Jack Pearley, a traditional blues artist and folklorist—will take you deep into the blues as an oral tradition in the American South.The blues ain’t just music; it’s a living, breathing record of our history. It carries the voices, struggles, and triumphs of Black American life, passed down through song, rhythm, and storytelling. The blues tells us where we’ve been, who we are, and how we make sense of the world around us.Throughout the show, we’ll dig into the roots of blues as oral history. We’ll break down songs like Son House’s Am I Right or Wrong and American Defense, Howlin’ Wolf’s Smokestack Lightnin’, Muddy Waters’ Louisiana Blues, and more, getting into the messages woven into their lyrics and performances. We’ll also talk about floating verses—how blues artists built on each other’s words and passed them along like folklore—and the dialect and storytelling style that make the blu

In this electrifying episode of Jack Dappa Blues, we sit down with the powerhouse that is Honeychild Coleman—a pioneering force in the world of punk, blues, and avant-garde music. A Louisville native and Brooklyn-based artist, Honeychild’s journey has taken her from busking in the New York subway to collaborating with legends like The Slits, Mad Professor, and Greg Tate’s Burnt Sugar Arkestra.As the frontwoman of blues-punk outfit The 1865, Coleman fuses raw energy with historical narratives, crafting sonic landscapes that echo the struggles and triumphs of Black American culture. Her music has graced films, documentaries, and television screens, all while staying true to her ethos of artistic resistance and community empowerment.In this candid conversation, Honeychild delves into the intersection of punk, blues, and Black identity, sharing how her lived experiences and sociocultural activism inform her art. From her early days in the underground NYC music scene to shaping spaces like Sistagrrl Riots, she con

Dr. Raymond Summerville joins me, as he is the African American Folklorist of February, to discuss the importance of having more Black Folklore scholars in the field to lead the discourse of our narrative, traditions, literature, and the dissemination of found research that represents the Black American experience. He also dives into his beginnings and what inspired him to write his book, In Proverb Masters: Shaping the Civil Rights Movement.Dr. Raymond Summerville is an alumnus of North Carolina Agricultural and Technical State University (BA, BS, and MA in English and African-American Literature) and the University of Missouri-Columbia (PhD in English with a concentration in Folklore, Oral Tradition, and Culture). His research interests include African American history, African American literature, postcolonial studies, paremiology, phraseology, hip-hop, blues, and other folklore genres. He currently teaches at Fayetteville State University in North Carolina.

On this episode, speak with Dr. Anika Wilson, The African American Folklorist of the Month for March! Wilson discusses her book, methodology, scholarship, and positionality as a Black Academic in the field. Anika Wilson (she/her) is Associate Professor and former chair of the Department African and African Diaspora Studies at UW-Milwaukee. She earned her doctorate in Folklore and Folklife Studies at the University of Pennsylvania and specializes in informal narratives (gossip, rumor, etc.). Her book Folklore, Gender, and AIDS in Malawi: No Secret Under the Sun (2013) was awarded the Elli Kongas Maranda Award for feminist scholarship in folklore in 2014. She teaches course topics related to African and African diasporic societies, expressive cultures, spirituality, and gender relations. Her current research project focuses on spirituality, sacredness, and the environment in southern Africa. ( American Folklore Society )