Kyle Meredith With...

Nearly 40 years into her career, Kim Gordon has just released her first solo album, No Home Record. The album finds the Sonic Youth co-founder using lyrical collages over drum machines and guitar outbursts in what has resulted in pure sonic noice-pop fun. On today's episode of Kyle Meredith, Gordon unpacks the album, discussing the commercialization of art and writing in pop structures for the first time in a decade. The two also chat about her love and history of '80s hip-hop, whether or not the lyrics on this LP update the story from her autobiography, Girl In a Band, and why she recently became a Fleetwood Mac fan. For information regarding your data privacy, visit acast.com/privacy Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

(Sandy) Alex G speaks with Kyle Meredith about writing and recording House of Sugar, his latest critically acclaimed LP. Alex discusses his penchant for hooks and weird instrumentals, in addition to what a song means to him vs. how it's received by listeners. The two find a thread between the album's title and the current climate in America, which also pops up in songs like "Gretel" and "Bad Man". Speaking of politics, Alex found himself in an odd situation after a photo of him was mistaken for presidential candidate Beto O'Rourke, and we get the story on what that experience was like as well. For information regarding your data privacy, visit acast.com/privacy --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Flaming Lips frontman Wayne Coyne gives Kyle Meredith a shout to discuss the band's latest LP, King's Mouth. He details the journey that took the album from being an art installation, a children's book, and finally a fantastical concept record with narration from The Clash's Mick Jones. The album arrives on the heels of Coyne becoming a father, a coincidence that lines up with the lyrical themes and gives the singer a chance to reflect on how his personal philosophies have been updated, he explains. The two also ponder whether "Giant Baby" find reflection in the political landscape as well as the scoop on a handful of official releases, both live and in-studio, that are set to drop within the next year. For information regarding your data privacy, visit acast.com/privacy Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Everclear's Art Alexakis and Kyle Meredith discuss his debut solo LP, Sun Songs, which finds the "Santa Monica" frontman focusing on an acoustic sound and playing every instrument himself. We hear how lead single "Hot Water Test" recounts his recent diagnosis with MS, and the stories behind the handful of politically charged songs throughout the record. Alexakis also says that after this solo tour, he'll turn his attention to a 2020 run with Everclear to celebrate the 20th anniversary of Songs For An American Movie as well as the release of his autobiography. For information regarding your data privacy, visit acast.com/privacy Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Moody Blues' John Lodge gives Kyle Meredith a ring to detail his new best-of compilation, B Yond - The Very Best Of, which focuses on his oft-overlooked 70s solo releases, re-recordings of a pair of Moody Blues classics, and epic live cuts. Lodge also discusses how his recent work stands up to those fabled '60s songs, recounts going solo after the Moody Blues lost their way in the '70s, and promos his upcoming tour. For information regarding your data privacy, visit acast.com/privacy Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Whitney's Max Kakacek and Julien Ehrlich give Kyle Meredith a call to discuss their sophomore album, Forever Turned Around, and its connections to anxiety, the environment, travel, and life in your '20s. They expand on the impact of bringing guitarist Ziyad Asrar back into the band, when writing personal is also political, being an 8-member band, and the stop and restarts that lead to a new LP. For information regarding your data privacy, visit acast.com/privacy --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Alice In Chains frontman William DuVall gives Kyle Meredith a call to discuss his debut solo record, One Alone. The singer details why now was the time to finally release a record on his own, how having a degree in religion/philosophy occasionally informs his writing, and backstories on “Til The Light Guides Me Home” and “Chains Around My Heart”. The two also discuss his former band Neon Christ’s documentary All Alone Together before heading back to 2009 for the 10th anniversary of Alice in Chains’ Black Gives Way To Blue, which found DuVall first filling in for the late Layne Staley: “We were fighting for the right to exist.” For information regarding your data privacy, visit acast.com/privacy Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

White Reaper recently sat down with Kyle Meredith to go over the details of their latest LP, You Deserve Love. Both Tony Esposito and Nick Wilkerson discuss the Nashville sessions with producer Jay Joyce. share how having new guitarist Hunter Thompson changed the dynamics, digress on experimenting with new instruments, and explain why they wrote about cars and widows. They also revisit the all-ages Louisville underground community that gave them their start, and how they used their album cover to reflect our current era. For information regarding your data privacy, visit acast.com/privacy --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Ride vocalist and guitarist Andy Bell gives Kyle Meredith a shout to discuss their second reunion record This Is Not A Safe Place. Together, they discuss the stories behind "Repetition" and "R.I.D.E.", how even the big topic songs look inward on this record, and the influence of Basquiat and the late '80s alternative scene on the material. We're also told that another new album won't be far behind. For information regarding your data privacy, visit acast.com/privacy Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Little Feat keyboardist Bill Payne gives Kyle Meredith a shout to discuss the band's 50th anniversary and tour. The two head back to 1969 to talk about the band's beginnings and the many sounds they tried out through the years. They revisit the ill-fated 1979 record Down on the Farm, the 1988 comeback record Let It Roll, and even discuss the possibility of new music. Speaking of new music, Payne has also been a longtime member of The Doobie Brothers and we're told that there will be a new EP for their 50th anniversary, which is coming up next year. For information regarding your data privacy, visit acast.com/privacy --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Earlier this year, Big Thief released their third studio album, U.F.O.F., exciting fans and critics alike. That excitement was doubled, however, with the surprise announcement of its followup, Two Hands, due out October 11th. Environment plays a big part in the album, as Adrianne Lenker tells Kyle Meredith, not just the alarming news we're faced with, but also in the way the people who inhabit these songs spend their day within it. Elsewhere in the interview, she also talks about performing the album in full at an early London gig and teases some fan favorites yet to be released. For information regarding your data privacy, visit acast.com/privacy --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Joan Shelley has been getting huge praise both here and overseas for her latest record, Like the River Loves the Sea. Recently, the Louisville folk musician sat down with Kyle Meredith to talk about leaving Kentucky to record the album in Iceland and what that environment meant to the songs. She also discussed the power of a whisper, working with Bonnie 'Prince' Billy, how the environment plays a prominent role in songs like "The Fading", and why she rewrote a Hank Williams song after hearing news about the Amazon rain forests. For information regarding your data privacy, visit acast.com/privacy Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Sleater-Kinney's latest album, The Center Won't Hold, comes with a radically different sound than what most fans are used to, thanks in part to an adventurous spirit as well as tapping St. Vincent's Annie Clark to produce. Corin Tucker gives Kyle Meredith a ring to discuss the process and how they arrived at a synth-driven sound on The Center Won't Hold, meeting fan expectations, and tackling this era's big issues. Tucker breaks down the inspirations behind "The Future Is Here" and closing ballad "Broken", and tells how the LP has ties to '99s The Hot Rock. For information regarding your data privacy, visit acast.com/privacy --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Rusted Root frontman Michael Glabiki phones Kyle Meredith to take us back to 1994 for the 25th anniversary of the band's breakthrough LP, When I Woke. He shares the stories behind songs "Send Me On My Way", "Martyr", and "Ecstasy". He also tells us about being in an organic-sounding band at the height of grunge, their political activism, and how it translates to events happening today. From there, he shares a number of tour stories, from his experiences opening for Grateful Dead, Allman Brothers, Plant & Page, to jogging through gang territory, and to once playing a HORDE festival show to an audience of three: Sheryl Crow, her manager, and her dog. We also get an update on his new band, Uprooted, and their plans to release music this year. For information regarding your data privacy, visit acast.com/privacy --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Advertising Inquiries: https://redcircle.com/brandsPrivacy & O

Madison Cunningham speaks with Kyle Meredith about her debut album, Who Are You Now. More specifically, the journey that's taken her from her musical beginnings to landing a gig with Chris Thile's Live From Here, recording with Andrew Bird, and co-writing with Joe Henry. Cunningham also describes where her love of shifting time signatures comes from and why the electric guitar was the perfect instrument for this record. For information regarding your data privacy, visit acast.com/privacy --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Greta K. Klein gives Kyle Meredith a call to discuss the new Frankie Cosmos album, Close It Quietly. Klein goes into the collaborative process, working with a new producer, in addition to its connection to this year's earlier release, Haunted Items. We also hear about the band's love for The Great British Bake Off, making a Puppy Edition of the album, and recording a song with her parents. For information regarding your data privacy, visit acast.com/privacy Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Dude York give Kyle Meredith a shout to talk about their new record, Falling, and its themes of nostalgia and relationships. Peter Richards, Claire England, and Andrew Hall take us through the process of making the near-concept album, which breaks down the anxieties and stages of love and heartbreak, all while referencing The Killers and Ramones within its songs. For information regarding your data privacy, visit acast.com/privacy Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Luscious Jackson's Jill Cunniff speaks with Kyle Meredith about the 25th anniversary of the band's debut, Natural Ingredients, and the 20th anniversary of 1999's Electric Honey. We hear about the New York scene of the early '90s, their love of groove-based music and sampling, as well as touring with Beastie Boys, The Breeders, and R.E.M. After that, Cunniff gives the backstory on why the followup to their '96 breakthrough Fever In Fever Out (which included "Naked Eye") ended up being their last for 15 years. She also updates us on what the band members have been up to and the prospects of another album in the future. For information regarding your data privacy, visit acast.com/privacy --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Jamila Woods calls up Kyle Meredith to discuss her sophomore record LEGACY! LEGACY! and its unique concept. Each song on the record is named after a hero of hers -- from musicians to writers to painters -- and Woods weaves their histories into her own narrative. Listen ahead to to hear her ideas behind tracks like "Basquiat", "Miles", and "Muddy", as well as the concept of Afrofuturism as told through "Octavia" and "Sun Ra".  For information regarding your data privacy, visit acast.com/privacy Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Paula Cole gives Kyle Meredith a call to discuss Revolution, her latest set of new material. They dive into the album's ties back to '99's Amen with its poignant themes and musical nods to Marvin Gaye -- including the album's lone cover of "Mercy Mercy Me". Cole also talks about giving students tools and inspiration as a teacher at Berklee College of Music, and how her biggest hits keep finding fans in new generations (see: HAIM). For information regarding your data privacy, visit acast.com/privacy Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy