Onwriting: A Podcast Of The Wga East

Kaitlin chats with Liz Tigelaar – showrunner and head writer for the Hulu miniseries LITTLE FIRES EVERYWHERE – about the start of Liz's creative journey as a Dawson's Creek writer's assistant, how story arcs around mothers and daughters have evolved, why an intersectional writers' room is essential for all storytelling, and much more. Liz Tigelaar's long career in TV drama includes shows like BROTHERS AND SISTERS, ONCE UPON A TIME, and NASHVILLE, among others. She also created the CW series LIFE UNEXPECTED and ran the Golden Globe-nominated Hulu series CASUAL. Her latest project, LITTLE FIRES EVERYWHERE, stars Kerry Washington and Reese Witherspoon and is based on the novel by Celeste Ng. The series is a meditation on motherhood, race, and the tensions between them in a suburban Ohio town in the '90s. -- Read shownotes, transcripts, and other member interviews:www.onwriting.org/-- Follow Kaitlin on Twitter: @KaitlinFontana Follow the Guild on social media:Twitter: @OnWritingWGAE | @WGAEast Facebook: /WGAEa

Kaitlin is joined via phone by Taika Waititi -- the writer, director, and star of the film JOJO RABBIT, and the producer of the show WHAT WE DO IN THE SHADOWS - both of which have earned him nominations at this year's Writers Guild Awards. Taika chats about writing a Nazi satire, using fear as a creative motivator, writing comedy when you aren't attracted to comedy writing, how he engages with the Indigenous filmmaking community worldwide, and more. Taika Waititi's filmmaking career started in the early 2000s and gained international attention when he received an Oscar for his 2004 short film TWO CARS, ONE NIGHT. Since then, he has written and directed films like EAGLE VS. SHARK, BOY, WHAT WE DO IN THE SHADOWS, HUNT FOR THE WILDERPEOPLE, and THOR: RAGNAROK, which have all been met with widespread critical acclaim. His latest project, JOJO RABBIT, is a dark comedy based on Christine Leunens's book Caging Skies. Set in Nazi Germany, the film follows Johannes "Jojo" Betzler, a Hitler Youth member who finds out t

Kaitlin sits down with writer, director, and actor Greta Gerwig – the writer and director of the 2019 film LITTLE WOMEN – to talk about why the world needs a new version of the classic story; how Greta cuts down her 400-page first drafts; the intersection between women, money, and writing; and much more. Greta Gerwig started her film career with a small acting role in the 2006 film LOL. She went on to act in, co-write, and co-direct several mumblecore films over the subsequent years, and has been a frequent collaborator of writer and director Noah Baumbach since 2010. She made her solo screenwriting and directorial début with the 2017 film LADY BIRD, for which she was nominated for both a Writers Guild and an Oscar. LITTLE WOMEN is an adaptation of the semi-autobiographical 1868/1869 novel by Louisa May Alcott. The film follows the four March sisters – Amy, Jo, Beth and Meg – as they come of age during the aftermath of the Civil War. The film will be released in theaters on December 25, 2019. -- Read shownote

Kaitlin is joined by Micah Fitzerman-Blue and Noah Harpster, co-writers of A BEAUTIFUL DAY IN THE NEIGHBORHOOD, to talk about the eternal battle between cynicism and kindness, the gravitational pull of Tom Hanks, and how keeping bankers' hours keeps them sane. Before their most recent project, Micah Fitzerman-Blue and Noah Harpster were writers and producers on the recently concluded Amazon series TRANSPARENT, for which they won a Peabody Award and were nominated for Emmy, Writers Guild, Golden Globe, and GLAAD Awards. The duo are also co-writers of MALEFICENT: MISTRESS OF EVIL, the 2019 sequel to the 2014 film MALEFICENT. Inspired by the Esquire Magazine article “Can You Say… ‘Hero’?,” A BEAUTIFUL DAY IN THE NEIGHBORHOOD is based on the true story of a friendship between renowned children’s television host and educator Fred Rogers and journalist Tom Junod. -- Read shownotes, transcripts, and other member interviews:www.onwriting.org/-- Follow Kaitlin on Twitter: @KaitlinFontana Follow the Guild on social m

In the season 5 premiere, Kaitlin sits down with Writers Guild Award- and Oscar-nominated writer and director Noah Baumbach to talk about his latest film, MARRIAGE STORY. They discuss how a film about divorce is really a film about love, what New York and LA mean on screen, when you know you're ready to open that final draft file and really write, and much more. Noah Baumbach made his feature film debut with his critically acclaimed 1995 film KICKING AND SCREAMING, and has gone on to write and direct such films as FRANCES HA, THE MEYEROWITZ STORIES, and THE SQUID AND THE WHALE – the script for which was nominated for both a Writers Guild Award and an Oscar. MARRIAGE STORY follows actor Nicole Barber and her stage director husband Charlie as they struggle through a grueling, coast-to-coast divorce that pushes them both to their personal and creative extremes. The film now streaming on Netflix. -- Read shownotes, transcripts, and other member interviews:www.onwriting.org/-- Follow Kaitlin on Twitter: @KaitlinF

Over the past five years, podcasts have exploded in popularity. You listen to them, and with over 700,000 active podcasts out there, chances are you or someone you know has a show of their own. A 2019 report by Edison Research found that 70% of the U.S. population has heard of podcasts and over 50% have listened to one.   Fictional or scripted podcasts represent a small but steadily growing subset of the podcast industry. The Guild – and our members – have a lot of questions about this new frontier of scripted podcasting. Is it a lower-cost way to get a story known to the public… and to TV producers? Is it a viable, fulfilling way to create stories in its own right? What are some ways writers can protect ourselves as we explore this new form of work?   To answer these questions, we spoke to writers and producers who have made a name for themselves in the scripted podcast industry – some who are just starting out, and some whose podcasts have gone on to become TV shows.   In Part One, LIMETOWN co-creator Zack

When you're a screenwriter moving to TV or a novelist moving to screenwriting or even a comedy writer moving to drama, you'll have questions about how this new territory differs from what you're used to. Questions like... how does breaking a script work? Or... how do I write character development over the course of a two hour film rather than over a full TV season?   Questions are normal. But typically, there are at least some factors that are givens – things that have been established over the course of decades. Problem is, since podcasts are new territory for pretty much everyone, those sorts of rules and standards about the most basic issues don't exist yet. There's no consensus about how to format a podcast script, let alone any popular beliefs about things like whether you need a writer's room.   To find answers for some of these questions, we spoke to writers and producers who have made a name for themselves in the scripted podcast industry – some who are just starting out, and some whose podcasts have

Kaitlin chats with writer, director, producer, and actor Edward Norton about his many screenwriting jobs, how he gets past writer's block, his 20-year journey taking his latest film - MOTHERLESS BROOKLYN - to the big screen, and much more. Edward Norton had his film debut in the 1996 film PRIMAL FEAR, and within three years had risen to prominence for his starring roles in AMERICAN HISTORY X and FIGHT CLUB. Since then, he has received critical and cult acclaim – as well as numerous awards and nominations, including a Golden Globe Award and three Academy Award nominations – for his roles in films like RED DRAGON, THE ILLUSIONIST, THE INCREDIBLE HULK, MOONRISE KINGDOM, THE GRAND BUDAPEST HOTEL, BIRDMAN (just to name a few). He has also directed or produced films like KEEPING THE FAITH and THE PAINTED VEIL. MOTHERLESS BROOKLYN is an adaptation of Jonathan Letham's 1999 novel of the same name. The film follows Lionel Essrog, a lonely private detective living with Tourette Syndrome, as he ventures to solve the mur

Kaitlin is joined by Hasan Minhaj and Prashanth Venkataramanujam, co-creators of the Netflix series Patriot Act, to talk about how they joined forces to create their headline-making series, the importance of a unique take on the news, and why you can never have enough late night shows. Hasan Minhaj is a comedian, writer, producer, political commentator, actor, and television host. Before starting his time as host of PATRIOT ACT WITH HASAN MINHAJ, you may have recognized him from - among other things - his four-year stint as a correspondent on THE DAILY SHOW, or as the host of the 2017 White House Correspondents' Dinner. Since the premiere of PATRIOT ACT, Hasan has won a Peabody Award and two Webby Awards, and was listed of one of TIME's 100 Most Influential People of 2019. Prashanth Venkataramanujam is a writer, actor, comedian, and producer who is currently the head writer and executive producer for PATRIOT ACT. In 2016, Prashanth wrote Minhaj's host speech for the Radio and Television Correspondents' Associ

Kaitlin sits down with novelist, screenwriter, and showrunner Tom Perrotta to discuss his creative process, writing about sexual awakening, porn, adapting his latest novel into his latest TV show, and much more. Tom Perrotta is the bestselling author of nine works of fiction, including Election and Little Children, both of which were made into Oscar-nominated films, and The Leftovers, which he and Damon Lindelof adapted into a Peabody Award-winning HBO series. MRS. FLETCHER, Perrotta's new HBO series, is based on his latest novel, and tells the story of a single mom who attempts to start a new life after her son heads off to college. It premieres on October 27th. -- Read shownotes, transcripts, and other member interviews:www.onwriting.org/-- Follow Kaitlin on Twitter: @KaitlinFontana Follow the Guild on social media:Twitter: @OnWritingWGAE | @WGAEast Facebook: /WGAEast Instagram: @WGAEast

Kaitlin sits down with Lorene Scafaria to discuss her latest film, HUSTLERS, as well as her writing processes for both adapted and original projects, the importance of portraying women and their relationships in a dynamic way, the work in sex work, and much more. Lorene earned her first Writers Guild credit with the acclaimed teen comedy NICK AND NORA'S INFINITE PLAYLIST. Since then, she's written and directed three films: SEEKING A FRIEND FOR THE END OF THE WORLD, THE MEDDLER, and - most recently - one of this year's most buzzed-about films, HUSTLERS. Inspired by the New York magazine article "The Hustlers at Scores," HUSTLERS follows a group of strippers, when the 2008 economic collapse, devise a scheme to scheme to take their lives back by turning the tables on their Wall Street clients. The film was released in theaters on September 13, 2019. -- Read shownotes, transcripts, and other member interviews:www.onwriting.org/-- Follow Kaitlin on Twitter: @KaitlinFontana Follow the Guild on social media:Twitter

Kaitlin sits down with writer, showrunner, director, and playwright Warren Leight to discuss his career from stand-up comic to playwright to showrunner of IN TREATMENT and LAW & ORDER: SVU, running writers' rooms, how to shift the focus of a show with such a powerful legacy, the importance of having your work - and your writing team - reflect the real world, and much more. Warren Leight got his start in the entertainment industry with credits on features like MOTHER'S DAY and THE NIGHT WE NEVER MET (the latter of which he also directed). He also wrote for the female stand-up comic quartet the "High Heeled Women." From there, he eventually moved to the stage, penning plays like MAYOR and the Tony Award-winning, Pulitzer Prize finalist SIDE MAN. Warren joined the writing staff of LAW & ORDER: CRIMINAL INTENT for its second through seventh seasons, when he left to be the showrunner for the HBO series IN TREATMENT. He returned to the LAW & ORDER roster in 2011, when he became showrunner for LAW &

Season 4 host Kaitlin Fontana talks with Lauren Ashley Smith about being the Head Writer for the HBO series A BLACK LADY SKETCH SHOW, her writing process, the importance of having diverse voices in entertainment, how she runs her writers' room, and much more. Lauren is a writer, actor, comedian, and producer, and the first black woman to be the Head Writer of a sketch television show. Before her work on "A Black Lady Sketch Show," Lauren was Head Writer of the critically acclaimed late night show, "The Rundown with Robin Thede." As a comedian, Lauren hosted the Zagat webseries, “Chefs Eating Tacos," and has appeared on VH1.com, The Scene, Refinery29, and the Netflix original series, “The Characters.” A BLACK LADY SKETCH SHOW is, as its name implies, is a sketch-comedy series with a cast, writers' room, and directing roster comprised entirely of black women. The series, created by Robin Thede and co-executive produced by Issa Rae, premiered on HBO in August and was recently renewed for its second season. -- Re

Caroline spoke with Solvan "Slick" Naim—writer, director, rapper, actor, and creator of the Emmy-nominated Netflix series IT'S BRUNO!—about the ways that music informs and shapes his work, the importance of diversity-focused mentorship programs in the entertainment industry, his advice to those who are just starting to try launch their careers in film & TV, translating his love of his dogs into his show, and much more. Solvan "Slick" Naim is an Award winning Algerian-American writer, director and rapper who was born and raised in New York City. Slick's filmmaking career started by way of his music career: as a rapper, he wrote treatments to his songs and began directing his own music videos. His debut feature, FULL CIRCLE, won 5 festival awards including the Audience Award at the 2013 HBO Urbanworld Festival and was acquired by EOne. His short film "Stanhope" was one of five shorts selected by HBO for their 2015 HBO Short Film Competition and took home the grand prize for Best Film. The film won several

Caroline spoke with playwright, screenwriter, and showrunner Gary Lennon about embracing rejection; the elements of a successful writers' room; his philosophy on putting real life in your fiction; the new seasons of POWER, HIGHTOWN, and EUPHORIA, and much more. Gary Lennon's somewhat tumultuous childhood paved the way for the start of his writing career: his first screenplay, for the 1995 film DRUNKS, was an adaptation of his stage play, BLACKOUT – a series of semi-autobiographical monologues about alcoholism. Since then, he has been a consistent fixture in the film and television worlds, with writing credits on shows like THE SHIELD, JUSTIFIED, and ORANGE IS THE NEW BLACK. He's currently the co-showrunner of the Starz crime drama POWER, and is an executive producer on the forthcoming Starz drama HIGHTOWN and the HBO teen drama EUPHORIA. POWER tells the story of James St. Patrick, a ruthless drug-dealer under the nickname "Ghost", who wishes to leave the criminal world in order to support his legitimate busin

Caroline sat down with the one and only Tom Fontana (for his very first podcast!) to discuss his writing process, running less-than-traditional writers' rooms, mentoring writers, his latest series - CITY ON A HILL, and much more. Tom Fontana's extensive résumé includes writer, producer, showrunner, and (co-)creator credits on several groundbreaking television series, including OZ, HOMICIDE: LIFE ON THE STREET, THE PHILANTHROPIST, COPPER, and Netflix’s BORGIA. He has received international recognition for his writing, including five Writers Guild Awards (three for Episodic Drama and three of the East's honorary awards), three Emmy Awards, four Peabody Awards, and four Television Critics Association Awards. He is currently the showrunner for CITY ON A HILL, the crime drama series created by Chuck MacLean which recently premiered on Showtime. CITY ON A HILL—a fictional account of the 1996 "Boston Miracle" that changed the city's reputation for violent criminals, racism, and corrupt law enforcement—follows Brook

Caroline was joined by writing team Robert and Michelle King—creators of THE GOOD FIGHT, their new series, EVIL, and the Writers Guild Award-winning show, THE GOOD WIFE—to discuss the upcoming seasons of THE GOOD FIGHT and EVIL, the difference between writers' rooms in LA and NYC, life as a married writing team, and more. Before their work on THE GOOD FIGHT and EVIL, the Kings co-created the political satire/science fiction BRAINDEAD and the police procedural IN JUSTICE. THE GOOD FIGHT- a spin-off of the Kings' award-winning series THE GOOD WIFE - follows attorney Diane Lockhart (Christine Baranski) as she loses her employment after an enormous financial scam destroys both the reputation of her goddaughter Maia (Rose Leslie) and Diane's savings, leading them to join Lucca Quinn (Cush Jumbo) at one of Chicago's preeminent law firms. The show's third season premiered on CBS All Access earlier this spring, and was recently renewed for a fourth season. EVIL is the Kings' upcoming series which follows a skeptical

Caroline was joined by writer and director Alex Ross Perry to discuss his upcoming film HER SMELL (which is in theaters on Friday, April 12), their shared Philly roots, his Kim's Video alum-heavy list of frequent collaborators and much more. HER SMELL follows '90s punk rock superstar Becky Something as she grapples with motherhood, exhausted bandmates, nervous record company executives, and a new generation of rising talent eager to usurp her stardom - and eventually must retreat from the spotlight to try to recapture the creative inspiration that led her band to success. Alex's career kicked off with the 2009 feature film IMPOLEX - an absurdist comedy inspired by Thomas Pynchon's novel Gravity's Rainbow. Since then, he has written seven other features - five of which he also directed - including indies like THE COLOR WHEEL and QUEEN OF EARTH, as well as the 2018 Disney film CHRISTOPHER ROBIN. -- Read shownotes, transcripts, and other member interviews:www.onwriting.org-- Follow us on social media:Twitter: @

Caroline spoke with David Mandel - the showrunner of the HBO hit series VEEP - about his amazing career trajectory, his strong opinions on writers' rooms, and their mutual obsession with Robert Caro. VEEP follows Selina Meyer, the Vice President (and, later, President) of the United States, and her team as they attempt to make their mark and leave a legacy without getting tripped up in the day-to-day political games that define the American government. The Emmy- and WGA Award-winning series – which is an adaptation of the BBC satire THE THICK OF IT – is currently in its seventh and final season. Before David Mandel’s tenure as VEEP showrunner, he was a writer, director, and executive producer for CURB YOUR ENTHUSIASM. Prior to that, he wrote for the seventh, eighth, and ninth seasons of SEINFELD; for the 18th, 19th, and 20th seasons of SATURDAY NIGHT LIVE. He also co-wrote the screenplay for the 2003 film adaptation of THE CAT IN THE HAT, and was a writer and co-creator for CLERKS: THE ANIMATED SERIES. -- Rea

Caroline and WGAE Indie Film Caucus Director Jenna Bond sat down to speak with writer, director, and comedian Bo Burnham about his feature film debut, EIGHTH GRADE, which received a Best Original Screenplay nomination in this year's Writers Guild Awards. EIGHTH GRADE follows Kayla - an anxious thirteen-year-old - as she tries to survive the last week of her disastrous eighth grade year before graduating to high school while simultaneously hosting a video blog on YouTube in which she gives life advice. Bo's own career also started on YouTube, where he published a number of viral comedic music and skits starting in 2006. His online popularity quickly translated into an IRL career when he signed with Comedy Central Records in 2008. Since then, he released a series of comedy albums and stand-up specials, appeared in a number of feature films, and co-created, wrote, and starred in the MTV comedy series ZACH STONE IS GONNA BE FAMOUS. -- Read shownotes, transcripts, and other member interviews:www.onwriting.org-- F