New Books In Science Fiction

Ah, science fiction: Aliens? Absolutely. Robots? Of course. But why are there so many priests in space? As Jim Clarke writes in Science Fiction and Catholicism: The Rise and Fall of the Robot Papacy (Gylphi, 2019), science fiction has had an obsession with Roman Catholicism for over a century. The religion is the genre’s dark twin as well as its dirty secret. In this first ever study of the relationship between Catholicism and science fiction, Jim Clarke explores the genre's co-dependence and antagonism with the largest sect of Christianity. Tracking its origins all the way back to the pamphlet wars of the Enlightenment and speculative fiction's Gothic origins, Clarke unveils a story of robot Popes, Jesuit missions to the stars, first contact between aliens and the Inquisition, and rewritings of the Reformation. Featuring close readings of over fifty SF texts, he examines how the genre’s greatest invention might just be the imaginary Catholicism it repeatedly and obsessively depicts, a faux Catholicism at odd

In science fiction, “near future” usually refers to settings that are a few years to a few decades off. But Craig DiLouie’s Our War (Orbit, 2019)—about a second U.S. civil war that starts after the president is impeached and convicted but refuses to step down—feels as if it might be only weeks away. Born in the U.S., DiLouie now lives in Calgary, Alberta. He is the author 18 books of science fiction, fantasy, horror and thrillers. Our War came out in August, a month before the U.S. House of Representatives launched its impeachment inquiry. When he started writing in 2017, “I was looking at the growing polarization in America and political tribalization, which is considered one of the five precursors to civil war,” DiLouie says. “I hope it stays in fiction.” The story is told through the eyes of a young brother and sister who are used as soldiers by opposite sides. He set the book in Indianapolis because “it's a quintessential American city… a very blue city in a sea of red, rural areas.” He says he strove to

As you may know, university presses publish a lot of good books. In fact, they publish thousands of them every year. They are different from most trade books in that most of them are what you might called "fundamental research." Their authors--dedicated researchers one and all--provide the scholarly stuff upon which many non-fiction trade books are based. So when you are reading, say, a popular history, you are often reading UP books at one remove. Of course, some UP books are also bestsellers, and they are all well written (and, I should say, thoroughly vetted thanks to the peer review system), but the greatest contribution of UPs is to provide a base of fundamental research to the public. And they do a great job of it. How do they do it? Today I talked to Kathryn Conrad, the president of the Association of University Presses, about the work of UPs, the challenges they face, and some terrific new directions they are going. We also talked about why, if you have a scholarly book in progress, you should talk to

While all fiction writers can pull characters from their imaginations and commit them to the page, most readers can’t do what Charley Sutherland can: pull characters from the page and commit them to the real world. Sutherland’s fantastical ability is at the center of H.G. Parry’s debut novel The Unlikely Escape of Uriah Heep (Redhook, 2019). It is both a mystery (Sutherland and his brother must find and stop a stranger who shares Sutherland’s ability but is using it for nefarious ends) as well as a celebration of literary criticism. While the ability to bring characters to literal life might seem like a wonderful talent, it's been a problem for Sutherland. Ever since he was little, he has tried—with the encouragement of his family—to suppress the urge. “There's a long tradition of characters with magical abilities who are being told to keep it hidden and to stay normal, and it comes from the fact that a lot of people grow up feeling like what makes them special is something that's weird or strange, and they t

After writing more than 30 books, including memoirs, military science fiction, alternate histories, and a book of writing advice, John Birmingham was ready to try his hand at the sweeping and dramatic science fiction subgenre known as space opera. But you’d never know The Cruel Stars(Del Rey, 2019) is his first attempt at epic, interstellar, battle-of-the-ages storytelling. His deft hand has produced a tightly paced, suspenseful, and bitingly funny adventure full of wild military tech, high-stakes conflict, and five eloquent characters. “I'm a huge fan of the [space opera] genre, but it took me a while to get the confidence to write my own,” Birmingham says. The conflict at the core of The Cruel Stars pits the Sturm—who believe with Nazi-like conviction in keeping humans “pure,” i.e. free of genetic or technological enhancements—against the rest of humanity. “I very much based [the Sturm] on the ultra-right, which was coming to scary prominence as I was first putting this book together. But in a way, the syst

Amid a wave of time travel books published this year, Annalee Newitz’s The Future of Another Timeline(Tor, 2019) stands out for its focus on a woman’s right to obtain a safe abortion.The book opens in an alternate America in which women gained the right to vote in the 1870s (rather than 1920), but abortion never became legal.“I was imagining that if women had gotten the vote earlier, there might have been a backlash, which would have prevented a reproductive rights movement from really taking hold,” Newitz says.In the novel, time travel has gone mainstream. Anyone with the proper training can do it, although technically it’s only supposed to be used for research. That doesn’t stop Tess, under the guise of studying cultural history, from trying to “edit” the timeline to thwart men’s rights activists from trying to subjugate women through their own illicit edits.And hidden within Tess’s agenda is another secret, which she hides even from her trusted friends. That secret is revealed slowly to the reader, through

In Cadwell Turnbull’s The Lesson (Blackstone Publishing, 2019), the U.S. Virgin Islands serve as Earth’s entry point for the Ynaa, beings from a far corner of the universe whose intentions and desires are as complex as the humans who come to loathe them.The Ynaa (pronounced EE-nah) claim to come in peace, but there are echoes of colonization in the way they manipulate humans with fear and violence. And just as attitudes toward European colonization are reflected in the use of words like “discover” versus “invade,” so too do Virgin Islanders debate whether the Ynaa violently “invaded” or more neutrally “arrived.”Humans are no match—either physically or technologically—for the Ynaa, yet that doesn’t stop some angry (and one might argue foolish) homo sapiens from trying to thwart them. Turnbull treats human and Ynaa with an even hand, offering cultural and psychological insights into the nature of toxic masculinity and the Ynaa’s bursts of extreme violence.Even though Turnbull is from the U.S. Virgin Islands, he

C.A. Fletcher’s new novel,  A Boy and His Dog at the End of the World(Orbit, 2019), takes place several generations after a pandemic has turned humans into an endangered species.For Griz, the adolescent narrator, life is bounded by his family, two dogs, and the Outer Hebrides island where they hunt, fish, and farm.When Brand, a lone sailor, shows up, Griz is mesmerized by his stories of adventure. But when Brand steals one of the family’s dogs, Griz gives chase.As Griz and their other dog journey through the ruins of our world, they explore the limits of loyalty while learning a lesson in human cruelty.“If you're not true to the things you love, what are you?” Fletcher says, quoting Griz. “That's when you stop being human.”In his interview, Fletcher discusses the research that informs the novel’s “soft apocalypse,” the difference between writing screenplays and novels, his father’s wise words about dogs, and the real-life terrier behind Griz’s canine companion.Rob Wolf is the author of The Alternate Univ

For Blue and Red—arch enemies at the center of Amal El-Mohtar and Max Gladstone’s epistolary novella, This is How You Lose the Time War (Gallery, 2019)—the only thing that endures after millennia of espionage and intrigue is love. El-Mohtar and Gladstone are themselves avid letter writers who favor fountain pens and G. Lalo stationery over pixels and Gmail. So it was only natural that when they decided to collaborate on a novella about enemies-turned-inamoratas, their tale takes the form of a correspondence. Since Blue and Red can travel across timelines and live for eons, they compose their letters from materials that take a long time to manipulate, such as the rings of a tree, an owl pellet, lava flows, and sumac seeds. El-Mohtar and Gladstone, on the other hand, were constrained by ordinary time and space. “He writes about four times as fast as I do. So it was it was tricky at first,” El-Mohtar says. “But then as we rounded off the first act, we started changing the pace of our respective writing. Max slow

In The Last Astronaut (Orbit, 2019), David Wellington turns his prolific imagination—which is more often associated with earthbound monsters like zombies, vampires, and werewolves—to the threat of an alien invasion.Set in 2055, the novel introduces a NASA ill equipped to respond to the arrival of a massive object from another star system. The agency no longer has an astronaut corps, so it turns to the last astronaut it trained, 56-year-old Sally Jansen, who retired in disgrace years earlier after the death of an astronaut under her command.Jansen and a crew of three, who are trained for space flight in just a few months, race to greet the massive 80-kilometer-long visitor, but the goal of each member of her team is as varied as their personalities. One wants to fulfill a life-long dream of being an astronaut; one wants to communicate with aliens; one wants to study them; and one wants to destroy them.Wellington says his interest in science fiction goes back to when he was six and he himself aspired to be an a

The massive corporation at the center of Eliot Peper’s Analog trilogy, which he completed last month with the publication of Breach (47North, 2019) is radically different from most science fictional companies. It aspires to do good.The growth of Commonwealth into a benevolent behemoth is chronicled in the series’ first two novels, Bandwidth and Borderless (which Peper discussed on the New Books Network last fall.) By the end of Borderless, Commonwealth, which controls the near-future version of the internet, has become its own sovereign entity, one whose ownership of the “feed” has given it enough soft power to force nations—through a clause in its terms of service—to implement an international carbon tax.Breach opens 10 years later. By this point, Commonwealth has instituted open borders and replaced national currencies with “feed credits” (if that sounds implausible, see Facebook’s recently unveiled plans to create its own digital currency, Libra). Commonwealth is now considering implementing something that

Vandana Singh has made a career of studying both hard science and the far corners of creativity. It’s no surprise then that Ambiguity Machines and Other Stories (Small Beer Press, 2018), which was nominated for a Philip K. Dick Award, reflects a fluency in multiple languages—not just English and Hindi, but the idioms of both particle physics and fantastical narratives that reach far beyond what science can (as of yet, at least) describe. “One of the things that really bothers me about how we think about the world is that we split it up into all these different disciplines and fields that have impenetrable walls between them, and one of the reasons I love … writing science fiction is that it allows us to make those walls porous,” Singh says. A reader might think that an expert in both particle physics and climate science might hesitate to write stories that explore impossibilities like time travel or machines “that cannot exist because they violate the known laws of reality” (the subject of the collection’s ep

Audrey Schulman’s Theory of Bastards (Europa Editions, 2018) uses a scientist’s relationship with bonobos—and her struggle to keep them alive following a civilization-shattering dust storm—to explore climate change, over-dependence on technology, and the challenge of a body that produces more pain than pleasure.The novel, which won this year’s Philip K. Dick Award and Neukom Institute Literary Arts Award from Dartmouth, was almost never written.. Despite the fact that her four previous books had been well received, Schulman found it a continual challenge to get published and was on the brink of abandoning writing altogether. But Kent Carroll, the editor at Europa Editions who oversaw the publication of her novel Three Weeks in December, reached out, saying he wanted to publish a new book by her.“I've always wanted to write—there's nothing more I've wanted—and so given the opportunity, I couldn't say no.”Schulman’s work returns again and again to a few themes. “I feel like every writer—if they're very lucky—fi

Caitlin Starling’s debut The Luminous Dead (Harper Voyager, 2019) takes readers along with her young protagonist, Gyre Price, to a place few would voluntarily go—into a deep, pitch-dark cave inhabited by avalanche-inducing, rock-eating worms from which only one human being (among many) has emerged alive.Still, Gyre thinks the risk of scouting for minerals is worth it. Not only does the job pay extraordinarily well, but she’s wearing a state-of-the-art suit, which protects her from the cave’s potentially lethal environment.Normally, there’s a whole team of experts guiding cavers like Gyre, but when she’s deep underground Gyre learns her team consists of only one person—a woman name Em, whose motives and reliability become increasingly murky as the days pass.“The more that it is only Em there with her, the worse things get because Em isn’t sleeping, Gyre isn’t getting to talk to anybody else …, and they’re getting more and more drawn into each other’s problems as opposed to it being a professional sort of inter

In 2012 George Lucas shocked the entertainment world by selling the Star Wars franchise, along with Lucasfilm, to Disney. This is the story of how, over the next five years, Star Wars went from near-certain extinction to the release of a new movie trilogy, two stand-alone films, and two animated series. In Star Wars after Lucas: A Critical Guide to the Future of the Galaxy(University of Minnesota Press, 2019), Dan Golding examines the current status of Star Wars, as well as the similarities and differences between the old and the new. His book is a great mix of both academic and popular that will give readers a useful sense of Lucas’ creation.Learn more about your ad choices. Visit megaphone.fm/adchoices

Meg Elison’s The Book of Flora (47North, 2019) trilogy is as much about gender as it is about surviving the apocalypse.The first installment, the Philip K. Dick Award-winning The Book of the Unnamed Midwife, set the tone with a pandemic that destroyed civilization, leaving behind 10 men for every woman. To avoid rape and enslavement in this male-dominated landscape, the eponymous midwife must present herself as a man to survive.In the next volume, The Books of Etta, set a century later, gender remains fraught but the rules have changed. The midwife’s legacy lives on in the town of Nowhere, where women are decision-makers and leaders. In this evolved world, Etta is allowed to choose the traditionally male job of raider, although she must still pretend to be a man to travel across a sparsely populated Midwest. Fortunately, this isn’t as heavy a lift for Etta as it had been for the midwife since Etta prefers to be called Eddie and identifies as male.The notion of choice is one that Elison takes a step further in

Charlie Jane Anders’ The City in the Middle of the Night (Tor Books, 2019) is a coming of age story about Sophie, a young woman trying to forge her identity on a planet of rigid social classes, harsh climate and frightening aliens.Feeling hopelessly out of place, Sophie ventures where no human has gone before: into the half of the planet that's shrouded in perpetual night. There she befriends the native inhabitants, the Gelet; they’re fearsome tentacled creatures whom humans fear and hunt but who turn out to be sensitive, sentient, and able to communicate with Sophie through touch.Ultimately, Sophie comes to recognize that the Gelet “belong on this planet … in a way that humans don't,” Anders says.Anders, whose previous work has earned Hugo, Nebula, William H. Crawford, Theodore Sturgeon, Locus and Lambda Literary awards, is an advocate for the power of science fiction to help humans prepare for the future. “You can explore a lot of scenarios in science fiction that help people develop flexibility and ho

Tade Thompson’s The Rosewater Insurrection (Orbit, 2019) takes us deep into the heart of an alien invasion that divides humans among those who welcome the extra-terrestrials and those who want to stop them. The book is the second in Thompson’s Wormwood trilogy. The first, Rosewater, earned the inaugural Nommo Award for Best Novel, Africa’s first-ever prize for speculative fiction. In most alien invasion stories, mankind and the invaders battle to the death. In Thompson’s tale, however, there is more inter- than intra-planetary conflict, with the insurrection in the title referring to the city of Rosewater’s rebellion against greater Nigeria. Meanwhile, the alien invaders have their own conflicts, with Wormwood—a powerful consciousness that reads minds and invades human bodies—battling for its survival against a fast-growing plant from its home planet. The book reflects a subtle grasp of war and politics with characters capable of eliciting a reader’s empathy even as they sometimes behave in less than admirabl

Mike Chen’s debut novel Here and Now and Then (MIRA, 2019) is a portrait of patience. The main character, Kin Stewart, waits 18 years for his employer to retrieve him from an assignment. Then, after being rescued, he needs many months to re-acclimate to his old life.Those waits, however, are nothing compared to how long it takes him to re-connect with the daughter he is forced to abandon: more than 120 years.Stewart, of course, has no ordinary job. He’s an agent from the year 2142, employed by the Temporal Corruption Bureau to fix anomalies in the timeline. When his retrieval beacon breaks on assignment in the 1990s, he’s convinced he’ll be stranded forever. To make the best of a dire situation, he ignores his employer’s prohibition on having relationships in the past: he falls in love, gets married, has a daughter, and settles into a quiet life in the suburbs.Needless to say, it throws monkey wrench in his plans when the Temporal Corruption Bureau arrives in 2014 and compels him to return to 2142, where an e

James Rollins’ books are usually categorized as thrillers, but most of them could easily be labeled science fiction. An instant bestseller, his latest novel, Crucible, is no exception, revolving around the effort to control Eve, an artificial super-intelligence. On one side of the conflict is a secret sect, the Crucibulum. The spiritual descendents of the Spanish Inquisition, the members of the Crucibulum consider female scientists—like Eve’s inventor, Mara Silviera, a Portuguese graduate student—to be heretics and witches. On the other side is Sigma Force, a group of former soldiers working for the Defense Department’s research and development arm. This is Collins’ 14th novel featuring Sigma Force. When the Crucibulum steal Eve and order her to destroy Paris, the only way Sigma Force can hope to prevent disaster is by unleashing Eve’s equal: a second Eve. The two Eves represent the risks and rewards of the singularity, Rollins says. The bad Eve is a super-intelligence run amok, one who will do