Ongoing History Of New Music

Beauty is in the eye of the beholder—or in the case of music, the ear…what’s pleasant to one person is nothing but noise to someone else… This is where it’s good to have some patience…there are some forms of art whose beauty isn’t obvious at first…you need to stick with it…and after you’ve given it a chance and you’ve decided that it’s not for you, fine… But what about those times where something happens—suddenly or slowly and either on your own or with the prompting of someone else—and you realize that the weird music you’re listening to is actually pretty good?... This is the payoff…yeah, you really had to work for it—but it was worth it…with me so far?.. “beauty” doesn’t mean “perfect”—at least in the technical sense…sometimes imperfection makes something more beautiful…or at least more interesting… Which brings me to the topic of singing voices…this is a very subjective area…how many times have you said “listen to that guy!... I can’t stand his voice!...how did he ever get a record deal?...i mean, li

For a very long time—too long—women were locked in very defined roles when it came to rock’n’roll…girls were expected to look pretty and do little more than sing…okay, maybe shake a tambourine or something…but that was about it… And when it came to singing, “just stick with conventional stuff, dear…don’t get any crazy ideas in your head…this is a woman’s role in rock and you should stick to it…that’s a nice little lady”… But then along came punk rock in the 1970s…punk did many things for rock—including knocking down a lot of heretofore inviolable gender roles…the central tenet of punk was that anyone should have the right to say anything in any matter they want regardless of who they are…that included women and their right to self-expression… The result was fantastic…freed from all the old expectations, women were free to reinvent themselves as musicians in a million different ways…and that led to a wonderful array of female performers… Some of my favourites are the ones who decided to spit in the face of

One of the most useful things about music is that it can be used to tell the world who you are…we’ve all done it…it is a symbol of our individuality and belief in personal freedom…it proclaims our identity to the world… Once you start doing that, you inevitably find that there are people just like you…once you’re drawn together by a love of a common sort of music, you find that you have other shared interests… You start hanging out, maybe at a specific place…maybe you begin to talk about other things, like politics, social issues, fashion…more people join in, some in the same physical space, others franchsing your ideas because they heard about it somewhere… It’s comforting, this little club, this tribe…it sets you apart…maybe others want to join in, looking to fit in with something they admire and desire…that makes you feel kinda cool, right?... And if the circumstances are just right, you and your new friends—the ones you see and the ones you never met—find yourselves part of a musical subculture… This

There is absolutely no need for music—speaking in terms of evolution, anyway… As far as scientists can tell, there’s no compelling reason for humans to make and enjoy music…neurologically, we could get along quite well without it…sure, our world would be very dull, but we’d be fine as a species… Yet for some reason, the human brain seems to be hardwired for music…and it looks like even the non-human brain was constructed this way…archeologists found a flute made out of bone constructed by neanderthals that was almost 90,000 years old… why?... Here are a couple of theories…music was invented because humans (or neanderthals) wanted to imitate birdsong…music was invented as part of some kind of religious ritual or ceremony…or music began as vocalizations on the way to developing spoken language…. Whatever…the origins of music are a mystery—and so is much of what goes on in our brains when it comes to these sounds… Let’s explore…here are nine things about your brain and music… Learn more about your ad choice

I think one of the greatest gifts humans have is a sense of curiosity…the ability to question things around to learn why things are the way they are pushes us forward… Here are my three favourite questions that i think everyone should ask…are we alone in the universe?...who really killed JFK?...and what do dogs dream about when they twitch in their sleep?... But there are plenty of questions we don’t ask that we probably should…let me give you a few examples… When a prisoner about to be executed by lethal injection, why does the doctor swab the iv site with alcohol first?... Why doesn’t Tarzan have a beard?... And how about this: what’s the size of a fart … But you see what I mean…these are questions that probably should have answers?...if you must know, it ranges between the size of a bottle of nail polish and a soft drink can…you’re welcome After discussing important stuff like this with some friends, I got to thinking: can we find the same sorts of unasked questions in the world of music?...turns

So you’ve decided to go all retro and dive into vinyl…no more digital for you…you are going back to the future…it’s all about analogue, baby… Buh-bye, mp3s and digital downloads—except maybe for the songs you want to load on your phone…but that’s the one and only exception…other than the songs you want to play through your car’s entertainment system…that’s two exceptions and no more…unless we count the songs you want to send to friends…those three situations cover off everything—except for the digital tracks you’ll stream… But other than those three—four!—specific needs, you’re going to give up music encoded into zeroes and ones…binary is dead…no more pathetic sampling rates resulting in harsh-sounding square waves…not counting all the cds you own, of course…those are digital files, aren’t they?...i mean, you aren’t going to throw them out, are you?...probably just rip them into my computer… But beyond those five situations, you’re done with digital…mostly…except when you can’t avoid it…which will be 90% o

Sometimes, the pressures of life become a little too much and the methods of escape you choose to cope with them aren’t exactly the best ones…over-indulgence with and reliance upon drugs and/or alcohol is never, ever a good thing…and once you get so far down this road, you need help… When you’re a musician, you have to deal with a whole new set of circumstances…long days, weird hours, bad food, poverty…or maybe you’ve struck it rich and you can’t handle the fame… Or maybe you love the fame a little too much…you like living in your bubble of unreality where people are afraid to tell you “no” and are only too happy to let you indulge in whatever you want, no matter how crazy… Sometimes people seek help on their own…sometimes they need a little, er, encouragement to get the help they need….what you’re about to hear are some rehab stories about artists who took their lives to the edge…some were able to step back….and some—well, you’ll see… Learn more about your ad choices. Visit megaphone.fm/adchoices

On Saturday, August 20, 2016, tens of millions of Canadians watched and listened to the final Tragically Hip concert from Kingston…given Gord Downie’s illness, we knew that was the last time we’d see the band perform together live… That was followed by one of the saddest days in the history of Canadian music…. October 17, 2017, the day Gord Downie died…one tweet summed up everything: “Canada closed: death in the family”… So that was it, then…after more than 30 years, the most Canadian rock band of all time was done…all we had were the music and the memories… But what if we were wrong about that?...what if, somewhere, there was a trove of unreleased material that no one knew existed?...and what if a strange confluence of events led to that cache of music—songs that no one (even the band) had heard for decades—being found and released?...and what if those long-lost songs were really, really good?... To answer those questions: yes, there was a stash of unheard songs…yes, their rediscovery was the result of a

It takes a special kind of band to obscure their appearance…but if you can do it right, then it moves from being a silly gimmick to an important piece of your identity, image, and brand.… When Kiss came along in the early 70s with their Japanese kabuki-inspired makeup, it wasn’t that far out…they came from New York where there was a glitter scene that had a lot of guys wearing make-up…kiss just took it to an extreme: The Demon, Star Child, Spaceman, and Catman… It worked--eventually…Kiss has sold 100 million albums…there was that period after 1983 when they wiped off the greasepaint and showed their faces to everyone, but that’s not what the fans wanted, and they eventually brought it all back… A more contemporary example is Slipknot…their masks have been an essential part of their identity since the band started up in 1995…it started with the clown wearing a clown mask for the band’s first gig shortly before Halloween that year…the rest of the guys thought it was dumb at first, but then they all joined in

Let me say from the outset that I have nothing against small towns…I grew up in one myself…population: 2000…it was in the middle of the Canadian prairies…the nearest big city was Winnipeg…after that, you had to go at least 500 miles before you hit any major population centre… I also want to make sure to let you know that I think living in a small town is a not bad idea…it’s not…it can be a wonderful, low-stress, low-cost secure existence…a lot of the people I went to school with still live in my small town… But there are those who want out, people who want to experience more of the world…they find their lot dull, a dead-end, too far from where the action is…but how to escape?...that’s the problem… One way would be to just buy a bus ticket and hit the highway…you could join the armed forces…or maybe you could form a band, write song songs and become world famous…yeah, that’ll never happen…or could it?... There’s this old saying that all you need to change the world—your world—is three chords and an attitud

The original punk rock explosion of the 1970s was two things…first, it was a major reset for rock’n’roll…think of it as a great musical decluttering… Punk of the 70s wasn’t revolutionary…it was reactionary…the music was stripped back, and everyone went back to the basics…very important… Second, there was an attitude shift…one of the central tenets of punk was that if you had the guts to say something, then do it…and if no one wanted to help you, well, then do it on your own… Taken together, these two principles resulted in what can be described as the big bang for what would later be called “alternative music”…punk set off chain reactions of new ideas, new sounds, new attitudes, new fashion, new belief systems, and generally new ways of doing things… The gloves were off, rules were broken, concepts were explored, and unintended consequences happened…we now look back on this as the great post-punk explosion of the late 70s and early 80s, an era that created so many of the basic foundations of the music we

Every once in a while, music enters a state of flux where the direction of everything is, shall we say, undefined…we see and hear change but we’re not quite sure what it all means just yet…something is coming—but what?... All bets are off, the rulebook has been declared invalid, and everyone is off doing their own thing… I’ll give you an example…in mid-to-late 1950s Britain, popular music was evolving and mutating very quickly…in the midst of imported American rock’n’roll records, the skiffle craze, and various flavours of folk music, some young people rejected contemporary sounds in favour of something known as “trad jazz”… This was a revival of something close to Dixieland jazz from New Orleans, which emerged around the same time as world war 1…that meant music made with trumpets, the trombone, clarinet, the banjo, upright bass, and drums…the new acts mined the more pure, more authentic sounds of the past, hoping to be inspired again… And for a while, it worked…trad jazz was a thing until sometime in th

On April 10, 1815, a volcano erupted in the central part of the Indonesian archipelago…Mount Tambora blew up, ejecting nearly 200 cubic kilometres of debris into the atmosphere…all that dust circled the earth, blocking out a significant amount of sunlight… That blockage was so severe that the average temperature dropped almost a full degree…the result was that 1816 has gone down in history as “the year without a summer”… There were food shortages and famines and outbreaks of disease…and not only was it cold, but huge storms battered much of Europe… That summer, four artsy types were holed up at mansion called Villa Diodati near Geneva, Switzerland…to entertain themselves on through these dark, cold, wet, rainy days, these people drank, had sex, and took opium…and they tried to outdo each other by coming up with the best horror story… One of them, John William polidori, came up with “The Vampyre” about undead bloodsuckers 80 years before Bram Stoker wrote “Dracula”…meanwhile, 22-year-old Mary Shelley, conj

Dancing is as old as the human race…not long after we started walking on two legs, we found a groove and have been moving to the music ever since… Fast-forward several million years and we find that wherever there’s music, there’s dancing that goes along with it…okay, maybe they didn’t exactly bust a move to medieval hymns in the gothic cathedrals, but there had to be at least some swaying going on… We can’t help but move to the music….scientists have documented connections between the aural cortex and the movement centres of our brain…the millisecond we hear music, the motor cortex lights up, indicating a relationship between music, emotion, and the need to move in time with the music…in other words, we seem to be pre-wired to dance…not dancing (or at least moving to music) is unnatural… This caused some problems with some rock fans in the 1970s…dancing was seen as uncool, unless you were pogoing or slam-dancing to a punk band…and when disco came along—the most uncool music and scene of all—dancing was al

By the time we got to the mid-70s, rock had organized itself so that were rules…you did things this way and not that way…then came punk… One of the great gifts of punk rock was a reminder that you didn’t always have to follow the rules…once this attitude took hold, things began to fragment, metamorphosize and mutate at an increasingly rapid rate… The stratification and segmenting was astonishing…once punk began to cool, the environment it created coalesced into what became known as new wave, an approach that redefined what rock could sound like… Then new wave itself began to fragment, thanks to technology…the new cheaper, portable, and more powerful synthesizer was a godsend…you really didn’t have to know much about music to operate one…you just fiddled around until you found some cool sounds and then organized those sounds into a song… Like the original punks, attitude and a willingness to put your music out there was more important than musical ability—except this time, you did it with this new technolo

For the longest time, the sounds of rock were made with voice, guitars, bass, drums, and keyboards like piano and organ…there were plenty of ways to manipulate the sounds of those instruments: effects pedals, studio tricks, happy accidents that happened when you least expected them… And for a couple of decades, this was plenty to work with…we discovered all sorts of techniques to create sounds that no one had ever heard before… But when engineers started messing with electricity in new ways, it became possible for musicians to create sounds that not only we’d never heard before but never imagined hearing…this resulted in an explosion of new, amazing music that was based mostly (if not entirely) on electronic sounds… Experimentation started in the 60s…these sounds worked their way into prog-rock in the 70s…and at the very end of that decade, the technology had become cheap enough for young musicians in the last months of the original punk rock scene to adopt these music-making machines as their own… I’m ta

If you’ve been around enough, you may remember those special times when you know  that you’re in a middle of music history being made… You might be old enough to remember the early 90s…so much new and cool music—led by grunge but supported by all manner of alternative music—came out in ’91, ’92, ’93, ’94, and ’95 that you just knew you were in the midst of a very special time… It felt that not a day went by without there being a new song, a new artist, a new sound, and a new scene worth checking out…it was the alternative revolution—and it was awesome… and so much of it seemed directed at and just perfect just for you… But that was hardly the first time something like this happened…those who were teenagers in the middle 50s knew they were part of something special during the birth of rock’n’roll… The history of the 1960s was largely written in the music of that decade…starting with the Beatles in 1964, every day seemed to bring something new, exciting, and groundbreaking… If you were tied in with punk in

Nerd…noun…a foolish or contemptible person who lacks social skills or is boringly studious…definition 2: a single-minded expert in a particular technical field...example: a computer nerd… It’s an old word, too…the, er, nerds at google have a thing called “the ngram viewer” which scans the text of books going back to 1500…in other words, pretty much right back to the inventing of the printing press… According to these nerds, “nerd” (the word) shows up for the first time in an book called “a true discourse of the assault committed upon the most noble Prince, Prince William of Orange, County of Nassau, Marquesse De La Ver & C,” by John Jarequi Spaniarde: with the true copies of the writings, examinations, and letters for sundry offenders in that vile and diuelifh (i have no idea what that word is) attempt”… I can’t tell you what “nerd” referred to in that book because it’s written in old Spanish and i couldn’t be bothered to find a translation…I’d need a real etymological nerd for that… The word fell into di

Fifty years ago, there was no such thing as a Canadian music industry…well, at least not compared to the U.S. or the UK…we had bands that played gigs and recorded singles and albums…but there wasn’t much of an infrastructure to support a domestic scene… Too few recording studios…a lack of experienced promoters, managers, and producers…there was a tiny collection of domestic record labels…and there was a steady drain of talent to the united states…if you wanted to make it really big, you had to leave the country…that’s kind of discouraging, right? And Canadian radio stations weren’t helping…there was a perception that audiences did not want to hear much of this domestic music because, well, it wasn’t very good…it was inferior to all the music coming from America and England…this contributed to the overall opinion with the general public that Canadian music just wasn’t worth anyone’s time… At the same time, though, it didn’t seem right that our musical culture and our music scenes (such as they were) be over

Here is a truth that some people find very uncomfortable: rock, alt-rock and indie rock are predominantly white…why is that?...the answers—and there is more than one—are complicated…there has actually been a quite a lot of study on this question… Perhaps it’s because non-white people don’t choose this music as part of the way they project their identity to the world…culturally, they just don’t identify with these forms of music, so they naturally gravitate somewhere else… Others ask how this is different from someone choosing the music of their culture and ethnicity over that of another?...if you’re Italian, for example, the chances are you will have a greater affinity to Italian music than you would, say, gamelan music of bali… Here’s another truth: any form of music tends to reflect the shared sentiments of a particular community…. compare indie attitudes with hip hop…an indie band wouldn’t think of singing about drinking Cristal in the back of a Maybach while discussing the size of the diamonds in their