Composer Quest: A Songwriting And Music Composition Podcast

Paul Fraser went into the CalArts composition program with the mindset that he would spend half his time making weird music, and half his time composing for animations. He’s since worked with some amazing animators, including the creators of Adventure Time. In this episode of Composer Quest, Paul shares his creative process in composing and sound designing animations. We also talk about some of his creative personal projects, like his “Weekly Splice,” where he gathers one sound every day and mixes seven of them together at the end of the week.

As a singer with a very pure tone, Adrienne Albert has been recruited to work with many talented composers over the years, including Leonard Bernstein, Philip Glass, and Igor Stravinsky. In this episode of Composer Quest, we talk about Adrienne’s own composing process. She shares some stories behind her music, including how she used woodwind players to represent a chorus of animals in her Alaska-inspired "Animalogy."

The MNKINO filmmaking group and the Composer Quest podcast are teaming up to bring you a fun challenge for the summer. Filmmakers will make short films, composers will write scores for them, and the Composer Quest Orchestra will perform these scores live along with the films. Sign up at composerquest.com/quest9

In order to be more productive, composer Justin Merritt once tried polyphasic sleeping, meaning he slept only a couple hours per day. After countless hours of busyness, he finally came to the revelation that he just needed to feel bored to become inspired. In this episode of Composer Quest, Justin and I talk about how Buddhist philosophies have influenced his life as a composer, and he shares some great composition advice he gives to his students at St. Olaf. Justin also explains how he invented a unique system of creating scales and modulating, which he used in his beautiful piece “Lachryme” for string orchestra.

I’m excited to bring you this Composer Quest podcast episode with talented video game composer Rich Vreeland (aka Disasterpeace). We talk about his snowflake-catching game January, and how he infused his code with music theory to make some beautiful generative music. Rich also explains his composing techniques for the indie games FEZ and The Floor is Jelly.

In honor of Star Wars Day (May the 4th be with you), our eighth Composer Quest quest will involve the number four. Your challenge, should you choose to accept it, is to write a piano piece for four hands (two pianists at one piano). You’re also encouraged to work the number four into your piece in other ways, like the harmony, rhythm, or form. The best pieces will be performed by Susan Hsu and Franco Holder here in Minnesota on May 4th (6pm, Underground Music Cafe).

When he was just 14, Joey Johnson started touring with America’s Polka King, Frankie Yankovic. Joey has carried on the tradition with his own polka band, and in this episode of Composer Quest, he shares everything he knows about accordions and polka. Joey’s original tunes have been featured in a number of commercials and TV, and we talk about the pros and cons of being published in a production music library.

We get a sneak preview of Nathan Eliot’s first solo album, Universe in Me. Nate talks about singing super high as a countertenor, and bringing his mandola into a special ed classroom. The album Universe in Me (coming out soon) was written by Nathan Eliot and produced by Andy Thompson. It also features drummer Alex Young, cellist Dan Lawonn, and bassist Andrew Foreman.

“Outsider” composer Rick Sowash has 14 beautiful chamber music albums to his name, all self-published and fan-supported. After graduating from a prestigious music school that he hated so much he refuses to name, he vowed to stay independent of any academic or commercial organization. In this episode of Composer Quest, Rick shares his entire strategy for making it as an independent composer, which he’s been perfecting for many years. We also get to hear how Rick converted orange juice, French toast, eggs, and bacon into music for a treble clef quartet.

Fellow composition podcaster Tom Snively has been producing new tracks weekly and picking them apart on his show Making My Own Music. However, his inner composer was dormant for many years as he worked as a computer programmer, then as a financial planner. In this episode of Composer Quest, I talk with Tom about his new venture to make a career out of composing and producing. He’s been experimenting with writing video game scores, jazz saxophone tunes, new age music, and a spoken word track based on Philly cheesesteaks.

Ellen Stanley (aka Mother Banjo) brought her banjo over to the Composer Quest studio to share some songs and stories. We talk about everything from her Walden-inspired song to her unusual connection to Paul McCartney. In addition to her banjo-playing career, Ellen is the executive director of the Minnesota Music Coalition, and for eight years she worked as a publicist for Red House Records. So she also shares some advice on networking, getting airplay, etc.

If some episodes of Composer Quest are like delicious deserts, then this one is like eating your vegetables. Just in time for tax season, we have a special episode on tax tips for musicians and other creative professionals. Attorney and CPA Brad Begley shared lots of tax advice at an event hosted by the Minnesota Music Coalition and Music Mafia Minnesota. It’s especially helpful for freelancers and people with a growing creative business.

After a failed dolphin keyboard experiment, Seth Horowitz decided to change roles from dolphin trainer to biopsychologist, neuroscientist, aural therapist, and author. In this Composer Quest episode, Seth shares his knowledge of how echolocation works, and how he used his knowledge of bats to sound design an alien race for a sci-fi show by the producers of The Walking Dead and Heroes. We also talk about his aural therapy recordings engineered to induce sleep, nausea, pain relief, etc.

If you heard the Questmas episode, you’ll remember Josh Wilson’s thrilling adventure to find a fortune cookie in Taiwan. I’ve gotten a kick out of his quirky YouTube series Mr. Wilson Presents, which is a great example of how classical composing can be fun and approachable. Of course, this “infotainment” is not without Josh’s flair for music theory terminology. In this Composer Quest episode, Josh teaches me a thing or two about how to structure a symphony like Haydn, how to write upside-down “table music” like Mozart, and how to make decent-sounding choral MIDI files.

Laura Marie believes one of the keys to great songwriting is overcoming self-consciousness and writing with brutal honesty about your own life. In this episode of Composer Quest, we talk about the benefits of forcing yourself to write consistently, and Laura shares songs and stories from her song-a-week project.

At Berklee College of Music, Pat Pattison created the world’s first songwriting major. He has taught a host of talented songwriters, including Grammy winners John Mayer and Gillian Welch. I was introduced to Pat through his free online Songwriting course (check coursera.org), and his method of “preserving the natural shape of the language” has really helped me analyze my own lyric writing. In this episode of Composer Quest, I ask Pat about his theory that our language can be interpreted like a piece of music, with a tonic note and harmonic structure. I also share music from The Happiness Project, in which Charles Spearin wrote music to match up with the speech patterns of his family and neighbors.

The 7th Composer Quest Quest is here! As Valentine’s Day quickly approaches, I challenge you to write a piece of music for your valentine. The twist is, it must be for your valentine to perform, not you. So if that special someone plays an instrument or sings, this is the perfect opportunity to give him or her a unique gift. Don’t feel limited to writing for a romantic valentine, either; you could also choose a friend or family member.

Craig Carnahan has been a part of the American Composers Forum since it was small enough to fit in someone’s living room. In this episode of Composer Quest, he shares some advice on writing grants, getting performances of your music, and arranging copyrighted material. Craig explains how ACF’s Innova recording label works, and why it’s such a great opportunity for composers. We also get to hear a few of Craig’s original pieces.

Chris Kukla shares some practical advice about freelancing as a video game composer: where to find gigs, how to get paid, and how to work with your clients.

The infamous trio Lazerwülf joined me for a Composer Quest interview about their new charity single to raise money for children in Africa. We also unearthed some deep cuts from the Lazerwülf catalogue.