Composer Quest: A Songwriting And Music Composition Podcast

Santa visits the Composer Quest studios to kick off this special Christmas episode. You’ll get to hear music from the past three quests. First, we travel out to rural Minnesota for KMS Elementary’s heartwarming performance of our collaborative Christmas musical Elfluenza. Ms. Hamann’s 1st-3rd graders also give us composers some advice. Next, I reveal which orchestral carol arrangements were chosen and performed by the Amadeus Chamber Symphony. Finally, we get to experience Mr. Wilson’s epic journey to find a fortune cookie in Taiwan for the fortune cookie songwriting quest.

Experimental songwriter Ben Simon (aka Felix Frost) caught my ear when I was judging the SpinTunes songwriting contest. His album Phineas Flux has a really shiny pop sound, but it almost never repeats the same phrase twice (in fancy composer language, that’s called “through-composed”). We talk about his elaborate plot-driven songs about cowboys and pirates in this episode of Composer Quest.

Music Psychologist Victoria Williamson is an expert on earworms – songs that stick in our heads. In this episode of Composer Quest, she reveals her findings on what makes a melody sticky. Vicky also answers my other pressing music psychology questions: Why do babies have an innate sense of rhythm? Why did Clive Wearing, a severe amnesiac, retain his ability to perform music? When did humans start playing instruments? Also in this episode, you’ll get to hear the sound of the world’s oldest instrument, and a never-before-released Charlie song. Enjoy!

Guitarist Dylan McFarling is obsessed with studying the work of other songwriters and composers, all the way back to Bach and his ingenious Musical Offering. In this episode of Composer Quest, Dylan shares his songwriting tips and explains how string quartets have inspired the way he orchestrates guitar and voice in his songs. Also in this episode, you’ll hear some beautiful, previously unrecorded songs that Dylan performed live in the Composer Quest studio.

Composer Richard Russell is a philosopher at heart. In his mission to become a better composer, he went back to school to study the big questions surrounding aesthetics, music, and beauty. He has also dug into both existential and practical composing topics in his podcast Creativity and Composition (one of my favorites). I’m pleased to bring you this Composer Quest podcast interview with Richard, in which we discuss everything from feminist musicology to Plato to getting performance royalties from ASCAP.

After nerding out about video game soundtracks for 20+ years, Michael Chadwick finally started composing his own, a few of which are for games that don’t actually exist. In this episode of Composer Quest, we chat about Michael’s score for his made-up RPG Ebben Flow, his chiptune album Average Town, and his soundtracks he composes for his everyday activities (eating a muffin, doing the dishes, etc.).

DJ, opera singer, and film composer Brooke deRosa is making a name for herself around LA. She recently sang operatic vocals on Ghostface Killah’s new album 12 Reasons to Die and performed on Jimmy Fallon with the group. In this episode of Composer Quest, Brooke gives us some practical advice she’s learned from scoring over 15 films and TV shows in the past five years. She also shares tips on composing for vocalists.

Have you ever drawn a fortune from a fortune cookie and thought, this would make an awesome song? No? Well neither had I, until just recently. So I decided to make that our challenge for the sixth Composer Quest quest. I’m hoping this one will inspire you to meet up with other songwriters and composers to get your creative gears really turning.

Your regular Composer Quest host has been replaced by a Demonic Overlord. Enjoy this talk with William Dodson and Wendell Jones, who compose Halloween music as the duo Sideshow Sound Theatre. Stay until the end to hear a brand new song by the Demonic Overlord himself, about one of his favorite pastimes.

Poet Brian Laidlaw has been teaching songwriting at McNally Smith College of Music, in which he challenges students with assignments like writing from the perspective of a murderer. In this episode of Composer Quest, Brian shares some of the best lyric-writing tips you’ll ever hear on the podcast. We also talk about his Internet Cat Video Festival performance, which aired on Animal Planet. As a special treat, Brian premieres a powerful new song called “One Tree Falling.”

DJ/producer duo Sjoerd Huissoon and Tim van Doorne are on a quest to get one huge dance hit with their project Ducked Ape. In this episode of Composer Quest, I interview Sjoerd and his manager Budi Voogt about what it takes to break into the dance scene in the Netherlands. We also talk about what Budi looks for in new artists to sign on his label, Heroic Recordings.

Cognitive neuroscientist Wilma Koutstaal studies and teaches about creativity at the University of Minnesota. In this episode of Composer Quest, she shares words of wisdom with all of us who want to be more creative. We talk about how to to get unstuck from writer’s block, how to move between abstract and detailed thinking, and how to avoid procrastination.

Every week, disquiet.com music journalist Marc Weidenbaum feeds his community of hungry sound artists a creative new challenge. In this project, called Disquiet Junto, Marc challenges composers to produce tracks based on an ice cube, or an Instagram photo, or the sound of space plasma hitting the Voyager I. Marc joins me for this episode of Composer Quest to share some of the coolest and most influential sound art pieces. Marc also explains why he believes music as we know it will be totally absent from films in a matter of decades.

I’m excited to announce a brand new Composer Quest competition! The Amadeus Chamber Symphony is in need of Christmas carol arrangements for their holiday performances with the College of Saint Benedict and Saint John’s University choirs. The performances are attended by over 1,500 people, so it will be great exposure for the chosen composers. Eight arrangements will be performed, recorded, and featured on my podcast.

Student jazz players have likely come across the name Dean Sorenson – his jazz curriculum books have been published by Kjos music and played in schools across the globe. In my Composer Quest interview with Dean, I ask him about how he makes music fun and playable for younger jazz players. We also talk about the differences between improvising and composing.

In this special episode of Composer Quest, multi-platinum songwriter Kevin Bowe tells us everything he’s learned about getting your music published and placed on TV. He also explains how to get the biggest piece of the music royalty pie you can. He’s a really entertaining and knowledgeable guy, so I’m happy to bring you this hour+ of great music business advice.

Desmond Simmons, a.k.a. Precise Hero, produces music using only open-source software – he says his computer is too old to handle anything other than Linux. So how did Desmond’s DIY mixes end up on the Japanese label P-Vine Records? Creative fortitude and a collaborative spirit have been keys to Desmond’s success. In this (50th!) episode of Composer Quest, Desmond shares his thoughts on our remix culture, and why 70s Brazilian music is the best kind to sample from.

Guitarist, composer, and podcast producer Anthony Joseph Lanman has racked up over 350,000 followers on Soundcloud – a number most classical musicians can only dream of. You’d think this huge listenership (along with advanced composing degrees) would result in instant job opportunities in the composing world, but Anthony is still figuring out how to make a living writing music. Regardless, he has dedicated himself to writing classical music of this era. Through his compositions and his two podcasts, he aims to make classical music accessible to everyone, not just music theory professors. In this episode of Composer Quest, Anthony talks with me about his career path, his music, and his answer to the question, “What would Beethoven be writing today?”

The stereotype of African rhythms being complex and fascinating is completely true. I found out firsthand during my nine months in a very remote part of Tanzania, living at Hanga Abbey and teaching English, computers, and music to kids in the village. Since most of these kids don’t have access to instruments, they found a way to make totally compelling songs using only their voices. In this episode of Composer Quest, I feature some of my students’ music, plus an interview with one of Hanga’s coolest monks, Brother Onesmo Sanga. He shares his new music, which features a choir and electronic organ. Hopefully you can understand his end of our conversation, despite poor audio quality and his thick Swahili accent.

I set out to create the first episode of Composer Quest Season Two, and ended up with this heavenly look back at my musical history, embarrassing demos and all. So now, for something completely different…