Boxcars711 Old Time Radio Pod

The Hot Spot (Aired August 31, 1954)Crime and Peter Chambers, stared Dane Clark as a hard-hitting private eye that worked well the with police department. His counter part at the NYPD was Lt Parker played by Bill Zuckert. The series was based on the character created by Henry Kane who wrote eight Peter Chambers novels before the series came to radio. Henry Kane wrote the scripts for the radio show adaptation which aired from 6 Apr – 7 Sep 1954 on NBC. The show was directed by Fred Weihe. There are a total of 21 episodes available from the series. Show Notes From The Old Time Radio Researcher's Group.THIS EPISODE: August 31, 1954. NBC network. Sustaining. Johnny Silver, a well known band leader, has been murdered at "The Hot Spot," a swank nightclub. Dane Clark, Henry Kane (creator, writer), Fred Collins (announcer), Fred Weihe (director), William Zuckert, Rita Lynn, Donald Buka. 25:25. Episode Notes From The Radio Gold Index.

The Haunted Hangman (1950) *The Exact Date Is Unknown.The Creaking Door  was South African Radio's attempt to create a compelling program of highly suspenseful, dramatic thrillers with a supernatural bent for their sponsor, State Express Cigarettes. Some commentators insist it was conceived as a spin-off of the already successful Inner Sanctum  episodes that had been syndicated for broadcast in Australia and South Africa during the 1950s. Given the format, one can see the inference, but in fact The Creaking Door stands on its own as a unique, well-produced, engaging supernatural thriller series on its own merit. When legendary producer and director, Himan Brown first presented Inner Sanctum as one of three requested sponsorship candidates to Carter Products, he presented Inner Sanctum as The Creaking Door. Carter didn't care for the name, so on the spur of the moment Hi Brown suggested Inner Sanctum as an alternative, and voila, Radio history was made. Show Notes From The Digital Deli.

This was drama with a difference. Columbia Workshop was not everybody’s cup of tea and in terms of audience popularity it was always noted that it was never a strong contender for the title “Radios Top Rated Drama Series” and yet it was always considered to be the drama program that led the way in radio standards. Columbia was the first to experiment with what radio drama was all about, introducing new techniques never before used in over the airwaves drama and because it received little encouragement from established writers, actors, etc., it was only by breaking new ground with new ideas and new techniques from writers who were not versed in the old ways that it was going to survive.  Unlike theater drama which required scenery to stage the settings of a play. Radio drama relied only on the imagination of the listener to interpret the scene. But without the right kind of writer the whole thing could fall flat on it’s face.THIS EPISODE:December 14, 1939. CBS network. "Story In Dogtown Common". Sustaining. Th

 The Kachin Story (Aired June 18, 1950)Based on the book, Cloak and Dagger: The Secret Story of the O.S.S. by Corey Ford and Alistair McBain, the Radio rendition of these fascinating stories promised to keep any listener perched on the edge of their seat. Apart from describing the book upon which the new adventure series was based, the above is just about all the fanfare that was associated with the roll-out of NBC's only espionage program of the year. It was also one of the few solo productions that Wyllis Cooper undertook for NBC. It was also Cooper's first collaboration with British crime journalist Percy Hoskins, who would work with Cooper yet again on NBC's WHItehall-1212 a year hence. The combination of Hoskin's unfailingly accurate research and Cooper's lively, fast-paced writing and direction proved to be an excellent underpinning for an espionage adventure drama based on factual events.THIS EPISODE:June 18, 1950. NBC network. "The Kachin Story". Sustaining. 4:00 P. M. An O. S. S. operative is shot do

CHRISTOPHER LONDON was the name and the hero of this 1950 radio show that related the adventures and exploits of a private eye who will "go anywhere and do anything...for a price." Of an added interest is the fact that this guy is supposedly based on a character created by Erle Stanley Gardner. It's an excellent detective drama with Glen Ford in the lead role. Supporting cast compliment his talent. There is little else known about this NBC 1950 presentation.Glenn Ford had not yet appeared in his own recurring dramatic Radio showcase. Christopher London gave millions of Glenn Ford fans an opportunity to hear him in a top-notch adventure anthology as Christopher London, a private investigator with an adventurous wanderlust reminiscent of Alan Ladd's Box Thirteen, Herbert Marshall's The Man Called X and Brian Donlevy's Dangerous Assignment--with a few elements of The Shadow and The Green Lama thrown in. The timing wasn't surprising, given Radio's mounting desperation to retain its listening audience in the face

Harry Troll's Diamond (Aired May 4, 1952)The Chase is an exciting Old Time Radio series in which every episode contains, well, a chase. Tales, highly melodramatic and often improbable, of people on the run. The concept of "hunter and hunted" was built into the signatures. with the lone bugle of a fox hunt, the braying of dogs, the sounds of a man running, a gunshot, and the slowing footsteps and eventual fall of the victim. It may be an adventure story, a crime story, or even science fiction, but there will always be a suspense filled chase. THIS EPISODE:May 4, 1952. NBC network. "Harry Troll's Diamond". Sustaining. An alcoholic named Harry Troll finds a diamond the size of a prune! He not only is unable to sell it, he can't even give it away! The title may not be accurate. Lawrence Klee (creator, writer), Walter McGraw (director, transcriber), Fred Collins (announcer), Kermit Murdock, Bryna Raeburn, Court Benson, Santos Ortega, Roger De Koven, Dan Ocko, Clem Flower. 29:36. Episode Notes From The Radio Gold I

Boxcars711 Overnight Western "Gunsmoke" -Killer Mike Evans (Aired May 13, 1956)Gunsmoke is an American radio and television Western drama series created by director Norman MacDonnell and writer John Meston. The stories take place in and around Dodge City, Kansas, during the settlement of the American West. The radio version ran from 1952 to 1961, and John Dunning writes that among radio drama enthusiasts "Gunsmoke is routinely placed among the best shows of any kind and any time." The television version ran for 20 seasons from 1955 to 1975, and still remains the United States' longest-running prime time, live-action drama with 635 episodes ("Law and Order" ended in 2010 with 476 episodes).THIS EPISODE:May 13, 1956. CBS network. "Killer Mike Evans". Sponsored by: ChesterfieMld, L & M. Evans, a tough "Mule Skinner" stands down when his girl friend is struck in her face and then ptotected by the marshall. Miss Kity takes mavis with her for protection. A man named Marcus Price, a gambler from Philadelphia, fa

Dragnet - The Big Mustache (03-23-54)The Big Mustache (Aired March 23, 1954)The first several months were bumpy, as Webb and company worked out the program’s format and eventually became comfortable with their characters (Friday was originally portrayed as more brash and forceful than his later usually relaxed demeanor). Gradually, Friday’s deadpan, fast-talking persona emerged, described by John Dunning as "a cop's cop, tough but not hard, conservative but caring." (Dunning, 210) Friday’s first partner was Sgt. Ben Romero, portrayed by Barton Yarborough, a longtime radio actor. When Dragnet hit its stride, it became one of radio’s top-rated shows. While most radio shows used one or two sound effects experts, Dragnet needed five; a script clocking in at just under 30 minutes could require up to 300 separate effects. Accuracy was underlined: The exact number of footsteps from one room to another at Los Angeles police headquarters were imitated, and when a telephone rang at Friday’s desk, the listener heard the

INTRO: Bob Camardella Plays Dionne Warwick & Then Spinners "Then Came You" (1974)Boston Blackie REPAIRED- The Jonathan Diamond aka: Rockwell Diamond (06-23-44)The Jonathan Diamond aka: Rockwell Diamond (Aired June 23, 1944)The Boston Blackie radio series, also starring Morris, began June 23, 1944, on NBC as a summer replacement for The Amos 'n' Andy Show. Sponsored by Rinso, the series continued until September 15 of that year. Unlike the concurrent films, Blackie had a steady romantic interest in the radio show: Lesley Woods appeared as Blackie's girlfriend Mary Wesley. Harlow Wilcox was the show's announcer. On April 11, 1945, Richard Kollmar took over the title role in a radio series syndicated by Frederic W. Ziv to Mutual and other network outlets. Over 200 episodes of this series were produced between 1944 and October 25, 1950. Other sponsors included Lifebuoy Soap, Champagne Velvet beer, and R&H beer.THIS EPISODE:June 23, 1944. "The Jonathan Diamond aka: Rockwell Diamond" - NBC network. Sponsore

Boston Blackie - The Jonathan Diamond aka: Rockwell Diamond (06-23-44)The Jonathan Diamond aka: Rockwell Diamond (Aired June 23, 1944)The Boston Blackie radio series, also starring Morris, began June 23, 1944, on NBC as a summer replacement for The Amos 'n' Andy Show. Sponsored by Rinso, the series continued until September 15 of that year. Unlike the concurrent films, Blackie had a steady romantic interest in the radio show: Lesley Woods appeared as Blackie's girlfriend Mary Wesley. Harlow Wilcox was the show's announcer. On April 11, 1945, Richard Kollmar took over the title role in a radio series syndicated by Frederic W. Ziv to Mutual and other network outlets. Over 200 episodes of this series were produced between 1944 and October 25, 1950. Other sponsors included Lifebuoy Soap, Champagne Velvet beer, and R&H beer.THIS EPISODE:June 23, 1944. "The Jonathan Diamond aka: Rockwell Diamond" - NBC network. Sponsored by: Rinso, Lifebuoy Soap. 10:00 P. M. The first show of the series. Blackie is arrested in

Slate Gets The Hook (Aired October 8, 1951)One can only imagine the number of Ad agencies, networks, sponsors, and syndicators that lined up month after month to pitch a Radio project to Humphrey Bogart and Lauren Bacall. That's undoubtedly a story in itself. What the Bogarts finally settled on has become something of a cult favorite in the world of Golden Age Radio. And they settled on a gem--for both its day and for generations of Golden Age Radio fans to come. The concept of Bold Venture had to have piqued the Bogarts' interest from the first pitch. Having already bought their beloved Santana schooner from Dick Powell and June Allyson, they'd become one of America's leading seafaring families within just a couple of years. The seafaring wanderlust aspect of the concept of Bold Venture had to have been one of the project's most persuasive elements. Add to that their impending departure for the bowels of Africa to film Bogie's classic, The African Queen (1951) and Frederick Ziv's willingness to bend over bac

The Bathtub (Aired April 1, 1952)Opening in 1875, the Crime Museum at Scotland Yard is the oldest museum in the world purely for recording crime. The name Black Museum was coined in 1877 by a reporter from The Observer, a London newspaper, although the museum is still referred to as the Crime Museum. The idea of a crime museum was conceived by Inspector Neame who had already collected together a number of items, with the intention of giving police officers practical instruction on how to detect and prevent burglary. It is this museum that inspired the Black Musuem radio series. The museum is not open to members of the public but is now used as a lecture theatre for the curator to lecture police and like bodies in subjects such as Forensic Science, Pathology, Law and Investigative Techniques. A number of famous people have visited the musuem including Sir Arthur Conan Doyle, Harry Houdini, Stan Laurel and Oliver Hardy. Orsen Welles hosted and narrated the shows.THIS EPISODE:April 1, 1952. Program #25. Syndicat

Pittsburgh Lil (Aired October 19, 1937)Hard-nosed editor, Wilson, as played by Robinson would get the story no matter what it takes. Though sometimes over the top, Robinson was excellent in his role. The stories were well written and directed by William N. Robson as well as McGill. The skill of this group shows in making the series very good radio. The show was a big promoter of the free press and the first amendment with its opening sequence: "Freedom of the press is a flaming sword! Use it justly...hold it high...guard it well!" The second series began immediately in the 1943 season when the production moved from Hollywood to New York. Robinson left (Trevor left two years earlier as her career starting taking off) and McGill reorganized the series placing Edward Pawley in the role of Wilson opposite Fran Carlon as Lorelei. Pawley's Wilson was more mellifluous compared to the rather nasty Robinson. THIS EPISODE: October 19, 1937. CBS network. "Pittsburgh Lil (10-19-37)" Sponsored by: Rinso. The first show of

Big Show - "Guests Jimmy Durante & Milton Berle" (04-29-51)-STEREOAired April 29, 1951April 29, 1951. NBC network. Sponsored by: Canon Towels, Chesterfield, Anacin, RCA. Ethel Merman opens the show with, "There's No Business Like Show Business." Frank Lovejoy appears in an "I Was A Communist For The FBI" drama and the real Matt Cvetic makes a brief anti-communist speech. Rosemary Clooney sings, "Taking a Chance On Love." Gordon MacRae recalls his days as an NBC page. Uncle Miltie does a great monologue about the good old days of radio, and other topics. The cast does a salute to Meredith Willson by singing a medley of his compositions. Bing Crosby, Bob Hope, Dee Englebach (producer, director), Ed Herlihy (announcer), Ethel Merman, Frank Lovejoy, Frank Wilson (narrator), George Foster (writer), Goodman Ace, Gordon MacRae, Jimmy Durante, Matt Cvetic, Meredith Willson and His Orchestra, Milton Berle, Morton Green (writer), Rosemary Clooney, Selma Diamond (writer), Tallulah Bankhead. 89:25.  Episode Notes Fro

The Green Vase (1968) *The Exact Date Is Unknown.This series was written by Michael McCabe and was produced in South Africa. It was a replacement for another series McCabe produced, called SF68. That series adapted famous Sci-fi stories to radio, and it seems to have been the place where McCabe honed his craft. The subject matter to Beyond Midnight was more horror oriented, including madness, murder, and supernatural sleuths! What survives today doesn't involve a horror host per se, but a few include framing narration (by someone involved in the plot) while others just start up the story with no announcer or lead-in whatsoever. So it's possible the regular host or announcer was left off (edited out) of the recordings. The host-- if there was one-- may have only been heard by those who listened to this series when it first aired. It's another radio mystery we may never know for sure, but we're lucky to at least have some of the recordings! 

On Borrowed Time (Aired June 15, 1952)Best Plays presents theatrical paramounts of excellence. It's hosted by the drama critic of New York’s Daily News, John Chapman. Dramatic and comedic performances outshine other theater radio shows, greatly performed by such greats as Boris Karloff and Alfred Drake. In This Episode, On Borrowed Time  a 1939 film about the role death plays in life, and how we cannot live without it. It is adapted from Paul Osborn's 1938 Broadway play, which was a smash hit. The play, based on a novel by Lawrence Edward Watkin, has been revived twice on Broadway since its original run. Set in a more innocent time in small-town America, the film stars Lionel Barrymore, Beulah Bondi and Cedric Hardwicke. THIS EPISODE:June 15, 1952. NBC network. "On Borrowed Time". Sustaining. A delightful story about an old man who gets the Devil up a tree...literally! Parker Fennelly, Mildred Natwick, David Anderson, Peter Capell, William Griffis, Agnes Young, Teri Keane, Luis Van Rooten, Karl Weber, John Ch

Broadcast Of August 23, 1949Contestants were chosen from the studio audience and were usually married couples, occasionally engaged, dating, or another familial relationship. Collyer would ask them general questions (usually including where they were from and how long they'd been married) and usually asked if they had children, their ages and genders. Sometimes the couple would bring some or all of their children with them on the show. Collyer would usually take some time out to talk to the children and ask them questions like what they wanted to be when they grew up, or if the kids were not at the show to have their parents wave to them at home. The husbands on the show usually wore a business suit. Collyer would often ask the husband to take off his coat for stunts to make it less cumbersome (there were a few hooks on the contestants' podium for this purpose, or Collyer would just hold the coat). Occasionally, if there was going to be a messy stunt, the husband would come out dressed in a plastic jumpsuit t

Scream For Murder (Aired July, 1953)Barry Craig, Confidential Investigator is one of the few detective radio series that had separate versions of it broadcast from both coasts. Even the spelling changed over the years. It was first "Barry Crane" and then "Barrie Craig". NBC produced it in New York from 1951 to 1954 and then moved it to Hollywood where it aired from 1954 to 1955. It attracted only occasional sponsors so it was usually a sustainer. William Gargan, who also played the better known television (and radio) detective Martin Kane, was the voice of New York eye Barry Craig while Ralph Bell portrayed his associate, Lt. Travis Rogers. Craig's office was on Madison Avenue and his adventures were fairly standard PI fare. He worked alone, solved cases efficiently, and feared no man. As the promos went, he was "your man when you can't go to the cops. Confidentiality a speciality." Like Sam Spade, Craig narrated his stories, in addition to being the leading character in this 30 minute show. As an actor, Will

The Department Of Death (Aired September 14, 1945)The Avenger is a fictional character whose original adventures appeared from 1939 to 1942 in The Avenger magazine, published by Street and Smith Publications. Five additional short stories were published in Clues Detective magazine from 1942 to 1943, and a sixth novelette in The Shadow magazine in 1943. Newly-written adventures were commissioned and published by Warner Brother's Paperback Library from 1973 to 1974. The Avenger was a pulp hero who combined elements of Doc Savage and The Shadow though he was never as popular as either of these characters. The authorship of the pulp series was credited by Street and Smith to Kenneth Robeson, the same byline that appeared on the Doc Savage stories. The "Kenneth Robeson" name was a house pseudonym used by a number of different Street & Smith writers. Most of the original Avenger stories were written by Paul Ernst. THIS EPISODE: September 14, 1945. Program #15. Michelson syndication. "The Department Of Death". M

Between Life & Death (Aired March 24, 1944)With the listening audience increasing in the spring and summer of 1928, the show's success prompted the Pepsodent Company to bring it to the NBC Blue Network on August 19, 1929. Amos was naïve but honest, hard-working and (after his 1933 marriage to Ruby Taylor) a dedicated family man. Andy was more blustering, with overinflated self-confidence. Andy, being a dreamer, tended to let Amos do most of the work. Their lodge leader, the Kingfish, was always trying to lure the two into get-rich-quick schemes. Other characters included John Augustus "Brother" Crawford, an industrious but long-suffering family man; Henry Van Porter, a social-climbing real estate and insurance salesman; Frederick Montgomery Gwindell, a hard-charging newspaperman; William Lewis Taylor, the well-spoken, college-educated father of Amos's fiancee; and "Lightning", a slow-moving Stepin Fetchit-type character. THIS EPISODE: March 24, 1944. "Between Life & Death" - NBC network. Commercials d