Boxcars711 Old Time Radio Pod

Forever Walking Free (Aired April 23, 1945)Author's Playhouse was an anthology radio drama series, created by Wynn Wright, that aired on the NBC Blue Network from March 5, 1941 until October 1941. It then moved to the NBC Red Network where it was heard until June 4, 1945. Philip Morris was the sponsor in 1942-43.  Premiering with "Elementals" by Stephen Vincent Benét, the series featured adaptations of stories by famous authors, such as “Mr. Mergenthwirker’s Lobbies” by Nelson Bond, "The Snow Goose" by Paul Gallico, "The Monkey's Paw" by W.W. Jacobs, "The Piano" by William Saroyan and "The Secret Life of Walter Mitty" by James Thurber. Cast members included Curley Bradley, John Hodiak, Marvin Miller, Nelson Olmsted, Fern Persons, Olan Soule and Les Tremayne. Orchestra conductors for the program were Joseph Gallicchio, Rex Maupin and Roy Shield. Directors included Norman Felton, Homer Heck and Fred Weihe. THIS EPISODE:April 23, 1945. NBC network, Chicago origination. "Forever Walking Free". Sustaining. A story

The Big Dance (Aired September 4, 1948)Archie Andrews, created in 1941 by Bob Montana, is a fictional character in an American comic book series published by Archie Comics, a long-run radio series, a syndicated comic strip and animation -- The Archie Show, a Saturday morning cartoon television series by Filmation, plus Archie's Weird Mysteries. Archie Andrews began on the Blue Network on May 31, 1943, switched to Mutual in 1944, and then continued on NBC from 1945 until September 5 1953. Archie was first played by Charles Mullen, Jack Grimes and Burt Boyar, with Bob Hastings as the title character during the NBC years.The sponsor was Swift Products. The Cast: Harlan Stone, Alice Yourman, Arthur Kohl, Gloria Mann, Rosemary Rice.THIS EPISODE:September 4, 1948. "The Big Dance" - NBC network. Sustaining. Archie is going to a dance and Dad is trying to take a bath, not at all as easy as it sounds. Bob Hastings, Harlan Stone, Alice Yourman, Ian Martin, Gloria Mann, Rosemary Rice. 29:48. Episode Notes From The Radio

INTRO: Bob Camardella Plays Barbra Streisand The Way We Were (1973)Mr. Ten Percent (Aired May 17, 1945)Arch Oboler's Plays was a radio drama series written, produced and directed by Arch Oboler. Minus a sponsor, it ran for one year, airing Saturday evenings on NBC from March 25, 1939 to March 23, 1940 and revived five years later on Mutual for a sustaining summer run from April 5, 1945 to October 11, 1945. Leading film actors were heard on this series, including Gloria Blondell, Eddie Cantor, James Cagney, Ronald Colman, Joan Crawford, Greer Garson, Edmund Gwenn, Van Heflin, Katharine Hepburn, Elsa Lanchester, Peter Lorre, Frank Lovejoy, Raymond Massey, Burgess Meredith, Paul Muni, Alla Nazimova, Edmond O'Brien, Geraldine Page, Gale Sondergaard, Franchot Tone and George Zucco. THIS EPISODE: May 17, 1945. Program #6. Mutual network. "Mr. Ten-Percent". Sustaining. A good story about a Hollywood agent who finally finds a movie star to manage...and how he contributed $1 million dollars to the war effort! Program

The Lucky Stiff (1947) *The Exact Date Is Unknown.Very few writers have managed to combine the hard-boiled detective novel and comedy. Jonathan Latimer succeeded with Bill Crane and Craig Rice did it with John J. Malone, her ne'er-do-well bibulous attorney. Despite being billed as "Chicago's noisiest and most noted criminal lawyer," Malone acts more like a private eye than a member of the court. And a particularly hard-drinking private eye, at that. Despite a rep for courtroom pyrotechniques, he's far more likely to be found at Joe the Angel's City Hall Bar than in any court. Along with his boozing buddies, Jake and Helene Justus, an affable young couple, he drank his way through a whole slew of novels and short stories, not to mention later film, radio and television appearances. THIS EPISODE: 1947. NBC network. "The Lucky Stiff". Sustaining. Lucky at everything, or is he. George Petrie, Larry Haines, Craig Rice (creator), Eugene Wang (writer), Bernard L. Schubert (producer), Richard Lewis (director), Fred C

On the Sunny Side of the Street (10-09-53) and Just to be With You (10-29-53)Alka-Seltzer Time (aka The Alka-Seltzer Show) was a 15-minute radio series broadcast weekdays on both CBS and Mutual. Baritone Curt Massey starred with Martha Tilton when the program, sponsored by Alka-Seltzer, began in 1949 as Curt Massey Time (sometimes advertised as Curt Massey Time with Martha Tilton) with a title change to highlight the sponsor's product by 1952. The announcer was Fort Pearson. By 1953, the series was heard simultaneously on Mutual (at noon) and later that same day on CBS (at 5:45pm). Ads described the show as "informal song sessions" by vocalists Massey and Tilton, who was often billed as "the liltin' Martha Tilton." The two singers, both Texas-born, performed with Country Washburne and His Orchestra, featuring Charles LaVere on piano. Songs included such tunes as "Honey, I'm in Love with You," "A Gambler's Guitar," "Just to Be with You," "Moonlight When Shadows Fall," "When Love Goes Wrong," "Choo Choo Train,"

Parent's Day (Aired October 26, 1952)The Aldrich Family as a separate radio show was born as a summer replacement for Jack Benny in NBC's Sunday night lineup, July 2, 1939, and it stayed there until October 1, 1939, when it moved to Tuesday nights at 8 p.m., sponsored by General Foods's popular gelatin dessert Jell-O---which also sponsored Jack Benny at the time. The Aldriches ran in that slot from October 10, 1939 until May 28, 1940, moving to Thursdays, from July 4, 1940 until July 20, 1944. After a brief hiatus, the show moved to CBS, running on Fridays from September 1, 1944 until August 30, 1946 with sponsors Grape Nuts and Jell-O,.before moving back to NBC from September 05, 1946 to June 28, 1951 on Thursdays and, then, its final run of September 21, 1952 to April 19, 1953 on Sundays. THIS EPISODE: October 26, 1952. "Parent's Day" - NBC network. Sustaining. It's Parent's Day at school. Confusion runs rampant...and then there's the spelling bee! Bobby Ellis, Jack Grimes, Clifford Goldsmith (writer), Dick

Old Love Letters (Aired April 3, 1945)Alan Young Show (born November 19, 1919) is an actor best known for his television role opposite a talking horse, Mister Ed. Born in North Shields,Tyne and Wear, England, with the given name Angus Young, he was raised in Edinburgh, Scotland and in Canada. He grew to love radio when bedbound as a child because of severe asthma and became a radio broadcaster on the Canadian Broadcasting Corporation. In 1944, he made the leap to American radio with The Alan Young Show, NBC's summer replacement for Eddie Cantor. Following a move to ABC in the fall (1944-46), he returned to NBC (1946-49).THIS EPISODE:April 3, 1945. "Old Love Letters" - ABC Blue network. Sponsored by: Sal Hepatica, Mum. Carlotta Bullfinch, Alan's old sweetheart, wants Alan to be the best man at her wedding. Carlotta thinks Alan's going to be the groom! Possibly dated September 3, 1945. Alan Young, Kenny Delmar (announcer), The Tune Twisters, Peter Van Steeden and His Orchestra, Minerva Pious, Jean Gillespie. 30

The Crab Louis Caper (Aired March 2, 1951)The Adventures of Sam Spade was a radio series based loosely on the private detective character Sam Spade, created by writer Dashiell Hammett for The Maltese Falcon. The show ran for 13 episodes on ABC in 1946, for 157 episodes on CBS in 1946-1949, and finally for 51 episodes on NBC in 1949-1951. The series starred Howard Duff (and later, Steve Dunne) as Sam Spade and Lurene Tuttle as his secretary Effie, and took a considerably more tongue-in-cheek approach to the character than the novel or movie. In 1947, scriptwriters Jason James and Bob Tallman received an Edgar Award for Best Radio Drama from the Mystery Writers of America. Before the series, Sam Spade had been played in radio adaptations of The Maltese Falcon by both Edward G. Robinson (in a 1943 Lux Radio Theater production) and by Bogart himself (in a 1946 Academy Award Theater production), both on CBS. THIS EPISODE: March 2, 1951. NBC network. "The Crab Louis Caper". Sustaining. Sam is hired to find out how

Case Dismissed - Criminal Liability Aired January 30, 1954As a local presentation, WMAQ's production of Case Dismissed acquitted itself very well indeed. With few exceptions, the enacted legal issues were realistically depicted, thoroughly explored, and informatively resolved. The exposition for and resolution of these programs was never preachy, overly complicated, nor left unresolved. Each story had an arc that was resolved for that particular combination of legal issues and choices. The listener was never left hanging. Mindful of the fact that Case Dismissed was being heard in many other states besides Illinois, the program regularly reminded its listeners that the problems presented and legal remedies offered were based only on then current Illinois Law. But it's also clear that because they were mindful of a larger audience, the producers and writers very helpfully selected a broad range of legal topics that were general enough in nature to present useful choices and information to residents in virtually

The Devil In The Deep Freeze (Aired November 10, 1949)Candy Matson was the private eye star of Candy Matson, YUkon 2-8208, an NBC West Coast show which first aired in March 1949 and was created by Monty Masters. He cast his wife, Natalie Parks, in the title role of this sassy, sexy PI. Her understated love interest, Lt. Ray Mallard, was played by Henry Leff while her assistant and best pal, aptly named Rembrandt Watson, was the voice of Jack Thomas. Every show opened with a ringing telephone and our lady PI answering it with "Candy Matson, YU 2-8209" and then the organ swung into the theme song, "Candy". Each job took Candy from her apartment on Telegraph Hill into some actual location in San Francisco. The writers, overseen by Monty, worked plenty of real Bay Area locations into every plot. Candy was bright, tough, and fearless. THIS EPISODE: November 10, 1949. NBC network, San Francisco origination. "The Devil In The Deep Freeze". Sustaining. A restaurant owner asks Candy to get rid of a body in his meat re

Can You Top This was one of those programs that was tailor made for radio. Four people sat around telling jokes, each one trying to outdo the other. Can you imagine the same format on television? In the movies? Broadway? In magazines or newspapers? Only on radio could such a format survive and thrive. And thrive it did, for 14 years. In 1943 an estimated ten million people listened to the weekly program and Time magazine said "There is nothing quite like it on the U.S. air." Can You Top This was the brain child of Senator Edward Hastings Ford. The "Senator", like most of his jokes, was made up. The program itself was simply an outgrowth of a regular meeting at which Ford and the other participants would spend countless hours telling stories at New York's famous Lamb's Club. From the outset of the program in December of 1940, Ford owned the rights to the program and was a regular participant. The lynch pin for the program was actor Peter Donald who would begin each round of jokes by telling a joke submitted by

CALTEX RADIO THEATER - OLD TIME RADIOCaltex Theater was an Australian show similar to the American Lux Radio Theater. It was sponsored by the Caltex Oil Company. Mostly the radio shows were adapted from top movies from the time period. The show aired from 1950 - 1959 with somewhere around 490 shows. Some episodes are thought to be specials and no dates are in the log. SHOWS LIST ****Caltex Theater - 55-12-11 290 Detectives Are Not Always Right ****Caltex Theater - 59-02-15 454 Bad Day At Black Rock ****Caltex Theater - 59-04-26 463 There Was A Crooked Man ****Caltex Theater - 59-09-06 482 Forbidden Planet ****Caltex Theater - xx-xx-xx x Scrooge The Miser ****Caltex Theater - xx-xx-xx x The Big Smoke Return To Tenderness ****Caltex Theater - xx-xx-xx x You Only Die Once

After his father was killed by a gangster's bullet, young Dan Garrett joined the New York Police Department, but soon tired of the slow pace and red tape of police work. With the help of his friend and mentor, pharmacist and drug-store proprietor Dr. Franz, Dan acquired a costume of bullet-proof chain-mail-like cellulose material, and began a second life, fighting crime as The Blue Beetle. His calling card was a small beetle-shaped marker that he left in conspicuous places to alert criminals to his presence, using their fear of his crime fighting reputation as a weapon against them. For this purpose he also used a "Beetle Signal" flashlight. Show Notes From The Old Time Radio Researcher's Group.TODAY'S SHOW:July 3, 1940. Program #27. Fox Features syndication. "Crime Incorporated" Part One. Commercials added locally. The Overlords Of Crime are planning to form a syndicate. The Blue Beetle infiltrates the gang and is hired by them to imitate...the Blue Beetle! 12:14.July 5, 1940. Program #28. Fox Features syndi

Please Not C.O.D. (Aired April 12, 1943)The success of the comic strip led to the long-running Blondie film series (1938-1950) and the popular Blondie radio program (1939-1950). Chic Young drew Blondie until his death in 1973, when the control of the strip passed to his son Dean Young, who continues to write the strip. Young has collaborated with a number of artists on Blondie, including Jim Raymond, Mike Gersher, Stan Drake, Denis Lebrun and currently, John Marshall. Through these changes, Blondie has remained popular, appearing in more than 2000 newspapers in 47 countries and translated into 35 languages, as of 2010[update]. THIS EPISODE:April 12, 1943. CBS network origination, AFRS rebroadcast. "Please Not C.O.D." AKA "Blondie Demands A Refund". AFRS program name: "Front Line Theatre." A C.O.D. package arrives for someone else. Blondie and Dagwood try to return a bridge table. The date is subject to correction. Chic Young (creator), Arthur Lake, Penny Singleton, Jerry Wald and His Orchestra (AFRS music fil

Little Phil Alquin (Aired May 9, 1934)As shows of this nature do it dealt with tracking killers and robbers with a recap of the justice which was enforced. The writer and director was William N. Robson. Calling All Cars episodes were dramatized true crime stories that were not only introduced by officers of the Los Angeles Police Department but were true life crime stories of the LAPD. If you are thinking early version of Dragnet, yes, but not quite as polished. Dragnet was believed to have been inspired by Calling All Cars. None of the actors on the show ever received on-air credit, but among the talent OTR fans can hear the likes of Elvia Allman, Jackson Beck, Charles Bickford, John Gibson, Richard LeGrand and Hanley Stafford, just to name a few. THIS EPISODE: May 9, 1934. Program #24. CBS Pacific network (Don Lee network "Little Phil Alquin". Sponsored by: Rio Grande Oil. A police lieutenant has just been murdered by an unknown assailant. Frederick Lindsley is introduced as "Professor Lindsley." The system

The Brownstone Theater is an old-time radio dramatic anthology series in the United States. It was broadcast on the Mutual Broadcasting System February 21, 1945 – September 23, 1945.Brownstone Theater featured adaptations of stories and plays that were popular at the turn of the 20th century. The premiere offering, The Lion and the Mouse, was followed by productions such as The Man Without a Country, The Prisoner of Zenda, and Cyrano de Bergerac. A contemporary publication's radio listing described the material as "Revivals of some of the plays that thrilled Grandpa and Grandma."Radio historian John Dunning wrote in On the Air: The Encyclopedia of Old-Time Radio, "The format was faintly reminiscent of the famous First Nighter Program, with the listener led to his seat in the Brownstone Theater, and other trappings of curtains and greasepaint adding to the atmosphere."The program was actually produced in the Longacre Theater in New York City's Times Square. The theater was leased by WOR from 1944 to 1953 and w

The Charles Crandall Murder Case (Aired May 12, 1951)Broadway Is My Beat, a radio crime drama, ran on CBS from February 27, 1949 to August 1, 1954. With music by Robert Stringer, the show originated from New York during its first three months on the air, with Anthony Ross portraying Times Square Detective Danny Clover. John Dietz directed for producer Lester Gottlieb. Beginning with the July 7, 1949 episode, the series was broadcast from Hollywood with producer Elliott Lewis directing a new cast in scripts by Morton Fine and David Friedkin. The opening theme of "I'll Take Manhattan" introduced Detective Danny Clover (now played by Larry Thor), a hardened New York City cop who worked homicide "from Times Square to Columbus Circle -- the gaudiest, the most violent, the lonesomest mile in the world." Show Notes From The Old Time Radio Researcher's Group. THIS EPISODE: May 12, 1951. "The Charles Crandall Murder Case" - CBS network. Sustaining. Charles Crandall is found murdered in an alley. He has no wallet, but

Polly Morrison's Gun Collection (Aired July 28, 1944)On April 11, 1945, Richard Kollmar took over the title role in a radio series syndicated by Frederic W. Ziv to Mutual and other network outlets. Over 200 episodes of this series were produced between 1944 and October 25, 1950. Other sponsors included Lifebuoy Soap, Champagne Velvet beer, and R&H beer. While investigating mysteries, Blackie invaribly encountered harebrained Police Inspector Farraday (Maurice Tarplin) and always solved the mystery to Farraday's amazement. Initially, friction surfaced in the relationship between Blackie and Farraday, but as the series continued, Farraday recognized Blackie's talents and requested assistance. Blackie dated Mary Wesley (Jan Miner), and for the first half of the series, his best pal Shorty was always on hand. The humorless Farraday was on the receiving end of Blackie's bad puns and word play. Kent Taylor starred in the half-hour TV series, The Adventures of Boston Blackie. Syndicated in 1951. THIS EPISODE:Jul

The Terminal Key (Aired September 3, 1951)Bold Venture was a classy production from start to finish. At an estimated cost of $36,000 per taping week [or about $12,000 per episode], it pretty much had to have been. Even subtracting the Bogarts' contribution of $5,000 per episode, that still left $7,000 per episode to fund the remaining production costs. That's about $420,000 a week in today's dollars. More than enough budget to ensure a top notch production. The cost to the sponsor-subscribers reportedly varied between $25 a week to as much as $250 a week, depending on the size and reach of the target market(s). That would have yielded anywhere from $975,000 to $9.75M over the course of three years of Bold Venture's sales. Even arbitrarily averaging the varying theoretical sales would have yielded on the order of at least $5M to Ziv and company over three years. Subtracting even $1M in production and marketing costs would have yielded at least a $4M profit. Show Notes From The Digital Deli.THIS EPISODE: Septem

Special Guest Is Fred Astaire (Aired February 17, 1948)Special Guest Is Fred Astaire (Aired February 17, 1948)After five years on the Vaudeville circuit, by his own account Hope was surprised and humbled when he and his partner Grace Louise Troxell failed a 1930 screen test for Pathé at Culver City, California. (Hope had been on the screen in small parts, 1927's The Sidewalks of New York and 1928's Smiles. Hope returned to New York City and subsequently appeared in several Broadway musicals including Roberta, Say When, the 1936 Ziegfeld Follies, and Red, Hot and Blue with Ethel Merman. His performances were generally well-received and critics noted his keen sense of comedic timing. He changed his name from "Leslie" to "Bob", reportedly because people in the US were calling him "Hopelessly", although in the 1920s he sometimes used the name "Lester Hope". THIS EPISODE: February 17, 1948. "Special Guest Is Fred Astaire" - NBC network. Sponsored by: Pepsodent. The program originates from Canoga Park High School,