In The Envelope: An Awards Podcast

Zoë Kravitz has developed a philosophy toward auditions that any actor facing the prospect of rejection can adopt for themselves. “The truth is, you were always right or you were never right,” says the actor-model-musician, reflecting on her recent experience on the other side of the audition room table. The daughter of Lisa Bonet and Lenny Kravitz, Zoë grew up surrounded by artists, and has plenty of advice, from navigating the artistic life in general to her specific creative process, to pass along. Since her film debut at age 17 in “No Reservations,” Zoë has appeared in indies “Beware the Gonzo” and “Yelling to the Sky,” blockbusters “Divergent,” “Mad Max: Fury Road,” and “Fantastic Beasts,” and on “Californication.” This season she returned to star on HBO’s Emmy Award-winning “Big Little Lies,” and executive produced Veronica West and Sarah Kucserka’s Hulu adaptation of the classic rom-com “High Fidelity,” playing the gender-flipped leading role of Rob. She will next star as Catwoman in “The Batman.” ---

If voicing a character on a hit animated sitcom is your idea of a dream job, let this deep dive into both voiceover and comedy be your guide. Eugene Mirman and John Roberts, both voice actors on Fox’s Emmy Award winner “Bob’s Burgers,” join us to map out how they broke into the biz and offer advice for those looking to do the same. Their paths were different but their advice is the same: create and test out the material that best showcases your talent. Loren Bouchard’s animated family comedy “Bob’s Burgers” has run for 10 delightful seasons, featuring Eugene as son Gene Belcher and John as matriarch Linda Belcher. Eugene is also known for his work on “Aqua Teen Hunger Force,” “Flight of the Conchords,” and “Delocated,” and for the alternative standup comedy he has helped turn into a movement. John, a musician as well as theater and commercial actor, made a name for himself writing and performing in popular web sketches. Check out eVocation, the upcoming virtual conference devoted to the business of voiceove

The hilarious Ana Fabrega and Julio Torres take a serious approach to comedy, a philosophy echoed in their advice for other writers and performers: do what you like, and only what you like. “Creatively, if it’s not fun, stop doing it,” says Julio. “You should be enjoying what you’re doing at all times,” agrees Ana. The two comedians are the co-creators and stars, along with Fred Armisen, of HBO’s “Los Espookys,” the Spanish-language comedy following a group of friends who launch a business specializing in supernatural horror services. Ana starred on and wrote for “The Chris Gethard Show” and is featured on “At Home With Amy Sedaris,” while Julio served as a writer on “Saturday Night Live” and last year released the HBO special “My Favorite Shapes.” This episode is brought to you by HBO. To hear more about “Los Espookys,” check out Julio’s interview with costume designer Muriel Parra on Backstage’s The Slate: https://bit.ly/3gEfWnd --- Backstage has been the #1 resource for actors and talent-seekers for 60 y

Rob McElhenney’s credo has always been “make what you want to see.” It’s the advice the actor-writer-producer keeps coming back to in this inspiring interview, which spans Rob’s childhood in Philadelphia, the bit-by-bit process by which he became a TV creator and star, and the audition philosophy his fellow performers should keep in mind. Best known as Mac on FXX’s long-running “It’s Always Sunny in Philadelphia,” which he co-created and co-produces with Glenn Howerton, Rob was and still is inspired by the format of classic sitcoms. Alongside Charlie Day and Megan Ganz, he is now the co-creator, as well as writer-director-star, of AppleTV+’s comedy “Mythic Quest: Raven’s Banquet,” a workplace sitcom set in a video game studio. This episode is brought to you by AppleTV+. Check out this year’s roundup of actors who are long overdue to win Emmy Awards: https://bit.ly/3iPls8G --- Backstage has been the #1 resource for actors and talent-seekers for 60 years. In the Envelope, Backstage’s podcast, features intima

Gugu Mbatha-Raw has proven herself a chameleonic star of stage and screen. Since studying at the Royal Academy of Dramatic Art, appearing on London stages and TV series, and then breaking out with her British Independent Film Award-winning turn in the feature film “Belle,” the actor-activist has dazzled in everything from period dramas to sci-fi adventures. In episode #100 of “In the Envelope,” Gugu opens up about the artistic processes she relies on—including using music, accents, and even scents—to get into character. Gugu has starred in “Larry Crowne,” “Undercovers,” “Beyond the Lights,” “Concussion,” “Miss Sloane,” “Black Mirror: San Junipero,” “Beauty and the Beast,” “The Cloverfield Paradox,” “A Wrinkle in Time,” “Fast Color,” “Motherless Brooklyn,” and this year, on AppleTV+’s drama “The Morning Show” as Hannah Shoenfeld and in the film “Misbehaviour” as Miss World pageant winner Jennifer Hosten. This episode is brought to you by AppleTV+. --- Backstage has been the #1 resource for actors and talent-s

D’Arcy Carden is proof that breaking through in the biz usually requires years of studying the craft of acting, practicing resilience amid rejection, and getting by with survival gigs. After graduating from Southern Oregon University and moving to New York City, D’Arcy was “equal parts delusional and also confident,” she says. She knew the odds of making it as a professional actor and held onto the dream anyway. She is now best known as Janet, the cheerful virtual assistant of the afterlife, on four seasons of Mike Schur’s beloved NBC comedy “The Good Place.” Around the same time she was enduring countless auditions for that job, she was cast on HBO’s award-winning Bill Hader hit “Barry.” D’Arcy also appeared on “Broad City,” “Other People,” and shorts and other comedy projects with the Upright Citizens Brigade. This episode is brought to you by HBO. To keep up with changes to the 2020 Emmy Awards, which begin their nominating window today, click here: https://bit.ly/3giimYw --- Backstage has been the #1 re

Superstar Hailee Steinfeld had the biggest of big breaks at age 13, when she earned an Academy Award nomination for the Coen brothers’ “True Grit,” opposite Jeff Bridges and Matt Damon. Her thriving career ever since, both as an actor and singer-songwriter, is the result of a childhood obsession with playing other people—and, with her family’s support, managing realistic expectations. “Every time I walk onto a set for the first day I feel like I know nothing,” she reveals. “And I hope that feeling never goes away.” An Oscar nominee for “True Grit” and a Golden Globe nominee for “The Edge of Seventeen,” Hailee has taken on a wide variety of roles in the last decade, starring in “Ender’s Game,” “Romeo and Juliet,” the “Pitch Perfect” movies, “Spider-Man: Into the Spider-Verse,” and “Bumblebee.” Her newest challenge is executive producing Alena Smith’s Peabody Award-winning comedy “Dickinson” from AppleTV+, and leading the series as a particularly irreverent Emily Dickinson. This episode is brought to you by Ap

Keegan-Michael Key combined his early passion for both theater acting and Bugs Bunny to become the stage and screen presence, and sketch comedy genius, he is today. Not long after COVID-19’s industry shutdown, he chatted with Jack about the state of the biz, training on Second City stages, and where improvisation and scripted writing overlap. “Just figure out how to help solve the problem,” he advises his fellow artists. “All anybody here is thinking about is, how do we make the project the best thing it can be?” The actor-writer is best known for his work on “MadTV” and opposite Jordan Peele on their Emmy-winning variety sketch show “Key and Peele.” Keegan-Michael now hosts National Geographic’s “Brain Games,” and has starred on and Off-Broadway, on “Playing House,” “Friends From College,” in feature films “Keanu,” “The Predator,” “Dolemite Is My Name,” and in countless voiceover roles. This episode is brought to you by National Geographic’s “Brain Games.” To check out Backstage’s coverage of film and TV c

Although likely best known as Lady Mary Crawley, Michelle Dockery seems to reinvent herself in compelling role after compelling role, proving there’s little she can’t do. The English stage-to-screen star has learned how to harness nerves in auditions, avoid over-preparing for a role, and channel vulnerability into her characters. “You walk on every day feeling vulnerable,” she says. “We’re all just holding hands and jumping in and seeing what happens.” Trained at the Guildhall School of Music & Drama in her hometown of London, Michelle turned her breakout role in the National Theatre’s production of “His Dark Materials” into a steady career of on-camera work in the U.K. and U.S., earning three SAG Award wins and four Emmy nominations. From Lady Mary in Julian Fellowes’ hit series “Downton Abbey” and its 2019 feature film, to “Anna Karenina,” “Good Behavior,” “Godless,” “The Gentlemen,” and now Mark Bomback’s “Defending Jacob” from AppleTV+, it seems there’s little she can’t do. This episode is brought to you

Actor-producer-activist Zoey Deutch has turned her lifelong obsession with the craft into a succession of fascinatingly varied characters—prepared, as she reveals in this soul-baring interview, with an arsenal of actorly tricks including improvisation, animal work, and more. “It sounds so silly and it sounds so weird,” she says of her process, “but so much of it is just getting out of your head and doing something that feels so out of your comfort zone.” The child of director Howard Deutch and director-star Lea Thompson, Zoey began studying acting long before her first gig as a teenager on the Disney Channel. She’s appeared in “Everybody Wants Some!!”, “Rebel in the Rye,” “Set It Up,” “Zombieland: Double Tap,” and Netflix’s “The Politician,” and produced and starred in indie film “The Year of Spectacular Men” and this year’s “Buffaloed.” Check out Backstage’s guide to self-care and mental health here: https://bit.ly/2YbKhmJ --- Backstage has been the #1 resource for actors and talent-seekers for 60 years.

Film and TV writer, producer, director, musician, and actor Mark Duplass has made a name for himself in super-low-budget, naturalistic, independent projects, and forged a path for others to do the same. In this podcast’s 100th interview, he outlines many of the obstacles facing aspiring filmmakers and his techniques to overcome them: “I am very encouraging of embracing limits—and if you don’t have that many limits, self-imposing them.” Mark and Jay Duplass’ production company, Duplass Brothers Productions, has brought such critically acclaimed indies to the screen as “The Puffy Chair,” “Baghead,” “Safety Not Guaranteed,” “The One I Love,” “Creep,” and more recently, HBO’s “Room 104” and Netflix’s “Paddleton” and “Horse Girl.” Mark has also starred on “The League,” “Togetherness,” “Goliath,” and now, AppleTV+’s hit drama “The Morning Show” as Chip Black. This episode is brought to you by AppleTV+. --- Backstage has been the #1 resource for actors and talent-seekers for 60 years. In the Envelope, Backstage’s p

Cynthia Erivo’s acting dream has expanded since her childhood in England: from her breakout turn in the London-to-Broadway revival of “The Color Purple” musical to her meteoric rise in Hollywood, she has lived in “a state of newness probably every day,” she says in this intimate, insightful interview. “If it feels like I’m slightly walking on a tightrope every time, having to rebalance myself, then that’s where the learning comes.” After earning the Tony Award and a Daytime Emmy Award for “The Color Purple,” Cynthia made her film debut in Steve McQueen’s “Widows” and Drew Goddard’s “Bad Times at the El Royale.” This year she earned dual Academy Award nominations, for original song and leading actress, as Harriet Tubman in Kasi Lemmons’ “Harriet,” then starred as Holly Gibney on HBO’s adaptation of Stephen King’s “The Outsider” and as Aretha Franklin in National Geographic’s now-delayed “Genius: Aretha.” To read more, check out her Backstage cover story: https://bit.ly/3cSkJzk This episode is brought to you

Yvonne Strahovski has been working in film and TV, voiceover, and on Broadway, ever since what she thought was a temporary trip from her home in Australia to the U.S. This interview offers a glimpse at her creative process across multiple mediums, and offers specific tips on both craft and career. In her experience, not booking roles is such an integral part of being a working actor, “I don’t even know if rejection is a good word...it’s just part of the exercise.” After her breakout leading role in the hit show “Chuck,” Yvonne has starred on “Dexter,” “24: Live Another Day,” “The Astronaut Wives Club,” and now ABC’s drama “Stateless.” For three seasons she’s brought Margaret Atwood’s dystopia Gilead to life as Serena Joy on Hulu’s “The Handmaid’s Tale,” a role that has earned her nominations from the Golden Globes, SAG Awards, and Primetime Emmys. To read Backstage’s statement of solidarity with the Black Lives Matter movement, click here: https://bit.ly/2MnXZMO --- Backstage has been the #1 resource for ac

Raphael Bob-Waksberg is a writer, comedian, voice actor, and pioneer of animated series. “I still feel like I don’t know what I’m doing,” he admits in this candid interview covering the voiceover industry, career advice, and more. “I’ve kind of freed myself of the expectation that I ever will.” Raphael teamed up with illustrator and production designer Lisa Hanawalt to create and produce Netflix’s “BoJack Horseman,” the Emmy-nominated, Annie Award-winning tragicomic satire about a Hollywood has-been horse. He is also the co-creator, with Kate Purdy, of the Amazon animated series “Undone,” and producer of Netflix’s “Tuca and Bertie.” To read more, check out Backstage’s recent feature on “BoJack Horseman” here: https://bit.ly/3cqfN4v --- Backstage has been the #1 resource for actors and talent-seekers for 60 years. In the Envelope, Backstage’s podcast, features intimate, in-depth conversations with today’s most noteworthy film, television, and theater actors and creators. This is your guide to every aspect of

Working actors everywhere can take Sarah Snook’s advice to heart, particularly when it comes to the many rejections that follow auditions. This in-depth interview reveals the actor’s approach to both her career and character-building process, which involves finding their vulnerability and where it overlaps with her own. “You’re afraid of revealing yourself? You’re meant to as an actor.” Sarah is likely best known as the fabulously ruthless Siobhan “Shiv” Roy on Jesse Armstrong’s Emmy-winning drama “Succession” from HBO. She’s worked in theater, TV, and film in the U.S. and her native Australia, including in “Sisters of War,” “Predestination,” “The Dressmaker,” and “Jessabelle,” winning two Australian Academy of Cinema and Television Arts Awards. After hearing her advice about self-taped auditions, read Backstage’s guide to self-taping: https://bit.ly/3dmnhqB --- Backstage has been the #1 resource for actors and talent-seekers for 60 years. In the Envelope, Backstage’s podcast, features intimate, in-depth c

Writer, producer, actor, and advocate Dan Bucatinsky has created his own opportunities in pursuit of becoming a self-described Hollywood “hyphenate.” Since his post-college days (auditioning through Backstage!) he has taken a multifaceted approach to the biz, allowing dreams to evolve and pivoting whenever necessary. His philosophy, both in the entertainment industry and as a father, husband, and human being, boils down to an essential question: “What are the variables that I can control and what are the variables I can’t control?” One of Dan’s first big breaks came from writing and starring in the gay romantic comedy film “All Over the Guy.” His résumé also includes everything from executive producing “The Comeback” and “Web Therapy” with Lisa Kudrow, to writing the memoir “Does This Baby Make Me Look Straight?” to winning an Emmy Award for his performance on Shonda Rhimes’ “Scandal,” and he now stars on ABC’s comedy-drama “The Baker and the Beauty.” --- Backstage has been the #1 resource for actors and tal

Three-time Oscar nominee, four-time Tony nominee, and four-time Emmy Award winner Laura Linney is known for her technical prowess and innate humanity in film, theater, and television—three mediums she approaches distinctly when building characters. Growing up the daughter of a playwright and realizing early just how much there is to learn about acting, Laura studied theater history before joining the Juilliard School and focusing on her mission to “make some tiny contribution to something that had been going on for centuries before me.” Star of “Tales of the City,” “You Can Count On Me,” “Wild Iris,” “Kinsey,” “Frasier,” “John Adams,” “The Savages,” “The Big C,” and 12 Broadway shows including this year’s solo show “My Name Is Lucy Barton,” Laura has for three seasons played the deceptively dangerous Wendy Byrde on Netflix’s crime drama “Ozark” opposite Jason Bateman. Read her Backstage cover story here: https://bit.ly/36jsAUS We also check in with Benjamin Lindsay, Backstage’s managing editor, for an updat

From activism to autobiography to screenwriting, producing, and directing FX’s “Pose,” there’s not much Janet Mock can’t do. “Head first, experience first,” she says, is how she journeys through both Hollywood and life. When Ryan Murphy offered the chance to lend her voice to a trailblazer of a series featuring transgender and queer characters, Janet gave herself a crash course in becoming a writer-director-producer—and can now pass on that knowledge to other aspiring multihyphenates. Janet worked as a journalist and correspondent in digital media before her bestselling memoirs “Redefining Realness” and “Surpassing Certainty” led her to television and film. She became the first trans woman of color to write and direct a TV episode, on “Pose,” and now also executive produces the Netflix mini-series “Hollywood.” Check out Backstage coverage of “Pose” here: bit.ly/3dII7Qt For coverage of COVID-19 including advice and resources, click here: bit.ly/2WxUFVj --- Backstage has been the #1 resource for actors and

Mishel Prada went from being turned down by agents (the Dominican-American actor was told they already had an “ethnically ambiguous person on their roster”) to the leading role of Emma Hernandez on “Vida,” the Starz drama from writer-producer Tanya Saracho. In this advice-filled interview, Mishel reveals the approach to both the entertainment industry and life—even, or especially, amid a global pandemic—that can earn actors their big break. TV audiences may also know Mishel from the Emmy-nominated “Fear the Walking Dead: Passage,” or currently on the CW’s hit “Riverdale.” To read more, check out her Backstage cover story: https://bit.ly/2WwYXLq Our feature on “Vida” and “Stranger Things” casting director Carmen Cuba can be found here: https://bit.ly/2yqP6Ph --- Backstage has been the #1 resource for actors and talent-seekers for 60 years. In the Envelope, Backstage’s podcast, features intimate, in-depth conversations with today’s most noteworthy film, television, and theater actors and creators. This is yo

Nathan Lane, renowned for his impeccable comedic timing and stage presence, is proving to be one of those legends who can make any material come to life. “It’s like going into battle,” he says of his approach to the craft, which he’s been honing in theater, commercials, TV, and film for over 40 years. In this interview, Nathan reflects on the influences and advice that has guided him, as well as the COVID-19 pandemic’s current impact on the entertainment industry. Audiences likely know Nathan from “The Birdcage,” as the voice of Timon in “The Lion King,” guest star of “Modern Family,” or “The Producers” movie. His performance in “The Producers” musical, as well as “A Funny Thing Happened on the Way to the Forum” and the recent “Angels in America” revival, have earned him three Tony Awards out of six nominations and over 20 Broadway credits, in addition to six Primetime Emmy nods, two Golden Globe nods, and a SAG Award. He now stars as a tough-talking detective in Showtime’s new series from John Logan, “Penny