Smarty Pants From The American Scholar

In 1748, Lord Chesterfield told his son not to expect much from women: they “are only children of a larger growth; they have an entertaining tattle, and sometimes wit; but for solid, reasoning good sense, I never knew in my life one who had it, or who reasoned and acted consequentially for four-and-twenty hours together.” In 1739, an anonymous pamphleteer laid out the case for Man Superior to Woman; or, a Vindication of Man’s Natural Right of Sovereign Authority over the Woman, writing that even if a woman was educated, “if this Lady is a scholar she is a very sluttish one; and the much she reads is to very little Purpose.” This was the terrain, writes the Irish historian Susannah Gibson in her new book, The Bluestockings, in which Elizabeth Montagu dared to host weekly salons about the intellectual debates of the moment—among the hottest of which was whether or not women should even be engaging in such discussions in the company of men. At Montagu’s table, Samuel Johnson rubbed elbows with the likes of the c

We’re often reminded of the splendors of the night sky—lunar eclipses, blood moons, meteors, stars—but what of the nighttime splendors of the earth? In her Autumn 2024 cover story for The American Scholar, nature writer Leigh Ann Henion keeps her eyes closer to the ground, on the night-blooming tobacco at a North Carolina farm. As these white flowers slowly unfurl, their blossoms attract nocturnal hawk moths so large that they are often mistaken for hummingbirds. But jasmine tobacco isn’t the only attraction of the dark: in her new book, Night Magic, Henion witnesses the electric squirming of glowworms, the dance of fireflies, and the phosphorescence of foxfire. Henion, who begins her exploration just outside her front door in Boone, North Carolina, soon devotes her evenings to Appalachian adventures further afield—bats in Alabama, a moth festival in Ohio, lightning bugs in Tennessee—but returns to the wonders lurking in her back yard.Go beyond the episode: Read Leigh Ann Henion’s cover story for us, “Mo

A tooth is not simply a tooth, as zoologist Bill Schutt writes in his new book, Bite: An Incisive History of Teeth, from Hagfish to Humans. Teeth first showed up among vertebrates some 500 million years ago, and ever since, they’ve had much to do with the survival of many species. There are teeth that sharpen themselves with every snap (as with dogs and wolves), teeth that grow forever (as the poor babirusa knows all too well), and teeth that grow in a conveyer belt (ask a crocodile, but don’t get too close). The shape and appearance of teeth can tell us a lot about how animals evolved—and in the case of humans, where we stand on the social ladder. And there’s much more still to be learned, both about past life on this planet and future innovations in dentistry. Bill Schutt, a vertebrate zoologist and retired biology preofssor, is a research associate at the American Museum of Natural history, and he joins us today from New York. Go beyond the episode:Bill Schutt’s Bite: An Incisive History of Teeth, fro

On August 22 1831, Nat Turner led a group of enslaved people in a rebellion that resulted in the deaths of more than a hundred people, Black and white, in Virginia’s Southampton County, near the border with North Carolina. Though the conflict only lasted a few days, Nat himself evaded capture for two months, until he surrendered on October 30. Before his execution on November 11, he spoke at length about his thoughts and deeds, which were written down by the lawyer Thomas Gray as The Confessions of Nat Turner. In a new book, the late historian Anthony E. Kaye and his collaborator Gregory P. Downs make the case that the religious dimension of Nat’s uprising has been underplayed or overlooked in popular accounts of his work—despite the prevalence of divine vision both in the Confessions and in prior rebellions. Nat Turner, Black Prophet aims to tell the full story of this “uniquely troublesome historical figure, too dangerous for some, too strange for others.”Go beyond the episode:Nat Turner, Black Prophet: A V

At this year’s Olympics, the men’s gymnastics team made it onto the podium for the first time since 2008, winning bronze thanks to stunning overall performances and a perfect routine from Stephen Nederoscik, the Pommel Horse Guy. Team USA’s stars have, for many years now, been on the women’s team, with Simone Biles the most decorated American gymnast in history. But there’s one record Biles hasn’t beaten yet: the six medals that George Eyser won on a single day in October 1904—which he managed to do on one leg. How this incredible athlete accomplished his feat—and how much else has been forgotten about him besides his disability—is the subject of Joshua Prager’s Summer cover story for The American Scholar, “A Forgotten Turner Classic.” Prager, himself disabled, traces what little we know about George Eyser, from his troubled childhood in Germany to his new home in Denver, Colorado, from his incredible 1904 wins to his devastating 1919 suicide.Go beyond the episode:Read Joshua Prager’s cover story, “A Forgotte

Who defines paradise, and who gets to live in its verdant incarnation on Earth? This is the question animating Olivia Laing’s new book, The Garden Against Time, which ranges across the history of the English landscape, from John Milton’s writing of Paradise Lost to Laing’s own restoration of a walled garden. Alighting on the heartbreaking pastorals of 19th-century poet John Clare and the queer visions of 20th-century artist and filmmaker Derek Jarman, Laing pulls strands of history, literature, and resistance from the green blur that, for now, still surrounds us, even as it deceives us. Landscape architects like Capability Brown—so named for his capability to impose his will on any vista—were, as Laing writes, able “to fake nature so insidiously that even now those landscapes and the power relations they embody are mistaken for being just the way things are, natural, eternal, blandly reassuring, though what has actually taken place is the seizure of once common ground.” The author of five books of nonfiction

Synchronized, scientific, ornamental, fancy, pretty: so many adjectives have been attached over the years to performative swimming, especially when done by women. Now known at the highest level as “artistic swimming,” it was for decades one of the few athletic activities women could pursue, albeit in uncomfortable, baggy, and not exactly aerodynamic attire. Despite—or perhaps because of—its popularity, synchronized swimming's status as a legitimate, elite sport would be contested for just as long—until 1984, in fact, when it finally debuted at the Los Angeles Olympics in all its sparkly glory. In her new book, Swimming Pretty, Scholar contributor Vicki Valosik dives into “the untold story of women in water,” from Victorian starlets like Lurline the Water Queen to Annette Kellerman, the godmother of synchronized swimming and the woman we can all thank for not having to wear petticoats in the water. Go beyond the episode:Vicki Valosik’s Swimming Pretty: The Untold Story of Women in WaterRead all about the

Our lives are filled with dust: on our desks, under our couches, and in the air we breathe. If we’re very unlucky—like the residents of Laguna Pueblo, New Mexico—it includes uranium blowing off heaps of mining waste. Or the carbon particles carried along by the wood smoke of forest fires. Or microplastics rubbing off car brakes and tires as we screech across the 120 million miles of road in the world. Or a sandy cloud from the Sahara Desert, blowing across the ocean. You get the picture: dust coats the planet, and for the past few centuries, we've been the progenitors of increasing amounts of it. In her book Dust: The Modern World in a Trillion Particles, the London-based writer and researcher Jay Owens argues that we ignore these tiniest byproducts at our own peril, and she demonstrates their consequences in a variety of places: a California lake drained to service LA in the 1930s, the cracked bed of the Aral Sea, icy Greenland, and smog-choked Tudor England.Go beyond the episode:Jay Owens’s Dust: The Modern

The late Budi Darma, one of Indonesia’s most beloved writers, spent a formative chapter of his life far from home, studying at Indiana University in the 1970s. He wrote a series of strikingly lonely short stories that would go on to form the collection People from Bloomington, first published in Indonesian in 1980. A man befriends his estranged father only to control him and ends up controlled himself. Someone steals his dead roommate’s poetry and enters it into a competition. Another character desperately tries to make contact with the old man across the street who may or may not be trying to shoot people from his attic room. With this absurd but oddly real little collection—and with his next novel, Olenka, also Indiana-inspired—Darma ascended into the pantheon of Indonesian literature, winning numerous awards, including the presidential medal of honor. Budi Darma may be barely known in the United States, but Tiffany Tsao—who has recently translated People from Bloomington for Penguin Cla

Over the course of our miniseries Exploding the Canon, Smarty Pants host Stephanie Bastek has examined Reed College students’ efforts in 2016–2017 to fundamentally transform a mandatory freshman humanities course. Now, in the final episode, Bastek looks at how much has really changed since that time. The protestors were ostensibly successful—the Humanities 110 syllabus underwent significant revision. But though the college has bolstered several support programs for students of color, in the last decade Black, Latino, and Indigenous student enrollment at Reed has not increased. Some professors are satisfied with the current humanities program; others would like to see more change. Perhaps the fundamental lesson to be gained from Reed’s upheaval is that the work is hardly finished—and a way forward might be found in how classicists have radically reimagined their discipline in recent years. Please visit our episode page fo

We were saddened to learn of Paul Auster’s passing on April 30, at the age of 77. In his memory, revisit this interview, which originally ran on November 5, 2021, on the late author’s favorite writer: Stephen Crane. Exploding the Canon will return next week. In his decades-long career, the writer Paul Auster has turned his hand to poems, essays, plays, novels, translations, screenplays, memoirs—and now biography. Burning Boy explores the life and work of Stephen Crane, whose short time on earth sputtered out at age 28 from tuberculosis. Like his biographer, Crane, too, spanned genres—poetry, novels, short stories, war reporting, and semi-fictional newspaper “sketches”—striking it big in 1895 with The Red Badge of Courage, which was widely celebrated at the time and is still regarded as his best work. But in Auster’s estimation, the rest of Crane’s output (and there is a surprising amount of it) is sorely neglected, and the pleasure of Burning Boy lies in reading one of the 19th centur

Reedies Against Racism’s protest of the Humanities 110 curriculum at Reed College reached a turning point in the 2017–2018 school year. After a year and a half of debate, dozens of faculty members voted on a revised syllabus, the second semester of which introduced brand new material from Mexico City and the Harlem Renaissance. But in September 2018, an entire department voted not to teach the spring syllabus—and as the years passed, discontent with the syllabus grew, among both faculty and students.Visit our website for a transcript and links to documents and articles mentioned in the episode.Featured voices in this episode: Addison Bates, Eden Daniel, Mary James, Libby Drumm, Roger Porter, Jan Mieszkowski, Pancho Savery, Kambiz GhaneaBassiri, Peter Steinberger, Nathalia King, Kritish Rajbhandari, Nigel Nicholson, and Albert Kerelis.Produced and hosted by Stephanie Bastek. Original music by Rhae Royal. Audio storytelling consulting by Mickey Capper.Subscribe: iTunes/Apple • Amazon • 

This week, Smarty Pants host Stephanie Bastek revisits a conversation from 2023 that originally sparked her desire to return to the debate over Humanities 110 at Reed College. The idea of “Western civilization” looms large in the popular imagination, but it’s no longer taken seriously in academia. In her book, The West: A New History in Fourteen Lives, historian Naoíse Mac Sweeney examines why the West won’t die and, in the process, dismantles ahistorical concepts like the “clash of civilizations” and the notion of a linear progression from Greek and Roman ideals to those of our present day—“from Plato to NATO.” Through biographical portraits of figures both well-known and forgotten—Herodotus and Francis Bacon, Livilla and Phyllis Wheatley, Tullia d’Aragona and Abu Yusuf Yaqub ibn Ishaq al-Kindi—Mac Sweeney assembles a history that resembles less of a grand narrative than a spiderweb of influence. Successive empires (whether Ottoman, Holy Roman, British, or American) built up self-mythologies in the

This week, Smarty Pants host and Scholar senior editor Stephanie Bastek delves into the history of Black Studies at her alma mater, Reed College, drawing connections between the fight for a Black Studies program in 1968 and the efforts of Reedies Against Racism to diversify the college’s mandatory freshman humanities course 48 years later. Speaking with former students and members of Reed’s Black Student Union, Bastek recounts the 1968 BSU occupation of Eliot Hall, one of the largest buildings on campus, as part of the campaign for a Black Studies program. The program was established, but not without backlash—and rifts among faculty members would threaten Reed's foundation for decades to come.Read Martin White’s essay, “The Black Studies Controversy at Reed College, 1968–1970” in the Oregon Historical QuarterlyIn Memoriam: Linda Gordon Howard, Calvin FreemanVisit our episode page to see more of Stephen Robinson's photographs from 1968Transcript available on our websiteFeatured voices in this episode: Andre Wo

The autumn of 2016 at Reed College was tumultuous. On September 26, students organized a boycott of classes in response to recent police killings of Black people, both to allow time to mourn and to highlight the ways in which they felt Reed was failing people of color. They also put forward a list of demands—including an overhaul of the mandatory freshman humanities course, Humanities 110, which, they alleged, focused too narrowly on European history and ideas, wrongly discounting the contributions of other cultures. That same week, they would begin a year-long occupation of Vollum Hall, where lectures were held, thereby creating fissures among the faculty and kickstarting the process of changing the course.RAR’s 25 demandsReed’s November and December 2016 Progress Reports in response Featured voices in this episode: Addison Bates, Eden Daniel, alea adigweme, Kambiz GhaneaBassiri, Peter Steinberger, Jan Mieskowski, Pancho Savery, Mary James, Nathalia King, and Mary Frankie McFarlane Forte. Newsreel: KOIN

At Reed College in 2016, a student group named Reedies Against Racism began protesting the syllabus of the mandatory freshman humanities course and the college’s perceived failure to support Black students. After a year of sustained action, the students won the largest-ever revision of Humanities 110—but half a decade on, emotions are still raw. Smarty Pants host Stephanie Bastek graduated from Reed in 2013, and she returned last year to find out how much the culture had really changed. Humanities 110 Syllabi: 2009-10, 2016-17, 2023-24Visit our episode page for a visual representation of the regions of study in Hum 110, 1944–2015 (graph by Michael Song)Featured voices in this episode: Nigel Nicholson, Jan Mieszkowski, Peter Steinberger, Nathalia King, Kambiz GhaneaBassiri, Pancho Savery, Libby Drumm, and Eden Daniel. Reed College documentary audio from Give Up Steam (1991) by Daniel Levin. Newsreel commentators: Michael Jones and Jennifer Kabbany. Transcript available on our episode page.Produced and hos

Smarty Pants returns on March 29 with a new miniseries: Exploding the Canon, about an all-out culture war at Reed College.  In 2016, a student group named Reedies Against Racism began protesting the syllabus of the mandatory freshman humanities course and the college’s failure to support Black students. After a year of sustained protest, the students won the largest-ever revision of Humanities 110—but half a decade on, emotions are still raw. Smarty Pants host Stephanie Bastek graduated from Reed in 2013, and she returned last year to find out how much Reed’s culture had really changed.Trailer produced by Mickey Capper. Original music by Rhae Royal. Hosted on Acast. See acast.com/privacy for more information.

In our Summer 2023 issue, Julian Saporiti writes about the George Igawa Orchestra, which entertained thousands of incarcerated Japanese Americans at a World War II internment camp in Heart Mountain, Wyoming. But Saporiti, who releases music as No-No Boy, has been singing about the “best god damn band in Wyoming” since 2021, when his album 1975 came out. No-No Boy—named for the Japanese Americans who twice answered “no” on a wartime loyalty questionnaire—has been releasing songs about forgotten pockets of Asian-American history for years: Burmese migrants, Cambodian kids whose parents survived the Khmer Rouge, Saigon teens, and his mother’s experience as a Vietnamese refugee of an American war. We caught up with Saporiti at the Smithsonian Folklife Festival, where he performed a set in celebration of the 75th anniversary of Smithsonian Folkways, to talk about reciprocity, scholars by waterfalls, and how to smuggle in history with a few strummed chords.Go beyond the episode:Listen to No-No Boy’s previous two al

Longtime style reporter Dana Thomas’s book, Fashionopolis, is an indictment of the true costs of fashion—like poisoned water, crushed workers, and overflowing landfills—that never make it onto the price tag of a dress or pair of jeans. Between 2000 and 2014, the annual number of garments produced doubled to 100 billion: 14 new garments per person per year for every person on the planet. The average garment is only worn seven times before being tossed—assuming it’s not one of the 20 billion clothing items that go unsold and unworn. It’s no surprise, then, that the fashion industry accounts for at least 10 percent of global carbon emissions and 20 percent of all industrial water pollution. Though the industry employs one out of every six people globally, fewer than two percent of them earn a living wage—more than 98 percent of workers are not only underpaid, they also toil in unsafe, unsanitary conditions. But change is underfoot: retailers are shifting their supply models, circula

Atlantic bluefin tuna have been swimming in our oceans, and in the human imagination, for millions of years. Topping out at more than 1,500 pounds apiece, these apex predators face their greatest threat not from sharks or a dwindling food supply but from our unwillingness to stop overfishing them (to say nothing of the occasional catastrophic oil spill). But our understanding of how these majestic creatures navigate the ocean, defined by an imaginary line through the middle of the Atlantic, has been challenged by recent discoveries—and the life story of one tuna in particular. Karen Pinchin’s new book, Kings of Their Own Ocean, tells the story of that fish: an Atlantic bluefin named Amelia, tagged in 2004 by the fisherman Al Anderson off the coast of Rhode Island and recaptured twice more before her ultimate death in the Mediterranean. Pinchin joins the podcast to talk about what Amelia’s tale has to tell us about fishing and climate, science and commerce, and the future of the seas.Go beyond the episode:Kare