Person Place Thing With Randy Cohen

He’s a member of The Washington Post’s editorial board, a commentator on the PBS NewsHour, anchor of The Weekend on MSNBC, author of Yet Here I Am. He is liberal in his politics, conservative in his dress. “Absolutely. I love a good, wild outfit, on someone else.”

When this drummer was a kid, his father introduced him to an array of music, from Tito Puente to Dobie Gray. “He bought himself a La-Z-Boy chair. He would sit there after dinner, smoke a cigarette, and zone out listening to music.” Bad for the lungs, great for the soul. The making of a musician. Presented with the Bronx Music Hall.

She’s a special correspondent for BBC Studios, a regular contributor to MSNBC, and co-host, with Anthony Scaramucci, of the podcast The Rest Is Politics. “People call journalists curious; I think it’s just nosiness.” A higher form of nosiness!

The YIVO Institute for Jewish Research makes many of the 24 million items in its archive available online, but there’s an “electric moment of actually touching a document,” says its executive director. “My first was when Lenin’s party card was put in my hand.” (Patrons are urged not to touch the documents. This is not some sort of scholarly petting zoo.)  Music: Jardena Gertler-Jaffe, Bethany Pietroniro.  

This Obie-winning actor created the role of Helen in the Classical Theatre of Harlem’s Memnon. “It is definitely under-utilized. Underappreciated.” Greek mythology in modern theater? That too, but here she refers to the peanut in American cooking. See her in Marcus Garvey Park throughout July. Working. Not just lounging around.

Decades ago, he shook hands with W. E. B. Du Bois, born in 1868. It seems impossible, but then again Einstein was a contemporary of Billy the Kid. Lewis went on to write a Pultzer-Prize winning biography of Du Bois. Einstein went on to be Einstein. Presented with the Maysles Documentary Center. Music: Henrique Prince.

These principals of the architectural firm WORKac found it challenging to design their own home. The psychological complexity of domestic life? The culmination of years of thought? “The hardest thing about designing our house was that we just haven’t designed a lot of houses.” Produced with the Center for Architecture. Music: Rashad Brown.

The artistic director of the Paul Taylor Dance Company summarizes his aesthetic: “The curtain goes up, twenty minutes happen, the curtain comes down, and it is transformative.” Easy to say, brilliant to achieve. And they do.

He’s worked from Hanoi to Berlin to America’s old-growth forests. “As a photographer, it’s only in getting lost that you move forward.” As a civilian, when I get lost, I pretty much just get lost. Another reason to admire him. Produced with the National Academy of Design. Music: Stephanie Jenkins.

He led the Goodman Theatre in Chicago and pretty much created theater at Lincoln Center. “The happiest moments of my life have been in rehearsal rooms.” Well, yeah. In there with him? David Mamet, Tennessee Williams, Samuel Beckett. Sequentially not simultaneously. Presented with Hunter College. 

This lawyer works on health policy at Columbia’s Mailman School: “Public health in a certain sense is about balancing, the rights we have as individuals with the needs of society to preserve, protect, and promote the health of the population.” Not a bad approach to democracy in general. Music: Caitlin Warbelow

This children’s book author—Because of Winn-Dixie, The Tiger Rising, The Tale of Despereaux—describes her innate ability: “I have a knack for nothing except being filled with wonder.” I’d dispute that, as would legions of admiring readers.

This graphic designer spent her early childhood in Germany. “My father told me, ‘You are Korean, you are a visitor here, and what that means is, you don’t have to fit in.’ For me, that liberated everything.” The power of outsider consciousness. Presented with Base Design. Music: John Sherman.  

“We got it from Lauren Bacall,” says this curator. The flu? Certainly not. An Elsa Peretti handbag, one of 700 items from Bacall’s wardrobe donated to the Museum at FIT, where it was featured in Hill’s recent exhibition,Fashioning Wonder: A Cabinet of Curiosities. Music: Eléonore Weill, Zoe Guigueno.

“The disease, the people believed, was caused by sorcery and could be cured by sorcery,” says this bioethicist. By “the people” he does not allude to RFK Jr. but to a stone-age tribe in New Guinea. Potato/Potahto. Produced with Columbia University’s School of Professional Studies.  Music: Rich Jenkins.

Their play Here There Are Blueberries is built around an actual photo album assembled at Auschwitz of the ordinary daily life of the perpetrators. Following a run at the McCarter Theatre, the play is now touring nationally (if you’re reading this early in 2025, not in, oh, 2026 in exile on the Martian penal colony).

This historian, in CCNY’s Black Studies Department, says, “If I want to have a good writing day, I take the train an hour and fifteen minutes to somewhere I love, the quietest place in New York.” Silence and thought. Music: Birsa Chatterjee, saxophone; Raul Reyes, bass; Victor Gould, piano. (Not silent, much appreciated.)

After fifty years as a mezzo-soprano, she still embraces this advice from her first teacher: “Sing as though it comes from the bottom of your heart, because that’s what it’s about.” Her most recent recording is And Crimson Roses Once Again Be Fair. She says it is her last. I hope not.

The new president of Hunter College is a champion of “social infrastructure,” describing it as “A public good. Everybody uses it, nobody owns it.” Libraries, schools, parks, or, in a decent society, healthcare. That’s nostalgia! Or hope. Music: Ryan Keberle, Chris Swan, Christopher Panchame, Yuka Kameda.

“Isaac Bashevis Singer called my mother the Sherlock Holmes of Yiddish songs,” says Zalmen. His family heritage and Steven’s splendid singing were big factors in the triumph of Fiddler on the Roof in Yiddish. Presented by the National Yiddish Theatre Folksbiene and the YIVO Institute for Jewish Research.