Show Don't Tell: Micro-budget Filmmaking

In this episode filmmaker and novelist Mick Lexington joins me to unpack the development phase for his debut feature Mr. Jack - an existential New York drama adapted from his own novel.Through the interview we dig into the process of raising a ~$400K production budget, why he brought on a dedicated fundraising lead, and how his “agile filmmaking” approach allows him to start elements of production ahead of principle photography. We also dive deep on writing craft - outlining, “killing your darlings,” beating procrastination with consistent routines and much more.Topics include:Working with a fundraising specialist to raise a target budget of $400K“Agile filmmaking”: building momentum by shooting key exteriors ahead of producitonCasting strategy without star names and avoiding audience-misleading cameosTurning New York City into a story engine: LES & Williamsburg as living backdropWriting cadence & anti-procrastination: consistent daily blocks vs. burstsWhy the final rewrite is the edit - and planning

In this episode, I am joined by filmmaker Matthew Freiheit, whose career has spanned work with major artists like Wu-Tang Clan, Red Hot Chili Peppers, and Nicki Minaj - and who has now broken into feature filmmaking with his debut Iconic.Shot for just $40,000 in his Los Angeles apartment and across more than 25 locations, the feature film blends arthouse style with run-and-gun energy, and has already secured distribution.Throughout our discussion we cover:Transitioning from music and fashion projects to narrative filmmakingHow Matthew maximized limited resources to create a big-scope on a micro-budgetWriting around real locations and existing gear to stretch production valueDirecting while also DP’ing and editing - and how to balance those roles effectivelyTips for pre-lighting and shooting 6–8 pages per day without sacrificing qualityWhat it’s really like taking your debut feature to AFM The evolving role of AI tools in filmmaking and how Matthew is exploring themMuch moreLinks from the show:Matthew Freiheit

Filmmaker Emily Elizabeth Thomas joins me this week to break down the making of her debut feature film Keily: Homecoming Dweeb, a YA romance that bridges classic rom-com elements with bold visual experimentation.Emily shares how the project grew out of a Candy Jar–financed vertical web series, why she embraced an unconventional format to connect with Gen Z, and how she maintained her distinctive voice on both the series and the feature.We also dive deep into practical directing craft - from navigating budgets and production constraints to lens testing, working with young actors, rewriting on set, and keeping tone at the center of every decision. Topics include:Moving from commercials to narrative filmmaking by way of a vertical seriesWhy embracing nontraditional formats can expand your audience reachPractical strategies for navigating low budgets without sacrificing visionThe role of zoom lenses and lens testing in creating emotional storytellingBuilding authentic performances with young actors through collab

In this episode, I’m joined by director and photographer Dave Hill to discuss the making of his second feature film — a visually dynamic, deeply personal story shot with virtually no crew in the Arizona desert. All on the Blackmagic Pocket 4K.Throughout the interview we dive deep into Dave’s tactics and workflow, and explore how they empowered him to fully own the visual language of his film. Topics covered include:Why Dave ditched the traditional crew structure and shot entirely handheldHow the Blackmagic Pocket 4K + Micro Four Thirds sensor unlocked his styleThe pros and cons of running sound without a sound personLeveraging camera choice and post-production to mimic the 16mm film aestheticRecasting day players, last-minute locations, and other stories from setWhy low-budget filmmaking is actually a gift when paired with the right creative visionMuch more!Links from the show:Dave Hill – InstagramDave Hill – WebsiteSign up for my newsletter for exclusive filmmaking insight each Sunday.

In this episode, I’m joined by filmmaker Julian Sol Jordan to talk about his self-made debut feature Real Life — an 82-minute hybrid narrative-documentary that was shot, directed, edited, colored, and mixed entirely by himself.The film, which screened recently at the Texas Theatre in Dallas thanks to a generous grant from David Lowery, is a raw, poetic exploration of early adulthood, nostalgia, and the struggle to find meaning in your 20s.Throughout our conversation, Julian and I unpack the entire creative process, from rediscovering dusty VHS tapes in his attic to crafting a structure out of chaos with no script in hand. Topics covered include: How Julian shot 80% of the film alone using everything from a Blackmagic to an iPhone 4The value of embracing lo-fi footage and imperfections to elevate emotional truthWhy David Lowery funded the premiere and how their mentorship beganThe unexpected benefit of not writing a script — and when to start one next timeHow old home movies became the emotional anchor of the

In this episode, I am joined by DP Justyn Moro, whose cinematography career has included collaborations with artists like Jared Leto, Tom Delonge and countless others - and most recently has been shooting features and television at Tyler Perry Studios.Justyn shares the full scope of his creative journey—how he got started shooting music videos, learning cinematography on the road with Jared Leto, and making the leap into narrative storytelling on projects like Monsters of California and Beauty in Black. Topics covered include:Breaking into the film industry with zero connectionsShooting documentary and music video content with Jared Leto across the globeLessons from working on Monsters of California with Tom DeLongeTransitioning from music videos to narrative film & televisionJustyn’s approach to prep, lighting, and working fast on setCreative collaboration with directors and building a strong crew dynamicWhy a clear vision and openness to collaboration make the best directorsLinks from the show:Justyn Mo

In this episode, I am joined by filmmaker Felipe Vargas - whose viral horror short films helped him land his feature film debut Rosario.Throughout our discussion, we explore Felipe’s journey from DIY shorts to large scale feature productions and lessons learned along the way. Topics covered include: How Felipe's childhood passion for horror and folklore shaped his filmmaking styleThe success of his short films, including Milk Teeth which garnered 15 million views on YouTubeThe realities of getting representation and what comes afterHow his feature film Rosario came together after developing relationships with producersShooting across two countries (New York and Colombia) on a sub-$10 million budgetThe importance of being consistently productive and self-generative as a filmmakerUsing test screenings effectively and the value of planning for pickup shotsThe unique character-first approach Felipe uses to break down scripts and scenesLinks from the show:Felipe Vargas - InstagramSign up for my newsletter for excl

In this episode, I am joined by filmmaker Joe Burke to discuss his incredible journey making the feature film Burt for just $7,000. Executive produced by David Gordon Green, the film follows a street musician with Parkinson's disease who discovers he has a son.Throughout our conversation, we explore Joe's innovative approach to micro-budget filmmaking, including how he infused real-life relationships into the narrative. Topics covered include: How Joe cast his non-actor subjects in their first ever film rolesShooting an entire feature in 7 days with just a 3-person crewThe strategic use of black & white cinematography to elevate production valueCreating compelling narrative films without traditional scriptsNavigating 28 festival rejections before winning Best Picture awardsSelf-distributing via theatrical screenings while building community partnershipsLinks from the show:Burt The Movie - WebsiteJoe Burke - Instagram (@joeburkfilm)Sign up for my newsletter for exclusive filmmaking insight each Sunday.

In this episode, I am joined by filmmaker Christopher Folkens to discuss his debut feature film The Catalyst - a psychological thriller that was produced in just 8 shooting days.Throughout our discussion, we explore the unconventional production methods Christopher employed, including structured improvisation and a non-traditional shooting schedule.Topics covered include:Why Christopher chose to embrace structured improvisation with actorsHow they filmed nearly half the movie in a single nightCompleting a feature film in just 8 total shooting daysThe evolution from a 12-person proof of concept to a 7-person final castUsing obstacles as opportunities in low-budget productionThe benefits of having an editing background as a directorFinding the balance between having a plan and remaining flexible on setLinks from the show:Christopher Folkens - InstagramThe Catalyst Movie - InstagramSign up for my newsletter for exclusive filmmaking insight each Sunday.

In this episode, I am joined by filmmaker Clinton Cornwell to discuss his feature film 12 Months, which he shot over the course of two years (and 60 shooting days) in a style inspired by Richard Linklater's Boyhood.Throughout our conversation, we dive deep into Clinton's unique production approach and creative process. Topics covered include: Creating an improvised relationship drama shot over real timeWorking with a minimal crew (often just 3 people) across 60 shooting daysThe benefits and challenges of spreading production over two yearsFinding actors comfortable with improvisation and maintaining their commitmentBalancing structure and spontaneity in an improvised filmManaging 200+ hours of footage during post-productionThe advantages of being a "jack of all trades" filmmakerLinks from the show: 12 Months FilmClinton Cornwell - InstagramClinton Cornwell - Letterboxd Sign up for my newsletter for exclusive filmmaking insight each Sunday

In this episode, I am joined by filmmaker Nick Psinakis to discuss his journey creating four feature films with creative partner Kevin Ignatius and how they've developed a sustainable model for indie filmmaking.Throughout our conversation, we explore their evolution from DIY beginnings to community-supported productions, with special emphasis on how they've maintained high production value on micro-budgets. Topics covered include:Their progression from a $65K genre film to their newest feature, "Valley View Motel"Building strong community support in small-town Pennsylvania as a production baseMaximizing efficiency with minimal crew and strategic location planningCreative approaches to chronological shooting and managing weather variablesNavigating the ever-changing sales and distribution landscapeThe delicate balance between artistic integrity and commercial viabilityTheir post-production workflow and co-directing dynamicLinks from the show: 418 Films - Instagram Cheat - Watch on Amazon Prime Sign up for my n

In this episode, I am joined by filmmaker Vivian Kerr to discuss her journey from acting to directing and how she successfully brought her first two feature films to life without traditional industry connections. Vivian's debut feature, Scrap - a family dramedy starring herself alongside Anthony Rapp (Rent, Star Trek Discovery) - completed a two-year festival run spanning 43 festivals before its recent VOD release. She followed this quickly with her second feature, Seance, a psychological thriller that recently premiered at the Newport Beach Film Festival. Throughout our conversation, we explored:Vivian's background and transition from theater to filmmakingThe genesis of Scrap and its exploration of hidden homelessnessHow she leveraged a short film version of Scrap to secure feature financingUsing the equity crowdfunding platform WeFunder to raise the bulk of her financingManaging post-production on one film while doing a festival run with anotherThe genesis of Seance and writing a contained feature during th

In this episode, I am joined by filmmaker Ethan Hegel, who recently made his feature directorial debut with Purgatory Station after years of honing his craft behind the camera. Throughout the interview, Ethan shares his unique path to serving as director, DP, editor, and colorist on multiple feature films. Topics covered include:The importance of having a supportive network that encourages creative risk-takingHow color grading expertise deepened Ethan's cinematography knowledge.Adapting and improving someone else's screenplay while maintaining the core storyShooting an ambitious feature in just 7 days with minimal pre-production timePractical techniques for achieving convincing day-for-night and night-for-day lightingEffective methods for directing actors that focus on emotional motivationThe value of balancing self-sufficiency and collaboration in filmmakingLinks from the show: Ethan Hegel - Instagram Moving On - Short Film Purgatory Station - Prime Video Sign up for my newsletter for exclusive filmmaking in

In this episode, I am joined by actor/director Matt Cohen (Supernatural, General Hospital, Entertainment Tonight) and producer Sean Flanagan to discuss their innovative approach to making films in today's changing landscape.Throughout our conversation, we explore their upcoming feature Exes and animated series Public Domain, while unpacking their unique production model built on relationships, creative problem-solving, and maximizing resources.Topics covered include:Juggling 12+ projects in various stages of developmentThe importance of focusing on "evergreen" concepts vs chasing trendsAchieving high production value on ultra low budgets through strategic choicesThe value of maintaining morale and team spirit on low budget productionsFinding creative solutions to budgetary limitations rather than compromising qualityBuilding a sustainable model for independent filmmaking in today's marketMuch more!Links from the show:Matt Cohen - InstagramSean Flanagan - InstagramPublic Domain Series - InstagramPublic Domain

In this episode, I am joined by filmmaker Ernie Gilbert to discuss his work on A24's upcoming horror-thriller-comedy OPUS, which recently premiered at Sundance. Throughout our discussion, we explore Ernie’s creative process, his work in commercials & music videos, career building, and more. Topics covered include:The benefits of bringing editors on early in pre-productionEditing remotely while production is taking placeHow to maintain fresh eyes on long-form projectsBalancing work across features, commercials, and music videosThe transition from editing to directing and backBuilding relationships and collecting "merit badges" in the industryBest practices for managing conflicting creative notesLinks from the show: Ernie Gilbert - WebsiteErnie Gilbert - Instagram Sign up for my newsletter for exclusive filmmaking insight each Sunday

In this episode, I am joined by filmmaker Rob Smat who shares his experience transitioning from the $100,000 feature film The Last Whistle to a $10,000 documentary Walkout, and the valuable lessons learned along the way.Throughout our discussion, we explore the realities of micro-budget filmmaking and distribution through the lens of both projects. Topics covered include:• How scaling down production increases creative control• Working with traditional distributors vs. self-distribution platforms• Marketing & AVOD strategies for micro-budget films• The importance of building a sustainable filmmaking career• The value of making multiple films vs. betting only on one project• Finding success through grassroots marketing and community outreachLinks from the show: Film Collaborative's Distributor Report Card BitMAXWatch Walkout - Available on iTunes, Google Play, and other digital platformsWalkout Companion Podcast - Available on all podcast platformsSign up for my newsletter for exclusive filmmaking insight

In this episode, I am joined by film editor Stefania Dulowski to discuss her work on the Sundance dramatic competition feature film Bunny Lover. We dive deep into her editorial process and explore the tactics she used to pull off an amazing edit in record time.Topics covered include:Completing a first cut in just one monthNavigating test screenings and filmmaker feedbackThe importance of technical skills and communication in editingEditorial workflow breakdown from dailies review to final cutBalancing creative vision with practical constraintsLinks from the show:• Stefania Dulowski's Website• Stefania Dulowski's Instagram• Sign up for my newsletter for exclusive filmmaking insight each Sunday

In this episode, I am thrilled to be joined by actor and filmmaker Samantha Scaffidi, known for her role in the massively successful Terrifier franchise, and her upcoming short film Open Your Eyes.Thought the episode, Samantha offers a unique perspective on independent filmmaking from both sides of the camera. We unpack how the Terrifier films evolved from a $30,000 micro-budget horror film to a $2M theatrical blockbuster, while maintaining its independent spirit - thanks to director Damien Leone's uncompromising vision.We also explore the realities of modern independent filmmaking, the importance of artistic integrity, and why sometimes less resources can lead to more creative freedom. Samantha shares insights from her experience both acting in micro-budget productions and directing high-end commercials, ultimately explaining why she chose to return to her independent filmmaking roots.Topics covered include: How Terrifier evolved from a $30K first film to a $2M third installmentThe crew behind the original T

In this episode, I am joined by director Misha Calvert and actor Raye Spielberg to unpack their latest short film PINK FLAGS - a figure skating drama that stars both Raye and her husband Sawyer Spielberg.Throughout our discussion, we dive into the collaborative process at length, with special emphasis on the merits of working with close friends and family. Topics covered include:Misha's journey from directing comedy & TV to making a full scale short filmTurning a $50K budget into $300K of production valueRaye's three months of figure skating training & how it helped set this film apartThe dynamics of actor-director workflows when working with friendsBenefits of short films vs. long form projectsMuch more!Links from them show:Misha Calvert - InstagramMisha Calvert - WebsiteMisha Calvert - ClassesRaye Spielberg - InstagramRaye Spielberg - WebsiteSign up for my newsletter for exclusive filmmaking insight each Sunday.

In this episode, I am joined by filmmaker Shannon E. Brown, here to discuss her latest short film Overnights - inspired by her real life experience in the veterinary industry, and the burnout that it caused.Shannon combined her background in the veterinary world, improv comedy, and horror sensibilities to create a deeply personal, uniquely stylized short film. Throughout the interview, we discuss:The parallels between comedy and horror genres in filmmakingProducing the film in two days in a borrowed dental officeWorking with Little Shop of Gore for practical effectsWriting from real experiences in the veterinary industryStrategic approaches to film festival submissionsExperiences at notable genre festivals like Panic FestWorking with comedy performers in dramatic rolesMuch more!Links from the show: Overnights - Short FilmShannon E. Brown - InstagramShannon E. Brown - WebsiteSign up for my newsletter for exclusive filmmaking insight each Sunday.