Big Screen

Sicario 2 pushes the boundaries of what an action film can be, but never quite hits the mark it sets for itself.

Marvel, move over. I Kill Giants is a comic book movie for people who don't like comic book movies.

For a movie about animated dogs, Wes Anderson's latest is surprisingly political.

The latest Palm d'Or winner is a Palm d'Bore.

Greta Gerwig's debut is an irreverent, charming coming-of-age story that will have you calling your parents as soon as the credits roll.

Warwick Thornton's Outback Western is a brilliant demonstration of how important it is to have representation in film.

Studio Ghibli protege Hiromasa Yonebayashi stumbles with his first film at his new company.

FBi's resident film buff James Ross talks Star Wars and blockbuster film-making in the modern era.

Supernatural revenge and absurdist humour go hand in hand in this modern retelling of a Greek myth. It's super weird, but strangely rewarding.

Kathryn Bigelow's visceral portrayal of the 1976 Detroit riots is a pointed exploration of race relations in the U.S.

Ali's Wedding is like The Castle for the 21st Century. It's fun, idiosyncratic, and has a tonne of heart. This one's going straight to the pool room.

It's Ocean's 11 without the glitter - but keeps the heart of great heist movies.

Marvel's reboot firmly embeds Spider-man in the Marvel Cinematic Universe, without losing it's Spider-identity.

Gru and the Minions are back in this fun but considerably less Despicable threequel.

The terrifying new feature from Aussie director Ben Young is everything James Ross doesn't want in a film. That might be why genuine horror fans are loving it..

You can't stop the music in this irreverent sequel. Once again, the Guardians of the Galaxy deliver the goods.

No one is innocent in Martin Zandvliet's tense new Oscar-nominated war film.

At the height of the controversy around Trump's immigration ban, Asgar Farhadi has released a film that is everything Trump isn't - quiet, complex, and thoughtful. James Ross reviews the 2017 Best Foreign Language Oscar.

Martin Scorsese's ode to Japanese cinema is a quiet contemplation on faith. It just runs a half hour too long, and probably shouldn't star Andrew Garfield.

Vin Diesel plays Xander Cage like he's playing Dungeons & Dragons. And that's fine by FBi's resident film critic James Ross.